Borrowing In Context : The Importance And Artistic Implications Of Chaucer's Use Of Sources In The Merchant's Tale,
2010
Marshall University
Borrowing In Context : The Importance And Artistic Implications Of Chaucer's Use Of Sources In The Merchant's Tale, Austin Taylor Mcintire
Theses, Dissertations and Capstones
In this thesis, I consider the implications of Chaucer not only as a man of his age but also as a poet who made deliberate decisions to borrow, imitate, and adapt the work of others, specifically in the context of The Merchant’s Tale. Chapter I of this thesis establishes the significance of the medieval understanding of auctor and auctoritas during the medieval literary period and, furthermore, examines Chaucer’s artistic output both during his career as a court poet and following his removal to Kent in an attempt to reach a clearer understanding of Chaucer’s use of source material when composing …
The Postcolonial "Knight‘S Tale": A Social Commentary On Post-Norman Invasion England,
2010
Marshall University
The Postcolonial "Knight‘S Tale": A Social Commentary On Post-Norman Invasion England, Ruth M.E. Oldman
Theses, Dissertations and Capstones
Every author injects a purpose into his or her works; in Chaucer‘s case, he scribed The Canterbury Tales, which tackles and successfully demonstrates various aspects to fourteenth century English society and culture. "The Knight‘s Tale" is no different; the tale is almost identical, plot-wise, to Giovanni Boccaccio‘s Teseida, and yet Chaucer weaves a tale that is distinctive. The tale reflects Chaucer‘s views on his society, in particular post-Norman attitudes. By examining the text with a post-colonial theoretical approach, Chaucer‘s "The Knight‘s Tale" is a subaltern commentary on the colonization of England after the Norman Conquest.
Women With Short Hair,
2010
Marshall University
Women With Short Hair, Amanda Layne Stephens
Theses, Dissertations and Capstones
Women with Short Hair is a short-fiction collection that centers on the lives of four women who live in West Virginia. Each story depicts a female character during a different developmental stage: childhood in ―In Casino Daycare,‖ young adulthood in ―Felis domestica,‖ adulthood in ―Date Night at the Beach,‖ and middle-age in ―Women with Short Hair.‖ Short-fiction collections that influenced Women with Short Hair include Flannery O‘Connor‘s A Good Man Is Hard to Find, James Joyce‘s Dubliners, and Ernest Hemingway‘s In Our Time. Symbolism, repetition, the objective correlative, and free indirect discourse constitute reoccurring literary devices while reappearing themes include …
(De)Constructing Jane: Converting Austen In Film Responses,
2010
Seton Hall University
(De)Constructing Jane: Converting Austen In Film Responses, Karen Gevirtz
Department of English Publications
No abstract provided.
" Lu-Li-Lunacy And Sorrow:" The Grotesque In John Irving's The World According To Garp,
2010
Seton Hall University
" Lu-Li-Lunacy And Sorrow:" The Grotesque In John Irving's The World According To Garp, Nicole J. Homer
Theses
No abstract provided.
Miller's "The Magician's Book: A Skeptic's Adventures In Narnia" - Book Review,
2010
George Fox University
Miller's "The Magician's Book: A Skeptic's Adventures In Narnia" - Book Review, Gary L. Tandy
Faculty Publications - Department of English
No abstract provided.
Real Artificial: Tissue-Cultured Meat, Genetically Modified Farm Animals, And Fictions,
2010
University of New England
Real Artificial: Tissue-Cultured Meat, Genetically Modified Farm Animals, And Fictions, Susan Mchugh
English Faculty Publications
Although touted by promoters as the cutting edge of food science, meat produced in vitro (rather than from a whole animal) is emerging more directly from developments in fine art—more specifically, from the aesthetic experiments of Australian-based artists Oron Catts and Ionat Zurr, who ask: What language do we have to describe the agency of tissue-cultured life? This essay begins to answer this question by tracing a tradition whereby bioengineered meat mediates complex environmental critiques in literary fiction over the past century, including Margaret Atwood’s exemplary novel Oryx and Crake (2003), which depicts biotech industries producing three distinct kinds of …
Words & Images 2010,
2010
University of Southern Maine
Words & Images 2010, University Of Southern Maine
Words and Images
Publishing Director: Jesse Leighton
Fiction Editors: Renee Decamilis, Brian Spigel, Mark Rowland
Art Director: Aubin Thomas
Poetry Editors: Tamarah Smith, Jonathan Wilson, Todd Perry
Going Public: What Writing Programs Learn From Engagement,
2010
Utah State University
Going Public: What Writing Programs Learn From Engagement, Shirley K. Rose, Irwin Weiser
All USU Press Publications
An important new resource for WPA preparation courses. In Going Public, Rose and Weiser moderate a discussion of the role of the writing program vis-a-vis the engagement movement, the service learning movement, and the current interest in public discourse/civic rhetoric among scholars of rhetoric and composition. While there have been a number of publications describing service-learning and community leadership programs, most of these focus on curricular elements and address administrative issues primarily from a curricular perspective. The emphasis of Going Public is on the ways that engagement-focused programs change conceptions of WPA identity. Writing programs are typically situated at points …
Parnassus 2010,
2010
Taylor University
Parnassus 2010
Parnassus
The 2010 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.
A Philology Of Liberation: Dr. Martin Luther King, Jr. As A Reader Of The Classics,
2010
Xavier University
A Philology Of Liberation: Dr. Martin Luther King, Jr. As A Reader Of The Classics, Thomas Strunk Ph.D.
Verbum Incarnatum: An Academic Journal of Social Justice
This paper explores the intellectual relationship between Dr. Martin Luther King, Jr. and the classics, particularly the works of Plato, Sophocles, and Aeschylus. Recognizing Dr. King as a reader of the classics is significant for two reasons: the classics played a formative role in Dr. King’s development into a political activist and an intellectual of the first order; moreover, Dr. King shows us the way to read the classics. Dr. King did not read the classics in a pedantic or even academic manner, but for the purpose of liberation. Dr. King’s legacy, thus, is not merely his political accomplishments but …
A Review Of "Labor And Writing In Early Modern England, 1567-1667" By Laurie Ellinghausen,
2010
Eastern Illinois University
A Review Of "Labor And Writing In Early Modern England, 1567-1667" By Laurie Ellinghausen, Julie Campbell
Faculty Research & Creative Activity
No abstract provided.
Writing Renaissance Emblems: Flaming And Tortured Hearts In The First Part Of The Countess Of Montgomery's Urania,
2010
Eastern Illinois University
Writing Renaissance Emblems: Flaming And Tortured Hearts In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell
Faculty Research & Creative Activity
No abstract provided.
Volume 42 (2010),
2010
Gardner-Webb University
Volume 42 (2010), C. V. Davis
The Broad River Review
The 2010 edition of The Broad River Review was edited by C. V. Davis. The publication contains fiction, non-fiction, art, poetry, and photography. The cover was photographed by Justin Roper. The winner of the J. Calvin Koontz Poetry Award, given annually for a portfolio of poetry to a senior English major, is Nicholas Laughridge. The Broad River Review Editor's Prizes in Fiction and Poetry are chosen among all submissions from Gardner-Webb University students. The prize in poetry was awarded to Jennifer Hart for her work titled, "In August." The prize in fiction was awarded to Sarah Steadman for her work …
Acting His Age?: The Resurrection Of The 80s Action Heroes And Their Aging Stars,
2010
Wilfrid Laurier University
Acting His Age?: The Resurrection Of The 80s Action Heroes And Their Aging Stars, Philippa Gates
English and Film Studies Faculty Publications
No abstract provided.
“A Young Voice, A Statue, And Marvell's 'The Nymph Complaining',
2010
College of Saint Benedict/Saint John's University
“A Young Voice, A Statue, And Marvell's 'The Nymph Complaining', Matthew Harkins
English Faculty Publications
The allegorical flexibility of Marvell's ‘The Nymph Complaining for the Death of Her Fawn’ is consonant both with shifting ideas of youth in early modern England and with Marvell's complicated fascination with the young. A companion poem by Marvell's contemporary, Thomas Philipott, also describes how a young nymph in a garden turns into a weeping statue: the differences between these two poems underscore how Marvell's young narrator, rather than satisfying familiar interpretive practices, prompts investigation into the cultural implications of these practices. Ultimately, the poem reconsiders the nature of pastoral and the consequences of circumscribing the voices of the young.
Divergent Worldviews In Ron Rash's "Serena",
2010
Gardner-Webb University
Divergent Worldviews In Ron Rash's "Serena", Brenda Dye Stephens
MA in English Theses
Ron Rash, through Serena, captures the often misunderstood complex nature of the Appalachian people in the early twentieth century and the effects of human centered environmental changes on this culture and natural landscape. The focus of this analysis involves viewing Serena through the lens of ecofeminism and introducing Rash's vision of the important interrelationship between landscape and culture, particularly in light of the historical outsider vision and its impact upon the people of Appalachia.
The culture and natural environment of the Appalachian people are revealed through the gazes of the characters. Through the fictional viewpoints in Serena,Rash creates a …
Between The Way To The Cross And Emmaus: Deconstructing Identity In The 325 Ce Council Of Nicaea And "The Shack",
2010
Gardner-Webb University
Between The Way To The Cross And Emmaus: Deconstructing Identity In The 325 Ce Council Of Nicaea And "The Shack", Trevar Simmons
MA in English Theses
This paper argues that when Christians acknowledge the deconstruction of their identity surrounding orthodoxy/heresy, Christians can embody the imitatio Christi and imago Dei. The argument begins by analyzing how Christians construct their identity along the orthodoxy/heresy lines by investigating a 2009 Bible burning by Amazing Grace Baptist Church in Canton, NC. Reaching into the past and present, deconstruction is found in a prototypical orthodoxy/heresy debate at the 325 CE Council of Nicaea and the modern hubbub in and surrounding William Paul Young's novel The Shack.
“He Is Com Of Full Noble Bloode”: The Brotherly Love Of Gareth And Gawain In Thomas Malory's Morte Darthur,
2010
University of Northern Colorado
“He Is Com Of Full Noble Bloode”: The Brotherly Love Of Gareth And Gawain In Thomas Malory's Morte Darthur, Kristin Bovaird-Abbo
English Faculty Publications
Towards the end of Sir Thomas Malory’s fifteenth-century tale of Sir Gareth of Orkney, Gareth makes a damning comment regarding Gawain: “he wythdrewe hymself fro his brother sir Gawaynes felyshyp, for he was evir vengeable, and where he hated he wolde be avenged with murther: and that hated sir Gareth” (1: 360). This statement has puzzled critics, for as Bonnie Wheeler notes, “the text of this tale provides no proof of Sir Gawain’s deviancy or vengeful character” (129). After all, Gawain, ignorant of his relationship to Gareth, behaves nobly toward the young newcomer, offering him food, drink, and money, …
Mirren's Autobiography: The Life And Poetry Of Marion Bernstein (1846-1906),
2010
Rollins College
Mirren's Autobiography: The Life And Poetry Of Marion Bernstein (1846-1906), Edward Cohen, Linda Fleming
Faculty Publications
No abstract provided.
