English Language and Literature Commons^™

Daisy, Jill Mccorkle

Birmingham Poetry Review

p. 63

Neither A Wife Nor A Whore: Deconstructing Feminine Icons In Catherine Breillat's Une Vieille Maîtresse, Douglas Keesey

English

This article undertakes a close reading of Catherine Breillat’s recent film Une vieille maîtresse (2007) to show why this, her first heritage film, is nevertheless strongly relevant to the gender politics of today. The author argues that Breillat’s cinematic deconstruction of differences between women is designed to undo the polarising effect of patriarchal representations of women as madonnas or whores — media images still prevalent even in these days of mixité and parité. Despite a tendency on the part of some reviewers to take the film’s gender images at face value, the author argues that Breillat’s interest lies not …

Understanding Genre Through The Lens Of Advocacy: The Rhetorical Work Of The Victim Impact Statement, Amy D. Propen, Mary Lay Schuster

English

Through interviews with judges and victim advocates, courtroom observations, and rhetorical analyses of victims’ reactions to proposed sentences, the authors examine the features that judges and advocates think make victims’ arguments persuasive. The authors conclude that this genre, recently imposed upon the court, functions as a mediating device through which advocates push for collective change, particularly for judicial acceptance of personal and emotional appeals. This study understands genres as responsive to changes within the activity systems in which they work and extends knowledge about genres that function as advocacy tools within internal institutional systems.

Shaping Shakespeare, Reflecting History: Adaptations Of Othello For Children In 1990s Britain, Karley Adney

Scholarship and Professional Work of the Provost's Staff

In this article, two 1990s British adaptations of Shakespeare's Othello for children are studied with the primary critical lens of New Historicism. This analysis concerns itself with the cultural resonances adaptors pass to their readers and how those traces shape the Shakespearean texts they adapt. This study contends that cultural contexts, transactions, and negotiations of the time incontestably shape these adaptations. To truly appreciate the choices made by the adaptors of the 1990s, reflections on Britain in the 1980s serve as points of comparison. As a result, analyzing and accounting for the cultural influences provides a whole reading of the …

A Thought, Nancy Mack

English Language and Literatures Faculty Publications

No abstract provided.

A Hybrid Genre Supports Hybrid Roles In Community-University Collaboration, Timothy Henningsen

English Faculty Scholarship

This chapter describes how community-university collaboration is created

by the Chicago Civic Leadership Certificate Program (CCLCP), an

undergraduate program offered at the University of Illinois at Chicago

(UIC). In CCLCP, partners from community-based, not-for-profit organizations

mentor first- and second-year students who complete writing and

research projects that their partner organizations need. In effect, then,

CCLCP’s community partners function as co-teachers, collaborating with

university instructors to direct, monitor, and evaluate student work; this

teaching relationship builds on a deeper and more interesting collaboration:

the bilateral development of students’ community-based projects.

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.

Forum Prompt: Problems In Comparative Ethnic Literary Studies, John A. Cutler

Criterion: A Journal of Literary Criticism

No abstract provided.

Heaven As Las Vegas, Gary Leising

Birmingham Poetry Review

p. 53

Dies Irae, William Logan

Birmingham Poetry Review

p. 54

Mnemosyne, Caki Wilkinson

Birmingham Poetry Review

pp. 85-86

Dickinson And Smith: Years Apart But Not So Different, Nicole Day

English

Even though there were sixteen years separating them, Stevie Smith and Emily Dickinson had much in common. They both use death as a theme to explore and mock life. Their small poems have a lot to say about life and death.

War And Rebellion In The Work Of Louis-Ferdinand Céline And Sebastian Barry, Eamon Maher

Books/Chapters

No abstract provided.

Some Thoughts On Precious: Based On The Novel Push By Sapphire, David Hennessee

Moebius

No abstract provided.

The Political Repercussions Of Homosexual Repression Of Masculinity And Identity In Martin Sherman's Bent, Melissa C. Lupo

ETD Archive

There are very few works of gay holocaust literature, mostly due to the fact that even post Nazi-Germany, homosexuality was outlawed. Bent, thereby serves as a testament of the persecution faced by homosexuals at the hands of the Nazis. This paper argues that the play is developed to display the main character Max having a better chance of survival if he denies his sexual preference and instead claims he is a Jew. While some may argue that such a decision privileges being Jewish over homosexuality, the final argument proves that this is not the case. Art is category of its …

"Passing" And Identity: A Literary Perspective On Gender And Sexual Diversity, Pamela L. Caughie

English: Faculty Publications and Other Works

For the literary scholar as for the gender theorist, truth is what makes sense in terms of a particular narrative. What is true is not simply that which corresponds to the real; rather, what is true is what is accepted as being true within a given discourse, institution, or discipline. Unlike biologists, literary scholars don’t ask “Is it true?” but “How is it true?” This question requires interrogating the normative standards by which claims of truth, authenticity, and legitimacy are established. And that means learning to read people the way many of us have learned to read literature, taking into …

Audible Identities: Passing And Sound Technologies, Pamela L. Caughie

English: Faculty Publications and Other Works

At the March 2008 conference of the Association for Recorded Sound Collections held at Stanford University, audio historians played what they claim is the first recording of the human voice. It is a presumably female voice singing Au clair de la lune, though the distorted quality of the 10-second recording renders the words no more decipherable than the singer’s gender to an untutored ear. The recording was made in Paris in April 1860 on a ‘phonautograph’ invented by Édouard-Léon Scott de Martinville (aka Leon Scott), nearly 20 years before Thomas Edison patented the phonograph in 1877. Sound waves captured …

Ua97/5 Ogden College Departments, Wku Archives

WKU Archives Collection Inventories

Records created by and regarding the departments of Ogden College. Series contains brief records from the Athletic, English and Science departments.

Southern Encounters In The City: Reconfiguring The South From The Liminal Space, Eveljn Ferraro

Modern Languages & Literature

In Il pensiero meridiano, sociologist Franco Cassano claims that the cultural autonomy of the South hinges upon a radical redefinition of the relationship between South and North. Dominant representations of the South as a “not-yet North”1 (Cassano viii), always imperfectly mimicking a more advanced North, found themselves on the idea of a linear transition from backwardness to development where the differences are often reduced to a matter of time. If Gramsci, in The Southern Question, deconstructed the Italian North/South binarism by suggesting potential alliances among non-dominant groups (namely, Northern workers and Southern peasants), Cassano proposes a spatial rethinking of the …

The Power Of Pain Gender, Sadism, And Masochism In The Works Of Wilkie Collins, Helen Doyle

Undergraduate Review

In his novels No Name (1862) and Armadale (1866), Wilkie Collins explores the social role of women in Victorian England, a patriarchal society that forced women either to submit to the control of a man or rebel at the expense of their own health and sanity. Even though some of his characters eventually marry, thus conforming to social expectations for women, I argue that his portrayal of female characters was subversive. In quests for control over their own lives, Magdalen Vanstone and Lydia Gwilt turn to masochism and sadism, practices which eventually lead to identity loss and self-destruction. Collins suggests …