Update On The Student Society For Ancient Studies,
2016
Brigham Young University
Update On The Student Society For Ancient Studies, Robert D. Hunt
Studia Antiqua
No abstract provided.
Editor's Preface,
2016
Brigham Young University
Front Matter,
2016
Brigham Young University
End Matter,
2016
Brigham Young University
Full Issue,
2016
Brigham Young University
The Pompeian Building Complex Of 55 B.C.,
2016
Brigham Young University
The Pompeian Building Complex Of 55 B.C., Rebecca A. Allen
Studia Antiqua
No abstract provided.
Biblical Studies,
2016
Brigham Young University
Near Eastern Studies,
2016
Brigham Young University
Editor's Preface,
2016
Brigham Young University
Update On The Student Society For Ancient Studies,
2016
Brigham Young University
Update On The Student Society For Ancient Studies, Davin B. Anderson
Studia Antiqua
No abstract provided.
Front Matter,
2016
Brigham Young University
Full Issue,
2016
Brigham Young University
Need The Poet Know It?: Anglo-Saxon Poets And Ancient Greek Bards,
2016
Brigham Young University
Need The Poet Know It?: Anglo-Saxon Poets And Ancient Greek Bards, Joseph A. Ponczoch
Studia Antiqua
No abstract provided.
De Paris À L'Europe : Sur Les Traces Des « Américains À Paris », Entre Mobilités Récréatives Et Quêtes Artistiques En Europe (De L'Après-Seconde Guerre Mondiale Aux Années 1960),
2016
Institut d'Etudes Politiques de Paris (Sciences Po)
De Paris À L'Europe : Sur Les Traces Des « Américains À Paris », Entre Mobilités Récréatives Et Quêtes Artistiques En Europe (De L'Après-Seconde Guerre Mondiale Aux Années 1960), Elisa Capdevila
Artl@s Bulletin
Travels of American artists across Europe in the 1950s and 1960s have only left traces in the archives. These trips represent however an important part of their education and life as artists. It is difficult to estimate precisely how many Americans were present in Europe at the time as the sources available are only fragmentary. The archives show how these artists approached this foreign space and and how valuable these trips were to them. They also reveal the importance of the Mediterranean countries in their experience of Europe and the new meaning these places took with the arrival of a …
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks,
2016
independent scholar
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks, Nora Gietz
Artl@s Bulletin
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how archival research enables us to trace the spatial life of artworks. The Revolutionary and Napoleonic policy of the suppression of religious corporations, followed by the appropriation of their patrimony, as well as the widespread looting of artworks, led to the centralisation of patrimony in newly established museums in the capitals of the Empire and its satellite kingdoms. This made the geographical and contextual displacement, transnationalisation, and change in the value of artworks inevitable.
Bas Les Masques ! Pour Une Relecture Socio-Économique Du Montparnasse Des Années 1920,
2016
Université Paris Ouest Nanterre La Défense
Bas Les Masques ! Pour Une Relecture Socio-Économique Du Montparnasse Des Années 1920, Léa Saint-Raymond
Artl@s Bulletin
This paper attempts to reconstruct the Parisian art world of the 1920s through the prism of the social sciences. Geography, sociology and network analysis shed new light on a caricature drawn by Sem, entitled Les Montparnos, which was published in 1929 in L’Illustration. The reconstruction of the artistic field strips away the masks, and leads us to conclude that Sem, the star of the Parisian Belle Epoque, was trying to reverse the stigma of his increasingly marginalized position by mocking a new generation of rising stars—such as Foujita, Man Ray, and Kiki de Montparnasse—who were starting to dominate …
Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques.,
2016
Université Paris-Sorbonne Paris IV
Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques., Fedora Parkmann
Artl@s Bulletin
The members of the Czech avant-garde group Devětsil accorded great importance to photographic illustrations in the magazines they published throughout the 1920’s. Securing photographs from foreign contributors played a key role in the group’s strategy to develop and maintain an international network. This paper examines these photographic reproductions as traces of a transfer of formal and iconographic innovations in photography from abroad to Czechoslovakia.
Sur Les Traces De La Fabrique Artistique : Quelques Réflexions Sur La Dimension Spatiale Et Matérielle De L’Histoire De L’Art,
2016
ENSA Lyon
Sur Les Traces De La Fabrique Artistique : Quelques Réflexions Sur La Dimension Spatiale Et Matérielle De L’Histoire De L’Art, Vincent Veschambre
Artl@s Bulletin
This text gives a reading of the notion of trace in the perspective of a geographer’s scientific trajectory, committed to grasping individual and social relations to space. Applying this notion to art history probes into the identification of who inscribes art in space, and for what purpose. Such an approach bears similarities with archeology, which cares for the lesser known or recognized traces, and is able to recast the wealth of social actors that have been concealed by history.
The Geographical Information Of Art History: How To Trace The Making Of Knowledge And Facts,
2016
Université Bordeaux Montaigne
The Geographical Information Of Art History: How To Trace The Making Of Knowledge And Facts, Olivier Marcel
Artl@s Bulletin
The objective of this trans-disciplinary, trans-regional and trans-periodical issue of Artl@s Bulletin is to confront a wide range of sources (catalogues, institutional archives, photographs, interviews, etc.), methods (qualitative, quantitative, comparative, multi-situated, cartographic, etc.) and areas of investigation (careers, movements, markets, etc.) in order to highlight the pivotal and problematic role of traceability in the spatial study of art.
The Global Rock-Art Database Project Towards Machine Learning: Building A Collaborative Open Source Platform For Heritage Management From Information Structure To Information Visualization Using Australian Heritage Examples,
2016
SAE University College
The Global Rock-Art Database Project Towards Machine Learning: Building A Collaborative Open Source Platform For Heritage Management From Information Structure To Information Visualization Using Australian Heritage Examples, Robert Haubt
Staff Scholarship - Australia & Dubai
This guest talk, presented at Lava Lab at the University of Hawaiʻi, explores the intersection of collaboration, data ontology, and information visualization in advancing machine learning within the Global Rock Art Database project. Drawing on insights from the project’s first four years, the talk emphasizes the critical need for cultural heritage preservation by systematically recording and structuring global rock art data in accessible and sustainable ways. This effort not only supports public education on rock art but also facilitates scholarly research.
Key discussions include advancements in data ontology using the CIDOC Conceptual Reference Model (CIDOC CRM) for semantic data management …
