Aesthetics Commons^™

Fentanyl: Social Somanaesthetic, Valery Vino

Contemporary Aesthetics (Journal Archive)

No abstract provided.

A Mute Pleasure: Novelistic Poetics In The Nineteenth-Century, Ryan Everitt

Dissertations, Theses, and Capstone Projects

Through special attention to the non-narrative, descriptive, lyrical, or even boring passages that interrupt the story, this dissertation explores what happens when the nineteenth-century British novel envelops experiences that were traditionally (or since Romanticism) in the domain of poetry: longings for escape, exhilarating affects of freedom, opaque moments of revelation. In most cases, I characterize the novel discourse as representing a prosaic consciousness that wrestles with its more visceral yet vital “other,” poetic consciousness. To articulate how poetry survives within novelistic discourse, this dissertation is organized around sets of opposing terms, whose unresolved tension becomes the basis of my analysis …

To Which We Return, Marianne Koleng

be Still

This work is an attempt to reconcile the vibrance of life as evidenced by the colorful collage and bismuth crystal with death, which is portrayed by a somber skull emerging from an aorta and ventricles of a human heart. Understanding the temporal nature of our existence is key to subtle references to beauty and imperfection latent in the background of this image to cue the idea of beauty in life and death to the viewer.

Black Horror Film And The Role Of Mood In Race Perception, Nicholas P. Whittaker

Dissertations, Theses, and Capstone Projects

Contemporary discussions of black or antiracist art are often haunted by an air of pessimism. This pessimism rests on the intuition that art cannot change the political realities of antiblackness and/or our relationships with blackness. In this dissertation, I resist this hegemonic view by arguing that black horror films generate a particular, politically-valuable aesthetic experience. Specifically, they allow us to experience blackness and black people as unintelligible. This, I argue, runs counter to everyday experience of blackness; when blackness appears unintelligible, we lose the sense of satisfied comprehension that characterizes our everyday experiences of it. I argue that these films …

Black Bodies In White Spaces: Considering The Black Female Ballet Dancer In South Africa, Devon Bailey

Contemporary Aesthetics (Journal Archive)

Considering apartheid in South Africa and the resistance that black (dancing) bodies were met with in white (ballet) spaces, there are clear, prevailing effects of the male gaze on how the bodies of black, female dancers are perceived in the arts. In this paper, I argue that the neglected and overlooked black female/oppositional gaze presents a strong challenge to the white male gaze in relation to how black, female, ballet dancing bodies are perceived, using the example of black, South African, female choreographer Dada Masilo’s interpretation of “Swan Lake.” I take Paul C. Taylor’s sarkaesthetic approach to show how Masilo …

Past-Oriented And Future-Oriented Frames Of Familiarity: Aesthetic Experience In Everyday Environments, Mami Aota

Contemporary Aesthetics (Journal Archive)

Familiarity is an important concept that reveals aesthetic and ethical connections in everyday environments. However, it is unclear what a particular object of familiarity is in our daily lives. Identifying the object of familiarity is important for respecting residents’ perspectives in practices such as community redevelopment. This study uses two concepts, past-oriented and future-oriented framing, to clarify the process of identifying objects with which we feel familiar in our everyday environments. A past-oriented frame is invoked by a loss experienced in an everyday environment and refers to memories relating to our habits therein. A future-oriented frame is called upon by …

Aesthetic Cognitivism : Acquiring Propositional Knowledge From Fiction, Nanyun Shen

Lingnan Theses (MPhil & PhD)

This thesis focuses on aesthetic cognitivism, especially the cognitive value of fiction. I mainly discuss two topics. One is whether we can learn from art, and the other is what the learning conditions are under different circumstances. I focus on acquiring propositional knowledge from fiction. My goal is to establish that the cognitive value of fiction is to a certain extent unsafe, although there might be strategies we can take to reduce such unsafeness. Yet, we should not blindly hold an optimistic attitude towards the cognitive value of fiction until more empirical evidence gives us reasons to. I distinguish between …

How Could Anybody Ever Feel At Home? Aesthetic Familiarity, Epistemic Comfort, And Displacement, Ariane Nomikos

Contemporary Aesthetics (Journal Archive)

Places are at once inhabited by various individuals who are themselves members of diverse communities and whose experiences of the same everyday living environment can vastly differ. Everyone lives in some place, but not everyone is fortunate enough to feel as if they belong to that place, as if that place is their home. According to José Medina (2017), those who inhabit a place they are unable to make their home experience a unique form of displacement, that of being displaced within a place. This, he claims, is a problem for everyone—not just for those experiencing displacement within …

That's Beyond My Imagination!, Kiyohiro Sen Phd

Contemporary Aesthetics (Journal Archive)

According to one strongly supported view, fiction is a functional kind that communicates imaginings. Combining this definitional thesis with a plausible principle concerning functional kinds leads to the following evaluative thesis: features that contribute to communicating imaginings constitute good-making features as fiction, and features that impede this constitute bad-making features as fiction. However, this thesis is at odds with the actual practice of fiction. Critics can show their admiration for complicated works of fiction by stating, “That’s beyond my imagination!” I argue that in resolving this paradox of hard-to-imagine fiction, we should not deny the observation, but rethink the definitional …

Virtue Appreciation And Sustainability In Olafur Eliasson’S Ice Watch, Nicole Hall

Contemporary Aesthetics (Journal Archive)

This paper is a case study of Olafur Eliasson’s Paris installation of Ice Watch (2014-2018) that coincided with the Climate Change COP-21 conference at the United Nations in 2015, and whose message was poignantly felt as a reminder of global warming, the melting polar regions, and the current environmental crisis. In particular, I explore how and what might we learn from this installation, to consider and rethink the relationship between aesthetic value, ethical value, and the concept of sustainability. Considering that Eliasson’s work requires relational perceptual-intellectual double awareness, it is argued that virtuous appreciation, judgment, and evaluation emerge if engaged …

Feeling The Environment: Aesthetic Interestedness And Environmental Aesthetics, Roberta Dreon

Contemporary Aesthetics (Journal Archive)

Can aesthetic disinterest represent an adequate strategy to develop a sustainable attitude? While aesthetic disinterest plays a basic role in the Kantian foundation of aesthetics, (dis)interestedness has been a puzzling topic of discussion in the debate on environmental aesthetics and is becoming an increasingly pressing one, given the current worsening of the climate crisis.

The first part of this paper will explore the different meanings of the term as it is used within the debate on environmental aesthetics, either in support of or against the adoption of a disinterested attitude toward the environment. I will suggest drawing a distinction between …

Recovering Landscape And Landscape Beauty In Environmental Aesthetics, Paolo Furia

Contemporary Aesthetics (Journal Archive)

In this article, I will pin down some elements to recover the concept of landscape in the context of environmental aesthetics. Such insertion of landscape in environmental aesthetics entails the questioning of the dualism between nature and culture that still lays at the basis of much literature in environmental aesthetics. My argument will unfold in three steps: first, I will show how the original question of environmental aesthetics, as elaborated by Ronald Hepburn in 1966, presupposes a distinction between nature and culture rooted in the moral contempt for excessive modernization and urbanization. Second, I will criticize some theories, not all …

Landscape Education, Enskilment, And Aesthetics: Complex Skills For Our Time, Alberto L. Siani

Contemporary Aesthetics (Journal Archive)

Environmental education is undoubtedly a pressing need in our time. Landscape education may be seen as something more restricted in scope and necessity, and more disengaged. However, as I will first argue, because of the intrinsically concrete, localized, aesthetic character of landscapes in their difference from environment, landscape education in fact can also be seen as a more complex and challenging concept that can be framed in terms of enskilment. Second, to better clarify this concept and highlight the theoretical and practical difficulties related to it, this paper will then turn to some Wittgensteinian ideas about learning, especially his concept …

No Trace, No Waste? The Art Of Living In Trashscapes, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

Humans have always striven to overcome their finitude by leaving traces. The phenomenology and hermeneutics of the twentieth century interpreted traces as meaningful sources for reconstructing the past and disregarded their materiality. This culturalist and retrospective approach nowadays has become untenable, as it is impossible to generate significative traces without producing waste as well. Waste itself forms a special category of trace that is unintentional and partly nocuous. Moreover, a final repository appears to have perversely fulfilled the dream of leaving ineffaceable traces that would survive humanity itself. In this new context, a future-oriented approach, one that would engage collectivities …

Frugality. An Aesthetic Category For A Sustainable Art Of Living, Elisabetta Di Stefano

Contemporary Aesthetics (Journal Archive)

Climate change has necessitated the exploration of new interpretive models and aesthetic categories to understand our relationship with the environment. In response to this, the concept of frugality emerges as a potential paradigm for a sustainable art of living. This paper aims to provide a comprehensive exploration of frugality as an aesthetic category through the lens of the history of ideas, its connection to everyday aesthetics, and its implications for an art of living. By adopting a frugal lifestyle, individuals can establish a harmonious and respectful relationship with the environment, promoting a more sustainable future. This existential model has been …

On The Significance Of Eco-Phenomenology For Theories Of Sustainability, Kira Meyer

Contemporary Aesthetics (Journal Archive)

The Ecosystem Service Approach lays down the several ways in which nature contributes to the welfare of human beings. One important category of this approach is the cultural services that nature offers, which conform to the eudaimonic values in environmental ethics. The cultural services of nature are an important reason in choosing a concept of strong sustainability, as developed by Konrad Ott and Ralf Döring; eco-phenomenology is a method to immerse into these cultural-eudaimonic values and articulate them in nuanced ways. Our overall argument will substantiate the uncommon claim that eco-phenomenology is of focal significance to theories of sustainability.

Imaginaries, Scenarios, And Materialities: The Arts As Part Of Ecology, Peter J. Schneemann

Contemporary Aesthetics (Journal Archive)

This contribution seeks to identify some of the methodological implications and challenges for art history as a discipline when confronted with the ecological imperative. There are clear societal expectations to ecological questions, approaches, and attitudes and a new rhetoric by artists and also scientists that anticipates the necessity of an ethical stand. The shift towards notions like sustainability was so fast and so radical, I argue, that we ought to take time to step back and reflect on its implications. I am especially interested in the intersection between the ethical dimension we now apply to artistic production (as a …

Back To Intermittence, Or Rediscovering Web-Materiality: An Artistic Quest For A Sustainable Internet Aesthetics, Diego Mantoan

Contemporary Aesthetics (Journal Archive)

Through the digital and public artwork, Solar Protocol (2020-ongoing), artists and engineers Tega Brain, Alex Nathanson, and Benedetta Piantella kickstarted a solar-powered server network that hosts a web page demonstrating how intermittent energy levels affect its very aesthetics and usability. This small-scale participatory experiment stimulates a wider reflection on the interconnection between economic, environmental, behavioral, and aesthetic features that shape the way the internet is produced and consumed in today’s society. Far from being a mere matter of greening the internet’s power supply, rather the artwork turns a spotlight on the implicit attitudes of web producers and consumers as developed …

An Aesthetics Of Minimal Resources: Affective Ecologies At The Encounter With Environmental Ethics In Alicia Barney’S Artistic Practice, Vanessa Badagliacca

Contemporary Aesthetics (Journal Archive)

The aim of this article is to present the early works created between 1975 and 1982 by Alicia Barney, a pioneer of environmental art in Colombia. The purpose is to highlight her ability to lead us Toward a Sustainable Attitude, the title of a conference held at the University of Venice (October 6-8, 2022), and also to claim how relevant these works remain in the current climate crisis within and beyond contemporary aesthetics debates. Taking on this approach, it will emerge that despite the attempt of the artist in some of her pieces to adopt a detached, scientific attitude …

The Aesthetics Of Animal Companions, Samantha Vice

Contemporary Aesthetics (Journal Archive)

In the philosophical aesthetics literature, domestic animals, and in particular companion animals or pets, are notable for their absence. I examine the few available accounts of the aesthetics of animals, extend them to animal companions, and argue that they are lacking in important respects. An appropriate aesthetics of these animals should recognize their unique status as individual animals in human spaces, imbued with human meanings, and yet essentially other.