Colonial, Anticolonial, And Postcolonial Myth And Memory In The French-Algerian Narratives Of Albert Camus, Frantz Fanon, And Assia Djebar 1942-1999,
2016
Louisiana State University and Agricultural and Mechanical College
Colonial, Anticolonial, And Postcolonial Myth And Memory In The French-Algerian Narratives Of Albert Camus, Frantz Fanon, And Assia Djebar 1942-1999, Gina Marie Breen
LSU Doctoral Dissertations
Algeria exemplifies a unique case of colonial domination, and of the problems that the colonial system generates. 132 years of colonial rule and settlement led to one of the bloodiest and most difficult battles of decolonization fought in the twentieth century. After eight years of war (1954-1962), which resulted in hundreds of thousands of deaths, Algeria became independent. As the postcolonial society abandoned the French language in an effort to promote Algerian nationalism and create and Arab-Algerian identity, Algeria entered another violent civil war in the 1990s. Thus today, more than fifty years after Algeria gained independence, and twenty years …
"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera,
2015
Chapman University
"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld
Music Faculty Books and Book Chapters
"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza,
2015
Bates College
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Présence Francophone: Revue internationale de langue et de littérature
Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.
Abstracts,
2015
College of the Holy Cross
Abstracts
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Parties Annexes,
2015
College of the Holy Cross
Parties Annexes
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (V.85),
2015
College of the Holy Cross
Front Matter And Table Of Contents (V.85)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 85 (2015),
2015
College of the Holy Cross
Présence Francophone, Numéro 85 (2015)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
La Première Couche D’Encre,
2015
College of the Holy Cross
La Première Couche D’Encre, Abdourahman Waberi
Présence Francophone: Revue internationale de langue et de littérature
The author reexamines his engagement with the Rwandan genocide.
Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé
Devant Soi,
2015
Macalester College
Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …
Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011),
2015
The University of Michigan
Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto
Présence Francophone: Revue internationale de langue et de littérature
The film Grey Matter [Matière grise] (2011) directed by a Rwandan filmmaker Kivu Ruhorahoza, is an attempt to offer psychoanalytic approaches to understanding a 1994 Rwandan genocide within the psychic and the social. This director is interested in representing the impossible, instead, he offers a poetic representation of trauma. It may be just like a dream in his psychic, wondering whether this event really happened and how to make sense of as time settles ? This noiseless film is the first feature length narrative film directed by a Rwandan who gives the world the visual interpretation of the impact of …
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda :
État Des Lieux Critique D’Un Mode D’Expression Original,
2015
Université de La Réunion
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
Présence Francophone: Revue internationale de langue et de littérature
20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …
Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial,
2015
The Pennsylvania State University
Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave
Présence Francophone: Revue internationale de langue et de littérature
This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.
Libération Sexuelle Ou Aliénation Textuelle : La Subalterne Peut-Elle Parler De Son Corps ?,
2015
Florida Atlantic University
Libération Sexuelle Ou Aliénation Textuelle : La Subalterne Peut-Elle Parler De Son Corps ?, Carla Calargé, Alexandra Gueydan-Turek
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes two erotic works : L’amande and La traversée des sens. It aims to look at whether the sexual liberation of the female protagonists succeeds in defining a subversive discourse which allows Arab women to escape binary representations made of them or whether, on the contrary the author reproduces such representations. After a quick overview of the difficult situation in which Arab feminists often find themselves both the East and the West, this study examines if Nedjma’s two novels adopt a feminist posture or if they fail to reach the objectives that critics have attributed to them.
Présentation,
2015
Boston University
Présentation, Odile Cazenave, Patricia-Pia Célérier
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Index,
2015
College of the Holy Cross
Index
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Glycemic Control Among Type 2 Diabetics,
2015
Indiana State University
Glycemic Control Among Type 2 Diabetics, Abdi H. Nur
All-Inclusive List of Electronic Theses and Dissertations
The purpose of the present study was to examine the relationship between diabetics’ socioeconomic status, self-efficacy, education levels, gender, and ethnicity and their medication and physical activity (i.e., healthy exercise) adherence regarding to their physicians and health educators’ counsels. Also, the study investigated whether or not the respondents adhered to medication prescription and physical activity routines. The study used a non-probability convenience sampling technique to recruit 102 type 2 diabetics (female, n = 65 and male, n = 37) from Indiana and Illinois Counties surrounding Vigo County, Indiana. The respondents reported their self-care activities throughout the seven days prior to …
Éditorial,
2015
College of the Holy Cross
Éditorial, Ambroise Kom
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me,
2015
University of Missouri, Columbia
Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore
Présence Francophone: Revue internationale de langue et de littérature
Sin to Them, Shame on Me is a testimony by the Rwandan writer, filmmaker and peace advocate, Bamporiki, who suffers from vicarious shame because of the crime of genocide that Hutu perpetrators committed against Tutsis in the name of the group. His testimony redeems his sense of self by acknowledging the wrongdoing of his group, yet it also represents a step that separates him from that group. His powerful testimonial narratives allow him to associate with genocide survivors and the world, and to develop a new identity as a Rwandan. The polymorphic narrative structure of his written testimony in which …
Quelques Réflexions Sur Les Épilogues De Beloved Et De
Célanire Cou-Coupé : Ariane Et La Mygale,
2015
École spéciale militaire de Saint-Cyr
Quelques Réflexions Sur Les Épilogues De Beloved Et De Célanire Cou-Coupé : Ariane Et La Mygale, Anne Debrosse
Présence Francophone: Revue internationale de langue et de littérature
This paper focuses on the links between Ariadne or Arachne on the one hand and Sethe and Célanire on the other hand, the protagonists of Toni Morrison’s Beloved and Maryse Condé’s Célanire cou-coupé. Weaving and sewing are often used as metaphors of the texts ; however, Condé and Morrison play with that metaphor and redefine this hackneyed common place.
List Of Circulating Music Libraries In France, Updated December 2015,
2015
University of Nebraska - Lincoln
List Of Circulating Music Libraries In France, Updated December 2015, Anita Breckbill
University of Nebraska-Lincoln Libraries: Faculty Publications
Following is an updated list of circulating music libraries in France spanning the period of their existence, 1765 to ca. 1950. The preliminary list was published as an appendix to the article by Anita Breckbill and Carole Goebes, “Music Circulating Libraries in France: An Overview and a Preliminary List” Notes 63:4 (June 2007), 761-797 < http://digitalcommons.unl.edu/libraryscience/179/ >. Further work in the collection of publisher’s catalogs at the Bibliothèque national de France and in 18th-century periodicals have yielded ten more circulating libraries and an expansion of dates of operation for a further eleven libraries. Changes are indicated in red type.
