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The Revival Of Scott Joplin’S Treemonisha In A Black Feminist Context, Alec Larner 2020 University of Denver

The Revival Of Scott Joplin’S Treemonisha In A Black Feminist Context, Alec Larner

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.


President's Commission On The Status Of Women: Fall 2020 Report, University of Dayton 2020 University of Dayton

President's Commission On The Status Of Women: Fall 2020 Report, University Of Dayton

Women's Center Reports, Commentaries and Other Resources

Announced in fall 2019, the President’s Commission on the Status of Women was convened to illuminate and ultimately enhance the status of women at the University of Dayton by advising the president and other senior leaders on gender equity issues and specific concerns of women-identified faculty, staff, and students. The commission makes recommendations on issues that have particular relevance for women, including but not limited to equity, access, retention, promotion and advancement, and safety and security.


Biljana Jovanović, A Rebel With A Cause Or: On ‘A General Revision Of Your Possibilities’, Tijana Matijević 2020 SUNY College Cortland

Biljana Jovanović, A Rebel With A Cause Or: On ‘A General Revision Of Your Possibilities’, Tijana Matijević

Wagadu: A Journal of Transnational Women's & Gender Studies

By analysing Yugoslav writer Biljana Jovanović’s early novels, the essay follows her possible literary speculations on the capacity of the Yugoslav society to fulfill the promises of the revolution, together with her imagining of an alternative form of sociability, as that which could result in universal, human emancipation. Offering a peculiar portrait of the urban society of the late seventies in Yugoslavia, in her novels Jovanović tests if and how the problem of women’s emancipation is connected to the problems of class. Yet, a failure of class emancipation, an ‘impossibility to revise’ the society is antagonized from the scrupulous and …


Veronica Porumbacu’S ‘Return From Cynthera’ (1966): A Conceptual Manifesto Of Socialist Feminism, Ovidiu Ţichindeleanu 2020 SUNY College Cortland

Veronica Porumbacu’S ‘Return From Cynthera’ (1966): A Conceptual Manifesto Of Socialist Feminism, Ovidiu Ţichindeleanu

Wagadu: A Journal of Transnational Women's & Gender Studies

Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist regime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable volume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, …


Agency, Biography, And Temporality: (Un)Making Women’S Biographies In The Wake Of The Loss Of The Socialist Project In Yugoslavia, Tanja Petrović, Jovana Mihajlović Trbovc 2020 SUNY College Cortland

Agency, Biography, And Temporality: (Un)Making Women’S Biographies In The Wake Of The Loss Of The Socialist Project In Yugoslavia, Tanja Petrović, Jovana Mihajlović Trbovc

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay seeks to deepen our understanding of women’s agency in socialist societies. Focusing on socialist and post-socialist Slovenia, it explores the ways agency reveals itself in interviews with and biographical portraits of the socio-politically active women – or “political workers” (politične delavke), as they were called during Yugoslav socialism – Mara Rupena Osolnik and Aleksandra Kornhauser Frazer. In these texts, agency unfolds as a mosaic of multiple, naturally intertwined activities and engagements aimed at the common good and at improving the position of women and other socially marginalized groups. This kind of agency – understood as the ability to …


Like Looking In A Mirror: A Material Reading Of The Sisters In Galeran De Bretagne, Morgan Boharski 2020 University of Edinburgh

Like Looking In A Mirror: A Material Reading Of The Sisters In Galeran De Bretagne, Morgan Boharski

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article explores the story of Fresne from Renaut’s early thirteenth-century romance of Galeran de Bretagne and, moreover, the often overlooked story of her twin sister Flourie. In Marie de France’s version of the tale, the lai of Le Fraisne, the focus is on the character of Fresne, rather than her twin sister who is rarely mentioned in favour of encouraging the ultimate success of Fresne in winning the handsome knight at the end of the tale. However, inextricably linked to the success of Fresne is the failure of Flourie, and in Renaut’s romance, the reader is allowed a …


Textiles, Gender, And Materiality: A Response, Bettina Bildhauer 2020 University of St Andrews

Textiles, Gender, And Materiality: A Response, Bettina Bildhauer

Medieval Feminist Forum: A Journal of Gender and Sexuality

This response outlines the predominant current conceptions of gendered materiality in contemporary theory (such as Karen Barad’s development of Judith Butler’s thought) and in medieval studies (such as work by Caroline Walker Bynum). It identifies and expands upon four themes from the two articles in the section that are pertinent to the descriptions of textiles and other material objects in a wider range of medieval texts and current medievalist scholarship: 1) the idea that textiles and other material things can have biographies; 2) the idea that textiles are today (but not necessarily in medieval writing) perceived as connective networks; 3) …


Making It Through The Wilderness: Trees As Markers Of Gendered Identities In Sir Orfeo, Danielle Howarth 2020 University of Edinburgh

Making It Through The Wilderness: Trees As Markers Of Gendered Identities In Sir Orfeo, Danielle Howarth

Medieval Feminist Forum: A Journal of Gender and Sexuality

Wood was an essential material in the Middle Ages, but trees – and human relationships with them – are too often ignored. Using trees as a lens through which to view medieval romance can provide us with a new perspective on the genre, on medieval gender norms, and on human relationships with the material non-human. This article focusses on the trees in the Middle English Sir Orfeo in order to interrogate how Orfeo’s identity is linked to trees and wooden objects. Although Orfeo’s harp is the most obvious wooden marker of his identity, the ympe-tree in Orfeo and Herodis’s orchard, …


"The Best A Man Can Be": Subverting Masculinity’S Excess(Es) In Medieval Texts, Liz Herbert McAvoy 2020 Swansea University

"The Best A Man Can Be": Subverting Masculinity’S Excess(Es) In Medieval Texts, Liz Herbert Mcavoy

Medieval Feminist Forum: A Journal of Gender and Sexuality

This response piece situates the articles in the section within current trends in the study of medieval masculinities – including the reclamation of the “femfog” and scholarly work by Carolyn Dinshaw, Jack Halberstam and Mads Ravn – and within current discourse of what it means to “be a man” in popular culture, citing the 2019 Gillette advert “We Believe: The Best Men Can Be” and the “Time’s Up” and “Me Too” feminist movements. The response identifies a performative display of gender – termed ‘psuedomedieval masculinity’ – which borrows from medieval culture to ‘medievalise’ modern toxic masculinity. Using Halberstam’s idea of …


Objectifying Love: Ladies And Their Tokens, Saints And Their Relics In Chrétien De Troyes, Lydia Hayes 2020 University of St Andrews

Objectifying Love: Ladies And Their Tokens, Saints And Their Relics In Chrétien De Troyes, Lydia Hayes

Medieval Feminist Forum: A Journal of Gender and Sexuality

Relics are powerful signifiers of the relationship between humanity and the divine because they allow humans to physically touch a part of a saint’s body or an extension of the saint’s body. This type of symbolism may also be found in the relationship between ladies and knights in Chrétien de Troyes’ Arthurian romances, when a part of the lady’s body (her hair, for example) or an object that once belonged to the lady is touched by the knight. The objects that represent these ladies provide their knights with some form of power at crucial stages in the romances, usually encouraging …


Fabricated Muslim Identity, Female Agency, And Cultural Complicity: The Imperial Project Of Emaré, Amy Burge, Lydia Kertz 2020 University of Birmingham

Fabricated Muslim Identity, Female Agency, And Cultural Complicity: The Imperial Project Of Emaré, Amy Burge, Lydia Kertz

Medieval Feminist Forum: A Journal of Gender and Sexuality

Extant in only one mid-fifteenth-century manuscript, the Middle English romance Emaré has nevertheless captivated modern scholars and readers. The majority of studies have focused on the text’s material culture, centred on the description of a luxurious cloth that takes up 10% of the poem. A recent global turn in medieval studies has consistently highlighted the role of medieval Europe in defining and supporting imperial projects, simultaneously challenging the Eurocentrism of medieval studies and the supposed neutrality of medieval European culture. This article brings Emaré into conversation with material culture and postcolonial critique to investigate the imperial politics of the text. …


Front Matter, Medieval Feminist Forum, V.56, No.1, Summer 2020, 2020 Western Michigan University

Front Matter, Medieval Feminist Forum, V.56, No.1, Summer 2020

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.


Editorial: Gender Relations And Women’S Struggles In Socialist Southeast Europe, Dijana Jelaca, Nikolay Karkov, Tanja Petrović 2020 CUNY Brooklyn College

Editorial: Gender Relations And Women’S Struggles In Socialist Southeast Europe, Dijana Jelaca, Nikolay Karkov, Tanja Petrović

Wagadu: A Journal of Transnational Women's & Gender Studies

For readers versed in the tradition of North Atlantic feminist theory, the intersection of “socialism” and “feminism” is relatively uncomplicated. As a rule, the theory proffers a critique of the “double oppression” that women experience under patriarchy and capitalism, with the exact relationship between these two systems then up for debate. While often not explicitly thematized, the theory’s geographical roots in North American and Western European struggles and contexts inform its epistemological practice and organizational protocols.


Towards Women’S Minor Cinema In Socialist Yugoslavia, Dijana Jelaca 2020 CUNY Brooklyn College

Towards Women’S Minor Cinema In Socialist Yugoslavia, Dijana Jelaca

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay theorizes the concept of women’s minor cinema in socialist Yugoslavia, conceptualized through examples of cultural texts that circulate within the so-called women’s genres: romance films, “chick flicks,” and TV soap operas. Women’s cinema is here not defined solely as films made by women, but rather, films that address the spectator as a woman, regardless of the spectator’s sex or gender. I argue that, in the context of Yugoslavia, such works frequently articulated emancipatory, feminist stances that did not demarcate a dichotomous opposition to the socialist state as such, but rather called for the state to fulfill its original …


The Return Of Jugoslovenka: An Unrequited Love Affair, Jasmina Tumbas 2020 SUNY College Cortland

The Return Of Jugoslovenka: An Unrequited Love Affair, Jasmina Tumbas

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay considers women’s emancipation in Socialist Yugoslavia as central to the socialist project. I focus on the feminist art of the 1970s and 1980s, aswell as contemporary engagements with the question of Yugoslavia. I put in conversation performance works by Sanja Iveković, Vlasta Delimar, Marina Gržinić, and Šejla Kamerić. The title of this essay, “Return of Jugoslovenka: An Unrequited Love Affair” points to how contested the position of Yugoslav women was during socialism, and how much it remains so today, albeit for very different reasons. As I show in the article, Yugoslav women in the arts embraced socialism as …


The Other Side Of Everything, Dir. Mila Turajlić (Hbo Europe, 2017), Dragana Obradović 2020 SUNY College Cortland

The Other Side Of Everything, Dir. Mila Turajlić (Hbo Europe, 2017), Dragana Obradović

Wagadu: A Journal of Transnational Women's & Gender Studies

The Other Side of Everything is a documentary about an apartment in Birčaninova 20, a leafy street in Belgrade, Serbia. It is the family home of Mila Turajlić, the film’s director (known for her much-lauded film Cinema Komunisto from 2010), who uses this well-appointed interior to explore the intimacy of history.


General, Dir. Antun Vrdoljak (Hrvatska Radiotelevizija, 2019) The Diary Of Diana B., Dir. Dana Budisavljević (Pff, 2019), Sanjin Pejković 2020 SUNY College Cortland

General, Dir. Antun Vrdoljak (Hrvatska Radiotelevizija, 2019) The Diary Of Diana B., Dir. Dana Budisavljević (Pff, 2019), Sanjin Pejković

Wagadu: A Journal of Transnational Women's & Gender Studies

Ideologically charged arguments about truth, often linked to fabrications of the past, have been discussed for decades in post-Yugoslav countries. They have also contributed to memory conflicts in different discourses. In addition to relativizing historical facts, marginalization of one’s own crimes and enlargement of others have also contributed to fragmentation of the truth and the emergence of parallel stories about the historical past.


Review Of Gender In 20th Century Eastern Europe And The Ussr, Edited By Catherine Baker. London: Palgrave Macmillan, 2017, Katharina Wiedlack 2020 SUNY College Cortland

Review Of Gender In 20th Century Eastern Europe And The Ussr, Edited By Catherine Baker. London: Palgrave Macmillan, 2017, Katharina Wiedlack

Wagadu: A Journal of Transnational Women's & Gender Studies

The anthology Gender in 20th Century Eastern Europe and the USSR is a collection of fourteen essays on a wide range of gender-related topics, from motherhood to concepts of masculinity, sexuality, and professional work.


Lilijana Burcar, Restavracija Kapitalizma: Repatriarhalizacija Družbe [Restauration Of Capitalism: Re-Patriarchization Of Society], Sophia, Ljubljana 2015, Iva Kosmos 2020 SUNY College Cortland

Lilijana Burcar, Restavracija Kapitalizma: Repatriarhalizacija Družbe [Restauration Of Capitalism: Re-Patriarchization Of Society], Sophia, Ljubljana 2015, Iva Kosmos

Wagadu: A Journal of Transnational Women's & Gender Studies

In her book Restavracija kapitalizma: repatriarhalizacija družbe (Restauration of capitalism: Re-patriarchization of society), Lilijana Burcar compares the systemic and structural conditions of women’s position in socialism and capitalism.


Chiara Bonfiglioli, Women And Industry In The Balkans. The Rise And Fall Of The Yugoslav Textile Sector. (I.B.Tauris 2019, 230 Pages, 1st Ed.), Agata Zysiak 2020 SUNY College Cortland

Chiara Bonfiglioli, Women And Industry In The Balkans. The Rise And Fall Of The Yugoslav Textile Sector. (I.B.Tauris 2019, 230 Pages, 1st Ed.), Agata Zysiak

Wagadu: A Journal of Transnational Women's & Gender Studies

“For us it was much better, for us personally, for people it was much better during socialism than it is today, in any case.” (p. 1) This quote from a textile worker opens Chiara Bonfiglioli’s book, but the story presented is by no means a nostalgic tour exploring collapsed factories or reproducing homo-sovieticus stereotypes.


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