Carlo Flunks The Seventh Grade,
2010
University of Alabama at Birmingham
Carlo Flunks The Seventh Grade, Greg Alan Brownderville
Birmingham Poetry Review
p. 11
Boy In The Forest,
2010
University of Alabama at Birmingham
A Painting Of Us,
2010
University of Alabama at Birmingham
The Porch,
2010
University of Alabama at Birmingham
The Body's Refrain,
2010
University of Alabama at Birmingham
In Situ,
2010
University of Alabama at Birmingham
Exoricsm,
2010
University of Alabama at Birmingham
Hackberry,
2010
University of Alabama at Birmingham
A Wish For My Children,
2010
University of Alabama at Birmingham
Raccoon,
2010
University of Alabama at Birmingham
Is Gothic Dead?:Tthe Evolution Of The Vampire Novel,
2010
California State University, San Bernardino
Is Gothic Dead?:Tthe Evolution Of The Vampire Novel, Janis Haigwood Hudson
Theses Digitization Project
Critic Fred Botting claims that the gothic genre is dead due to reader's assimilation of horror in their everyday lives. He cites violence on the news and graphic documentaries as ways in which people can be desensitized to gothic books and movies. This, according to Botting, results in a lack of expected reader/viewer reaction and is the basis of his assertion. This thesis examines three vampire novels: Dracula (1897), I Am Legend (1954), and Carrion Comfort (1984). These three novels were written over a span of one hundred years and published almost fifty years apart. When examined from a male …
The Prologue (To Everything That Came Before),
2010
Wright State University - Main Campus
The Prologue (To Everything That Came Before), Hope Jennings
English Language and Literatures Faculty Publications
No abstract provided.
The Luminous Halo: The Place Of Language In The Waves And The Years,
2010
Oberlin College
The Luminous Halo: The Place Of Language In The Waves And The Years, Rachel Luban
Honors Papers
Can words ever express a truth beyond language? Virginia Woolf explores this persistent question most directly in two of her late novels, The Waves and The Years. The two appear to sit at opposite ends of the spectrum of her writing, The Waves embodying interiority and vision and The Years embodying exteriority and fact. The apparent realism of The Years, following on the heels of the impressionism of The Waves, has caused many critics to dismiss it as an aberration. But in fact the later novel is far from a regression to traditional realism: it takes up where its predecessor …
Joyful Night,
2010
University of Alabama at Birmingham
Descending Into Philadelphia,
2010
University of Alabama at Birmingham
My Grandmother's Dogs,
2010
University of Alabama at Birmingham
Ghost,
2010
University of Alabama at Birmingham
My Kind Of People,
2010
Wright State University - Main Campus
My Kind Of People, Nancy Mack
English Language and Literatures Faculty Publications
No abstract provided.
Daisy,
2010
University of Alabama at Birmingham
Neither A Wife Nor A Whore: Deconstructing Feminine Icons In Catherine Breillat's Une Vieille Maîtresse,
2010
California Polytechnic State University, San Luis Obispo
Neither A Wife Nor A Whore: Deconstructing Feminine Icons In Catherine Breillat's Une Vieille Maîtresse, Douglas Keesey
English
This article undertakes a close reading of Catherine Breillat’s recent film Une vieille maîtresse (2007) to show why this, her first heritage film, is nevertheless strongly relevant to the gender politics of today. The author argues that Breillat’s cinematic deconstruction of differences between women is designed to undo the polarising effect of patriarchal representations of women as madonnas or whores — media images still prevalent even in these days of mixité and parité. Despite a tendency on the part of some reviewers to take the film’s gender images at face value, the author argues that Breillat’s interest lies not …
