Literature in English, British Isles Commons^™

Japanese Branch Report, Masako Kimura

The George Eliot Review Online, ISSN: 2831-5375

On 10 December 2016, the Twentieth Annual Convention of The George Eliot Fellowship of Japan was held in Otani University. The morning session, moderated by Hiroshi Oshima (Hyogo University of Teacher Education), began with an opening address by Yoriko Murase (Otani University). Thereafter, two papers were presented. The first paper 'The Influence of Adam Smith's Discussion of Sympathy on George Eliot: Reading Si/as Marner with The Theory of Moral Sentiments' was read by Chiyo Fujiwara (Kobe College). The second paper 'Women's Education inAdam Bede' was read by Chiyuki Kanamaru (Aichi Bunkyo University).

Review Of The World Of Mr Casaubon: Britain's War Of Mythography, Colin Kidd

The George Eliot Review Online, ISSN: 2831-5375

The title of this book is interesting, as the subtitle describes what it is about but the main title refers to a fictional character from Middlemarch, part of a novel recently voted the greatest in English. Such a title makes the book much more marketable to a general audience and more likely to be reviewed in some of the broadsheets than a title which indicates that this is a book that 'venture[s] into the thickets of eighteenth- and nineteenth-century antiquarianism' (vi). But the downside of the more appealing title is that readers who expect Middlemarch to play a central role …

Review Of The Transferred Life Of George Eliot: The Biography Of A Novelist, Philip Davis

The George Eliot Review Online, ISSN: 2831-5375

There have been several good new biographies of George Eliot in recent years but none quite like this. Davis's subtle and searching analysis focuses almost exclusively on the writing as he traces the complex ways in which the experience of Mary Ann, or later Marian, Evans is 'transferred', to use the term of his title, into the creation of George Eliot and her work. The first life of relative failure, unhappiness and unsuccessful relationships is transformed into a second life as George Eliot, successful novelist and woman of letters, and this closely written and argued study explores the relationship between …

In Memoriam, Kathleen Adams (1929-2016), John Burton

The George Eliot Review Online, ISSN: 2831-5375

The sheer number of years, forty, that Kathleen Adams was Secretary of the George Eliot Fellowship, is extraordinary, but that number does not do justice to the prodigious amount of time, energy and dedication that she devoted to the job.

Like many others, Kathleen came to George Eliot via her life rather than her works. As a grammar school girl from Barrs Hill in Coventry she had heard about Eliot; as an adult she learned details of her extraordinary life. That took her to the novels and then a commitment to tell people about them which was to dominate her …

Kathleen Adams: A Tribute, Gabriel Woolf

The George Eliot Review Online, ISSN: 2831-5375

All but 50 years we knew each other. And I think George Eliot owes Kathleen Adams a lot. This is common knowledge - for where would the Fellowship be without her tireless efforts. Westminster Abbey, the Nuneaton statue, membership numbers: these are all well known. But that small terrace house in Stepping Stones Road, Coventry, visited by so many important figures, represents for me the championing of the ordinary folk and their appreciation of George Eliot's work. I remember an American academic being disappointed at the Newsletter Kathleen prepared so diligently, and how it was not on the intellectual level …

Review Of Writing The Stage Coach Nation: Locality On The Move In Nineteenth-Century British Literature, Ruth Livesey

The George Eliot Review Online, ISSN: 2831-5375

Starting from the observation that so many of the major Victorian novels are set, not in the railway age in which they were written, but in the horse-drawn world of the previous generation, a world that is 'just past', this fine study explores the ways in which novelists from Waiter Scott to Thomas Hardy use the stage coach to connect particular localities, often closely observed and substantially realized, to the larger framework of the nation. This turning back to the past is not, Ruth Livesey insists, a retreat from the complications and dislocations of a modern present into a simpler …

Living With George Eliot: A Tribute To My Parents, Will Adams

The George Eliot Review Online, ISSN: 2831-5375

It was a strange but much-appreciated honour to be asked to address the annual George Eliot Fellowship lunch in 2016. It was strange because I'd attended many such events long ago - fewer more recently - and had always sat with the 'rank and file' on the lower tables while Mum and Dad, officers and distinguished guests occupied the top table. So, when on Sunday 20 November, I rose to speak, I was quite miffed to find that there was no top table! All very egalitarian, but it left me wandering up and down the floor as I imparted my …

Radical Politics In The 1860s: The Writing Of Felix Holt, David Paterson

The George Eliot Review Online, ISSN: 2831-5375

While Felix Halt the Radical was being written there was a transformation in the atmosphere surrounding further parliamentary reform in Britain. In March 1865, when George Eliot began the novel, the Liberal Prime Minister Palmerston remained cautious about an extension of the franchise. Yet Felix Holt was finished on 31 May 1866 amidst great political excitement: a Reform Bill was being debated and the outcome uncertain. This change in emphasis in the political mood had its effect on Eliot 's writing, since the 'reform campaign had not gained enough momentum' I to explain Eliot's initial choice of subject. To say …

Chairman's Annual Report For 2016, John Burton

The George Eliot Review Online, ISSN: 2831-5375

The most noteworthy events of 2016 were the deaths of Bill and Kathleen Adams, a couple whose extraordinary dedication and hard work from 1968 until 2008 enabled the Fellowship to prosper and become a genuinely influential literary society. Bill was the first to die, just a couple of days after laying the wreath for us in June in Nuneaton, an event he loved, and where he met and chatted to so many old friends.

The AGM in March saw the existing team of Council members renewing their positions, with a request from Hon. Treasurer Jill Bridgewater that we should find …

When Howard Met George: A Play In Two Acts, Susan Ryley Hoyle

The George Eliot Review Online, ISSN: 2831-5375

Dramatis Personae (in order of appearance)

Marian Evans (Mrs. Lewes) (George Eliot) (left) was born near Nuneaton in 1819 to a prosperous land agent and his (second) wife. She has lost whatever regional accent she may have had, and has often been complimented on her melodious voice. She speaks quite slowly, rarely with emphasis, nearly always with a shy earnestness and a dry sense of humour. At the time of this play, only her husband and (very recently) her publisher know that she is 'George Eliot', the author of the huge best-seller Adam Bede (1859), and of the only …

Snoop-Women With Notebooks: Naomi Mitchison, Mass Observation, And The Gender Of Domestic Intelligence, Megan Faragher

English Language and Literatures Faculty Publications

Novelist Naomi Mitchison and Home Intelligence head Mary Adams were crucial supporters of Mass Observation's qualitative approach to public opinion collection, but their efforts were significantly curtailed when the public denounced observers as internal spies. This article traces the backlash against MO's methodology, both bureaucratically and publicly, uncovering that MO critics were partially fueled by the gendering of its unique methodology. While some considered interviews and surveys tantamount to domestic espionage, the subsequent turn towards quantitative data devalued women's experiences by favoring institutionalized patriarchal approaches to analyzing public opinion. Within this context, Mitchison's novel We Have Been Warned similarly presents …

Something Wicked This Way Comes: The Supernatural And Unnatural In Macbeth, Mary Spencer

Undergraduate Research Journal

Fate is an omnipresent force woven through much ancient literature, and in English literature it is named from the earliest recorded writings as wyrd. By tracing this influence from its first appearances in Anglo-Saxon writing to the Early Modern period, we can see how Shakespeare uses his cultural inheritance to create the supernatural world of Macbeth, specifically through representations of wyrd. In the play, he examines the question “Does fate make the characters, or do the characters create their fates?” Juhász Tamás, a Shakespeare scholar, makes the point, “Of all Shakespearean dramas, the concept of fate and destiny seems most …

The Rewards Of Impertinence: Happy And Unhappy Endings In Jane Austen's Novels, Elizabeth Bolger

English Honors Papers

In this thesis, I use a wide range of period sources—the law governing marriage in the United Kingdom, sermons, and treatises on women’s education—to argue that Jane Austen uses irony and satire to defend “impertinent” women by exposing the villainy of a patriarchal order that attempts to restrain female desire. Her literary strategies of indirection, including irony and satire, have an ethical purpose that is neglected by the many critics who read her works as endorsing conservative values. Her novels function within a traditional narrative framework in order to expose and ultimately undermine the oppressive morals inherent within the patriarchal …

Fight For Equality, Edgar A. Ruiz-Guaderrama

Nebraska College Preparatory Academy: Senior Capstone Projects

The great author Jane Austen lived during a time period in which there was a patriarchal society installed which made it quite difficult for women rights similar to the Victorian Era. Both in Jane Austen’s society and the Victorian Era, there were huge gaps in gender equality. The society at the time made it easy for men to run everything that happened in society which in turn lead to women being at a huge disadvantage.Jane Austen showed people many examples of this inequality in her book Pride and Prejudice It is crucial as a society to improve from and correct …

Behind The Shadows, Selena Ramirez Ahilon

Nebraska College Preparatory Academy: Senior Capstone Projects

The nineteenth century is classified as the Victorian era, a period in which the middle class rose in power as a result of industrialization. As the middle classes living standards rose the middle class became reliant on utilitarianism values. This ideal appeared to offer a more comfortable life for both men and women, however, by classifying the position of women as the “heart” and men as the “head” of the house, women were hindered to a society in shadows. Women were restricted in every aspect of life because men were in power, and the ideal Victorian woman became the one …

Jonathan Swift: Ideology And Influences, Ricky Romero

Nebraska College Preparatory Academy: Senior Capstone Projects

This project will analyze the ideology and influences Irish author and satirist, Jonathan Swift had in cultivating theories on society/economy and thoughts especially relevant in his novel Gulliver’s Travels. The information is worth noting because of the bigger than life themes he suggests in liberal thoughts and social interactions between people. Ultimately, remorseful thoughts on monotheistic governments, European influences, and pro-world-peace examples were found as prominent ideas conveyed by Jonathan Swift.

Overall, it is morally correct to agree with Jonathan Swift’s ideology of a world based upon freedom and liberty. It is fairly simple to sympathize with Swift’s thoughts on …

Narrative Pleasures And Feminist Politics: Popular Women’S Historical Fiction, 1990-2015, Victoria Kennedy

Theses and Dissertations (Comprehensive)

This dissertation contributes to a developing body of work on women’s historical fiction and its significance to feminist discourse. Building from Diana Wallace’s 2005 study The Woman’s Historical Novel: British Women Writers, 1900-2000, I offer a modified definition of “the woman’s historical novel” and a transatlantic consideration of several of the most popular titles in the contemporary period, including The Other Boleyn Girl (2001), Outlander (1991), A Great and Terrible Beauty (2003), and Scarlett (1991). Several studies have followed Wallace’s, notably Ann Heilmann and Mark Llewellyn’s Metafiction and Metahistory in Contemporary Women’s Writing (2007) and Katherine Cooper and Emma …

The "Great Background" In Hardy And Lawrence, Rochelle H. Kim

Scripps Senior Theses

This thesis investigates D.H. Lawrence’s idea of the “great background” in the context of Thomas Hardy’s Jude the Obscure and how it reappears in a transformed way in Lawrence’s novels Sons and Lovers, The Rainbow, and Women in Love. Through examining the perverse effects of modernism on these novels’ characters, this thesis argues that the “great background” is something that gradually moves inward––from the old, traditional “State” to an internal, inscrutable yet attainable reality.

Shakespeare And Black Masculinity In Antebellum America: Slave Revolts And Construction Of Revolutionary Blackness, Elisabeth Mayer

Scripps Senior Theses

This thesis explores how Shakespeare was used by Antebellum American writers to frame slave revolts as either criminal or revolutionary. By specifically addressing The Confessions of Nat Turner by Thomas R. Gray and "The Heroic Slave" by Frederick Douglass, this paper looks at the way invocations of Shakespeare framed depictions of black violence. At a moment when what it means to be American was questioned, American writers like Gray and Douglass turned to Shakespeare and the British roots of the English language in order to structure their respective arguments. In doing so, these texts illuminate how transatlantic identity still permeated …

Archive Fever, Archive Failure: Exploring The ‘It’ In Beckett’S Theatre, Katherine Weiss

ETSU Faculty Works

Using Jacques Derrida's 1995 study, Archive Fever, Weiss examines how Samuel Beckett's Come and Go and Footfalls stage the failed acts of archiving. In both plays, memories are either unknown or not named. Either way, without being named they cannot be collected, catalogued or made public. Despite this, the women haunting his plays seem struck by archive fever. Ultimately, Beckett stages the tension between the desire to remain silent with the desire to archive.