Acting Commons^™

Lights, Camera, Acting! A Collaborative, Interdisciplinary Approach To Basic Filmmaking, Jessica Maloney, Chris Nelson

Communication and Theater Association of Minnesota Journal

No film studio? No problem! This activity is designed to introduce basic concepts of filmmaking across disciplines such as theatre and communications, but could be used by either. It includes an emphasis on acting as well as the technical processes and procedures on set. We have geared this activity specifically towards use in a cross-listed class in Communication and Theatre Arts.

D2.09 Cultural Activity: Borges Posthumous Interview, Carlos Uncal, Courtney L. Self, Cristo Leon

10mo Coloquio Internacional de Estudios sobre Juegos de Rol

Descripción del evento: Actividad cultural transdisciplinaria que combina teatro, entrevista performativa e improvisación para presentar un encuentro imaginario con Jorge Luis Borges. La sesión inicia con una conversación guiada sobre literatura fantástica, mitología, filosofía, religión, historia y creación literaria. Posteriormente, el público podrá formular preguntas espontáneas y proponer palabras o frases que servirán como punto de partida para la improvisación de poemas originales. La actividad explora la relación entre interpretación teatral, participación del público, memoria cultural y creación colaborativa.

Event description: This transdisciplinary cultural activity combines theater, performative interviewing, and improvisation to stage an imagined encounter with Jorge Luis Borges. …

“Anything Can Have Life”: An Interview With Everett Quinton About Charles Ludlam’S Ridiculous Puppetry, Jungmin Song, John Bell, Everett Quinton

Ballard Institute Publications

This Ballard Institute and Museum of Puppetry conversation, via Zoom, with

Everett Quinton, Dr. John Bell, and Dr. Jungmin Song was recorded March 21,

2021, and edited by Tom Tuke and John Bell. Everett Quinton (1952-2023) was an

actor, director, and—after the death of his partner Charles Ludlam (1943-1987)—

the leader of the Ridiculous Theatrical Company, the landmark ensemble which

helped define queer theater in the late 20th century. While mostly known for his

acting, playwriting, and directing, Charles Ludlam was also an active puppeteer

and ventriloquist. Many of his puppets are now part of the Ballard Institute and

Museum …

The Parent Trip, Jessie Daniels

Publications and Research

This one-hour solo show propels the audience from 1970s Texas to 1990s New York City. In this hilarious and heartbreaking story, Jessie Daniels tells what it means to be raised to become a 'nice white lady.' When she rejects that to embrace the magic of queerness under a disco ball, she decides to write about it, and nearly loses everything.

Glory, North Dakota State University--Fargo

Promotional Material and Program

It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …

Glory, North Dakota State University--Fargo

Dramaturgy

It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …

Reading Exercise (You Are The Hero): Dedicated To The Providence River Under The Mall, 02.17.2026, Deborah Fischer

Masters Theses

This play uses the performative potential of guilt, forgiveness, and self-help techniques as a catalyst for a new dynamic, one in which the pursuit of a false narrative, along with the structures it generates, becomes more real than reality itself. It employs “bad acting” and the practice of cold reading to stage a series of acts that function as an entry point into one’s own psyche, leveraging the peripheral space around familiar actions to allow chance, free will, and the experience of “real time” to temporarily come into effect. PLAYER 1: The bad actor is the most utopian one. CLOWN: …

A Puff's Exploration Of Wayne Hopkins, Ethan G. Mullen, Leon Wiebers

Honors Thesis

This thesis is a synthesis of modalities I have studied during the course of my Theatre Arts degree, applied to the realization of the principal character, Wayne Hopkins in the award-winning play Puffs (Or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic) a LMU Theatre Arts Department production. This work is divided into three major sections. First, I reflect on how I applied acting tools I have studied at LMU to the development of my character and performance. These include script analysis, story structure analysis, breath work, and Viewpoints training. Second, I share media displaying my …

Theatrical Roles: An Introduction To Theatre, Gibson A. Cima

Faculty Books & Book Chapters

 

Theatrical Roles: An Introduction to Theatre is an open educational resource (OER) created by Gibson Alessandro Cima for Introduction to Theatre at Northern Illinois University. Published through the Humanities LibreTexts platform under a Creative Commons CC BY 4.0 license, the textbook is designed as a free, accessible alternative to traditional introductory theatre textbooks.
Rather than organizing theatre history around a conventional Western canon, the OER approaches theatre through the major collaborative roles involved in production: playwright, director, performer, designer/technician, and audience. The structure emphasizes theatre as a collective human practice rather than a linear history of great men and canonical …

A Room Of One’S Own: Understanding Feminism In A Dance Theatre Context, Eden A. Wilson

Theatre Undergraduate Honors Theses

This creative thesis project examines how the elements of dance theatre can be applied to existing literature. Through process-based research, I explore how movement can physicalize the feminist concepts of Virginia Woolf’s A Room of One’s Own surrounding the financial and creative constraints of female expression. This project aims to prove the effectiveness of the body as a source of feminist exploration through creating a new lens of interpretation of Woolf’s literature.

Some Things Never Change, Ryely Rogers

Honors College Theses

Some Things Never Change is a coming-of-age play that explores the intersection of memory, identity, nostalgia, faith, and the process of growing up. The play follows two versions of the same character: Young Ryann and Older Ryann. Young Ryann is the eleven year old version of Older Ryan, the young woman she grows to become. This play was born from my own interest in how identity evolves and continues to shape us through adulthood. Some Things Never Change is the culmination of my own experiences, broader themes of self-discovery, and the science behind nostalgia. Through this play I uncover the …

Accessible Theatre In The Face Of Transition: A Collaborator's Journey Through Sarah Ruhl's Orlando, Ty R. Robbins

LSU New Orleans Theses and Dissertations

This thesis discusses the various types of accessibility observed in practice during a production of Orlando by Sarah Ruhl at the University of New Orleans. Throughout

the chapters to come, I will focus on gathering theatrical dramaturgy, my process as a company

actor, the successes and setbacks of accessibility in theatre, and reflections from community

artists on how they view accessibility in the workplace. I will evaluate my findings and those of

fellow theatre makers to outline the strengths and weaknesses of accessibility in relation to

collaboration in theatre, an art form that is continually given a cold shoulder in …

The Boys From Syracuse, Richard Rodgers, Lorenz Hart, George Abbott

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Boys from Syracuse with music by Richard Rodgers, lyrics by Lorenz Hart, and the book by George Abbott.

Performed April 23-26, 2026 in the Mitchell Theatre at Taylor University.

The Boys from Syracuse by Rodgers and Hart is based on the play The Comedy of Errors by William Shakespeare, likely written in the late 16th century. As is common for many Shakespearean plays, he adapted an older story, Plautus' Menaechmi, into his classic farce about two sets of twins, separated by a tragic sea accident, who find each other after many …

Sunday In The Park With George Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

Sunday in the Park with George, Music by Stephen Sondeim, Book by James Lapine

April 17th - 26th, 2026

Sunday In The Park With George Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

Sunday in the Park with George, Music by Stephen Sondheim, Book by James Lapine

April 17th - 26th, 2026

Director, Dan Foster

Music Director, Dr. Eric Melley

Lighting Design, Jessica Winward

Sound Design, Gabriel Luxton

Movement, Nina Kossler

Voice & Dialect, Megan Chang

Scenic Design, Trevor Elliott

Costume Design, Jessie Darrell Jarbadan

Hair/Makeup Design, Michael Dates

Voice Coach, Elizabeth Heath

Assistant Director, Lia Chernysh

Cast: Jade Bocciarelli - Celeste #2/Elaine; Jack Cormier - Jules/Bob Greenburg; Claire Dancause - …

Use Your Voice, St. Mary's University Theatre Department

Theatre

Use Your Voice is a play devised by Dr. Grace Edgar and her students in the Theatre for Change & Social Justice course at St. Mary's University during the Spring 2026 semester. Acts: Lower the Ceiling; Did You Love Him?; Dad, Let Me in; Cartel Assassination; Two Towns; Paperball of the Past; Whale Noise; The Alysa Liu Moment; Since I Was Little; Lake House; The Dow Right Now; Cobbler

Eurydice, Sarah Ruhl

Taylor Theatre Playbills

The playbill for Taylor University's performance of Eurydice by Sarah Ruhl.

Performed February 20-22, 2026 and February 27-March 1, 2026 in the Mitchell Theatre at Taylor University.

Eurydice, written by Sarah Ruhl, retells teh familiar myth of Orpheus - but this time, the story unfolds from Eurydice's perspective. That shift matters. Instead of centering heroic rescue, the play centers interior experience: grief as it is felt, memory as it flickers, love as it is complicated by loyalty, doubt, and longing. By allowing Eurydice to be the narrative voice, the play asks us to inhabit loss from the inside rather …

A Crown In Death: An (Expanded) Dramaturgical Approach To The Trojan Women Of Euripides, Stephanie Lester

Montview Journal of Research & Scholarship

In the action-packed, visually-oriented market for modern media, some may assume a 2,400-year-old Greek tragedy to be slightly past its expiration date, especially if it features little to no action onstage like in Euripides’ The Trojan Women. However, it is important to remember that literature is lost when the world fails to cherish it, so if a text survives that long, it may be worth another cursory glance. In this case, that glance involved a full dramaturgical study featuring qualitative script analysis of multiple translations of The Trojan Women with related texts to explore context, themes, common literary devices, and …

Translations Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

The Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

Translations by Brian Friel

February 5 - 8, 2026

Director, John Garrity

Costume Design, Maxine Wheelock

Sound Design, Stuart Holland

Voice & Dialect, Megan Chang

Scenic & Lighting Design, Carl Gudenius

Intimacy, Erin Joy Schmidt

Properties Design, TDF Production Team

Cast: Hugh - Ricky Waugh; Manus - Andrew Auclair; Owen - Luke MacDonald; Jimmy - Alan Santee; Doalty - Anthony Maldonado; Yolland - Jack Cormier; Lancey - Gabriel Joseph; Maire - McLain Ward; Bridget - Julia Lawson; Sarah - Isabel Sullivan

Translations Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

The Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

Translations by Brian Friel

February 5 - 8, 2026