French and Francophone Literature Commons^™

Présence Francophone, Numéro 100

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Sembène Ousmane, Un Cinéaste En Guerre, Léthicia Obono Ngou-Milama

Présence Francophone: Revue internationale de langue et de littérature

If he is mobilized, enlisted in the corps of “Senegalese Riflemen” of the French army during the Second World War, the war inflicts a deep wound to Sembène Ousmane. This shocking and traumatic experience will tirelessly inspire his literary and cinematographic work. With his camera and his acerbic gaze, the Senegalese filmmaker will address the tragic fate of African soldiers and will restore the indelible imprint of war and colonialism on Africa in his films Niaye (1964), Emitaï (1971) and Camp de Thiaroye (1988).

Hybridité Et Ironie Dans Le Mandat D’Ousmane Sembène, Florence Leca Mercier

Présence Francophone: Revue internationale de langue et de littérature

Hybridity is the discursive pattern which best expresses the postcolonial experience. Given the interweaving of the aesthetic and the political projects in Sembène’s work, we would like to show that stylistic hybridity in the short story Le mandat emerges in three fields, lexical, enunciative and intertextual, and generates irony, thus connecting aesthetics and politics. In terms of lexicon, hybridity means a combination of idioms or registers; as far as enunciation is concerned, hybridity meets the “discours mixtes” as defined by Laurence Rosier; finally, we can see an intertextual hybridity: Le mandat is built on an underlying folktale structure which relevance …

Éditorial, Jean Ouedraogo

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Les Actes Révolutionnaires De La Gent Féminine Dans Les Bouts De Bois De Dieu D’Ousmane Sembène, Assane Ndiaye

Présence Francophone: Revue internationale de langue et de littérature

As a committed writer, Ousmane Sembène reminds the critical struggles led by women during the railway workers’ strike with the intention of taking part in the establishment of more fair world. The social commitment of the man originated from Ziguinchor is supported by various feminine figures embodying the ideology of the Senegalese novelist about freedom of speech. In order to show that Sembène is a revolutionary, we focused on ten militants in Les bouts de bois de Dieu. Through a sociocritical approach, this article has tried to reveal women’s activism.

Index (N° 100)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (N° 100)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

De Marseille À Moscou : Retour Sur Le Contexte Politique Des Années De Formation D’Ousmane Sembène (1946-1962), Gabrielle Chomentowsky

Présence Francophone: Revue internationale de langue et de littérature

This article seeks to reconsider through some archival documents and testimonies the first years of political and artistic formation of the writer-filmmaker Ousmane Sembène, from his years in Marseille to his first trips to the Soviet Union in 1958 and 1962.

Écritures Dans Les Films D’Ousmane Sembène : Enjeux Linguistiques Et Réception Cinématographique, Louis Ndong

Présence Francophone: Revue internationale de langue et de littérature

The article deals with the written elements in Ousmane Sembène’s films. I point out all aspects relating to the written canal in Sembène’s cinematographic productions (opening and end titles, signs, mentions on cars, etc.). The interest of the study lies in the functions assigned to the written canal in interplay with the dialogues and sounds, but also in the use of languages in writings and the challenges that are linked to it. Through the analysis, we can observe written elements in Wolof as well as in French, two languages which play an important role in Sembène’s cinematographic aesthetics.

La Diffusion En France Des Longs Métrages D’Ousmane Sembène, Claude Forest

Présence Francophone: Revue internationale de langue et de littérature

Ousmane Sembène is one of the French-speaking South Saharan African directors who has been the most prolific, but also, with Idrissa Ouédraogo, the one who has been the most broadcast in French cinemas during his lifetime. Although many of his films were favorably received by critics, they met with very little enthusiasm among French viewers, its recognition by certain cinematic circles and its aesthetic aura being thus incomparable with its commercial success. The analysis points to Ousmane Sembène’s real strategy, which adopted a strategy of international recognition by festivals, not by foreign audiences.

Logique Mathématique Dans Le Docker Noir D’Ousmane Sembène, Pierre Ndemby Mamfoumby

Présence Francophone: Revue internationale de langue et de littérature

The present article examines Le docker noir taking into account the narrative trajectory of Diaw Falla as well as the triangular relationship between Diaw-Catherine-Ginette which inscribes the novel in what we call a "double negative narrative". The narrative, through intertextual contamination with the story of Sirius, the slave trader, not only translates the separation/loss of Senegalese symbols and identity on the other side of the Atlantic, but also allows us to look at the novel as an indication of inequality, a place of sometimes impossible transmission and reconciliation with African historical memory through slavery. Studying the narrative from a mathematical …

Du Dialogue Au Dialogisme : Enjeux Du Style Dans Le Mandat, Fortuné Nkonene-Benha

Présence Francophone: Revue internationale de langue et de littérature

This article takes an analytical look at the Ousmane Sembène’s novelistic prose: precisely he proposes a poetic and stylizing reading of Le mandat. First grasping the textual structure of this classical work from dialogue, we show its characteristics (psittacism of the characters, polemical exchanges under apparent dialectical interactions, presence of epistolary exchanges). In a second movement, the enunciative heterogeneity laid bare enables us to confirm a cultural hypotext that deeply works on the Sembenian literary language, putting it on a popular invoice. Finally, the analysis succeeds in identifying the “literal novel” as an aesthetic category and scriptural parade that …

Chronologie D’Ousmane Sembène : Trajectoire, Oeuvres Et Contextes, Edoardo Cagnan

Présence Francophone: Revue internationale de langue et de littérature

This chronology is based on several research works, as well as on several other chronologies. Conceived as a pedagogical tool, its aim is to show Sembène’s trajectory in the literary and cinematographic fields. The novelist-filmmaker’s life and work are linked to other political and cultural events that have marked Senegal, sub-Saharan Africa, the black world, and the French-speaking world.

Livres Reçus (N° 100)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Abstracts (N° 100)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Parties Annexes (N° 100)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Mbaye Diouf, Edoardo Cagnan

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

"Oiez Mon Aventure": Cuer D'Acier's Nonbinary Gender In Perceforest, Brooke Heidenreich Findley

Medieval Feminist Forum: A Journal of Gender and Sexuality

The character of Cuer d’Acier, or Heart of Steel, in the 15^th century French romance Perceforest, has a complex gender identity that does not fit easily into a gender binary. First appearing as the courtly maiden Neronés, the character later lives and is read as a man. The romance uses both “he” and “she” pronouns to refer to Heart of Steel, often using both in the space of a single paragraph or even a single sentence. While Heart of Steel is again dressed as a woman at the end of the romance, the character’s own actions and statements …

Queer Not: Medieval Romance's Toll On Queerness, Kyle Gaydo

Seton Hall University Dissertations and Theses (ETDs)

How does a contemporary audience handle medieval queerness? What, exactly, constitutes medieval queerness, and how does the medieval literary genre of romance impact it? This thesis attempts to grapple with these questions, and many more, utilizing the 13th-century Old French romance Le Roman de Silence by Heldris de Cornuälle. Medieval romances are particularly fruitful for this analysis because, on one hand, the genre consistently re/turns to cisheteronormativity, and, on the other, because scholarship generally has not applied queer theory to the study of romance. Silence follows Silence, a young Englishwoman who is raised as a boy to protect her family’s …

Entre Rêve Et Résignation – Références Intertextuelles Dans Les Chemins Qui Montent (1957) De Mouloud Feraoun, Inès Kremer

Journal of Amazigh Studies

Résumé :

Malgré la présence évidente et continue des références intertextuelles dans les romans de Mouloud Feraoun, celles-ci n’ont été que rarement étudiées. C’est notamment dans son troisième roman, Les chemins qui montent, que les renvois à la littérature orale de la Kabylie comme à l’œuvre romanesque et philosophique d’Albert Camus se prêtent particulièrement à une analyse approfondie. Ils révèlent la résignation profonde du protagoniste qui se refuse à la révolte métaphysique au sens camusien, révolte rendue impossible par la condition coloniale.

Mots clés : Feraoun, intertextualité, Camus, et littérature orale kabyle

Abstract:

Despite the importance of intertextual references …