Open Access. Powered by Scholars. Published by Universities.®

Literature in English, British Isles Commons™

Open Access. Powered by Scholars. Published by Universities.®

5,488 Full-Text Articles 4,171 Authors 7,371,139 Downloads 204 Institutions

All Articles in Literature in English, British Isles

Faceted Search

5,488 full-text articles. Page 185 of 185.

Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai 2010 Loyola University Chicago

Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai

Dissertations

A study of Renaissance literature's engagement with temporality, my project is a critical evaluation of the concept of early modern futurity, of which I propose three categories: "Material futurity"; "Biological futurity"; and "Political futurity." In the moments that I identify in texts composed during the Tudor and early Stuart reigns in England, I demonstrate that the future--as an idea--structures individuals' actions and ruptures social formations. Futurity, which I define as a play of multiple desires that exist simultaneously within our present beings, is a volatile agent of imagination in early modern literature. Futurity collides with the cultural sites of memory …


That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene, S. Erin McLean 2010 Andrews University

That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene, S. Erin Mclean

Honors Theses

Edmund Spenser's epic romance, The Faerie Queene (1590, 1596), claims to glorify Queen Elizabeth I, but the author hides an underlying critique of the queen throughout the poem. At the same time that Spenser openly praises the English monarch, he also reveals the faults and contradictions present in her image through how he presents the main characters in the story. In Faerie Queene, Spenser establishes a sexuality spectrum that features the lechery of Redcrosse Knight and the hypersensitive purity of Britomart; this demonstrates the various extremes of immoral sexuality. Studying both these characters reveals that the success of each knight's …


Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams 2010 Edith Cowan University

Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams

Theses : Honours

The first aim of this thesis is to explore Jane Austen's use of contrast in terms of characterisation. The second is to look at how contrast becomes a tool of didacticism, both for the characters within the novels and for readers of the novels. This study encompasses Austen's six completed novels and traces the development of the techniques she used to evoke contrast. Austen used contrast in a variety of ways. Primarily it was used to construct and illuminate characters, but Austen also used it to introduce characters into the narrative, to compare two or more characters, and to structure …


Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos 2010 Edith Cowan University

Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos

Theses : Honours

Dracula has long been associated with the repressive qualities of Victorian society and the oppression of the emerging New Woman. However, taking into account that the novel is part of the gothic genre, a genre which endeavours to infringe the social boundaries in any given era, this thesis will demonstrate an equally visible and potent transgressive feminine element playing out in Dracula. Using Michel Foucault's idea of discourse to show how subjects are generated, the novel can be seen as facilitating both productive and repressive ideas of femininity. Power, as it operates through discourse, tends to produce its own resistance, …


Digital Commons powered by bepress