French and Francophone Language and Literature Commons^™

Literature Of The Scientific Imagination. [Review Of Daniel Fondanèche's La Littérature D'Imagination Scientifique, Amsterdam: Rodopi, 2012], Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

"J'Ai Pétri De La Boue Et J'En Ai Fait De L'Or": L'Evolution Morale Des Fleurs Du Mal, Rebecca L. Prigot

Senior Theses and Projects

No abstract provided.

Enlightenment And Catholicism In Europe. A Transnational History, Ulrich Lehner, Jeffrey Burson

Ulrich L. Lehner

No abstract provided.

Le Rapport Entre La France Et Le Rwanda Au Passé, Au Présent, Et À L’Avenir, Claire Nadolski

Undergraduate Theses and Capstone Projects

Le Rwanda est un pays d’Afrique centrale de l’est. Peuplé d’environ 10. 942.950 millions d’habitants parlant français, anglais, et Kinyarwanda. Bien que la France n’ait jamais colonisé le Rwanda, les deux pays ont un rapport très spécial. L’évènement historique auquel tout le monde pense est, sans aucun doute, le génocide au Rwanda et « l’Opération Turquoise » dans laquelle les Français ont aidé et protégé les Hutus qui tuaient des millions de Tutsis dans le but « soidisant » de la paix. Le génocide est un élément très important dans l’histoire du Rwanda, mais ce n’était pas la seule partie …

Mille-Feuille Magazine Littéraire Spring 2014

Mille-Feuille Magazine Littéraire

No abstract provided.

Tötösy De Zepetnek, Steven Curriculum Vitae, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Purdue University Press Monograph Series Of Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Cumulative Index Of Clcweb: Comparative Literature And Culture (1999-), Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Bibliography For Work In Digital Humanities And (Inter)Mediality Studies, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Decanting The Rabelaisian Casks: Democratizing Neoplatonic Poetic Fury In Baudelaire's “L’Âme Du Vin”, Kristen Ballieu

Theses and Dissertations

The following document is a meta-commentary on the article "Decanting the Rabelaisian Casks: Democratizing Neoplatonic Poetic Fury in Baudelaire's 'L’âme du vin'," co-authored by Dr. Robert J. Hudson and myself, which will soon be submitted for publication. It contains an annotated bibliography of all our primary and secondary sources and an account of the genesis of the argument and the writing of the article. Our article is based upon an analysis of "‘L’âme du vin," the threshold poem of "Le Vin," the central section of Charles Baudelaire's celebrated volume Les Fleurs du Mal. As we demonstrate, previous scholarship on this …

Introduction Fed Up: Creating A New Type Of Senegal Through The Arts, Molly Krueger Enz, Devin Bryson

School of American and Global Studies Faculty Publications with a Focus on Modern Languages and Global Studies

Present-day Senegal is home to a vibrant cultural milieu that, in many respects, is reflective of that which its first president, Léopold Sédar Senghor, and the Senegalese cultural eminences grises endeavored to promote during the early postcolonial period. As Elizabeth Harney has noted, Senghor “regarded art as a medium of change—a tool that could be used to advance his cultural, political, and economic development plans. Consequently, he envisioned the artist as a representative of and advocate for a new nation.” Today, there exists a burgeoning scene of young authors, artists, actors, and musicians who are continuing in this Senghorian cultural …

Nafissatou Dia Diouf’S Critical Look At A “Senegal In The Midst Of Transformation”, Molly Krueger Enz

School of American and Global Studies Faculty Publications with a Focus on Modern Languages and Global Studies

Nafissatou Dia Diouf is a Senegalese author who has garnered recognition both in her home country and internationally since she began publishing in the 1990s. Her work, including fiction, poetry, children’s literature, and philosophical essays, portrays diverse topics as they relate to her country such as education, marriage, polygamy, maternity/paternity, the influence of the West, the roles of business and government, and the power of the media. Diouf provides her reader with a comprehensive yet critical view of Senegal and shows how her homeland is affected by and reacts to the changes it currently faces. In a recent interview, Diouf …

Attitude Of French Writer-Priest, Dead 33 Years, Reflected In Word And Deed By Pope Francis, Eamon Maher

Articles

On October 30th, 1913, in the French village of Montauban-de- Bretagne, Joseph Lemarchand was born, the only child of a tenant-farming family that was ripped asunder by the death of his father in the Great War. A few decades later, as a writer-priest stationed in the Breton capital, Rennes, Lemarchand took the pseudonym Jean Sulivan, a name inspired by his fascination with the movie Sullivan’s Travels . When reading Pope Francis’ groundbreaking interview last August, I had the uncanny feeling that the new pontiff’s views strongly echo what Sulivan was writing in the 1960s and 1970s. A commitment to the …

Reading The Restaurant: Social Class, Identity, And The Culture Of Consumption In The Nineteenth Century French Novel, Joseph J.B. Rienti

Dissertations, Theses, and Capstone Projects

The restaurant, like so many of the institutions of French modern society, developed at a very particular moment in history. In this project, I tell the story of the maturation of the restaurant and study its unique role in the social history of Paris during the nineteenth century. By examining the restaurant as a site of modernity, I illuminate its important role in precipitating class distinctions, locating the emerging consumer culture, highlighting gender differentiation, challenging prevailing views of domesticity, and revealing a debate over public and private space.

Through a close reading of the realist novel as a discourse on …

Partir Marron: Un Parcours Sémantique À Travers Les Trous De La Mémoire Collective Haïtienne, Lucie Carmel Paul

Dissertations, Theses, and Capstone Projects

The word "marron " represents both a totality, and a specificity. Totalizing, the term refers to the slave who fled from the plantation, against the colonial order, that is, the fugitive slave. Specific, in the Haitian lexicography, it stands for a shifty and cunning individual, particularily a " Woule m debò "1. One has to recognize that there is a double meaning associated with the word, and at the same time, the syntagmatic locution "partir marron " reflects the individual's dependency on phenomenology. The moment of crisis is one of an explosion, through which one can only be …

Los Papeles Del Infierno, Enrique Buenaventura, Carlos Gardeazábal Bravo

Global Languages and Cultures Faculty Publications and Presentations

Enrique Buenaventura (1925-2003) hizo parte de la generación de artistas que conectó al país con la modernidad estética mediante un lenguaje propio, vinculando su trabajo con el de los grandes creadores de las vanguardias teatrales. Buenaventura impulsó la renovación del teatro colombiano junto a otros dramaturgos como Santiago García y Carlos José Reyes. Una de las mejores muestras de la producción de ese periodo es Los papeles del infierno, un ciclo de piezas en un acto compuesto originalmente por La maestra, La tortura, La autopsia, La audiencia, La requisa, El menú y El entierro -junto a La orgía, la cual …

Beur In Name Only? A Comparison Of La Honte Sur Nous By Saïd Mohamed And Le Gone Du Chaâba By Azouz Begag, Mark Nabors

Inquiry: The University of Arkansas Undergraduate Research Journal

This paper compares the narrator-protagonist in La Honte sur nous by Saïd Mohamed to the protagonist in the paradigmatic work of Beur fiction, Le Gone du chaâba by Azouz Begag. I argue that Mohamed’s protagonist does not have a hybrid identity as traditionally defined by Beur fiction. Even so, he is automatically relegated to the margins and assigned a hybrid identity by society, although he does not have the necessary profile. In closing, I ask if Mohamed’s work can be classified as Beur fiction given the weak parallels between the works.

Albert Camus And The Anticolonials: Why Camus Would Not Play The Zero Sum Game, James D. Le Sueur

Department of History: Faculty Publications

In 1994, I returned from Paris to Hyde Park just in time to catch a lecture about Albert Camus that an esteemed colleague, the late Tony Judt, was giving at the University of Chicago. I was much younger then, eager to engage in debate, and I had just spent most of the past two years turning over the recently opened pages of Camus’ private papers in Paris and trolling through the private papers of other prominent French intellectuals, as well as newly declassified state archives for what was to become my first book, Uncivil War.2 I had also done dozens …