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Audre Lorde & The Ontology Of Desire, Lauren Koenig 2020 Claremont Colleges

Audre Lorde & The Ontology Of Desire, Lauren Koenig

Scripps Senior Theses

This thesis advances an understanding of the ontological impact of Western conceptions of sexuality guided by a model of reparative reading as outlined by Eve Kosofosky Sedgwick. Rather than multiply and magnify anti-patriarchal invective, I use deconstructive techniques as a means of analyzing selections from the poetry of Audre Lorde (including “Bloodbirth,” “Making it,” “Pirouette,” and “Therapy”) in order to explore how a consideration of lesbian sexuality can inform an understanding of the more widespread conflation between writing, creation, and birth of the self.

The investigation centers on a variety of paradoxes encountered in the felt sense-oriented language of desire …


Ride Of The Waelcyrges : Combating Notions Of Feminine Passivity And Monstrous Deviance In Anglo-Saxon Literature, Shaina Marie Strang-Wolf Tullo 2020 Montclair State University

Ride Of The Waelcyrges : Combating Notions Of Feminine Passivity And Monstrous Deviance In Anglo-Saxon Literature, Shaina Marie Strang-Wolf Tullo

Theses, Dissertations and Culminating Projects

This paper endeavors to trace the Anglo-Saxon literary figure of the waelcyrge through all twelve references to her throughout the Anglo-Saxon corpus, and culminates in an application of the waelcyrge trope to two problematic heroines in Beowulf, Modthryth and Hygd. Given the critical history associated with the waelcyrge, this paper attempts to write against the dominant assumption in Anglo-Saxon scholarship that the waelcyrge is a derivative of the Norse valkyrie. Instead, this paper is predicated on the notion that the waelcyrge represents uniquely Anglo-Saxon values that volley between the cultural shift that occurs in the mid-ninth century through the emergence …


Making Meaning : Death, Dignity, And Dasein In Kazuo Ishiguro’S Never Let Me Go, Angel Katrina Tuohy 2020 Montclair State University

Making Meaning : Death, Dignity, And Dasein In Kazuo Ishiguro’S Never Let Me Go, Angel Katrina Tuohy

Theses, Dissertations and Culminating Projects

This thesis explores Kazuo Ishiguro’s 2005 novel Never Let Me Go, with a focus on the way the novel considers large questions concerning the “meaning” of human life and the nature of “human condition” as Ishiguro calls it in interviews discussing his novel, using language and terminology provided by phenomenologist and philosopher Martin Heidegger in his seminal work Being and Time. This thesis builds on these questions to consider the complex ways that the concept of “dignity” as shown through the experiences of clones who have socially predetermined lifespans complicates issues surrounding the inevitability of death, the uncanniness of …


"A" Is For Ambivalence : Hester Prynne's Conflicted Response To Motherhood In Hawthorne's The Scarlet Letter, Stephanie Morecraft Carlson 2020 Montclair State University

"A" Is For Ambivalence : Hester Prynne's Conflicted Response To Motherhood In Hawthorne's The Scarlet Letter, Stephanie Morecraft Carlson

Theses, Dissertations and Culminating Projects

In this paper the author discusses the protagonist Hester Prynne’s conflicted response to motherhood in Nathaniel Hawthorne’s The Scarlet Letter. The author examines Hester’s behavior towards her daughter, Pearl, as well as her relationships with her husband Roger Chillingworth and Pearl’s father Arthur Dimmesdale. Hester’s changing role in the town is also explored as she continues to quietly rebel against the patriarchy by making unconventional choices.


Vertiginous Space And Blank Topographies : The Narrative Landscapes Of Possession And Annihilation In J. M. Coetzee's Early Novels, Leah Slocum 2020 University at Albany, State University of New York

Vertiginous Space And Blank Topographies : The Narrative Landscapes Of Possession And Annihilation In J. M. Coetzee's Early Novels, Leah Slocum

Legacy Theses & Dissertations (2009 - 2024)

This thesis examines the first three novels published by the South African author J.M Coetzee: Dusklands (1974), In the Heart of the Country (1977), and Waiting for the Barbarians (1980). My analyses is structured around how the narrators engage with a vast and threatening landscape in ways that seek to validate an illusion of spatial control and mastery and uphold the colonial metaphor of emptied landscapes. Although only Jacobus in Dusklands embodies the archetypal explorer that “penetrates” the heart of darkness, his counterparts in the next two novels uphold the same kind of self-mythologizing process in which their desire to …


The Nightingale Revisited : Adapting H.C. Andersen's Fairy Tale The Nightingale For Theatre For Young Audiences, Alyssa Fox 2020 University at Albany, State University of New York

The Nightingale Revisited : Adapting H.C. Andersen's Fairy Tale The Nightingale For Theatre For Young Audiences, Alyssa Fox

Legacy Theses & Dissertations (2009 - 2024)

Hans Christian Andersen has been intriguing audiences with his works for ages. These tales are enduring and being reimagined in many different ways today. To explore not only the power of these tales, but the power of theater as a visual storytelling medium, the author has adapted Andersen’s The Nightingale as a play for theatre for young audiences (TYA). This work incorporates not only adaptation theory, but the history of fairy tales, current culture, and trends in TYA in the United States.


"She Is Finally Free" : An Analysis Of Women's Pathologized Oppression And Reclamation Of The Abject In "The Yellow Wallpaper" And Midsommar, Diana Gem Schultz 2020 University at Albany, State University of New York

"She Is Finally Free" : An Analysis Of Women's Pathologized Oppression And Reclamation Of The Abject In "The Yellow Wallpaper" And Midsommar, Diana Gem Schultz

Legacy Theses & Dissertations (2009 - 2024)

Women live and lead pathologized lives, as evidenced by past diagnoses of women’s disorders like “hysteria” and more modern issues surrounding beliefs in women’s hormones and biological inferiority. In analyzing women’s relationships with a wider male society and the role Kristevean abjection takes in patriarchal views on women’s minds and bodies, I aim to show how female characters in horror fiction – namely Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and Ari Aster’s 2019 film, Midsommar – take that abject view and reclaim it for their own power. Through this reclamation, women are able to gain control from patriarchal …


Knowing Totality : Capitalism Across Consciousness And Community In Kim, Nostromo, Sons And Lovers, And Ulysses, Jessica Manry 2020 University at Albany, State University of New York

Knowing Totality : Capitalism Across Consciousness And Community In Kim, Nostromo, Sons And Lovers, And Ulysses, Jessica Manry

Legacy Theses & Dissertations (2009 - 2024)

Knowing Totality reads literary portraits of consciousness at the level of capitalist totality. The largest level of the project argues that there is a formal discord in certain twentieth-century novels between “knowability,” or an accepted community narrative, and character “consciousness,” which reaches beyond it. I locate within these formal breaks social and historical contradictions that characterize capital, where seemingly content-based issues in the texts—Rudyard Kipling’s Kim, Joseph Conrad’s Nostromo, D.H. Lawrence’s Sons and Lovers, and James Joyce’s Ulysses—manifest themselves at the level of form. The pairings place the novels in dialectical conversation, highlighting characters on the periphery of communities that …


The Method In The Madwoman : Functions Of Female Madness And Feminized Liminality In Jane Eyre, Wuthering Heights, And "The Yellow Wallpaper", Ivy Elizabeth Poitras 2020 University at Albany, State University of New York

The Method In The Madwoman : Functions Of Female Madness And Feminized Liminality In Jane Eyre, Wuthering Heights, And "The Yellow Wallpaper", Ivy Elizabeth Poitras

Legacy Theses & Dissertations (2009 - 2024)

This critical thesis explores how three literary portrayals of “madness” in female characters of the mid-to-late 19th century written by women writers (Bertha Mason of Jane Eyre, Catherine Earnshaw of Wuthering Heights, and the Narrator of “The Yellow Wallpaper”) operate as instruments within their work to provide commentary on the anxieties, fears, and ideological stereotypes of women and femininity of the era, as well as contradictions and concepts pertaining to confinement, the female body, gendered Gothic tropes, and societal oppression. The significance of this analysis lies in the consistency and endurance of these issues as they withstand modern development, making …


Idealist And Materialist Approaches To Abolition In Uncle Tom's Cabin And The Daughter Of Adoption, Jillian Shea 2020 University at Albany, State University of New York

Idealist And Materialist Approaches To Abolition In Uncle Tom's Cabin And The Daughter Of Adoption, Jillian Shea

Legacy Theses & Dissertations (2009 - 2024)

Sentimentalism was a popular aesthetic, moral, political, and literary movement in the 18th and 19th centuries in the United States and England, and both Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) and John Thelwall’s The Daughter of Adoption (1801) use sentimentalism in their attempts to advocate for the abolition of slavery. Scholars such as Lauren Berlant critique sentimentalism, specifically Stowe’s use of sentimentalism, for its potential to make structural problems appear as if they can be assuaged by personal change, and I situate this understanding of sentimentalism within an idealist framework, or a framework that primarily emphasizes subjectivity’s role in …


Scar 33, Bruce Bond 2020 University of Alabama at Birmingham

Scar 33, Bruce Bond

Birmingham Poetry Review

p. 81


Asphalt, Paul Bone 2020 University of Alabama at Birmingham

Asphalt, Paul Bone

Birmingham Poetry Review

pp. 83-84


Promise Never, Leigh Anne Couch 2020 University of Alabama at Birmingham

Promise Never, Leigh Anne Couch

Birmingham Poetry Review

p. 95


Leaf-Scum, David Bottoms 2020 University of Alabama at Birmingham

Leaf-Scum, David Bottoms

Birmingham Poetry Review

p. 89


Dear Editor Who Apologized For Taking Six Months To Reject My Poems And Said They Came Close, Sean Thomas Dougherty 2020 University of Alabama at Birmingham

Dear Editor Who Apologized For Taking Six Months To Reject My Poems And Said They Came Close, Sean Thomas Dougherty

Birmingham Poetry Review

p. 106


Asshole, Maria Nazos 2020 University of Alabama at Birmingham

Asshole, Maria Nazos

Birmingham Poetry Review

p. 173


The Diarist, Stephen Kampa 2020 University of Alabama at Birmingham

The Diarist, Stephen Kampa

Birmingham Poetry Review

pp. 148-152


The Shopping, Leona Sevick 2020 University of Alabama at Birmingham

The Shopping, Leona Sevick

Birmingham Poetry Review

pp. 185-186


Nature Vs. Nurture, Phillip Sterling 2020 University of Alabama at Birmingham

Nature Vs. Nurture, Phillip Sterling

Birmingham Poetry Review

p. 192


Echosystem, Chad Parmenter 2020 University of Alabama at Birmingham

Echosystem, Chad Parmenter

Birmingham Poetry Review

pp. 174-176


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