History of Art, Architecture, and Archaeology Commons^™

Data Mining Ancient Script Image Data Using Convolutional Neural Networks, Shruti Daggumati, Peter Revesz

School of Computing: Conference and Workshop Papers

The recent surge in ancient scripts has resulted in huge image libraries of ancient texts. Data mining of the collected images enables the study of the evolution of these ancient scripts. In particular, the origin of the Indus Valley script is highly debated. We use convolutional neural networks to test which Phoenician alphabet letters and Brahmi symbols are closest to the Indus Valley script symbols. Surprisingly, our analysis shows that overall the Phoenician alphabet is much closer than the Brahmi script to the Indus Valley script symbols.

62 | Bet She’An Iv: Hellenistic Nysa-Scythopolis The Amphora Stamps And Sealings From Tel Iztabba, Gaby Mazor, Walid Atrash, Gerald Finkielsztejn

IAA Reports—Monograph Series of the Israel Antiquities Authority

This is the fourth volume of publications of the Bet She’an Archaeological Project, describing the large-scale IAA excavations at the site of Bet She’an–ancient Nysa-Scythopolis, during 1986–2002. This volume focuses on two significant assemblages of finds from the Hellenistic period recovered at the site of Tel Iẓṭabba: the stamped amphora handles and the sealings. The volume is introduced with a brief summary of excavations at Tel Iẓṭabba and an overview of the city’s history. Bet She’an V (IAA Reports 74) presents the full excavation report of the IAA excavations at Tel Iẓṭabba: the stratigraphy, architecture and finds.

Atlanta: Reconstructing A Fractured History, Clayton Odom

Bachelor of Architecture Theses - 5th Year

Today we live in a world where the development of our cities has resulted in the destruction of historical and magnificent architecture that stood as monumental symbols of human achievement and evolution. This has been a problem for Atlanta in which the foundations of the city's architectural heritage and legacy has been destroyed as a result of Atlanta's fragmented development over time, leaving the city's architectural legacy and history in a state of fragmented ruin. For Atlanta, it is important to restore this lost architectural heritage by reconstructing the memory of the city's destroyed architectural icons by recreating and reassembling …

Art In The Age Of Financial Crisis, Conor Mcgarrigle, Marisa Lerer

Articles

This issue addresses the long financial crisis of 2008 and the nature and diversity of artistic responses to it. This financial crisis is understood as a globalized result of late capitalism that nonetheless is experienced differently at local, regional, and national levels. It is multi- faceted in nature, a phenomenon that has historical roots and precedents that inform contemporary responses. Artists are not restricted to engage with the economy through one specific vehicle of inquiry or one type of medium and message. Therefore, the central question that this issue poses is: what is the artist’s role in finance, crisis, and …

Laboratoire DéBerlinisation: Art, Finance, And The Legacies Of Colonialism In Contemporary African Art: An Interview With Mansour Ciss Kanakassy, Conor Mcgarrigle, Marisa Lerer

Articles

Mansour Ciss Kanakassy (b. 1957) is a Berlin-based Senegalese artist whose practice addresses the legacy of colonialism in contemporary Africa, in particular as it is expressed in the financial systems of the former Francophone colonies of West Africa, where the currency, the CFA franc, historically tied to the French franc, is now pegged to the euro. The acronym CFA originally stood for Colonies Françaises d’Afrique – French Colonies of Africa – and now Communauté Financière Africaine – African Financial Community. In 2001, Ciss Kanakassy created the Laboratoire Déberlinisation (Déberlinisation Laboratory), a multifaceted project that traces contemporary African issues to the …

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Treehouses: Civilizing The Wildness Of Men And Nature, Courtney Mckinney

English Undergraduate Distinction Projects

In this paper, I explore how treehouses operate symbolically in tandem with culture. Through an analysis of British and American print culture, I argue that the treehouse building project became bound to boyhood at the turn of the twentieth century as the naturalist movement spread and youth organizations embraced treehouses as part of their vision for the development of boys. Parents and youth leaders intend for treehouse projects to build self-reliance, independence, imagination, and courage in their boys. Congruously, this activity associated with a child’s personal growth takes place in an actual growing organism. I analyze how treehouses juxtapose humans …

Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender

Student Theses 2015-Present

This paper aims to shed light on the dissonance caused by the superimposition of Dominant Human Systems on Natural Systems. I highlight the synthetic nature of Dominant Human Systems as egoic and linguistic phenomenon manufactured by a mere portion of the human population, which renders them inherently oppressive unto peoples and landscapes whose wisdom were barred from the design process. In pursuing a radical pragmatic approach to mending the simultaneous oppression and destruction of the human being and the earth, I highlight the necessity of minimizing entropic chaos caused by excess energy expenditure, an essential feature of systems that aim …

Bladelet Polish: A Lithic Analysis Of Spracklen ( 33 Gr 1585 ), An Upland Hopewell Campsite, Tyler R. E. Heneghan

Theses and Dissertations

This thesis builds upon recent investigations at Spracklen (33GR1585), a small upland site in Greene County, Ohio. The presence of non-local cherts, bladelets, and bladelet cores indicates a Middle Woodland Ohio Hopewell occupation. Raw material sourcing, debitage analyses, and a use-wear analysis uncovered that Spracklen functioned as a logistical hunting campsite. Its people utilized bladelets for butchery and hide-working processes. This information provides new insights into Hopewellian life in the uplands and its place within Hopewell community organization.

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

The Nature Of My Nature; A Story About Relationships, Andrew Mcilvaine

Graduate School of Art Theses

Abstract

As a second generation Hispanic, I am a painter whose work is informed by my personal experience of displacement and longing to belong. In turn, I hope, this longing inspires an important dialogue about place, memory, otherness and belonging. I work in small, intimate scale, evoking narratives of vastness yet also of solitude. The landscape and the natural environment I represent, become populated by anonymous creatures. Both animal and human, posed in semi-natural and semi-artificial settings.

I was born in Texas and grew up in Missouri. The images I produce are often tranquil and surreal yet are grounded through …

Four Sights Of The Patient (Ophelia), Cecily Ann Fergeson

Graduate School of Art Theses

I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to reckon with the following subjects: a reclamation of the notion of the so-called medical gaze and its historical record in photography; the idea that receiving the medical gaze transforms patients’ bodies; the idea of illness as an uncanny and intimate experience; and, finally, the act of metaphorically retracing the body’s material journey through the medical institution as it exists today. In this text, I discuss my practice in the context of critical theory, a recent observation …

Complexities Of Chinese Contemporary Art, Hongjia Chen

Master's Projects and Capstones

Throughout the history of the People’s Republic of China (PRC), art has always been state-dominated and driven by governmental and political agendas. In comparison to fellow artists in the Western world, historically, Chinese artists have lacked the freedom to express their passion and creativity through artistic forms. The contemporary art movement in China, however, maneuvers around this challenge and provides a more positive direction—one in which artists have a stronger voice and economic benefits are combined with governmental support and encouragement of art activities that enhance social capital and one’s habitus. To some extent, this is changing, with the first …

Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller

Theses and Dissertations

Mary Corse has always maintained her position on the periphery, and her work has generally been excluded from art historical scholarship. This study illuminates the ways in which the first two decades of Corse’s practice were in fact in dynamic dialogue with broader impulses and concurrent trends operating at the time.

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …

Envisioning Shadows In Romantic Ekphrasis And Early Photography, Joseph Kevin Tuvera Sebastian

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis seeks to investigate ekphrasis as a mode of description and as a rhetorical strategy that produces literary affect. In particular, it considers the Romantic poet John Keats’s ekphrastic works to argue that he employs visual strategies of obscurity, which are rooted in

Edmund Burke’s concept of the Sublime, in order to register the formation of Poetic Consciousness. These visual strategies are observed in literal obscurity, which is expressed in shadows as a poetic conceit; they are also demonstrated in what this thesis terms notional or poetic obscurity, which involves mental abstractions that engage the imagination by challenging it …

Canonizing Modernism: An Avant-Garde Legacy In France’S Sacred Art Movement, 1937–1958, Heather Renee Read

Arts & Sciences Graduate Student Theses and Dissertations

This dissertation offers a critical reassessment of modernist involvement in the Sacred Art Movement, the highly controversial Catholic art renaissance undertaken by the French Dominican Order in the fragile World War II era between 1937 and 1954. Marie-Alain Couturier and Pie-Raymond Régamey, the Dominican co-editors of the influential religious art journal L’Art Sacré, led the Sacred Art Movement by arguing that to reveal the timelessness and universality of Catholic themes in the modern world, “it would be safer to turn to geniuses without faith than to believers without talent.” Far less understood are the motives that compelled these same “geniuses …