De Paris À L'Europe : Sur Les Traces Des « Américains À Paris », Entre Mobilités Récréatives Et Quêtes Artistiques En Europe (De L'Après-Seconde Guerre Mondiale Aux Années 1960),
2016
Institut d'Etudes Politiques de Paris (Sciences Po)
De Paris À L'Europe : Sur Les Traces Des « Américains À Paris », Entre Mobilités Récréatives Et Quêtes Artistiques En Europe (De L'Après-Seconde Guerre Mondiale Aux Années 1960), Elisa Capdevila
Artl@s Bulletin
Travels of American artists across Europe in the 1950s and 1960s have only left traces in the archives. These trips represent however an important part of their education and life as artists. It is difficult to estimate precisely how many Americans were present in Europe at the time as the sources available are only fragmentary. The archives show how these artists approached this foreign space and and how valuable these trips were to them. They also reveal the importance of the Mediterranean countries in their experience of Europe and the new meaning these places took with the arrival of a …
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks,
2016
independent scholar
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks, Nora Gietz
Artl@s Bulletin
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how archival research enables us to trace the spatial life of artworks. The Revolutionary and Napoleonic policy of the suppression of religious corporations, followed by the appropriation of their patrimony, as well as the widespread looting of artworks, led to the centralisation of patrimony in newly established museums in the capitals of the Empire and its satellite kingdoms. This made the geographical and contextual displacement, transnationalisation, and change in the value of artworks inevitable.
Bas Les Masques ! Pour Une Relecture Socio-Économique Du Montparnasse Des Années 1920,
2016
Université Paris Ouest Nanterre La Défense
Bas Les Masques ! Pour Une Relecture Socio-Économique Du Montparnasse Des Années 1920, Léa Saint-Raymond
Artl@s Bulletin
This paper attempts to reconstruct the Parisian art world of the 1920s through the prism of the social sciences. Geography, sociology and network analysis shed new light on a caricature drawn by Sem, entitled Les Montparnos, which was published in 1929 in L’Illustration. The reconstruction of the artistic field strips away the masks, and leads us to conclude that Sem, the star of the Parisian Belle Epoque, was trying to reverse the stigma of his increasingly marginalized position by mocking a new generation of rising stars—such as Foujita, Man Ray, and Kiki de Montparnasse—who were starting to dominate …
Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques.,
2016
Université Paris-Sorbonne Paris IV
Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques., Fedora Parkmann
Artl@s Bulletin
The members of the Czech avant-garde group Devětsil accorded great importance to photographic illustrations in the magazines they published throughout the 1920’s. Securing photographs from foreign contributors played a key role in the group’s strategy to develop and maintain an international network. This paper examines these photographic reproductions as traces of a transfer of formal and iconographic innovations in photography from abroad to Czechoslovakia.
Sur Les Traces De La Fabrique Artistique : Quelques Réflexions Sur La Dimension Spatiale Et Matérielle De L’Histoire De L’Art,
2016
ENSA Lyon
Sur Les Traces De La Fabrique Artistique : Quelques Réflexions Sur La Dimension Spatiale Et Matérielle De L’Histoire De L’Art, Vincent Veschambre
Artl@s Bulletin
This text gives a reading of the notion of trace in the perspective of a geographer’s scientific trajectory, committed to grasping individual and social relations to space. Applying this notion to art history probes into the identification of who inscribes art in space, and for what purpose. Such an approach bears similarities with archeology, which cares for the lesser known or recognized traces, and is able to recast the wealth of social actors that have been concealed by history.
The Geographical Information Of Art History: How To Trace The Making Of Knowledge And Facts,
2016
Université Bordeaux Montaigne
The Geographical Information Of Art History: How To Trace The Making Of Knowledge And Facts, Olivier Marcel
Artl@s Bulletin
The objective of this trans-disciplinary, trans-regional and trans-periodical issue of Artl@s Bulletin is to confront a wide range of sources (catalogues, institutional archives, photographs, interviews, etc.), methods (qualitative, quantitative, comparative, multi-situated, cartographic, etc.) and areas of investigation (careers, movements, markets, etc.) in order to highlight the pivotal and problematic role of traceability in the spatial study of art.
The Global Rock-Art Database Project Towards Machine Learning: Building A Collaborative Open Source Platform For Heritage Management From Information Structure To Information Visualization Using Australian Heritage Examples,
2016
SAE University College
The Global Rock-Art Database Project Towards Machine Learning: Building A Collaborative Open Source Platform For Heritage Management From Information Structure To Information Visualization Using Australian Heritage Examples, Robert Haubt
Staff Scholarship - Australia & Dubai
This guest talk, presented at Lava Lab at the University of Hawaiʻi, explores the intersection of collaboration, data ontology, and information visualization in advancing machine learning within the Global Rock Art Database project. Drawing on insights from the project’s first four years, the talk emphasizes the critical need for cultural heritage preservation by systematically recording and structuring global rock art data in accessible and sustainable ways. This effort not only supports public education on rock art but also facilitates scholarly research.
Key discussions include advancements in data ontology using the CIDOC Conceptual Reference Model (CIDOC CRM) for semantic data management …
Betwixt: Temporality And Comfort,
2016
Illinois State University
Betwixt: Temporality And Comfort, Laura Newman
Theses and Dissertations
I push against traditions of ceramics by purposefully inviting breakage within my work. Destruction expresses fragility, temporality, and impermanence. I consider themes of frugality, familial relations, collections and nostalgia through my investigations of clay, steel, and glass.
Nothing Behind The Sun,
2016
CUNY Hunter College
Nothing Behind The Sun, Sebastian Fierro Castro
Theses and Dissertations
painting as a containment exercise, and as such, a tool that allows us to interiorize the world
Scholarart Issue 1 Introduction. Subject Positions In Art: A Discussion Of The Theory,
2016
California State University - San Bernardino
Scholarart Issue 1 Introduction. Subject Positions In Art: A Discussion Of The Theory, April Baca, Timothy Hicks, Cassandra Jones
Art 525/Art History 5290 Papers
No abstract provided.
Caravanserai, Trade Routes, And Dark Mothers,
2016
CIIS
Caravanserai, Trade Routes, And Dark Mothers, Eahr Joan
Re-Genesis Encyclopedia
The caravanserai (or Turkish kervansaray) was a roadside area, structure or inn for pilgrims, traveling tradespeople, and their animals providing lodging, substance, trade and marketing opportunities. In addition to providing food and temporary lodgings, many caravanserais also included a black madonna temple, shrine room, holy of holies, sacred cave or adjacent rock shelter. Tethered to the advancement of the caravanserai, was also the spread of African rites and rituals, black madonna temples, and dark goddesses. This was especially apparent with the Phoenicians.
Devotion to the great goddess of the Levant was prolonged by the Phoenicians who lived along the …
Dark Mother Tan-Tan Of Morocco,
2016
CIIS
Dark Mother Tan-Tan Of Morocco, Eahr Joan
Re-Genesis Encyclopedia
The dark African Palaeoart figure known as Tan-Tan from Morocco appears to be the earliest of the Afrocentric (dark mother) figures. Surrounding sediments indicate that the timeline is c. 500,000 to 300,000 BCE. In Bednarik’s archaeological report, “A Figurine From the African Acheulian 1,” the Tan-Tan female icon is c. 400,000 BCE * and represents the oldest known figure, therefore predating the Late-Acheulian Berekhat Ram. Even though both Tan-Tan and the Berekhat Ram show evidence of ocher (or ochre), the Tan-Tan figure is the first “known instance of pigment application, although older indirect evidence of such a practice does exist.” …
The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art,
2016
Morehead State University
The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2016 Kentucky Folk Art Center exhibition catalog of artwork depicting Satan.
Mark Francis: Time & Chance,
2016
Morehead State University
Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2016 Kentucky Folk Art Center exhibition catalog of artist Mark Francis.
Archeological Of The Proposed Fm 1626 Pass-Through Toll Project From Ranch-To-Market 967 To Farm-To-Market 2770 In Hays County, Texas,
2016
Stephen F. Austin State University
Archeological Of The Proposed Fm 1626 Pass-Through Toll Project From Ranch-To-Market 967 To Farm-To-Market 2770 In Hays County, Texas, Matthew C. Stotts, Bradford M. Jones, Mason D. Miller, Samantha Walden Champion, Josh Haefner
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
Hicks & Company archeologists conducted an intensive, 100-percent linear archeological survey of approximately 3.3 miles of proposed expansions to Farm-to-Market (FM) 1626 west of the city of Buda, Hays County, Texas. The survey was conducted between July 2008 and October 2016 for compliance with the Antiquities Code of Texas and Section 106 of the National Historic Preservation Act on behalf of Hays County, the project engineer Klotz Associates, and the Texas Department of Transportation (TxDOT). The Area of Potential Effects (APE) for the proposed project is composed of 54.3 acres of existing right of way and 8.08 acres of proposed …
Cultural Resources Monitoring For Brackenridge Park River Wall Replacement Project, San Antonio, Bexar County, Texas,
2016
Stephen F. Austin State University
Cultural Resources Monitoring For Brackenridge Park River Wall Replacement Project, San Antonio, Bexar County, Texas, Stephen Smith, Paul Shawn Marceaux
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
From January through May 2016, The University of Texas at San Antonio (UTSA) Center for Archaeological Research (CAR) conducted archaeological monitoring of removal and repair of 30.5 m (100 ft.) of the historic river wall along a section of the San Antonio River within Brackenridge Park. The wall is a contributing resource to Brackenridge Park’s listing on the National Register of Historic Places (NRHP) and its designation as a State Antiquities Landmark (SAL). The CAR’s archaeological monitoring was done under contract with Adams Environmental, Inc. Project Archaeologist Stephen Smith monitored contractor’s excavations at the site. Paul Shawn Marceaux served as …
Archaeological Survey Of The Proposed Tomball Tollway Project, Montgomery County, Texas,
2016
Stephen F. Austin State University
Archaeological Survey Of The Proposed Tomball Tollway Project, Montgomery County, Texas, Matthew Helmer, Jacob Foreman, Steve Cummins
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
On behalf of Halff Associates, Inc., and the Montgomery County Toll Road Authority (MCTRA), SWCA Environmental Consultants (SWCA) conducted an investigation of the proposed Tomball Tollway project located in Montgomery County, Texas. The proposed project area follows the existing Tomball Tollway (State Highway [SH] 249) northward approximately 3.3 miles from Spring Creek to the FM 1774 junction in Pinehurst. The proposed project involves the widening of SH 249 between existing feeders, as well as the construction of on-ramps. The project also involves the construction of three detention basins totaling approximately 22 acres utilizing a combination of floodplain fill mitigation and …
Archeological Investigations 12.3 Acres Of The High Pointe Apartments Hud Development Project Tarrant County, Texas,
2016
Stephen F. Austin State University
Archeological Investigations 12.3 Acres Of The High Pointe Apartments Hud Development Project Tarrant County, Texas, Judy Hennessee Cooper
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
C Dimensions was contracted by Dougherty Mortgage, LLC to conduct an intensive archeological survey of a proposed property development with a Housing and Urban Development (HUD) component. Background research and archival investigations for the vicinity did not indicate the presence of previously recorded sites in or adjacent to the project area.
An intensive archeological survey including extensive surface examination and seven subsurface shovel tests resulted in no discoveries of historic cultural or archeological sites, materials, or deposits.
Structures adjacent to the project area are all modern school and baseball field structures and do not merit consideration as historic properties. No …
An Archeological Survey Of The City Of Arlington's Proposed Bowman Branch Hike-And-Bike Trail, Tarrant County, Texas,
2016
Stephen F. Austin State University
An Archeological Survey Of The City Of Arlington's Proposed Bowman Branch Hike-And-Bike Trail, Tarrant County, Texas, Jesse Todd
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
The City of Arlington in Tarrant County, Texas proposes to construct the Bowman Branch Hike-and-Bike trail in southeastern Arlington. In addition, portions of the trail will be constructed within the floodplain of the Bowman Branch which falls under the purvey of the Fort Worth District of the United States Army Corps of Engineers. Since the City of Arlington is a political entity of the State of Texas and land controlled by an entity of the State of Texas is involved, a Texas Antiquities Permit is required. In addition, the Archeology Division of the Texas Historical Commission acts as the Section …
Cultural Resources Monitoring: Archaeological Montioring Of Hand Excavated Trenches San Antonio, Bexar County, Texas,
2016
Stephen F. Austin State University
Cultural Resources Monitoring: Archaeological Montioring Of Hand Excavated Trenches San Antonio, Bexar County, Texas, David M. Yelacic
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
To assist and support the installation of fiber-optic cable in the particularly sensitive and historic Downtown San Antonio, Texas, Terracon carried out archaeological monitoring of two small, hand-excavated trenches in City of San Antonio sidewalk easements. The undertaking is subject to compliance with the Antiquities Code of Texas and oversight from the Texas Historical Commission. Archaeological monitoring was carried out by David Yelacic, Principal Investigator, under Texas Antiquities Permit Number 7203.
Through the course of monitored excavation, very few cultural materials were encountered, and these materials (i.e., clear glass fragment, brown bottle glass fragment, wood, and rusted metal) were not …
