Aesthetics Commons^™

The Controversies Of (Immersion) Piss Christ And The Perfect Moment: An Argument For State Funding Of The Arts As An Extension Of Free Speech Protections, Olivia Fish

CMC Senior Theses

In 1989, artists Robert Mapplethorpe and Andres Serrano received grants from the National Endowment for the Arts (NEA). A short few months after the two artists became grant recipients, the funding for each of them was pulled as a result of escalating controversy and anger over the art created by both artists being funded by a federal organization. Those angered by the art and their respective grants tied the messaging of the art to the beliefs and values of the state—Serrano’s photograph being tied to a commentary on the overcommercialization of religion and Mapplethorpe’s exhibition being unabashedly queer and, at …

“That’S Just The Way It Was”: A Critical Analysis Of Guilt, Evasion, And White Supremacy, Sommer Mahoney

Dartmouth College Master’s Theses

In the public discourse around American slavery, there is an apologist evasion that can be summarized as such: that slavery was “just the way it was back then.” The word “just” in that phrase connotes a rather casual finality - that slavery in the American colonies, and then in the United States, could not have been avoided. But even a cursory overview of slave rebellion history and abolitionist history prove that this is not true. This reaction is an attempt at evading the feeling of guilt often associated with historical atrocities. However, as Americans avoid their guilt, they also evade …

An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers

Theses and Dissertations

Theatre as an artistic practice has often been celebrated as an art of and for the people, being a modality that in theory the common person has access to learn, explore and experience. In recent years I have become preoccupied with the growing rarification and privileging of this art form, particularly in how it is cognized and taught in the academic world. As such, I set out to investigate the mechanisms at work at levels structural, artistic, and personal that determine how theatre is taught and understood within the western academy.

This thesis seeks to examine and unpack the perceived …

Play On; Give Me Excess Of It: Intercorporeality And Musical Definitions, Abram Basil Soucy Capone

Dissertations

Philosophy of music, especially in the 20th and 21st centuries, presides over a relatively narrow range of field-specific ontological and metaphysical questions. I claim that a focus on classical music and a reliance on analogies to the plastic arts constitutes an unhelpful (but pervasive) methodology in philosophy of music, one that stands in tension with its purported aim of accurately accounting for “the ways we talk, think, and act” in relation to music and musical works (Rohrbaugh 2003, 179). While philosophers of music explicitly aim to describe praxis, a significant gap exists between existing theory and ordinary musical experiences. To …

Resonance And Atmosphere In Architectural Aesthetics, Joona Markus Hulmi

Contemporary Aesthetics (Journal Archive)

The present paper is concerned with the experience of architecture as analyzed through the concepts of atmosphere and resonance. I suggest that the experience of architecture occurs by means of atmospheres that consist of numerous factors, including architectural qualities, interpersonal aspects, and the subject’s individual mind. Architecture may generate or foster atmospheres that are emotionally moving or meaningful, but also ones that are bland, indifferent, meaningless, or at least less meaningful than others. In particular, I examine how we understand atmospheres that are experienced as meaningful and emotionally moving in regard to the so-called resonance theory, as formulated by Hartmut …

The Ins And Outs Of Undergraduate Research And Leadership: A Student's Perspective, Regina F. Hockert

Kinesiology and Public Health

This manuscript is a reflective write-up of Regina Hockert’s experience in completing KINE 462, Honors Kinesiology Senior Project, during the 2022 Fall Quarter. It describes their experience as an undergraduate research leader, including specific milestones and artifacts related to a broader replication study and the daily activities of Dr. Jafrā Thomas’ lab. This essay was designed to be a written reflection around their senior project presentation and the insights shared through that medium about the senior project experience. It is created to showcase lessons learned in relationship with the tasks and responsibilities required of working in-depth on student-led research. …

The Speculative Artifact 2022, Students Of Risd, Risd Archives

All Student Newspapers

The Speculative Artifact was a student publication created for the Graphic Design seminar/studio Critical Issues Studio, taught by Anther Kiley in Fall 2022. The publication features designs and concepts for artifacts of the future created by students. Artifacts include language aids, a sex worker kit, food packaging, a garden pack, style-transferred furniture, a post-taste apartment, a maze sculpture, a personality magazine, animal-human cohabitation, signage, a friend-dating system, coding tech, a transhuman sticker book, and television programming with animal languages

Reshaping Aesthetics And Aesthetic Sensibility In A Hybrid Environment, Aleksandra Łukaszewicz, Jakub Petri

Contemporary Aesthetics (Journal Archive)

The contemporary environment in developed countries is highly urbanized and technologized. It is not only physical but also virtual, created with the use of cyber-techniques and the internet. The two layers of the environment are: the physical places, persons, objects, etc., and the virtual – electronically-emerged places, persons, and objects, etc. Therefore, it is correct to overcome the enforced conceptual dualism between what is virtual and what is physical, as proposed by Michal Ostrowicki (aka Sidey Myoo) in calling for the recognition of the hybrid status of reality, by pointing to symbiosis within the context of lived experience. This raises …

Living Aesthetics In China: Aesthetics As A New Direction, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living Aesthetics (生活美学, Sheng-huo-mei-xue) is a popular key term in Chinese society and culture today. The aestheticization of living, originally rooted in Chinese soil, is authentic Chinese wisdom and now is being fully revitalized. Confucian aesthetics can be classified as Living Aesthetics, one based on emotion/feeling (qing). The philosophical interpretation of Confucianism from the viewpoint of Living Aesthetics can be better explained in its original context. In Confucius’s time, the unity of rites (li) and music (yue) were the backbone of Confucian aesthetics. But with the gradual decline of music in Chinese history, this …

Decoloniality, Identity, And Aesthetic Publicity, Monique Roelofs

Contemporary Aesthetics (Journal Archive)

This essay explores how the decolonial practices of Latina poet Alicia Borinsky in Frivolous Women and Other Sinners(2009) and British filmmaker and installation artist Isaac Julien in Lessons of the Hour (2019) occasion open-ended conceptions of the public that engage economic and technological developments in tandem with questions of individual encounters, objects, and values. Their figurations point beyond the domain of aesthesis to a view of aesthetic publicity on which unprecedented social identities emerge through interactions among multiple, often mutually opposed platforms and assemblies. The essay offers working definitions of aesthetic publicity and decolonial aesthetics and continues by scrutinizing …

Place, Race, Gender And Materiality: Bisa Butler Making The Last, First And The First, Last In The Modern Museum, Charles Peterson, A. W. Eaton

Contemporary Aesthetics (Journal Archive)

Bisa Butler is a contemporary artist who creates stunning portraits composed entirely of textiles. In this article, we argue that one significant aspect of Butler’s oeuvre is the way that she deeply entwines the ethico-political and the aesthetic in a beautiful symbiotic partnership. Through a careful examination of her work, her technique, her artistic and museum contexts, and the unknown African American subjects she celebrates, we argue that Butler’s work should be understood as liberatory artistic practice that disrupts hegemonic spaces and ideologies.

Twenty Years Of Contemporary Aesthetics Introduction, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Contemporary Aesthetcis: What's In A Name?, Katherine Higgins

Contemporary Aesthetics (Journal Archive)

Drawing on Ossi Naukkarinen’s analysis of the meaning of “contemporary aesthetics,” this article considers several layers of meaning that make the title of this journal appropriate to its mission. After two decades, the journal is doing much to fulfill the promise of its name.

Going Global: A Cautiously Optimistic Manifesto, Bence Nanay

Contemporary Aesthetics (Journal Archive)

In this article I aim to identify a number of points at which Western[1] aesthetics is atypical in comparison to almost all other aesthetic traditions. If we take the pull of global aesthetics seriously, then we need to be extremely skeptical towards these often unquestioned concepts and assumptions that are unique to the Western aesthetic tradition. I will analyze eight such assumptions: (1) the primacy of judgment, (2) the primacy of beauty, (3), the primacy of aesthetic properties, (4) the primacy of aesthetic contexts and situations, (5) the primacy of objects, (6) the underappreciation of social aspects of aesthetic engagement, …

A Big Disenchantment, Wolfgang Welsch

Contemporary Aesthetics (Journal Archive)

For millennia, aesthetic activities were expected to improve the world and ourselves. Aesthetics was to hone humanity. We find this conviction in Antiquity, in the Middle Ages, in the Renaissance, and throughout Modern Times and Modernity, from Plato via Leonardo da Vinci and Schiller to Dewey and Rorty. But this expectation is being harshly falsified in the present time. We are indeed aestheticizing everything through and through. But in the vast majority of cases, the result is not aesthetic improvement but mediocrity and monotony. Aestheticization today is an engine of misery. The discipline of aesthetics should resolutely criticize and counter …

Introduction To Confronting Teacher Preparation Epistemicide: Art, Poetry, And Teacher Resistance, Richard D. Sawyer, Daniel Ness

Northwest Journal of Teacher Education

In this special issue, we present different perspectives from a documentary project on curricular epistemicide. We view curriculum epistemicide —the annihilation of curriculum—as an embodied process. It limits ways of knowing, questioning, and envisioning the world, and it constricts multiplicity and erases identity and culture. Authors within this volume responded to two requests: 1) they examined some form of epistemicide; and 2) they did not reinforce current systems of power and inequity. Throughout the issue, poetry and photography weave through theoretical papers and empirical studies. A range of methodologies are considered within the articles.

Machizukuri (Neighborhood Making): Collective World-Making In Traditional Japanese Neighborhoods, Paul Haimes

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang

Theoretical Studies in Literature and Art

The idea of potentiality runs through Giorgio Agamben’s political philosophy. In his analysis of Herman Melville’s Bartleby, the Scrivener, Agamben thoroughly interprets potentiality and bare life through Bartleby’s “I prefer not to”. Agamben believes that Bartleby’s inoperativeness is the highest form of resistance, which exists as pure potentiality against the power apparatuses in modern society. Agamben considers Bartleby’s inoperativeness as the exact way to redeem bare life in modern society, where the state of exception already becomes normality. This article starts with Agamben’s reading of Bartley, focuses on potentiality, resistance and bare life to analyze the pure and thorough way …

On The Sublime And Beautiful: Edmund Burke, Ottobah Cugoano, And Reverberations Of Eighteenth-Century Racial Aesthetics, Tacuma Peters

Publications and Research

This article examines Edmund Burke and Ottobah Cugoano’s aesthetic thought in relation to eighteenth-century racial slavery. It interrogates their ideas of the sublime and beautiful which contribute to their different political positions on the abolition of slavery: whereas the former advocated the gradual abolition of the slave trade and distant emancipation, the latter sought the immediate abolition of the trade and rapid emancipation. It contends that Burke’s discussions of the sublime and beautiful were racialized, his advocacy of white authority on plantation slavery was rooted in his aesthetics, and his evocation of the Black sublime throughout his long career fit …

V.1 Fall 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2022 issue centers on the theme "what do you see?" and contains articles on a lecture by Camille Norment, the curator for the student exhibition "No Longer Transparent," the new RISD identity, elevators at RISD, various objects, crabs, the Prov-Wash bathrooms, the history of the drinking straw, drawing, Charles Mingus, and the 2022 grad show, along with other student creative writing.