History of Art, Architecture, and Archaeology Commons^™

Against The "Coverage" Mentality: Rethinking Learning Outcomes And The Core Curriculum, Julia A. Sienkewicz

Art History Pedagogy & Practice

This article proposes a revised way of approaching the learning outcomes of introductory courses in Art History and Art Appreciation. Taking into account disciplinary complexities, this article argues that instructors can improve student learning by focusing on "understanding" and "application" (the second and third levels of the revised Bloom's Taxonomy pyramid) rather than "remembering" (the bottom level). The article argues that focusing on student understanding and application of ideas rather than memorization can improve the value of introductory courses both for art history and for the core curricula that these courses often serve.

Building A Foundation For Survey: Employing A Focused Introduction, Glenda M. Swan

Art History Pedagogy & Practice

This paper discusses the impact of introducing a multi-day introduction in an art history survey course in order to promote student awareness of the transferability of the skills and strategies of visual analysis to other contexts and courses outside of the discipline. Class discussion, course activities, and supplemental support materials were developed with the goal of generating student interest, investment, and self-efficacy in connection with art historical methodology and study strategies. Student performance and feedback in a recent survey course employing this introduction was then compared to earlier offerings of the course that did not employ this introduction. Preliminary results …

Jackson Creek Arts And Trails, Llc: Museum Travel Immersion Programs, Else C. Trygstad-Burke

Master's Projects and Capstones

Museums have become increasingly oriented towards reaching new audiences, encouraging visitor loyalty, and informing the public about their overall relevance. Innovation in programming is a centerpiece of this effort, including a provision of programs for all age groups and demographics. At the same time that this transformation occurs in the museum world, similar changes are taking place in the leisure, travel and tourism industries. A continuously rapid increase in globalism and cultural access contributes to an atmosphere in which travelers can expand their goals and purposes within the context of a travel experience. This report will demonstrate that these trends …

History In Collaboration: Equalizing The Arts And The Humanities In San Francisco, Nicole C. Meldahl

Master's Projects and Capstones

Historically, there has been a critical imbalance in the way history and preservation organizations are civically supported in comparison with the amount of funding that is available to arts organizations in the United States. To correct this imbalance in San Francisco, I propose the creation of a San Francisco Department of Culture that would place the San Francisco Arts Commission equally alongside a San Francisco History Commission within a department that absorbs responsibilities currently managed by other divisions with in city government, such as the Planning Department and the Office and Economic and Workforce Development. City government necessarily takes time …

Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, Isabel Tassara

Master's Projects and Capstones

For this Museum Studies capstone project, I presented and developed a proposal and project plan for an exterior interactive exhibition of an Argentinean artist, Leandro Erlich, at the Contemporary Jewish Museum (CJM) in San Francisco, California. After researching diverse conflicts between architects and artists in the art museum context, my goal was to show an approach in which art can “dialogue” with the exterior features of the CJM’s cutting edge building. To be presented on the courtyard entrance of the Libeskind construction, the exhibition that I propose will potentially prove that an effective relationship can be established outside the common …

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

Belén’S Plaza Vieja And Colonial Church Site: Memory, Continuity And Recovery, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

This is my capstone project for completion of a Post MA certificate in Historic Preservation and Regionalism. I received the degree in Spring, 2019. The project involves recovering the legacy of a historic colonial church site in Belén, New Mexico. The work involves the descendant community’s sense of place and the continuity of memory and sacredness of Belen’s first church and original plaza.

1916 And The Challenges Of Commemorative Exhibitions In Ireland, Siobhan Doyle

Conference papers

Like many countries, Ireland has a chaotic and tumultuous past which results in challenges for national cultural institutions in presenting history to satisfy the education and expectation of both national and transnational audiences. The Easter Rising of 1916- a failed rebellion against British rule- is the pivotal event in the creation of the modern Irish state and is synonymous as a moment in the past which represents Irish history, characterizes Irish culture and amplifies national identity.

With 2016 marking 100years since the Easter Rising, my paper will explore how the recent centenary commemorations of this historic event have been a …

The Black Death In The Medieval World: How Art Reflected The Human Experience Through A Macabre Lens, Shirley M. Carrade

Senior Theses

In the fourteenth century a devastating pandemic disease known as the Black Death was responsible for the tragic death of millions of Europeans. The wide ranging consequences affected Europe’s culture, religion, and economic stability. These consequences can be seen most directly in the visual arts, notably with the prevalent motif of images of the dead interacting with humans. This interaction between the dead and the living can be found in the famous Triumph of Death, by Francisco Traini (ca. 1350) and the Dance of Death, by Bernt Notke (n.d.). These paintings are just a few of the many examples of …

The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events, Holly Ann Kolberg

All-Inclusive List of Electronic Theses and Dissertations

Research studies have shown that the sense of awe evoked by natural settings may be associated with transcendental thinking about God. Similarly, other researchers have suggested that people attribute events to God when they cannot develop a sufficient naturalistic explanation for a phenomenon. People appear to prefer attributing events to a benevolent God but will modify their beliefs to assume that God is punitive if event outcomes do not appear to favor their well-being or religious attributions do not accommodate a situation. In the current study, the goal was to evaluate how exposure to photographs of different environments influenced beliefs …

60 | ‘Akko Ii: The 1991–1998 Excavations: The Early Periods, Moshe Hartal, Danny Syon, Eliezer Stern, Ayelet Tatcher

IAA Reports—Monograph Series of the Israel Antiquities Authority

chapter 1. `Akko-Ptolemais - a maritime city at the crossroads of ancient civilizitions until Roman times / Nadav Kashtan -- part I. Excavations at the courthouse site. chapter 2. The courthouse site: architecture and stratigraphy of areas TB and TC / Moshe Hartal -- chapter 3. The courthouse site: the glass from areas TB and TC / Natalya Katsnelson -- chapter 4. The courthouse site: loomweights and whorls / Orit Shamir -- part II. Excavations in the Hospitaller compound. chapter 5. The Hospitaller compound: Hellenistic and early Roman remains / Eliezer Stern -- chapter 6. The Hospitaller compound: Hellenistic and …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …

Transformations, Brian Metzger

Curating Contemporary Art: Documents & Writings

Sotheby's Institute of Art is pleased to present TRANSFORMATIONS, a group exhibition curated by Brian Metzger, Master of Art Business candidate class of 2016. The exhibit is on view from November 29 to December 5, 2016.

Mural Arts: Giving A Voice To The Voiceless, Olivia Bates

Faculty Curated Undergraduate Works

The history of mural arts cites the use of public images in visualizing global and local challenges and triumphs. From the prehistoric cave art in Lascaux Grotttoes, France to the magnificent works of Italian Renaissance artists, murals have transformed the art world by visually conveying social values, events, and transitions of historical times. Throughout the world, artists highlight inequality, invoke change, and give a voice to the voiceless through their images. In order to determine the value and meaning of public art in global and local communities, I researched and documented murals through online and in-person visits; compiling my visual …

Future Oriented Sustainable Design. Design Purpose: What Is Design And Who Is It For? [Please Note: This Is A Large File And May Be Slow To Download.], Barry Sheehan

Academic Articles

In November 2016 I was asked to make a presentation at the Future Oriented Sustainable Design International Conference in Wuhan in the People's Republic of China. My topic was Design Purpose: What is Design? And who is it for?

The presentation examines the wider aspects of design and its categories and asks who were are actually designing for.

I made a powerpoint presentation that I narrated in English whilst it was simultaneously translated into Chinese for the attendees at the conference. On my return to Ireland I created a soundtrack to accompany the presentation slides for people to watch the …

“Sparks Fly ”: Connecting Midwestern Historic Forts Through A Comparative Study Of Gunflints, Jeffrey A. Spanbauer

Theses and Dissertations

This thesis will outline the temporal changes and choices of colonial powers and individuals as expressed at historic frontier posts in the Midwest between 1683 and 1779 as expressed through their supply and usage of gunflints. Gunflints exist as persistent artifacts at historic sites, and especially so at fortifications like Fort de Chartres, Fort St. Joseph, Fort Michilimackinac and Fort Ouiatenon. These sites exist within the same chronological timeframe, from 1690-1780, and saw occupation by both the French and British, with nearby indigenous groups, and should serve as instructive means to investigate the factors involved in the supply, selection, and …

The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam

Artl@s Bulletin

This article analyses some aspects of the Chinese-Indian exchanges, which took place in the first half of the 20^th century, in the artistic circle of Calcutta and Shantiniketan, in Bengal. From the beginning of the last century, the Bengali elite was under the influence of Okakura Kakuzo’s Pan-Asian theories, in its approach to Chinese art. From the 20’s, under the auspices of Rabindranath Tagore the first direct contact between Chinese and Indian artistes took place and lasted until the 40’s. From the 30’s, the Bengali avant-garde, in its search of a new aesthetic in relation with social and political …

Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, Yin Ker

Artl@s Bulletin

Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation-centric narrative of modern Southeast Asian art. It brings into focus the program’s keystones on the modern, art and the artist, which have been pivotal in discoursing on the Burmese alumnus of the ashram-turned-university, and explores how the same might be applicable to fellow artists in Myanmar and the region.

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …