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Le Printemps De L’Écocritique Francophone Au Canada : Un Appel Aux Contributions En Langue Française Pour The Goose, Mariève Isabel 2015 McGill University

Le Printemps De L’Écocritique Francophone Au Canada : Un Appel Aux Contributions En Langue Française Pour The Goose, Mariève Isabel

The Goose

French language editorial for The Goose Volume 13, Issue 2 (2014).


Grains. Monsanto Contre Schmeiser D'Annabel Soutar, Mariève Isabel 2015 McGill University

Grains. Monsanto Contre Schmeiser D'Annabel Soutar, Mariève Isabel

The Goose

Compte-rendu de Grains. Monsanto contre Schmeiser d'Annabel Soutar.


Scintillating Scotoma: Migraine, Aura, And Perception In European Literature, 1860-1900, Janice Y. Zehentbauer 2015 The University of Western Ontario

Scintillating Scotoma: Migraine, Aura, And Perception In European Literature, 1860-1900, Janice Y. Zehentbauer

Electronic Thesis and Dissertation Repository

This dissertation focuses upon the ways in which nineteenth-century physicians in the emergent field of neurology conceptualized and catalogued the neurological condition, migraine, and the ways in which European literary texts reimagined and interrogated such medical classifications. A recognized condition for hundreds of years, migraine in the nineteenth century became pathological; migraineurs became a “nervous” modern figure that haunted medicine and literary fiction. Anxieties regarding the construction of fragmented vision, bodies, gender, and consciousness render the migraine figure a relevant symbol for the modern era. The nineteenth-century medical treatises by Jean-Martin Charcot, Edward Liveing, and Hubert Airy reveal that a …


Natural Disaster: Representation, Spectatorship, And Loss In The Flood Stories L’Inondation, Trouble The Water, And Low And Behold, Juliana Starr 2015 University of New Orleans

Natural Disaster: Representation, Spectatorship, And Loss In The Flood Stories L’Inondation, Trouble The Water, And Low And Behold, Juliana Starr

Juliana Starr

Publié cinq ans avant le célèbre roman Germinal, la nouvelle moins connue L’Inondation (1880), dans laquelle le je-narrateur observe du haut d’un toit l’inondation de la Garonne qui eut lieu en 1875, résonne de manière particulièrement significative aujourd’hui chez les habitants des côtes de la Louisiane et du Mississipi, en raison de sa ressemblance frappante avec quelques-uns des récits filmographiques de l’inondation castastrophique provoquée par l’ouragan Katrina en 2005. L’un de ces films est le documentaire Trouble the Water (2008), dans lequel la rappeuse en herbe Kimberly Roberts dirige son caméscope de vingt dollars sur elle-même et ses voisins bloqués …


La Dialectique Du Bourreau : Étude Du Bourreau Nazi Dans La Littérature Contemporaine Française, Désirée Lamoureux 2015 The University of Western Ontario

La Dialectique Du Bourreau : Étude Du Bourreau Nazi Dans La Littérature Contemporaine Française, Désirée Lamoureux

Electronic Thesis and Dissertation Repository

La parole du bourreau nazi est absente de la majorité des documents historiques. Pour contrer cette carence, certains auteurs ont choisi de donner une place narrative à ce personage sybillin à l’intérieur de leur diégèse. Cette étude a pour but d’analyser la manière dont trois auteurs, soit Robert Merle, Jonathan Littell et Laurent Binet, octroient une place narrative au bourreau nazi. Nous cherchons aussi à élucider les raisons pour lesquelles il existe un intérêt dans la perspective du bourreau au début de ce nouveau millénaire.


Consécration D’Élisabeth Rousset : De L’Encre À L’Écran. « Boule De Suif » De Guy De Maupassant Par L’Iconographie Filmique, Larissa Sloutsky 2015 The University of Western Ontario

Consécration D’Élisabeth Rousset : De L’Encre À L’Écran. « Boule De Suif » De Guy De Maupassant Par L’Iconographie Filmique, Larissa Sloutsky

Electronic Thesis and Dissertation Repository

Les travaux des théoriciens et des praticiens en littérature et en cinéma ont permis de reconnaître l’importance de l’adaptation comme phénomène artistique et aussi de souligner la valeur de la réécriture comme objet d’analyse. Depuis les dernières décennies, l’adaptation cinématographique fait un objet d’intérêt pour la sociocritique. La présente thèse se situe dans le sillage de ces travaux en se penchant sur l’adaptation comme pratique culturelle et produit du dispositif sémiotique. L’enjeu est d’examiner l’œuvre source et ses adaptations cinématographiques en tant qu’artefacts socioculturels. S’inspirant également de la réflexion bakhtinienne et des écrits féministes, cette étude s’interroge en effet sur …


Treasure Hunt Without A Map: Archival Research At The University Of Pennsylvania, Meghan Strong 2015 Ursinus College

Treasure Hunt Without A Map: Archival Research At The University Of Pennsylvania, Meghan Strong

English Independent Study Projects

Under the supervision of Meredith Goldsmith in the English Department, I spent this semester developing archival research projects for lower level students in the humanities. My project corresponded with the aims of the Council for Undergraduate Research, which works to develop undergraduate research skills throughout the disciplines. The Kislak Center is a nearby resource that has the potential to provide students with opportunities to develop crucial research skills while discovering little pieces of history that are hidden away in the archives. The final exercises presented here focus on the subjects of Walt Whitman, Marian Anderson, and Michel de Montaigne.


Maryse Condé’S Heremakhonon As A Noir Novel, Irina Dzero 2015 Kent State University

Maryse Condé’S Heremakhonon As A Noir Novel, Irina Dzero

Studies in 20th & 21st Century Literature

A noir genre analysis of Heremakhonon explains the confusion, sensuality, red herrings, and flashbacks that permeate the novel, as well as the primacy of an investigation to the plot. Upon arriving in a newly independent West African country, protagonist Veronica witnesses the arrest of a political activist who opposed the ruling elite. When she investigates his disappearance, Veronica realizes that she is complicit with the elite perpetrators.


9/11, Hyperreality, And The Global Body Politic: Frédéric Beigbeder’S Windows On The World, Jenn Brandt 2015 High Point University

9/11, Hyperreality, And The Global Body Politic: Frédéric Beigbeder’S Windows On The World, Jenn Brandt

Studies in 20th & 21st Century Literature

This essay argues that the success of Frédéric Beigbeder's Windows on the World is due to Beigbeder's use of the seemingly contradictory genres of autofiction and hyperrealism in the depiction of the terrorist attacks of September 11, 2001. By positioning himself in the text alongside his fictionalized American counterpoint, Beigbeder configures 9/11 as a lived-body experience that models the ways in which the post-9/11 subject was formed within specific political, cultural, and national conditions. The effect of the novel’s hyperrealism is such that Beigbeder simultaneously posits and deconstructs the notion of national identity within the greater contexts of postmodernism and …


In And Out Of Place: Geographies Of Revolt In Camus's La Peste, Erin Tremblay Ponnou-Delaffon 2015 Illinois State University

In And Out Of Place: Geographies Of Revolt In Camus's La Peste, Erin Tremblay Ponnou-Delaffon

Studies in 20th & 21st Century Literature

From Roland Barthes to Shoshana Felman, some of the most insightful readings of Albert Camus’s La Peste (The Plague) have focused on its historical dimension. In contrast, this article attends to less studied spatial representations, bringing recent insights from human geography to bear on depictions of Oran and exile in the novel. From its start, The Plague insistently connects plot, spatial setting, and notions of normativity and transgression. Understandings of place—and in particular, who or what is out of place—catalyze contestation and shape Camus’s universalized ethics of revolt, one that views evil and suffering as always out of …


The Lesbian And The Room: Proust’S Invention Of Difference, christina l. stevenson 2015 San Francisco Art Institute

The Lesbian And The Room: Proust’S Invention Of Difference, Christina L. Stevenson

Studies in 20th & 21st Century Literature

More than a conflict between external activity and internal sanctuary, the room in Proust's writing is a figure that weaves a complex fabric of narrative perception. If, in his youth, Proust's narrator believed the room to be a refuge for containing an eroticized feminine Other, the wiser narrative voice reveals the room as offering the disruption rather than the fulfillment of desire. The perspective of childhood is interwoven with the retrospective voice of the adult narrator who dispels the naïve fantasies of the desiring youth. This paper illustrates that confronting the failure of desire becomes imperative for the Proustian narrator …


Eric Touya De Marenne. Francophone Women Writers: Feminisms, Postcolonialisms, Cross-Cultures. Lanham, Md: Lexington, 2013. 195 Pp., Nancy E. Wardle 2015 Ohio State University - Main Campus

Eric Touya De Marenne. Francophone Women Writers: Feminisms, Postcolonialisms, Cross-Cultures. Lanham, Md: Lexington, 2013. 195 Pp., Nancy E. Wardle

Studies in 20th & 21st Century Literature

Review of Eric Touya De Marenne. Francophone Women Writers: Feminisms, Postcolonialisms, Cross-Cultures. Lanham, MD: Lexington, 2013. 195 pp.


Robert Zaretsky. A Life Worth Living: Albert Camus And The Quest For Meaning. Cambridge, Mass., And London: The Belknap P Of Harvard Up, 2013. 240 Pp., Melissa M. Ptacek 2015 St. Thomas University

Robert Zaretsky. A Life Worth Living: Albert Camus And The Quest For Meaning. Cambridge, Mass., And London: The Belknap P Of Harvard Up, 2013. 240 Pp., Melissa M. Ptacek

Studies in 20th & 21st Century Literature

Review of Robert Zaretsky. A Life Worth Living: Albert Camus and the Quest for Meaning. Cambridge, Mass., and London: The Belknap P of Harvard UP, 2013. 240 pp.


Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas 2015 East Carolina University

Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas

Studies in 20th & 21st Century Literature

The train, an invention and evocative symbol of the 19th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol …


Touria Khannous. African Pasts, Presents, And Futures. Generational Shifts In African Women’S Literature, Film, And Internet Discourse. Lanham: Lexington, 2013. Xxv + 203 Pp., Marzia Caporale 2015 University of Scranton

Touria Khannous. African Pasts, Presents, And Futures. Generational Shifts In African Women’S Literature, Film, And Internet Discourse. Lanham: Lexington, 2013. Xxv + 203 Pp., Marzia Caporale

Studies in 20th & 21st Century Literature

Review of Touria Khannous. African Pasts, Presents, and Futures. Generational Shifts in African Women’s Literature, Film, and Internet Discourse. Lanham: Lexington, 2013. xxv + 203 pp.


Ghosts In The Machine: Narratives Of Disappearance In French Fiction From The 1990'S, Peter Schulman 2015 Old Dominion University

Ghosts In The Machine: Narratives Of Disappearance In French Fiction From The 1990'S, Peter Schulman

World Languages and Cultures Faculty Publications

This article examines narratives of disappearance in two French novels from the late 1990's, J.B. Pontalis's Un homme disparait and Marie Darrieussecq's Naissance des fantomes, which are reflective of a general trend towards ghostliness in French fiction towards the end of the twentieth century. The article argues that these novels are emblematic of a fin de siecle malaise that Marc Auge termed surmodernite and that Paul Virilio has identified in terms of an era characterized by so much speed (as a result of an overabundance of technological innovations in communication such as email and faxes) that individuals have become less …


Melancholic Mirages: Jules Verne's Vision Of A Saharan Sea, Peter Schulman 2015 Old Dominion University

Melancholic Mirages: Jules Verne's Vision Of A Saharan Sea, Peter Schulman

World Languages and Cultures Faculty Publications

L’invasion de la mer (The Invasion of the Sea), Verne’s last novel to be published during his lifetime, would appear to be a paradoxical vision of French colonial involvement as it chronicles the attempts of the French army occupying Tunisia and Algeria to capture Tuareg leaders bent on pushing the French out of the Maghreb on the one hand, and thwarting an environmentally disastrous French project on the other. L’Invasion de la mer (The Invasion of the Sea) is a complex, if not melancholic vision of the limits of French expansionism, however. The real-life French army geographer François-Elie Roudaire and …


Anticipatory Testimonies: Environmental Disaster In Claudine Jacques's Fictional Prophecies, Julia L. Frengs 2015 University of Nebraska-Lincoln

Anticipatory Testimonies: Environmental Disaster In Claudine Jacques's Fictional Prophecies, Julia L. Frengs

French Language and Literature Papers

In Caledonian author Claudine Jacques's 2002 novel L'Âge du perroquet-banane, Parabole païenne, a tribal elder warns a man "from elsewhere": "in our country, if you remove a taboo bone, you disrupt the sea, if you touch it without respect you invite a cyclone, if you toss the bones of our elders you provoke a...tidal wave" (54). Although this work is set in a futuristic world after an ambiguous "Great Disaster" on an unnamed Oceanic island, the author manages to allegorically recount the history of the environmental atrocities attributed to the earth's human occupants that have transformed the present reality of …


L’Argent N’Apporte Pas Le Bonheur Mais Il Achète La Liberté : Carrière Et Refus Du Bonheur Conjugal Chez Les Personnages Femmes De Malika Mokeddem, Simona Pruteanu 2015 Wilfrid Laurier University

L’Argent N’Apporte Pas Le Bonheur Mais Il Achète La Liberté : Carrière Et Refus Du Bonheur Conjugal Chez Les Personnages Femmes De Malika Mokeddem, Simona Pruteanu

Languages and Literatures Faculty Publications

Malika Mokeddem s’inscrit dans la lignée d’écrivaines francophones qui traitent dans leurs textes de la situation socio-politique et culturelle de la femme en Algérie, mais aussi de l’entre-deux dans lequel se situent les femmes migrantes. On ne peut s’empêcher de noter que, sur les dix romans publiés jusqu'à date, aucune de ses héroïnes ne connait la sérénité dans le couple et elles rejettent toutes la maternité. Nous nous interrogerons donc, dans cet article sur les raisons de ces manques, afin de voir si on peut y lire plutôt une affirmation absolue de la liberté de la femme que des échecs. …


Le Mouvement Des Harraga — Un Traumatisme Historique Et Politique Qui Dévoile La Face Cachée De L’Europe, Simona Pruteanu 2015 Wilfrid Laurier University

Le Mouvement Des Harraga — Un Traumatisme Historique Et Politique Qui Dévoile La Face Cachée De L’Europe, Simona Pruteanu

Languages and Literatures Faculty Publications

Cet article traite le dépassement des frontières des harraga (des sans-papiers) du Maghreb vers l’Europe (à travers l’Espagne) tout en analysant ce que cela implique du point de vue des lois d’immigration, de l’idée de la clandestinité ainsi que des créations d’une identité musulmane qui s’oppose à l’identité européenne. L’article s’attarde aussi sur l’historique des relations compliquées entre le Maghreb et l’Espagne en termes de relations (post)coloniales. En vue de cette contextualisation, les deux romans du corpus, Partir de Tahar Ben Jelloun et Harraga de Sansal Boualem, sont analysés du point de vue de l’histoire du pays en rapport …


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