History of Art, Architecture, and Archaeology Commons^™

George Croll Baum: Building A Greater Gettysburg, Abraham M. Apfel

Hidden in Plain Sight Projects

On November 16th, 1926 George Croll Baum died. In Gettysburg, Pennsylvania the local newspaper covered his death. The Gettysburgian, the paper for Gettysburg College reported that Henry W.A. Hanson, the college president, was “deeply distressed and further noted that Baum's death 'touched the hearts of all that knew him with deep regret.'" Within a month Dr. Hanson had already ordered three memorial plaques to be placed on the campus. Baum's family tried to help pay for them. Hanson refused the money. In a correspondence with Baum‟s brother about the plaques, Hanson told him, “What I did for your brother …

Bataclanismo! Or, How Deco Bodies Transformed Postrevolutionary Mexico City, Ageeth Sluis

Scholarship and Professional Work - LAS

In the spring of 1925, Santa Anita's Festival of Flowers seemed to follow its tranquil trend of previous years. The large displays of flowers, the selection of indias bonitas (as the contestants of beauty pageants organized in an attempt to stimulate indigenism were known) and the boat-rides on the Viga Canal, all communicated what residents of neighboring Mexico City had come to expect of the small pueblo in the Federal District since the Porfiriato: the respite of a peaceful pastoral, the link to a colorful past, and the promise that mexicanidad was alive and well in the campo. Unfortunately, …

Program Booklet: 21st Annual James Porter Colloquium, Department Of Art

21st Annual James Porter Colloquium

No abstract provided.

The Venus Victorieuse And Renoir’S Treatment Of The Female Nude, Tess Yinger

Anthós

Pierre-­‐Auguste Renoir’s sculpture Venus Victorieuse is a mythic image of the ‘ideal’ woman that was influenced by The Judgment of Paris, the Aphrodite of Knidos, and the imagery of Eve in the Garden of Eden. This work is fundamental to realizing Renoir’s overall treatment of the female nude, which is fully epitomized by this formal sculpture.

Pierre-­‐Auguste Renoir was an Impressionist artist who dedicated the last three decades of his life primarily to the depiction of the female nude. His representation of the nude, both in painting and sculpture, was monumental and idealized, and he often created images …

L.A.’S Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick

Art History Faculty Works

No abstract provided.

Indian Rock Like No Other - Could It Be A Meterorite?, David J. Glockner

Indian Head Rock Project

An editorial on the Indian Head Rock published in the Portsmouth Daily Times on March 27, 2010.

Convergences Between Art And Physics, John G. Hatch

Research Day (Arts & Humanities, FIMS, and Education)

No abstract provided.

Indian Rock Should Be Displayed For Everyone To Enjoy, David J. Glockner

Indian Head Rock Project

Editorial published in March 13, 2010 on the Portsmouth Daily Journal on the Indian Head Rock.

Art History In The Virtual Classroom: Developing A Visually Engaging Online Learning Experience, Kelly Joslin, Sally A. Struthers

Art and Art History Faculty Publications

Moving from the traditional classroom to the online environment presents faculty who wish to develop online Art History courses with unique instructional design challenges.

What steps should be taken to ensure a visually rich and engaging learning experience for students?

This session examines the development of ART 235, History of Photography as an online course and features the results of the faculty developers’ collaborative work with the college’s Web Development Team.

An Intriguing Monument, Muiris O'Sullivan, Frank Prendergast, Geraldine Stout

Articles

No abstract provided.

Struktur Simbolik Tari Topeng Patih Pada Dramatari Wayang Topeng Malang Di Dusun Kedungmonggo, Soerjo Wido Mintarto

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

Dramatari Wayang Topeng Malang reflects the life style of the Malangese. They are believed to have historical relevance with the development Malang s oldest culture which was under the reign of Kanjuruhan Kingdom around 7th century. Topeng Patih dance, the opening dance of the traditional theatre performance are closely related to the pattern of the show related to the space, time, and content. So the symbolic structuralist theoretical approach would be the chosen strategy to understand the symbolic internal meanings. The analysis indicates that the choreographic structure of Tari Topeng Patih consists of 7 elements: character, ritual, communication, body movement, …

Lani Montreal Interview, Thi Navi Thach

Asian American Art Oral History Project

2010 interview with Filipina teacher, writer, performer Lani T. Montreal by Thi Navi Thach

Tatsu Aoki Interview, Brian Callahan

Asian American Art Oral History Project

2010 interview with musician Tatsu Aoki

Ann Poochareon Interview, Christina Yang

Asian American Art Oral History Project

2010 interview with new media artist Ann Poochareon by Christina Yang

Trial Date Set For Civil Suit Involving Rock, Kenneth Hart

Indian Head Rock Project

Article in the Ashland Daily Independent on civil suit against Steve Shaffer in relation to the removal of Indian Head Rock from February 25, 2010.

One Final Round For The Indian Head Rock, G. Sam Piatt

Indian Head Rock Project

An Article in the Portsmouth Daily Times on the Indian Head Rock from February 25, 2010.

Indian Head Rock Trial Set For May: Shaffer Faces Charges In Civil Case, Benita Heath

Indian Head Rock Project

Article published in the Ironton Tribune regarding the civil lawsuit against Steve Shaffer from February 23, 2010.

Tina Ramirez Interview, Karina Lopez

Asian American Art Oral History Project

2010 interview with poet Tina Ramirez

Dahuang Zhou Interview, Julia Lin

Asian American Art Oral History Project

2010 interview with multimedia artist and entrepreneur DaHuang Zhou

Chi Jang Yin Interview, Anna Huang

Asian American Art Oral History Project

2010 interview with experimental documentary filmmaker Chi Jang Yin by Anna Huang