Comparative Literature Commons^™

Eugene O’Neill Returns: Theatrical Modernization And O’Neill Adaptations In 1980s China, Shuying Chen

Theses and Dissertations

After nearly vanishing from the Chinese literary world map for thirty years from 1949 to 1979, Eugene O’Neill’s works underwent a reevaluation and resurgence in the reform era of the 1980s. This decade witnessed a wide range of introductions to, research on, translations, and productions of O’Neill’s play in the Chinese theatrical and cultural landscape. Chinese theater practitioners staged some thirty adaptations of O’Neill’s works in both domains of spoken drama and traditional opera, including productions by colleges, state-owned troupes, and independent theater groups. This dissertation contextualizes some of O’Neill adaptations in the socio-cultural context of the transitional period and …

Truth And Knowledge In A Literary Text And Beyond: Lydia Chukovskaya’S Sofia Petrovna At The Intersections Between Selves, Culture, And Paratext, Angelina Rubina

Theses and Dissertations

Although Lydia Chukovskaya’s novella Sofia Petrovna (1965) is not considered to be an autobiographical work, the life story of its protagonist, Sofia Petrovna, and the life of Lydia Chukovskaya herself have certain parallels. Chukovskaya’s very own fate, which she described in the foreword to the novella and in her other biographical works, is often viewed inseparably from the novella. However, among the many connections between the fictional fate of Sofia Petrovna and the real fate of Lydia Chukovskaya, one aspect that has not been properly explored by the critics is the “dialogue” between the author and the protagonist with respect …

Tando-Huni Ug Uban Pang Balak | Treading Softly: Review Of Marjorie Evasco’S It Is Time To Come Home, Ester Tapia

Akda: The Asian Journal of Literature, Culture, Performance

No abstract provided.

Everything I Ever Needed To Know About The North Pole I Learned From Father Christmas (And Karhu The Polar Bear [And Ilbereth The Elf])., Kristine Larsen

Journal of Tolkien Research

Based on a portion of a keynote address delivered at the 50th Tolkien Society Oxonmoot, this paper investigates the Father Christmas Letters through a world-building lens, and suggests areas of analysis concerning the letters where scholars may make significant additional contributions to Tolkien Studies.

Japanese-English Translation: Miki Kiyoshi —Thinking With Master Nishida (First Published In Fujin Kōron, August 1941) Complete Draft; Translated, Edited, And Revised By Christopher Southward, October 2022-September 2023 「西田先生のことども」、三木清著（初発 婦人公論、昭和十六年八月）, Christopher Southward

Comparative Literature Faculty and Student Scholarship

Japanese-English Translation: Miki Kiyoshi —Thinking with Master Nishida (First Published in Fujin Kōron, August 1941) Complete Draft; Translated, Edited, and Revised by Christopher Southward, October 2022-September 2023「西田先生のことども」、三木清著（初発 婦人公論、昭和十六年八月）

Source text transcribed and published by Aozora Bunko–a compendium of public-domain Japanese literature, philosophy, and criticism

General website: https://www.aozora.gr.jp

Current text: https://www.aozora.gr.jp/cards/000218/files/50538_37481.html

Satire In Swift And Voltaire: Towards A Humanist Dialectic, Ola Kittaneh, Fuad Abdul Muttaleb

An-Najah University Journal for Research - B (Humanities)

This article examines how the Enlightenment writers Jonathan Swift and Voltaire’s attitudes and works resonate with our modern writers’ concepts on the role of the humanist intellectual. Informed by Edward Said’s recent theoretical concepts on the humanist intellectual, the article compares the way the two writers use the power of satire to achieve a humanist end that focuses on the pitfalls of identitarian thinking which often leads to national or religious fanaticism. There is certainly a need for Swift and Voltaire to be repositioned in relation with the broad contours of modern writers’ notions of the intellectual. By reading the …

Narrating Egyptian Women’S Prison Experiences - El Saadawi And Bakr, Nour El Captan

The Undergraduate Research Journal

The research attempts to discover what Egyptian women prisoners’ experience was like in the 1980s and 90s through studying two major texts which fall under the genre of prison literature: Twelve Women in a Cell by Nawal El Saadawi and The Golden Chariot by Salwa Bakr. Through a thorough reading and analysis of the works, similar tropes and different attitudes can be found in the texts. Both works discussed class, comradery, and the patriarchy but differences exist when it comes to their different portrayals of prison.

“‘Normal Is What We Make It, Right?’ Ordinary Aesthetics And Uncanny Twists In Contemporary Tv Series.", Jeroen Gerrits

Comparative Literature Faculty and Student Scholarship

Contemporary TV shows, characterized by their complex narrative form, are designed to reveal the simple. They enable characters and viewers alike to discover the ordinary by coupling the everyday to an underworld populated by criminals, demons, vampires, and other kinds of “lowlifes.” I will argue here that the structure of the Möbius strip, or Escher twist, draws a particular aesthetic appeal at the intersection of these worlds. I call these twists uncanny in the Cavellian sense that the underworld, looking strangely familiar, has the capacity of making the ordinary look unfamiliar, inherently strange, and unstable. Rather than allowing us to …

Leyla Erbil’S A Strange Woman As The Undoing Of Shame And The Discovery Of Self, Gönül Kığılcım

Arts & Sciences Graduate Student Theses and Dissertations

Shame plays a major role in the formation of femininity, and as Ruth Leys argues, shame has surpassed guilt as the dominant emotional reference in the Western world. If shame is a lived social experience rather than an interior trait, how does this new understanding of shame influence our readings of literature, particularly that of women writers? Analyzing Leyla Erbil's recently translated novel, A Strange Woman (1971), and interacting with theories of emotion and affect theory, I explore whether viewing women's writing from this new perspective can offer new insight into literature by women and particularly the literature by women …

Liberation’S Love-Language: The Politics And Poetics Of Queer Translation After Stonewall, Eric Keenaghan

English Faculty Scholarship

Poetry served gay and lesbian liberationists in the years following Stonewall as a mechanism for translating queer experience into a language shared amongst the members of emergent sociopolitical LGBTQ+ communities. Poetry figured prominently in the historical period's activist little magazines, newsletters, and other periodicals as means of doing this work of self-construction and world-building, a simple fact largely unappreciated by both queer studies (which overlooks non-narrative forms) and contemporary American poetry studies (which dismisses much activist poetry as identitarian agitprop). But poetry, due to its formal differences from narrativity, has been a site for queer revolutionary action and imaginaries because …

Chatgpt Transcript For Read The World, Michelle Warren

Dartmouth Scholarship

This document records experiments with ChatGPT answering a common colloquial question, recording multiple answers to the prompt "What in the world is reading?"

Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne

Dissertations, Theses, and Capstone Projects

This dissertation presents, analyzes, and builds on the existing literary genealogy of documental poetry. In 2020 Michael Leong proposed the term documental poetry to describe the turn toward source materials in 21^st-century North American poetry, seen in longform research-based poems that explicitly incorporate documentation and seek to intervene in cultural memory. Using Ludwig Wittgenstein’s concept of family resemblance, I argue that there are clear affinities between 21^st-century poets and their 20^th-century literary forerunners, also that an expansion of the scope of documental poetics is needed. The three nodes of connection I examine are works …

Genres Of Labor: Wageless Work And The Aesthetics Of Stagnation, Martin A. Jensen

Dissertations, Theses, and Capstone Projects

Genres of Labor identifies and explores a little-acknowledged fact about labor—that it appears to us in highly conventionalized forms that are subject to evaluation, appraisal, and interpretation. I call this appearance the “aesthetic” dimension of labor, and I show how it increasingly comes into view in the period since 1973, as a contracting economy pushes off work onto unwaged realms of human activity. In chapters on Andy Warhol’s The Andy Warhol Diaries (1989), Margaret Atwood’s The Handmaid’s Tale (1985), Octavia Butler’s Parable of the Sower (1993), and Colson Whitehead’s John Henry Days (2001), I demonstrate that literary texts participate in …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright

Dissertations, Theses, and Capstone Projects

“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …

Audible Futures: Scenes Of Sonic Encounter In Cold War Kurdistan, 1923–2023, Nicholas S. Glastonbury

Dissertations, Theses, and Capstone Projects

This dissertation examines a century of cultural politics in Kurdistan, from 1923 to 2023, and it does so from a relatively marginal vantage point in most histories of Kurdistan: that of the Soviet Caucasus. It takes as its primary object the cultural and political itineraries of sonic media and listening in Kurdistan, from Soviet Kurdish radio broadcasting and pirated cassettes to postsocialist archives, DJ booths, and streaming music. These itineraries map not only the emergence and circulation of Kurdish notions of tradition, heritage, and cultural memory, but also the methods of counterinsurgency deployed by the states that occupy Kurdistan. In …

Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham

Criterion: A Journal of Literary Criticism

Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …

#Metoo And Literary Studies: Reading, Writing, And Teaching About Sexual Violence And Rape Culture, Gabrielle Stecher

Feminist Pedagogy

No abstract provided.

Frights And Forests: The Hellish Landscape Of The Dark Forest, From Sleepy Hollow To The Forest Of Arden, Minna Nizam

Online Midwinter Seminar (OMS)

This paper seeks to explore forest settings in fantasy, and its hellish landscapes. From the headless horseman in Washington Irving’s The Legend of Sleepy Hollow, to the frights and horrors of mythical creatures in fantasy settings placed in forests. The purpose of this study is to dive deep into the fear of the forest, its early days in storytelling, to more modern renditions. Sources used will be primarily books, and texts within books, such as The Legend of Sleepy Hollow, The Lord of the Rings, and much more.

Mythopoeic Awards Discussion, David Lenander, David Emerson

Online Midwinter Seminar (OMS)

No abstract provided.