The Porticello Bronzes Once Again,
2010
Bryn Mawr College
The Porticello Bronzes Once Again, Brunilde S. Ridgway
Classical and Near Eastern Archaeology Faculty Research and Scholarship
No abstract provided.
Ecclesiastical Architecture In Rome And Central Italy, Ca. 350-650,
2010
Bryn Mawr College
Ecclesiastical Architecture In Rome And Central Italy, Ca. 350-650, Dale Kinney
History of Art Faculty Research and Scholarship
No abstract provided.
Teotihuacan Imperialism In The Yautepec Valley, Morelos,
2010
University at Albany, State University of New York
Teotihuacan Imperialism In The Yautepec Valley, Morelos, Lisa Montiel
Legacy Theses & Dissertations (2009 - 2024)
In the study of ancient empires, models are needed to identify the material correlates of different types of interactions that bind imperial systems. This study focuses on the investigation of political domination in provincial areas. The Teotihuacan Empire dominated the political and economic systems within and around the Basin of Mexico from AD 200-650. There are many studies on the core polity of Teotihuacan and its surrounding area, yet intensive archaeological studies of Teotihuacan's periphery are needed to understand the organizational complexity of the empire. The Yautepec Valley in Morelos is located in an area that was likely on the …
Bilingual Visual Culture In New York : Socially-Engaged Latina Artists And The Discourse Of Hybridity,
2010
University at Albany, State University of New York
Bilingual Visual Culture In New York : Socially-Engaged Latina Artists And The Discourse Of Hybridity, Solmerina Aponte
Legacy Theses & Dissertations (2009 - 2024)
The purpose of this dissertation is to analyze the aesthetic visual discourse of hybridity manifested in the works of contemporary socially-engaged Latina artists of the New York diaspora. For Latin America and the Caribbean, regions where sociopolitical history has generally exhibited a tumultuous trajectory, the arts have provided a formidable venue for addressing the social concerns engendered by this turbulent history and for studying the creative ways in which artists interpret them. The symbiotic bond created between art and politics would become a cultural force and tradition in the history of struggle that characterizes the countries that are part of …
43 | Nahal Haggit: A Roman And Mamluk Farmstead In The Southern Carmel,
2010
Israel Antiquities Authority
43 | Nahal Haggit: A Roman And Mamluk Farmstead In The Southern Carmel, Jon Seligman
IAA Reports—Monograph Series of the Israel Antiquities Authority
This volume presents the results of three seasons of IAA salvage excavations during 1992–1993 at this farmstead site in the Ramot Menashe region. It was occupied in three phases during the Early and Middle Roman and Mamluk periods. Its first occupants included Jews or Samaritans, as evidenced by miqva’ot. It was abandoned after the First or Second Jewish Revolt, then resettled, possibly by Roman veterans. In the 13th century a small village was established here within the Mamluk-controlled region and abandoned sometime later. The finds include pottery and glass vessels, coins and other small finds.
The Logic Of Objects,
2010
University of Nebraska-Lincoln
The Logic Of Objects, David B. Eichelberger
School of Art, Art History, and Design: Theses and Student Creative Work
The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …
Polish Influence On American Synagogue Architecture,
2010
Syracuse University
Polish Influence On American Synagogue Architecture, Samuel D. Gruber
Religion - All Scholarship
Hundreds of thousands of Jews from Poland came to America after 1880. Many built synagogues with details recalling synagogues in their homeland. Immigrant artisans brought motifs and methods of Poland. Many of these synagogues were small, so the relationship to Polish art was on the inside in the painted and carved decoration. Established architects also had access to Polish synagogues as sources. With publication of the Jewish Encyclopedia (1901-06) images of Polish synagogues, such as the Warsaw’s Tlomackie Street Synagogue, became part of many Jewish libraries. More Polish influence came in the 1950s. Most architects were building modern synagogues, …
Medieval Synagogues In The Mediterranean Region,
2010
Syracuse University
Medieval Synagogues In The Mediterranean Region, Samuel D. Gruber
Religion - All Scholarship
Throughout the Middle Ages, the synagogue developed as the central identifying institution and physical building for Jews, replacing the still yearned for but increasingly distant Jerusalem Temple as the focus of Jewish identity. Equally important, the synagogue became the symbol par excellance of the Jews and their community for the Christian (or Muslim) majority populations in the countries where Jews were settled. For Christians, the synagogue was a Jewish church, but much more so, it came to symbolize in opposition all that the church represented.
Though relatively little known today, medieval synagogues were not symbolic abstractions to the men and …
Sixteenth-Century Glass Beads From Chotuna, North Coast Of Peru,
2010
Syracuse University
Sixteenth-Century Glass Beads From Chotuna, North Coast Of Peru, Christopher B. Donnan, Jill Silton
BEADS: Journal of the Society of Bead Researchers
Burials excavated on the north coast of Peru were associated with 16th-century European glass beads as well as shell and stone specimens of local manufacture. The beads were strung as necklaces, bracelets, and anklets, often combining several varieties of European beads with local products. The glass beads as well as the other grave goods suggest that the burials date to the first part of the 16th century, probably between 1530 and 1560.
The Beads That Did Not Buy Manhattan Island,
2010
Syracuse University
The Beads That Did Not Buy Manhattan Island, Peter Francis Jr.
BEADS: Journal of the Society of Bead Researchers
The purchase of Manhattan Island is an unrecorded event dressed in mystery and myth. An examination of the myth and of its history corrects misconceptions that are nearly as ancient as the purchase.
Venetian Glass Beads And The Slave Trade From Liverpool, 1750-1800,
2010
Syracuse University
Venetian Glass Beads And The Slave Trade From Liverpool, 1750-1800, Saul Guerrero
BEADS: Journal of the Society of Bead Researchers
The competition within the slave trade during the 18th century forced slave traders to search for an assortment of barter cargo that would attract the preferential attention of the African suppliers of slaves. An enterprising group of Liverpool slave traders that formed William Davenport & Co. rose to the occasion and in three years became the supplier of half of all the glass beads re-exported to Africa from England. An analysis of barter values in Bonny, West Africa, reveals that glass beads were one of the main categories of trade goods of great interest to the African slave traders. The …
Lucayan Beads From San Salvador, Bahamas (Ca. A.D. 900-1500),
2010
Syracuse University
Lucayan Beads From San Salvador, Bahamas (Ca. A.D. 900-1500), Jeffrey P. Blick, Richard Kim, Tyler G. Hill
BEADS: Journal of the Society of Bead Researchers
A variety of Lucayan shell, stone, and coral beads as well as beadmaking waste was recovered from several sites on San Salvador, Bahamas. Following detailed analysis, comparisons to other beadmaking sites in the Greater Caribbean region indicate that fabrication, material, color preference, and even general forms are similar across great distances from the Maya region to the Greater and Lesser Antilles and the Bahamian Archipelago. In some cases, beads appear to have been made at the household level (Middle Pre-Classic Maya, Post Saladoid Lucayans), although certain stratified societies (later Maya, Classic Taíno) seem to have exerted more control or monopoly …
Sir John Gardner Wilkinson: The Preservation And Pillage Of Ancient Egypt,
2010
Pepperdine University
Sir John Gardner Wilkinson: The Preservation And Pillage Of Ancient Egypt, Megan Ryan
Global Tides
This paper analyzes the debate over the role of John Wilkinson in the development of Egyptology in the late-nineteenth century. Scholars have debated the early importance Wilkinson had during his lifetime. Some argue that Wilkinson’s work was marginalized during his lifetime, and that his research was not fully appreciated until the past twenty years. Here, I demonstrate that Wilkinson’s work formed the foundation for the work of many of his contemporaries. This, coupled with a number of other arguments, indicate that Wilkinson’s work must have been seriously considered among academic circles during his time.
Stained Glass Windows Of Trinity Cathedral, Cleveland, Ohio, Produced By Wilbur H. Burnham Studios,
2010
Cleveland State University
Stained Glass Windows Of Trinity Cathedral, Cleveland, Ohio, Produced By Wilbur H. Burnham Studios, Michael J. Tevesz
Cleveland Memory
Trinity Episcopal Cathedral has over forty large stained glass windows that range in age from the 15 to the 20th Century. The medieval windows were produced in England and Germany, while the more contemporary windows were produced by such prominent studios as those directed by Willet, Connick, Tiffany, Heaton, Young, and Burnham. The more contemporary windows are of considerable artistic and historical interest, but there is very little information available about them. This monograph specifically focuses on the windows of Trinity Cathedral produced by the Wilbur H. Burnham Studios. The Burnham Studios windows are the most accessible windows within the …
A Ritual Bath (Mikveh) At Meiri House Museum, Zefat, A-5827/2010,
2010
Israel Antiquities Authority
A Ritual Bath (Mikveh) At Meiri House Museum, Zefat, A-5827/2010, Yosef Stepansky
Favissa: Past Archaeological Excavation Reports
In January 2010, a trial excavation was conducted within the premises of the Meiri House Museum in the Jewish Quarter of Zefat, in a room that had served as a ritual bath (mikveh) during the Ottoman period and throughout the British Mandate era in the twentieth century (Permit No. A-5827/2010; map. ref. 246292–308/763692–707). The excavation was carried out on behalf of the Israel Antiquities Authority and was funded by the Meiri House Museum. The excavation was directed by Yosef Stepansky, with the assistance of Hagit Tahan-Rosen (pottery drawing), Yosef Yaakobi (administration), Yehudit Meiri and Eyal Meiri (technical assistance …
Be’Er Sheva‘, High Tech Park, A-5896/2010,
2010
Israel Antiquities Authority
Be’Er Sheva‘, High Tech Park, A-5896/2010, Alexander Krokhmalnik
Favissa: Past Archaeological Excavation Reports
In March 2010, a trial excavation was conducted approximately 100 m north of the Be’er Sheva‘ North Railroad Station, in the Ramot neighborhood of Be’er Sheva‘ (Permit No. A-5896; map ref. 182129–67/574498–530), prior to construction activities. The excavation, undertaken on behalf of the Israel Antiquities Authority, was directed by A. Krokhmalnik, with the assistance of Y. Al'amor (administration), A. Peretz (field photography), M. Kunin, T. Kornfeld and A. Hajian (surveying), and A. Fraiberg.
The Idol In The Age Of Art: Objects, Devotions And The Early Modern World. St. Andrews Studies In Reformation History Edited By Michael W. Cole And Rebecca Zorach,
2010
Loyola Marymount University
The Idol In The Age Of Art: Objects, Devotions And The Early Modern World. St. Andrews Studies In Reformation History Edited By Michael W. Cole And Rebecca Zorach, Kirstin Noreen
Art History Faculty Works
No abstract provided.
Re-Covering Christ In Late Medieval Rome: The Icon Of Christ In The Sancta Sanctorum,
2010
Loyola Marymount University
Re-Covering Christ In Late Medieval Rome: The Icon Of Christ In The Sancta Sanctorum, Kirstin Noreen
Art History Faculty Works
The icon of Christ in the Sancta Sanctorum (Rome), known commonly as the Acheropita because of the miraculous nature of its production, had a long-standing and significant position in the cult of images in Rome. Centuries of processional use contributed to the deterioration of the icon and led to frequent interventions aimed at renewing or restoring the representation of the enthroned Christ. Through this process, which helped to ensure the efficacy of the sacred image, the surface of the icon became a site of exchange, a point of mediation between the viewer and the holy personage depicted. One of the …
Preliminary Archaeological Investigations At The Sierra Diablo Cave Site: Paleoindian And Archaic Occupations In Hudspeth County, Texas,
2010
University of Texas at El Paso
Preliminary Archaeological Investigations At The Sierra Diablo Cave Site: Paleoindian And Archaic Occupations In Hudspeth County, Texas, Jose Javier Vasquez
Open Access Theses & Dissertations
It is generally rare to find archaeological sites in the Southwest that retain the type of contextual integrity that the Sierra Diablo Cave exhibits. Often times, cave sites such as the one currently studied offer excellent preservation of cultural materials due to the general lack of moisture and isolation from wind and water erosion. The research aimed to determine when the site was occupied as well as the types of activities that were occurring during those occupations. It exhibits an extensive stratigraphic sequence that contains a well pronounced Late Archaic Period assemblage (Strata A and B) and a Late Pleistocene/Early …
Azerbaijan: Challenges Of The Modern World,
2010
Khazar University
Azerbaijan: Challenges Of The Modern World, Ali Abbasova
Khazar Journal of Humanities and Social Sciences
No abstract provided.
