Comparative Literature Commons^™

“There Is No Pandemic”: On Memes, Algorithms And Other Interpassive Forms Of Right-Wing Disbelief, Scott Krzych

CLCWeb: Comparative Literature and Culture

This essay examines several prominent memes that have circulated on Right-wing social media during the Covid-19 pandemic. The memes coordinate what I describe as a mode of interpassive humor, which positions those who “believe” in the crisis as naïve dupes, infantilizing those subjects who have fallen prey to the idea that they should take the pandemic seriously, and thereby delegating fearfulness to the other so that reactionary Covid-19 denialists may continue with their lives unaffected. The essay thereby seeks to draw suggestive lines of affiliation between studies of digital memes, evolutionary mimetics, and psychoanalytic theory, pointing to the algorithmic …

Lacan And The Algorithm, Clint Burnham

CLCWeb: Comparative Literature and Culture

Exploring the development of algorithms in Lacanian theory, specifically the "R schema" in the 1950s, I argue that psychoanalysis, read through contemporary debates about the "algorithmic cult" of Netflix and other avatars of popular culture, can be said to reveal the inhuman, machinic essence of subjectivity. The etiology of algorithms, mathemes, and other formulae and diagrams in Lacan’s oeuvre has been under-studied, in part because for some readers they are not as attractive as his more bravura flourishes of word play as exegetical excess, and in part because they derive largely from the ‘hard’ structuralist moment of his work in …

Platform Psychoanalysis: What Does The Algorithm Want?, Matthew Flisfeder

CLCWeb: Comparative Literature and Culture

No abstract provided.

Goats Die, Butterflies Fly: Portrayals Of Dominican Dictator Rafael Trujillo (1891–1961) In Historical Fiction And Non-Fiction, Jocelyn R. Brown

Ramifications

The dictator novel has become a staple of Latin American literature in the 20th century. As the intersection of art, culture, and politics, these novels are interested in painting intimate pictures of their dictator to examine the psychology of power and the lure of authoritarianism. This project focuses on analyzing the the rise and fall of Dominican dictator Rafael Leónidas Trujillo Molina (1891–1961) through literary lenses. This project compares the ways in which Trujillo and his regime (El Trujillato) are portrayed in both non-fiction and historical fiction. Trujillo was an excellent storyteller, known for his cult of personality …

Retranslation And Interpellation, Andrew Brooks

Living in Languages

No abstract provided.

Confessing The Self Through Translation: The Evolution Of Proust’S Young Girl, Nicole A. Cosentino Phd

Living in Languages

No abstract provided.

A Study Of Cranf 1927: Woo Kwang Kien And Translation-Cultural Capital, Lisu Wang

Living in Languages

Largely ignored by Gaskell scholars, the early Chinese translations of Gaskell’s works have not been carefully looked at. From 1920 to 1945, the publication of four stories by Gaskell-- Cranford, Cousin Phillis, Hand and Heart, and The Old Nurse’s Story, witnessed the transformation from politics-orientated to independence in China’s publishing history. With their growing understanding of foreign literature, Chinese scholars had been translating and criticizing Gaskell’s works, and gradually formed a focus on Cranford. It was not by accident that Cranford has received great popularity: there is no similar novella in contemporary Chinese literature that …

Babel Blackness: The Aesth-Ethical Turn In Post-Colonial Translation, Emanuela Maltese

Living in Languages

“How do we make art in an ethical way?” (Marlene NourbeSe Philip) is the leading question lying at the basis of this article, which inspired by the story of the unauthorized Italian translation of Zong! seeks to investigate on the ethics of translation and propose a new turn in translation studies, namely a black aesth-ethical one. The proposal here examined is indeed informed by both aesthetics, and ethics. It presents translation as a practice, that draws on recent debates on black aesthetics, with specific reference to the Afro-optimism (AO) of cultural theorist and poet Fred Moten (2013, 2018, 2019) and …

Five Poems By Chase Twichell, Translated By Claire Gacioch, Claire Gacioch, Yolande G. Schutter, Chase Twichell

Living in Languages

No abstract provided.

“Foreign Soundingness” And Code-Switching Instead Of Translation: An Examination Of A Marketing Strategy In Contemporary Latino/A Music., Nerisha De Nil Padilla Cruz

Living in Languages

The focus of this investigation is to analyze the concept of “foreign soundingness” used by David Bellos in his essay “Fictions of the Foreign the Paradox of “Foreign-Soundingness” in the Latino/a music context. Specifically, it is interesting to see how code-switching between English and Spanish in certain songs can be used to connect with the US Latino/a community, but also be a “foreign soundingness” for the audience outside of the mainland. Additionally, I argue that due to the increase in the bilingual populace around the world, it is not necessary for contemporary artists to translate their music to a specific …

Belonging To Harlem: Reading Zora Neale Hurston’S Story In Slang, Rumi Coller-Takahashi

Living in Languages

This essay examines Zora Neale Hurston’s “Story in Harlem Slang” (1942) to analyze how the reading experience of the story captures relational dynamics in the community of Harlem. Written in the “Harlemese,” a distinctive lexicon developed in the 1920s, the story seemingly serves as a dictionary with an attached glossary and illustrations of the vernacular words. Reading the story, however, not so much allows the readers to join the linguistic community as requires them to be conscious of the border-crossing movements. Such a structure is intertwined with the character’s theatrical life as a male prostitute, whose way of belonging to …

A Miracle Through An Ymage: Gautier De Coinci’S Retouched Legend Of Theophile, Isabella Williams

Quidditas

This article examines the use of the Old French word “ymage” in Gautier de Coinci’s early thirteenth-century Legend of Theophile. Gautier is the first author to write a version of the legend that includes an ymage, designating a material representation of the Virgin. Far from a subtle insertion, he mentions the term ten times, during every pivotal moment of the story, when terrestrial and celestial spheres collide. Critics acknowledge the centrality of Gautier in representing this revolutionary French period, during which time attitudes concerning ritualistic images were in a state of flux; yet, Gautier’s repetitive and groundbreaking use of …

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Quidditas

No abstract provided.

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Quidditas

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Langland, Father Of American Literatures, John M. Bowers

Quidditas

Geoffrey Chaucer’s position as “father of English literature” has been steadily challenged in recent years. This paper both proposes and interrogates the other fourteenth-century English poet William Langland’s possible claims as the origin for the Puritan tradition of New England and, hence, the later traditions of American literatures—in the plural. We know that the first copy of his satirical, theological dream-vision Piers Plowman arrived in New England in 1630 with the father of Anne Bradstreet, and as a result any patriarchal genealogy is already problematic because the first author in the American family-tree was a woman. Rather than the linearity …

Hamlet In Cinema: Oedipus Lives On, Keolanani Kinghorn

Quidditas

I have often questioned why Shakespeare’s Hamlet, a play more than 400 years old, remains tied to a century-old Freudian concept. Since Freud’s Oedipus Complex has been disproven, what purpose does it still serve and why are directors still intrigued by this interpretation of Hamlet? In 1949, Dr. Ernest Jones published his book, Hamlet and Oedipus (1949),1 but at the time he was also collaborating with Laurence Olivier to create the first movie adaptation of Hamlet to embrace the Oedipus Complex. I believe that because of Jones and Olivier Shakespeare’s Hamlet will always be connected to psychoanalysis. While …

Re-Dress As Redress: Shakespeare’S Comedy Of Errors, Jane Foster Woodruff

Quidditas

DELNO C. WEST AWARD WINNER

Writing near the end of a century-long ‘explosion’ of Tudor theatre, Shakespeare benefitted from a variety of influences, both sacral and secular. Among his literary influences were the works of classical dramatists (Sophocles, Seneca, Plautus, and the like), who had used their plays to editorialize on contemporary societal issues. To this same end, in his early historical play Richard III Shakespeare chose to address a multiplicity of problematic themes, the most obvious being that, although Richard’s ambition and his lethality had been sufficient to win him a crown, they were insufficient to preserve it: power …

Extreme Translation: Six Medieval Lessons For Everyone, Michelle Warren

Dartmouth Scholarship

No abstract provided.

Interpretation And Ovidian Myth In Alexander’S Bridge And O Pioneers!, Paul A. Olson

Department of English: Faculty Publications

This essay describes interpretive strategies widely applied to Ovidian mythic materials during the period of Cather’s early career, especially those operative in Alexander’s Bridge and O Pioneers! The article assumes that widely held conventional interpretations of myths, in this case Ovidian myths, in a specific time and area are part of their semantic content, or iconology, and are tools Cather used in communicating with her audience. The essay then looks at a passage in the 1912 Alexander’s Bridge and two disputed passages in the 1913 O Pioneers! along with extended Bacchic themes in the latter novel that employ conventional Ovidian …

Reflections On The Victorian(Ist) Impulse To Totalize Africa, Adrian S. Wisnicki

Department of English: Faculty Publications

IN this essay, I offer some reflections on how Victorianists might understand nineteenth- and early twentieth-century discursive practices for mapping Africa. In doing this, I respond to what Sukanya Banerjee, our panel organizer, asked us to do in determining the focus for our essays—namely, that we direct “attention to topics in Victorian studies that [we] feel might otherwise be overlooked or viewed differently.” In what follows I introduce and problematize a series of Victorian-era maps or, more specifically, problematize what such maps represent conceptually, then offer some alternate means by which Victorianists might critically engage with cultural and social reality …