Dance Commons^™

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Spring Dance Concert (April 19-21, 2018), Lindenwood University

Student Dance Programs & Brochures

No abstract provided.

Male Gaze Theory And Ratmansky: Exploring Ballet’S Ability To Adapt To A Feminist Viewpoint, Gillian T. Ebersole

Dance Department Best Student Papers

No abstract provided.

Chance Isn’T Always Random: How “Chaos” Led To Modern Structure, Celine Chai

Dance Department Best Student Papers

No abstract provided.

Planning A Year End Formal, Anna Volkman

Honors Theses

The intended outcome of this project was to create an event not only to celebrate the successes of the Department of Dance at Western Michigan University, but also to gain visibility for the student-ran organization, Orchesis Dance Society while emphasizing the power art has to unify communities. This project is an example for the organization and the Department of Dance as to how events like this are important for visibility, community involvement, and the celebration of art’s power. I created a year-end formal as an example of how art brings communities of people together and should be celebrated in order …

Strange Labor: Toward The Non-Expression Of Feelings Themselves, Nevarez G. Encinias

Theatre & Dance ETDs

This essay accompanies the researcher’s Master of Fine Arts thesis concert, Sensaciones y emociones (performed on September 5 and 6, 2017). It describes how he employed his training as a flamenco dancer to choreographically model three non-expressive interactions with three discrete feelings in the performances of this concert. The essay outlines the ways in which the researcher used his art practice to imagine alternative strategies for relating to emotions and sensations, as phenomena that might put a body in motion, but that do not always or necessarily travel from inside of a feeling subject, outward, in an act commonly called …

Holding On/Letting Go: Situating Trauma And Memory In Theatrical Spaces, Caroline T. Graham

Theatre & Dance ETDs

In this essay, I review my development as a playwright in the MFA Dramatic Writing program and examine the shifting, overlapping goals of playwright-as-educator and playwright-as-entertainer. In Part One, I position my academic exploration of trauma in relation to ethics in journalism, embodied knowledge, and intersectional feminism and outline my creative experiments in staging trauma through the process of witnessing, retelling, and abstraction. In Part Two, I detail the artistic and personal roots of my dissertation play, The Great Maverick Adventure of 2007, and the structural and dramaturgical tools I employed to rebuild a sense of play and theatricality …

Written With Love: An Interpretation Of Love Stories Through Movement And Emotion, Olivia Crawford

Undergraduate Distinction Papers

What is love? People all over the world have different stories pertaining to this phenomenon, but do the experiences in our personal lives stop us from understanding the experiences of others? Although it may be difficult to see other points of view besides, it is possible to connect to stories that are not our own. The purpose of this study is to assess how people perceive and connect to different love stories, and how these perceptions differ between those in the fine arts and those in the arts & sciences. Participants in this study will be exposed to a dance …

Making Of Nationalistic Dance: Agrippina Vaganova And Choi Seung-Hee, Angela Kim

Graduate Dissertations and Theses

This thesis applies nationalism theories from Eric Hobsbawm's Inventing Tradition and Benedict Anderson's Imagined Communities to show how Agrippina Vaganova and Choi Seung-hee's dances became their nation's representative dance forms. Agrippina Vaganova's Modern Russian Ballet and Choi Seung-hee's Sinmuyong (New Dance) made significant impacts in their respective countries in the twentieth century by each becoming a systematic dance form that became synonymous with the nation. This thesis argues that Agrippina Vaganova's Modern Russian Ballet and Choi Seung-hee's Sinmuyong (New Dance) became their nation's representative dance forms due to interactions between performance, social changes, and discourses of media. These, along with …

Providence College Department Of Theatre, Dance & Film Spring Semester 2018 Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Spring Semester 2018

Ua12/2/2 2018 Talisman: Grit, Wku Student Affairs

WKU Administration Documents

2018 Talisman yearbook.

• Gibson, Helen. Grit
• Zambrano, Max. Cash Cows – Chaney’s Dairy Barn
• Holt, Delaney. A Quarry Story – White Stone Quarry, Caden Quarry
• McKee, Rylee. Beautiful Grit – BellaMoxi, Dance
• Voorhees, Jessica. Digging Deep – Jean-Luc Houle, Anthropology
• Lucas, Kaley. Black Mountain
• Edwards, Aly. Roots of Stigma – McKenna Vierstra, Jordan Frodge, Max Williams, Robin Farrell
• Eastham, Lillie. Grab ‘Em by the Ballot – Time’s Up Movement
• McCarthy, Hannah. Flesh Memories
• Barritt, Brooklyn. Making a Place at the Table – Dungeons & Dragons
• Gary, Summer. For Adoption: Unwanted Mutt
• Waters, Adrianna. For the Love of Creation – Art …

Review Of "La Querelle Des Pantomimes: Danse, Culture, Et Société Dans L'Europe Des Lumières" By A. Fabbricatore, Olivia Sabee

Dance Faculty Works

No abstract provided.

Art Infested Water, April 2018, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

Thoroughly Modern Millie, Otterbein University Theatre And Dance Department

2017-2018 Season

The year was 1922 and to live in Manhattan meant, for many, an era of wild optimism, carefree abandonment of antiquated social constraints and for women, unprecedented advancement in how they were perceived by those around them. Everything was lovely and in this age of liberated sensibilities, our heroine, Millie Dillmount enters with just such a need to rewrite her personal narrative. Thoroughly Modern Millie is, to me, a valentine to optimism and a love letter to love itself.

Thom C. Warren, Director

A Written History Of The Western Michigan University Department Of Dance, Amy Russell

Honors Theses

This historical, introspective telling of the Western Michigan University’s Department of Dance examines its development in relation to dance in higher education and dance across the United States. An analysis of the development of dance at Western Michigan University in comparison to other universities and the dance field was conducted by studying professional influences in the field and evolving social, educational, and industry trends. Research from texts written by respected dance scholars was collected, and trade journals were consulted for information regarding current trends in the dance field. Archival research at the Western Michigan University Zhang Legacy Collections Center: Archives …

Email From Emily C Clark To The Tdf Production Office, Emily C. Clark

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Email forward from Emily C Clark to the TDF production office: Dance Co. auditions, Thursday, January 25 - Come dressed to MOVE!

Monday, March 26, 2018

Art Infested Water, March 2018, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

Winter Dance Concert (February 22-24, 2018), Lindenwood University

Student Dance Programs & Brochures

No abstract provided.

Why We Must Die So Young: The Story Of The White Rose Martyrs

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Why We Must Die So Young: The Story of the White Rose Martyrs by William Gebby.

Performed February 23-25, 2018 at the Mitchell Theatre.

During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent. The TU …

Art Infested Water, February 2018, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.