History of Art, Architecture, and Archaeology Commons^™

A Home For Lucille Vinyard’S Lifework In Humboldt State University Library’S Special Collections, Carly Marino, Nicole Martensen, Kaycie Voigt, Alexandria Jones, Cathlyn Garibay, Blanca Drapeau, Victoria Bruner, Kathleen C. Bromley

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

No abstract provided.

Images Of Public Places: Extending The Copyright Exemption For Pictorial Representations Of Architectural Works To Other Copyrighted Works, Andrew Inesi

Journal of Intellectual Property Law

No abstract provided.

A Site Of Change: The Masterplan, Brian Fay

Exhibition Catalogues

Essay on the community based art project The Master Plan curated by Jennie Guy with artists Ella de Burca and John Beattie.

Empowering American Women Artists: The Travel Writings Of May Alcott Nieriker, Julia K. Dabbs

Art History Publications

The painter May Alcott Nieriker, sister of famed novelist Louisa May Alcott, is a striking example of a middle-class woman who was able to achieve professional success in the United States and in Europe even though she lacked sustained instruction, income, and connections. This article first considers Alcott Nieriker's circuitous artistic path before focusing on how she sought, through her published travel writings, to empower other women of modest means to follow in her footsteps. Particular attention is given to her groundbreaking guidebook, Studying Art Abroad & How to Do It Cheaply (1879), which not only provides practical advice for …

Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun

Schmucker Art Catalogs

Methods of Nature: Landscapes from the Gettysburg College Collection is the third annual exhibition curated by students enrolled in the Art History Methods course. The exhibition is an exciting academic endeavor and incredible opportunity for engaged learning, research, and curatorial experience. The five student curators are Molly Chason ’17, Leah Falk ’18, Shannon Gross ’17, Bailey Harper ’19 and Laura Waters ’19. The selection of artworks in this exhibition includes the depiction of landscape in the nineteenth- and twentieth-century French, American and East Asian cultural traditions in various art forms from traditional media of paintings and prints to utilitarian artifacts …

Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin

Schmucker Art Catalogs

The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …

Blending Myth And Reality: Maritime Portugal And Renaissance Portraits Of The Royal Court, Barbara Von Barghahn

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Historians have long recognized the singular nautical achievements of sixteenth-century Portugal. The Renaissance age of navigation was characterized by intrepid Portuguese mariners who charted unknown waters in double or triple-masted caravels. Vasco da Gama opened a route around Africa to India in 1497. Pedro Álvares Cabral in 1500 basically steered the same course to South Asia, but deviated on his return to set anchor off the coast of Brazil, the “Land of the True Cross.” Fernão Magalhães’s ship “Victoria” managed to circumnavigate the earth between 1519 and 1521. These Portuguese voyagers substantially changed the medieval world picture. Their maritime expeditions …

Chinese Glass Paintings In Bangkok Monasteries, Jessica Lee Patterson Phd

Art, Architecture + Art History: Faculty Scholarship

Reverse glass paintings, a form of Chinese export art, were extensively traded in the nineteenth century. Several examples are on display in prominent Thai Buddhist monasteries in Bangkok. King Nangklao of Siam, Rama III, encouraged Sino-Siamese trade that brought Chinese objects and images to nineteenth-century Siam. The ideals of accretion and abundance characteristic of Thai Buddhism and the sinophilia of Rama III facilitated the construction of “Chinese-style” Thai temples. Glass paintings with scenes of the Pearl River Delta, Romance of the Three Kingdoms, auspicious objects, and bird-and-flower compositions were installed in temples and inspired new directions in Thai mural …

The Influence Of Ajanta On Indian Modern Art, Nolan Hawkins

Independent Study Project (ISP) Collection

The artwork of the Ajanta cave temples has had a major impact on the definition of Indian artistic identity and upon the modern art movement in India. This paper describes the history and construction of the caves and their specific stylistic and ideological influence of and interpretation by various key figures of the modern art movement. The first major projects to produce copies of the Ajanta frescoes (those by Major Robert Gill, John Griffiths and his students, and Lady Herringham and Abanindranath Tagore's students) are surveyed and put in context. Various early art-historians and critics are examined with respect to …

Orientalism And The Archaeological Survey(S) Of India, Ilan Desai-Geller

Independent Study Project (ISP) Collection

This study is an investigation of the Archaeological Survey of India (ASI). It was inspired by the somewhat incongruous fact that the ASI, which now exhorts visitors to its monuments to feel pride in their heritage, was founded by British colonialists who felt that contemporary Indian society was in shambles and in need of Western domination. In an attempt to investigate the completeness of this transformation, this study traces key events and figures in the ideological, institutional, and academic history of the study of the Indian past, paying close attention to the relationship between scholarship and colonialism. This analysis, combined …

The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey

Independent Study Project (ISP) Collection

This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19^th and early 20^th century India and Ravi Varma’s role within it, I gained a clearer understanding of the degree …

It Could Have Been Great: An Examination Of Kandinsky's Bauhaus Paintings And The Great Synthesis Of The Arts, Deanna Brooks

Institute for the Humanities Theses

When Nazism descended upon the German art world in the late 1920s and throughout the 1930s, artists were treated as an expendable group of "political undesirables." Among them was Russian painter Wassily Kandinsky (1866-1944), who experienced firsthand the political pressure placed on his career, as he attempted to visualize a weltanschauung or "world view," that involved the marriage of different types of art, media, and practices. For Kandinsky the "Great Synthesis of the Arts" revealed the collective historical narrative, to which all artists contributed, and he strove to actualize this lifelong goal over the course of his teaching career at …

“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker

Dissertations, Theses, and Capstone Projects

The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …

Building In Public: Critical Reconstruction And The Rebuilding Of Berlin After 1990, Naraelle Hohensee

Dissertations, Theses, and Capstone Projects

Reconstructing Berlin’s ruined contours after 1990 was one of the most important ways that reunified Germany made a public display of its relationship to the violence wrought by both the Nazis and East Germany during the twentieth century. By integrating historical forms into new buildings in the city’s commercial center, Berlin’s urban planners hoped to show the world that the nation had transcended totalitarianism and was worthy of a prominent place in the new global order. In order to achieve this vision, they adopted an approach called “Critical Reconstruction,” which required architects to follow rigid design standards based on traditional …

Edwin Fischer And Bach Performance Practice Of The Weimar Republic, Bradley V. Brookshire

Dissertations, Theses, and Capstone Projects

Edwin Fischer (1886-1960) provided a synthesis of approaches to Bach pianism that resolved dialectical tensions of long standing between schools that opposed one another throughout the nineteenth century. I argue that Fischer’s synthesis––which permits exegetical interpretation while maintaining a preservationist stance toward the integrity of the text––resembles both Felix Mendelssohn’s bifurcated approach to Bach’s music and Moses Mendelssohn’s description of a similar duality within modern Judaism. Such resemblance may not be coincidental or superficial, given that Fischer married into the Mendelssohn family at the height of its cultural influence in Weimar-Era Berlin. Although pieces of the Mendelssohnian construct were in …

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

Out The Window: The Coalescence Of Internal And External Space, Micah Allen Zavacky

Theses and Dissertations

Out the Window: The Coalescence of Internal and External Space is a supportive statement for an exhibition of prints, drawings, and paintings that begin with direct observation. Building on Yi-Fu Tuan’s distinctions of space and place, I examine how these terms reflect my subjective interpretations of objective subject matters. Landscape, still life in domestic interiors, and garden subjects, as observed and interpreted in the prints, drawings, and paintings, not only reveal the shifting roles of space and place but also the ongoing processes of change occurring both externally in the observed environment and internally in my response to it.

The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin

Artl@s Bulletin

The international circulation of art has today become a rapidly expanding field of study, yet transcontinental circulations have thus far received less attention. In much the same way, a great deal of research has been conducted into bilateral artistic and cultural exchanges, yet scholarship around triangular systems is still somewhat lacking. This latter term refers to instances in which artistic circulation – whether in the form of artworks, artists, aesthetics or styles – involves at least three cultural reference points, and wherein effects of transformation, adaptation and readaptation are all the more complex. Despite the focus on bilateral exchanges, even …

Appendix To The Minutes Of Evidence: Taken Before The Lords Committees To Whom The Bill Intituled "An Act For Improving The Approaches To London Bridge," Was Committed, City Liberal Club

The Wilbur & Sara Ruth Watson Bridge Book Collection

In 1829 legislation was submitted to the British Parliament, regarding improvements to the approaches to London Bridge. Referred to a Lord’s Committee, a report was issued, this being the appendix of exhibits offered in support. Note especially the maps at the end of the report. The original book, offered as an e-book here, is housed in the Wilbur J. & Sara Ruth Watson Bridge Book Collection, in Special Collections of the Michael Schwartz Library of Cleveland State University.

Pharaonic Occultism: The Relationship Of Esotericism And Egyptology, 1875–1930, Kevin Todd Mclaren

Master's Theses

The purpose of this work is to explore the interactions between occultism and scholarly Egyptology from 1875 to 1930. Within this timeframe, numerous esoteric groups formed that centered their ideologies on conceptions of ancient Egyptian knowledge. In order to legitimize their belief systems based on ancient Egyptian wisdom, esotericists attempted to become authoritative figures on Egypt. This process heavily impacted Western intellectualism not only because occult conceptions of Egypt became increasingly popular, but also because esotericists intruded into academia or attempted to overshadow it. In turn, esotericists and Egyptologists both utilized the influx of new information from Egyptological studies to …