English Language and Literature Commons^™

Two Poems, Brook Wr Pearson Phd

The Goose

Poetry by Brook Pearson

In The Loves Of Barnacles, Carol Watts

The Goose

Poetry by Carol Watts

Counteredpoint, Gary Barwin

The Goose

Poetry by Gary Barwin

Two Poems, Andrew Taylor Dr

The Goose

Poetry by Andrew Taylor

Bell In The Rain, Annabel Banks

The Goose

Poetry by Annabel Banks

Gory, Ariel Gordon

The Goose

Poetry by Ariel Gordon

Three Poems, Pearl Pirie

The Goose

Poetry by Pearl Pirie

Neanderthal Dig, Don Mckay

The Goose

"Neanderthal Dig" is from McKay's chapbook Larix.

Branches Over Ripples: A Waterside Journal, Brian Bartlett

The Goose

Branches Over Ripples: A Waterside Journal is a fifty-entry plein-air writing project drafted between April 2013 and October 2014 by various bodies of water—rivers, brooks, lakes, bays, marshes, waterfalls, a vernal pond, a Japanese koi pond. Most of the writing was done in Nova Scotia locations, but some entries were drafted in New Brunswick, Montreal, Missouri, Manhattan, and London, England. I often walked from an hour to four or five hours, then sat down on bare earth, grass, sand, stone, or wood, and wrote, keeping attuned to my surroundings but also letting my mind and memory wander.

Northern Planing Mills, Adam Dickinson

The Goose

a poem.

Editor’S Notebook: Ten Years Of The Goose, Lisa Szabo-Jones, Paul Huebener

The Goose

Editorial introduction to The Goose Volume 14, Issue 2 (2015): Tenth Anniversary Issue.

Excerpts From The Names, Tim Lilburn

The Goose

A new poetry collection, The Names, from which these excerpts come, will appear spring, 2016.

Magnetic North, Pyramiden, Svalbard, Jenna Butler

The Goose

excerpts from Magnetic North Pyramiden, Svalbard

Blackcap, Seán Lysaght

The Goose

a poem

Vex, A Rawlings

The Goose

"Vex" is a visual poem from the serial work Dump. The series focuses on language discarded at rural Canadian landfill sites. "Vex" was sourced at Kennisis Lake Landfill Site, July 2014.

Maybe Poets Are Dying | How Did Birds, Basma Kavanagh

The Goose

2 poems

Flipped Teaching And Learning In English Language Programmes In Higher Education, Rania M Rafik Khalil

English Language and Literature

Flipped teaching over the past fifteen years has invaded the classrooms of schools and has helped evolve the teaching strategy of different disciplines. Although the concept emerged as inverted teaching to allow space for active learning in the classroom, flipped teaching today, has found its way to higher education settings. Higher education institutions such as Harvard University, have used this approach in physics and other disciplines. Literature reviews however, show that there is little research in the field of English as a Foreign Language which can be found related to using the flipped approach. This paper aims to share the …

The Broadsheet- Issue 15, Merrimack College

The Broadsheet

Merrimack College's English Department newsletter.

This issue features:

• Core Curriculum Standards
• Alumni Creative Writers
• British Literature in Italy
• Current Student Creative Writers
• Student Profiles
• Coming Attractions

Cannibalism In Contact Narratives And The Evolution Of The Wendigo, Michelle Lietz

Master's Theses and Doctoral Dissertations

This thesis examines the relationship between colonization and cannibalism, beginning with cannibalism as represented in colonial contact narratives. I address the tendency of the colonizers to presume cannibalism of the indigenous people with whom they come into contact, and how the assumption dictates the treatment of aboriginals by colonizing Europeans. Texts discussed in this light include The Tempest, She, Robinson Crusoe and the journals of Christopher Columbus. Additionally, I address the effects of colonization on the indigenous associations of cannibalism in conjunction with the evolution of the wendigo. To illustrate this evolution, I primarily draw on traditional oral …

Manfred, Don Juan, And The Romantic Tragedy Of The Subject, Trenton Robert Leinenbach

Theses and Dissertations

While the Romantic lyric has long been understood as an exploration of human subjectivity, the era's dramatic works have been viewed as more oriented toward objective or mimetic representation. As such, scholarship on Romantic subjectivity from Harold Bloom to Andrea Henderson has bypassed dramatic and quasi-dramatic explorations of subjectivity. These explorations, however, add to the conversation about subjectivity in powerful ways by addressing the paradoxes of mimetically representing subjectivity. These difficulties spring from a question that surrounds mimetically represented subjectivity: how can a supposedly objective medium portray experience that is by definition non-objective, purely interior, and therefore incommunicable? This paradox …