Introduction To “The Movement's Voice",
2018
Loyola University Chicago
Introduction To “The Movement's Voice", David Callaghan, Ann M. Shanahan
Department of Fine & Performing Arts: Faculty Publications and Other Works
No abstract provided.
Self-Generated Notations: A Suggested Methodology Of Introducing Movement Literacy,
2018
Kibbutzim College, Tel-Aviv
Self-Generated Notations: A Suggested Methodology Of Introducing Movement Literacy, Shlomit Ofer
Journal of Movement Arts Literacy Archive (2013-2019)
The purpose of this paper is to present a method aimed at enabling the acquisition of movement literacy in a communicative-creative manner that does not require long-term expertise. The paper opens with a brief history and description of Eshkol Wachman Movement Notation (EWMN), followed by a discussion of the notion of Movement Literacy and its defined components–conceptualization, representation and kinesthetic performance, as have emerged within the EWMN system. Two additional educational ideas are also mentioned–the constructionism and the independent development of visual representations by learners. Together, these ideas establish a theoretical background for a non-formal study, in which dance-teaching students …
New Identities New Voices: Introducing The Choreographer-Notator,
2018
Moorpark College
New Identities New Voices: Introducing The Choreographer-Notator, Beth Megill
Journal of Movement Arts Literacy Archive (2013-2019)
In this practitioner’s perspective paper, the author discusses an experience in which she notated a piece of her choreography using a combination of Labanotation and Motif Notation with the intent of setting the repertory from the score on a group of contemporary dancers, who had never read notation before. She explains her goals as a choreographer and notator proposing a fused creative identity, the Choreographer-Notator. This paper describes how the process of drafting the score and then teaching from the score provided new insights into her work and her identity as a dance artist. The paper concludes with the demands …
Writing Dance: Reflexive Processes-At-Work Notating New Choreography,
2018
The Ohio State University
Writing Dance: Reflexive Processes-At-Work Notating New Choreography, Valarie Williams
Journal of Movement Arts Literacy Archive (2013-2019)
The experiences of the notator-at-work are a continuous learning event based on personal discovery, reflection, and trial and error. When in the process of notating a newly created work notators often become engaged with the dance on a unique level compared to the times when they are notating works already in existence. This article examines the notator experience alongside the choreographic process of Bebe Miller, from a case study perspective. Using one instance of Miller’s choreographing Prey (2000) and the notator’s documentation of Miller’s dance, the side by side collaborative processes of the notator-at-work and choreographer-at-work are examined providing a …
Processing Emotional Expression In The Dance Of A Foreign Culture: Gestural Responses Of Germans And Koreans To Ballet And Korean Dance,
2018
German Sport University Cologne
Processing Emotional Expression In The Dance Of A Foreign Culture: Gestural Responses Of Germans And Koreans To Ballet And Korean Dance, Zi Hyun Kim, Hedda Lausberg
Journal of Movement Arts Literacy Archive (2013-2019)
Artistic dance differs between cultures with regard to the formal movement repertoire and methods to represent dancer's emotions. The present study explores how differently the spectators perceive the dance scenes of their own and foreign cultures. We showed German and Korean participants sad and happy dance scenes of the French ballet Giselle and Korean dance Sung-Mu. To learn the perceived thoughts and feelings of the participant from the dance scenes, we analyzed the frequency of their hand movements and gestures, which were accompanied by verbal descriptions of the participant's appreciation immediately after observation of the dance stimuli. The videotaped …
Notating Dances From Films: A Method In Hungarian Ethnochoreology,
2018
Hungarian Academy of Sciences Research Centre for Humanities
Notating Dances From Films: A Method In Hungarian Ethnochoreology, János Fügedi
Journal of Movement Arts Literacy Archive (2013-2019)
Achievements of Hungarian ethnochoreology are due in large part to results of processing fieldwork data primarily using dances captured on films. Hungarian dance researchers historically have focused on notation as the primary tool for conducting analysis of traditional Hungarian dances. After a short review of how Laban’s kinetography achieved the status of the appreciated tool in the Hungarian dance research methodology, the author details the advantages of notating dances from films, but also the possible obstacles to which the notator may face when the only means of movement information is the moving picture. Best practices for doing notation analysis from …
The Creation Of Traditional African Dance/Music Integrated Scores,
2018
Pan African Performing Arts
The Creation Of Traditional African Dance/Music Integrated Scores, Doris Green
Journal of Movement Arts Literacy Archive (2013-2019)
African dances are among the oldest dance traditions in existence; their structure is uniquely different because the movement therein is inseparable from the music that governs the movements. The music is associated with the spoken language of the people, which makes it virtually impossible for outsiders to comprehend the music of different African countries. In Africa there is no dance that is not accompanied by some form of music from the voice to orchestras of different percussive instruments. For centuries the dance/music of African people has been passed between generations by a mouth to ear process. Any society that is …
Voices Of Notators: Approaches To Writing A Score--Special Issue,
2018
Loyola Marymount University
Voices Of Notators: Approaches To Writing A Score--Special Issue, Teresa L. Heiland
Journal of Movement Arts Literacy Archive (2013-2019)
In this special issue of Voices of Notators: Approaches to Writing a Score, eight authors share their unique process of creating and implementing their approach to notating movement, and they describe how that process transforms them as researchers, analysts, dancers, choreographers, communicators, and teachers. These researchers discuss the need to capture, to form, to generate, and to communicate ideas using a written form of dance notation so that some past, present, or future experience can be better understood, directed, informed, and shared. They are organized roughly into themes motivated by relationships between them and their methodological similarities and differences. …
Oklahoma!,
2018
Otterbein University
Oklahoma!, Otterbein University Theatre And Dance Department
2018 Summer Theatre
Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. …
Women On The Floor: A Study Of Feminism In Modern Dance History,
2018
Western Kentucky University
Women On The Floor: A Study Of Feminism In Modern Dance History, Hannah Mccarthy
Mahurin Honors College Capstone Experience/Thesis Projects
Modern dance evolves everyday with new movement ideas, styles, and teachings. Not only can modern dance be new and innovative, but it can also be a mirror reflection of the current time period. It is an art form often used to make a social statement. It can become a discussion of the past, present, or future. Modern dance informs its audience through an intent chosen by the choreographer or dancers. The intent varies depending on time, space, emotion, and myriad other conditions. My studies will examine how the different periods of modern dance aligned with the waves of the feminist …
Art Infested Water, May 2018,
2018
Nova Southeastern University
Art Infested Water, May 2018, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
What Is The Experience Of Creating My Own Dance Style?,
2018
Dominican University of California
What Is The Experience Of Creating My Own Dance Style?, Jesse Bodony
Senior Theses
Through processes of self-inquiry and external inquiry, this heuristic project rigorously investigates the question: What is the experience of creating my own dance style? In exploring the phenomenon of creation, in understanding my own movement with increasing depth and awareness, in articulating my processes and procedures, I hope to create new knowledge both for myself and those with whom it resonates.
Childhood Development: How The Fine And Performing Arts Enhance Neurological, Social, And Academic Traits,
2018
East Tennessee State University
Childhood Development: How The Fine And Performing Arts Enhance Neurological, Social, And Academic Traits, Katherine Rowe
Undergraduate Honors Theses
Abstract
Childhood development has always been a major topic when studying psychology and biology. This makes sense because the brain develops from the time a child is conceived to the time that child has reached around the age of twenty-seven. Doctors, psychologists, and sociologists look at numerous things when studying childhood development. However, how common is it for researchers to study how the fine and performing arts affect childhood development? Sociologists tend to be extremely open and mindful of all aspects of things such as culture, sexuality, religion, and even age. By taking a sociological standpoint when studying the arts …
Speech-Language Pathologist's Perspectives On The Efficacy Of Bilingual Education Programs In South Texas Public Schools For English As A Second Language Learners,
2018
The University of Texas Rio Grande Valley
Speech-Language Pathologist's Perspectives On The Efficacy Of Bilingual Education Programs In South Texas Public Schools For English As A Second Language Learners, Alexandra Rosas
Theses and Dissertations
Current research in regard to the assessment and treatment of ESLs is limited. Other problems found within the school setting, is that fact that SLPs have very limited resources and large caseloads. Hence, the fact that previous studies have found that SLPS working the school setting do not feel competent in serving ESL students.
The aim of this study is to investigate the efficacy of bilingual programs and explore the factors that impact English as a second language learners (ESLs), in public schools across the Rio Grande Valley. School based speech-language pathologists were surveyed for information concerning their perceptions and …
The Effects Of Dance Therapy On Voice In Patients With Parkinson's Disease In A Multicultural Population,
2018
The University of Texas Rio Grande Valley
The Effects Of Dance Therapy On Voice In Patients With Parkinson's Disease In A Multicultural Population, Ivon N. Ramirez
Theses and Dissertations
Current literature suggests that dance therapy in individuals with Parkinson’s disease shows noticeable improvement in motor functions, for example gait and balance improvement. Additionally, patients with Parkinson’s disease who participate in dance therapy may perceive positive benefits on their quality of life. Therefore, it is believed that increases in core support and improvements in posture, as a result of dance therapy, will have effects on the voice in patients with PD.
This thesis pulls from literature supporting treatment approaches in the field of speech-language pathology for voice patients with Parkinson’s disease. The aim of this study was to evaluate the …
Storytelling Through Movement: An Analysis Of The Connections Between Dance & Literature,
2018
East Tennessee State University
Storytelling Through Movement: An Analysis Of The Connections Between Dance & Literature, Zoe Hester
Undergraduate Honors Theses
Movement and storytelling are the links between past and present; both dance and literature have the same artistic and primal origins. We began to dance to express and communicate, to worship and feel. We tell stories for the same reasons: to learn from the past and to be able to communicate in the present.
This work explores the many connections between literature and dance through examinations of six dance forms: Native American, Bharatanatyam, West African, Ballet, Modern, and Post-Modern dance.
Spring Dance Concert 2018 Playbill,
2018
Providence College
Spring Dance Concert 2018 Playbill, Providence College
Playbill and Promotion
Providence College Dance Company
Spring Dance Concert 2018
Student Choreography Showcase
Friday, April 27, 7:30PM
Saturday, April 28, 2:00PM
DIRECTOR: Dr. Wendy Oliver
LIGHTING DESIGNERS
Tim Brown ’20
Thomas Edwards ’20
We’ll Be Okay
Choreographer: Abby Raser
Music: “All At Once” by The Airborne Toxic Event featuring The Calder Quartet
Dancers: Alanna Daley, Caroline Mallon, Erin McDonald. Deirdre McMahon, Samantha Oakley, & Abigail Raser
What Kind of Man
Choreographer: Maria Fonts
Music: “What Kind Of Man” by Florence + the Machine
Dancers: Maria Fonts, Meghan Frazier, Emma Lederer, Kaitlin McGovern, Jaime Podracky, & Anna Sabo
Care About Us
Choreographer: Samantha …
Spring Dance Concert 2018 Poster,
2018
Providence College
Spring Dance Concert 2018 Poster, Providence College
Playbill and Promotion
Providence College Dance Company
Spring Dance Concert
Student Choreography Showcase
Friday, April 27, 7:30PM
Saturday, April 28, 2:00PM
Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical,
2018
Taylor University
Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical
Taylor Theatre Playbills
The playbill for Taylor University’s performance of Disney and Cameron Mackintosh’s Marry Poppins: The Broadway Musical.
Performed April 27-29 and May 4-6, 2018 at the Mitchell Theatre.
Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren't the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the …
Shake My Hand,
2018
University of San Francisco
Shake My Hand, Karenna R. Versalovic, Whitney Bagley, Linwan Lewis, Sarah Hoffman, Vernae Gallaread, John Hammond, William Bernick, Clifford Phillips
Creative Activity and Research Day - CARD
The purpose of this project is to explore the inevitable intertwining of the worlds of dance and disability. It investigates what can happen when a group of people of all abilities use movement as a source of connection. This project was based on a nine minute dance piece created over a seven month period with rehearsals once a week for three hours sessions. The final piece consisted of seven dancers, five of whom had intellectual and developmental disabilities. The performance utilized improvisation, discussions, choreography, and contact work as tools for the creative process. The intent of the piece was to …
