Aesthetics Commons^™

Illuminating Chinese Aesthetics With Kant’S Account Of Genius? Possibility And Difficulty, Kefu Zhu

Comparative Philosophy

Many scholars interpret Chinese Aesthetics with the Kantian theory of genius because they seem to form a parallel: similar innate and spontaneous mental talents that exceed normal cognition and imagination generates beautiful arts with similar extraordinary qualities. I argue that projecting Kant’s genius to illuminate the creative power analogically, i.e., the carefree-wandering mind, is infeasible. The theory of genius assumes a critical project that stipulates a valuable way to exercise the power of judgment. Genius is only a postulated idea for successfully making aesthetic judgments on artworks. In contrast, the carefree-wandering mind assumes a Daoist metaphysical-ethical theory centering on the …

Ineffability, Emptiness And The Aesthetics Of Logic, Andreas Kapsner

Comparative Philosophy

In this essay, I explore the nature of the logical analysis of Buddhist thought that Graham Priest has offered in his book The Fifth Corner of Four (5of4). The paper traces the development of a logical value in- troduced in 5of4, which Priest has called e. The paper points out that certain criticisms I have made earlier still stand, but focuses on a recon- ceptualization of 5of4 in which these arguments carry less weight. This new perspective on the book, inspired by a response to my arguments by Priest himself, sees the logical analysis of Buddhism …

Airplane Hangars And Triple Hills: Renovation, Demolition, And The Architectural Politics Of Local Belonging At The Our Lady Of Csíksomlyó Hungarian National Shrine, Marc Roscoe Loustau

Journal of Global Catholicism

In 2019, Pope Francis, leader of the global Catholic Church, celebrated an outdoor Mass at the Our Lady of Csíksomlyó Hungarian national shrine in Romania. When the Franciscan Order that runs the shrine published renovation plans for the altar where the pope would appear, the Facebook post received over 800 outraged comments, including one man who asked, “How can such a beautiful Hungarian symbol, so perfectly integrated into the landscape, be humiliated like this?” By situating these expressions of outrage in the history of Eastern European material politics, I argue that the aesthetic value the commentators were defending – a …

Overview & Acknowledgments, Marc Roscoe Loustau

Journal of Global Catholicism

No abstract provided.

Retranslation And Interpellation, Andrew Brooks

Living in Languages

No abstract provided.

The Controversies Of (Immersion) Piss Christ And The Perfect Moment: An Argument For State Funding Of The Arts As An Extension Of Free Speech Protections, Olivia Fish

CMC Senior Theses

In 1989, artists Robert Mapplethorpe and Andres Serrano received grants from the National Endowment for the Arts (NEA). A short few months after the two artists became grant recipients, the funding for each of them was pulled as a result of escalating controversy and anger over the art created by both artists being funded by a federal organization. Those angered by the art and their respective grants tied the messaging of the art to the beliefs and values of the state—Serrano’s photograph being tied to a commentary on the overcommercialization of religion and Mapplethorpe’s exhibition being unabashedly queer and, at …

The Ins And Outs Of Undergraduate Research And Leadership: A Student's Perspective, Regina F. Hockert

Kinesiology and Public Health

This manuscript is a reflective write-up of Regina Hockert’s experience in completing KINE 462, Honors Kinesiology Senior Project, during the 2022 Fall Quarter. It describes their experience as an undergraduate research leader, including specific milestones and artifacts related to a broader replication study and the daily activities of Dr. Jafrā Thomas’ lab. This essay was designed to be a written reflection around their senior project presentation and the insights shared through that medium about the senior project experience. It is created to showcase lessons learned in relationship with the tasks and responsibilities required of working in-depth on student-led research. …

Introduction To Confronting Teacher Preparation Epistemicide: Art, Poetry, And Teacher Resistance, Richard D. Sawyer, Daniel Ness

Northwest Journal of Teacher Education

In this special issue, we present different perspectives from a documentary project on curricular epistemicide. We view curriculum epistemicide —the annihilation of curriculum—as an embodied process. It limits ways of knowing, questioning, and envisioning the world, and it constricts multiplicity and erases identity and culture. Authors within this volume responded to two requests: 1) they examined some form of epistemicide; and 2) they did not reinforce current systems of power and inequity. Throughout the issue, poetry and photography weave through theoretical papers and empirical studies. A range of methodologies are considered within the articles.

Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang

Theoretical Studies in Literature and Art

The idea of potentiality runs through Giorgio Agamben’s political philosophy. In his analysis of Herman Melville’s Bartleby, the Scrivener, Agamben thoroughly interprets potentiality and bare life through Bartleby’s “I prefer not to”. Agamben believes that Bartleby’s inoperativeness is the highest form of resistance, which exists as pure potentiality against the power apparatuses in modern society. Agamben considers Bartleby’s inoperativeness as the exact way to redeem bare life in modern society, where the state of exception already becomes normality. This article starts with Agamben’s reading of Bartley, focuses on potentiality, resistance and bare life to analyze the pure and thorough way …

Epistemic Priors, Social Justice, And The Ethics Of Humor, Paul Butterfield

Dissertations, Theses, and Capstone Projects

In this dissertation I set out a theory of humor ethics and, in particular, I establish what difference humorousness makes to an instance of speech’s moral value. I set out by making the case for this approach to the topic, demonstrating that focusing on how humorous speech differs, morally, from non-humorous speech allows us to avoid getting caught up in prior ethical debates that are not strictly about humor itself – a shortcoming that is common to many treatments of humor ethics in the existing literature. I show that, in cases of humorous speech, we typically do not assert the …

Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia, Max W. Kaplan

Dissertations, Theses, and Capstone Projects

Following the 2016 American Presidential election, celebrity endorsements proved to be a more narrow gauge of public opinion than ever. The symbolic alignment with popular musicians, which had long abetted the Democratic Party’s standing with youth and particular identity groups, seemed only to reaffirm the party’s establishment status, drawing disavowal in a wave of anti-establishment sentiment on both the left and right. ‘Retromania,’ a term first coined by Simon Reynolds in 2010, can be tracked conceptually from the nostalgic inclinations of twenty-first century popular culture to the ideological sphere, where nostalgic, essentialized constructions of community, identity, and progress have coalesced …

Tell Me A Story: The Normative Power Of Storytelling, Zoe Cunliffe

Dissertations, Theses, and Capstone Projects

Few would dispute that stories are powerful: they have the capacity to inform, to persuade, and to engage our imaginations and sympathies. However, the contemporary philosophical literature on stories focuses exclusively on the functions of narrative stories, and in particular on the role that novels can serve in cultivating our moral and political competencies. I argue that this narrow focus is theoretically pernicious in two ways. First, it leads to an unfortunate myopia regarding the value of non-narrative storytelling practices. Second, it results in analysis that is disproportionately likely to exclude forms of storytelling that originate in marginalized groups. My …

Inner Song Phenomenological Description Of A Musical Object Of Phantasy, Ellen Moysan

Electronic Theses and Dissertations

This dissertation is the phenomenological description of a musical object of phantasy I call “inner song,” i.e., the music that the musician “sings in his or her head” while practicing his or her instrument. It describes the specific inner song of a single musician playing a melodic instrument, and rehearsing in a solipsistic situation. The description is based on three resources: my personal experience as a cellist; the third person experiences of other musicians I have interviewed on that topic since 2010; and the Husserlian corpus. Each chapter starts with excerpts of interviews focusing on specific aspects the inner song. …

The Fallacy And Verification Of Criticism On Contemporary Chinese Confessional Poetry, Lei Wei

Theoretical Studies in Literature and Art

Contemporary Chinese confessional poetry has engaged much academic attention despite its short existence between the 1980s and the 1990s. The confessional poetry has been related with female poetry by scholars since the beginning, and they have been criticized for lacking Chinese cultural characteristics, skills or aesthetic values etc.. However, contemporary Chinese confessional poetry is not exclusively the product of female poets, as there are quite a few male poets who created some fine confessional poems. Chinese confessional poetry of new period turned out to be embodied with a literary form of strong nationalistic features and contain rich elements of traditional …

“It's So Normal, And … Meaningful.” Playing With Narrative, Artifacts, And Cultural Difference In Florence, Dheepa Sundaram, Owen Gottlieb

Articles

This article considers how player interactions with religious and ethnic markers, create

a globalized game space in the mobile game Florence (2018). Florence is a multiaward-

winning interactive novella game with story-integrated minigames that weave

play experiences into the narrative. The game, in part, explores love, loss, and

rejuvenation as relatable experiences. Simultaneously, the game produces a unique

experience for each player, as they can refract the game narrative through their own

cultural, identitarian lens. The game assumes the shared cultural space of the player,

the player-character (PC), and the non-player-character (NPC) while blurring the

boundaries between each of these …

Cultivating The Human Narrative: On Nietzsche, Science Fiction, And The Aesthetics Of Life., Derek Carpenter

Electronic Theses and Dissertations

In this dissertation, I will argue that there is a specific model of morality which can account for the intuition about moral features that we take to be intrinsic to the human type. This model of morality is that of Virtue Ethics, but not a conventional kind of Virtue Ethics. Instead, I will argue that the moral philosophy of Friedrich Nietzsche presents a model of cultivating narrative types that we take to be grounded in the kinds of beings we are, without resorting to any problematic metaphysical systems. This will require that I defend a novel interpretation of Nietzsche’s ethics …

Book Review On A Grand Materialism In The New Art From China (By Mary Wiseman), Kathleen Higgins

Comparative Philosophy

No abstract provided.

Joy As Contestation: Frida Kahlo, "The Dream", Silvia Márquez Pease

Department of Art and Art History

This essay analyzes the pictorial representation of Frida Khalo’s “The Dream,” to unfold the nature and reflect upon the notions of joy and innocence as forms of a subtle contestation. How are they represented? By examining the visible and the non-visible as conditions of critical possibility for joy, innocence and contestation, we can reevaluate the interrelation between the notions of life and death in the Mexican culture, and Frida’s personal history. I argue that innocent joy is a quality that articulates a subtle contestation or clandestine activity of freedom

The Unpresentable And The Aesthetics Of The Sublime In The Art Of Alfredo Jaar, Silvia Márquez Pease

Department of Art and Art History

I argue that in Postmodernism, as per Lyotard’s writings, art “…caters to the impossibility for an attainable wholeness or sense of presence” (1131). And yet, this state of ‘unattainable wholeness’, does not deny to postmodern art the role of the experience that can carry emancipatory power. Yet, it may not be a ‘unity of experience’ as per Habermas, but still constitute a space of experience and presentations of the unpresentable that is predicated by difference. I propose that Lyotard’s theory of the presentation of the unpresentable, which sees presentation of artworks oriented towards formless art language games and communication, are …

Hema Upadhyay: Disrupting The Hegemony Of The Slums, A Negative Social Spiral., Silvia Márquez Pease

Department of Art and Art History

This essay presents the theoretical framework that informs my reflections on the hegemony of the slums’ poverty and human conditions, and whether art can disrupt the hegemony and also become a conduit to question our Being, hence Dasein, as per Martin Heidegger. The following pages investigate the work of Hema Upadhyay, in India, and specially, her inspiring protest work offering insights on India’s overpopulation in urban areas such as, Dharavi. She depicts slums becoming a continuum circle of human misery and wealth, politically called a negative social spiral. I argue that the slums, not only destroy the harmony and promise …