History of Art, Architecture, and Archaeology Commons^™

Visual Structure, Cultural Memory, And Viewership In Early Medieval Irish High Crosses, Trinity Smith

Theses

This thesis examines how Irish high crosses functioned as structured visual forms through which religious authority and cultural memory were communicated within early medieval Ireland. Previous scholarship has emphasized the theological coherence of these monuments, often assuming a single idealized viewer. This study reconsiders Irish high crosses through the concept of multiple viewership by examining how different audiences may have encountered and understood these monuments. Using comparative visual and contextual analysis, this study examines four case studies: the Cross of the Scriptures at Clonmacnoise, Muiredach’s Cross at Monasterboice, the High Cross of Durrow, and the Market Cross at Kells. This …

Seeing Power: Authority, Gender, And Spectatorship In Charles I And Henrietta Marie With Their Two Eldest Children, Prince Charles And Princess Mary (1632), Danielle Scaramuzzi

Theses

The visual construction, enactment, and legitimization of political authority is the subject of this thesis concerning Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary (1632), painted by Anthony Van Dyck. Through examination of sovereign representation, gendered body, dynastic continuity, and spectators, this research argues that authority within Northern Baroque portraiture is not established as a single or unchanging entity. However, instead of a monolithic representation of authority, it arises from relational elements, including body language, gesture, space, family relations, and viewer engagement. Although Van Dyck's portrait is generally considered a dynastic image in …

Ethical Visual Truth: An Analysis On Vietnam War Photojournalism, Anna Lauryn Carmichael

Theses

This thesis examines the ethical dimensions of Vietnam War photojournalism through close analysis of four iconic photographs: Nick Ut's The Terror of War (Napalm Girl) , Eddie Adams's Saigon Execution , Catherine Leroy's Vietnam, February 1967 , and Gilles Caron's Untitled (Who's the Enemy Here?) . Rather than treating these images as transparent documentation, this thesis argues that Vietnam War photojournalism functioned as a contested medium of narrative construction, one whose most celebrated images achieved iconic status by conforming to Western visual conventions and institutional demands, rather than by capturing some unmediated truth. Drawing on the interconnected frameworks of visual …

Front Matter Volume 2 No. 2, Editors Note

Zamani: A Journal of African Historical Studies

This is yet another issue of the Zamani journal which takes on varied debates and discussions of historical importance through the contributions to the issue. As we embark on volume three of the new journal’s series, this volume carries six articles, varied in scope but interesting in terms of contribution and relevance to historical synthesis. As editors, we hope that the articles contained here will be of interest to a wider audience of not only historians but also of allied disciplines, practitioners and the general readership. As we publish this volume, we also note the advantage of expanding the scope …

Crises In The Nigerian Defence Sector In The Post-Civil War Period, Hussaini Jibrin

Zamani: A Journal of African Historical Studies

History has it that post-war period in any country in the world appeared to be with many challenges of re-planning the defence system. It involves the reconstruction of pre-war institutions that are destroyed during the war for onward growth and development. Contrary to this tradition, this article explores that, in 1970 while Nigerians were celebrating about the end of the Nigerian civil war, fresh crises emerged in the country’s defence sector. Thus, General Yakubu Gowon’s government redirected its focus on addressing the crises. The crises are numerous, however, this article dwells on four only. These are demobilization exercise in the …

Performance Of Buffer Zones In Tanzania: A Case Of Maswa Game Reserve, 1950s-2010s, James Benedict Kuboja

Zamani: A Journal of African Historical Studies

National parks as core protected areas are universally regarded as the most important wildlife conservancies as they are protecting pristine nature or untouched wilderness. For this reason, global conservationists, with the assistance of colonial governments, introduced buffer zones in a bid to protect important protected areas from poaching and habitat destruction. Despite the promulgation of these buffer zones from the 1950s, scholars have not exhaustively evaluated their effectiveness in the conservation of wildlife resources within core protected areas and wildlife ecosystems at large. Using the case of Maswa Game Reserve in the Serengeti Mara Ecosystem, this article argues that internal …

Historicising Nyerere’S Presidency In The Nyakyusa Mythical Narratives, Ignas Fedeo

Zamani: A Journal of African Historical Studies

Julius K Nyerere, the founding President of Tanzania, held office from 1962 to 1985. Much has been written about Nyerere's presidency, with the literature generally falling into two categories: strong advocacy for his decisions, actions, and ideas, and pointed criticism against him. Using narrative and new historicism theories, this article examines the recreation of the history of Nyerere’s presidency in local narratives, specifically Nyakyusa myths. The myths were collected using the oral history interviews from Kyela and Busokelo districts in Tanzania. The Nyakyusa believe that Nyerere was endowed with immense mystical powers, some of which embedded in his stick and …

Śaṅkha-Dvīpa And The Swahili Littoral: Reconstructing India–East Africa Contacts Before The Common Era, Narendra Vijayasimha

Zamani: A Journal of African Historical Studies

This article is the first focused attempt to explore India–East Africa relationships in the Bronze Age and early Iron Age, approximately two to three millennia before the Common Era (3000–300 BCE) from a puranic perspective. While extensive scholarship exists on medieval and later Indo–African exchanges, the pre-Common Era period has remained underexplored. Drawing on Purāṇic cosmographies, Greco-Roman geographical accounts, African archaeology, and Indian Ocean trade studies, this research reconstructs possible networks of contact facilitated by monsoon navigation and long-distance exchange. Methodologically, the article integrates textual exegesis, comparative cosmography, and archaeological correlation. The findings suggest that Indian conceptions of Śaṅkha-dvīpa reflect …

Labour Migrancy And Ethnic Stereotypes: Experiences From Mufindi Tea Plantation, Ca. 1920s To 2000s, Hezron R. Kangalawe

Zamani: A Journal of African Historical Studies

While tea plantations brought good fortunes to some parts of Southern Highlands in Tanzania such as Mufindi and Rungwe during the British mandate, its production sites became centres of ethnic contestations in relation to work discipline. The colonial and post-colonial enterprises labelled some ethnic groups as “reliable labourers” and others “unreliable”. This article, uses the tea plantations in Mufindi district, Iringa, to debate the labour question and ethnic identity in tea plantations between 1920s and 2000s. It argues that tea plantations were practical point of colonial stereotyping whose architects were anthropologists. Interviews in Mufindi tea plantations and factories, archival and …

Collaboration In The Spread Of Missionary Christianity In Africa: The Case Of The Apostolic Church Of Nigeria, Caleb Abiodun Adeleye, Oluwasegun Peter Aluko

Zamani: A Journal of African Historical Studies

This article explores the significance of collaboration in the spread of missionary Christianity in Africa through a historical study of The Apostolic Church of Nigeria (TACN). It examines how the partnership between British missionaries and Nigerian leaders produced a hybrid mission model that combined Western ecclesiastical structure with African spirituality. Drawing on historical records, church documents, and existing scholarship, the article adopts a narrative–analytical method to trace how figures such as Pastors George Perfect, Idris J Vaughan and DO Odubanjo negotiated issues of theology, finance and cultural identity. The study finds that collaboration initially fostered institutional growth and doctrinal development …

Art 106 Gallery Guide Writing Assignment, Julie Applebaum

Open Educational Resources

This 3-page essay (400-500 words) assignment builds upon the visual analysis skills students will develop in their Art 106 Introduction to Modern and Contemporary Art class. Students visit the Metropolitan Museum of Art together and choose a work to study carefully using a close looking protocol guide which is submitted as a key component of their assignment requirements. Completed essays will be added to the Art 106 at the Met Open Lab project, a gallery guide for the 19th century French art galleries at the Metropolitan Museum of Art.

Art From My Culture Alternative Project: Zine, Yan Yang

Open Educational Resources

An assignment where students created Zines to teach the class about an object of significance from their culture.

Art History Zine, Estelle Artus

Open Educational Resources

Open Assignment

Soft Korsi: An Embodied Spatial Interior System For Communal Warmth, Faezeh Panahandeh

Graduate Final Projects

ABSTRACT

Soft Korsi: An Embodied Spatial Interior System for Communal Warmth reconceptualizes the historic Iranian Korsi as an innovative textile-based interior system. Traditionally, the Korsi functioned not only as a heating device but also as a spatial, material, cultural, and embodied system, which brought people together around a shared warm focal point. The integration of a heat source, textile coverings, floor seating arrangements, closeness of bodies, and domestic traditions related to warmth made possible a collective experience, rather than an individual or environmental one.

This design project seeks to address the disappearance of the Korsi from contemporary domestic environments as …

The Art Of Martin Wong, And The Traditions He Drew From, Janie Mendosa

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

Martin Wong was a singular figure in the art world, drawing from diverse influences including Pan-Asian traditions, Western modernism, social realism, and the emerging graffiti movement. As a queer artist who lived in urban New York City to San Francisco's Chinatown, he existed on the margins.

Staging Reception / Perception: Transhistorical Bi-Directional Dialogues Between Etruscan Visual Cultural Objects And Giuseppe Penone's Contemporary Sculptures, Shelby Morgan

University Honors Theses

I use the occasion of the March 2024 exhibit,"Vulci. Goods for Mankind. Goods for Gods." at Milan's Luigi Rovati Foundation to consider how the museum's staging of Etruscan visual material cultural objects and contemporary sculptures by Italian artist Giuseppe Penone prompts viewers to perceive transhistorical bi-directional dialogues between the viewer and material culture as well as between the ancient and contemporary objects themselves.

Via a close reading of the exhibition while leveraging the three frameworks of aura, imprint and classical reception I analyze how the staging of the hypogeum creates a place of atmosphere. I argue this is done through …

Marginality As Lens: Abū Ḥāmid Al-Qudsī’S Writings And Mamluk Urbanism, Moaaz Lafi

Theses and Dissertations

This thesis takes the life and works of Abū Ḥāmid al-Qudsī (also known as al-Maqdisī), a Shāfiʿī jurist and Cairene historian who died in the late ninth/fifteenth century, as a point of entry into a central question: how was knowledge about the city produced in Mamluk Cairo? Addressing this question requires engagement with the multiple contexts, political, social, and religious, that shaped and conditioned the production of knowledge in that period. Moreover, a critical engagement with the author’s own biography, through a careful reading of biographical dictionaries and historical chronicles, is essential for uncovering further dimensions of how such knowledge …

From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone

Binghamton University Undergraduate Journal

Like many Native people, the Haudenosaunee were subjected to culturcide and assimilation using residential schools like the Thomas Indian School in the late 19th and early 20th century. During this time, in 1925, the Seneca archaeologist Dr. Arthur C. Parker was hired as the director of the Rochester Museum and Science Center. Parker used his museum position to uplift and preserve Haudenosaunee arts and culture. This paper focuses on his Seneca Arts Project (1935-1941), which gathered art and artifacts from both ancient and contemporary Haudenosaunee members. This project explores how Parker’s work was used to help revitalize and honor Native …

Foundations' Deep, Emily Williams, Morgan Williams

University Honors Theses

Most historic buildings do not survive as they were built, yet preservation frameworks still tend to evaluate them as if they did.

Foundations' Deep begins with a structure located in Helena, Montana 59602, a building that sits uneasily within the categories it has been asked to meet. Built in the early twentieth century, it has persisted through alteration, abandonment, and use. What remains is not a stable artifact but a record of accumulated decisions, some careful and many indifferent, now embedded in the fabric of the building itself.

The thesis grows from this condition and from the limits of the …

Radiance After Exile: Visionism And The Art Of M, Lola Montgomery

Staff Scholarship - Australia & Dubai

This essay introduces and critically examines Visionism, the artistic philosophy developed by contemporary Australian painter M. Emerging from a practice shaped by early success, prolonged creative exile, and eventual return, Visionism is presented not as a stylistic movement but as a visual philosophy concerned with atmosphere, symbolism, transcendence, and the persistence of intensity after critique. Situating Visionism within contemporary debates surrounding postmodernism and metamodernism, the essay argues that M's work occupies a distinctive position within a broader cultural shift toward renewed engagements with meaning, affect, and sincerity.

Drawing on the artist’s own reflections, alongside theoretical perspectives from David Sudnow, Timotheus …