El Paso Odyessy,
2015
University of Texas at El Paso
El Paso Odyessy, Tafari Amin Nugent
Open Access Theses & Dissertations
El Paso Odyssey not only attempts to give an accurate reflection of everyday American life within a particular timeframe but, also attempts to give characters the ability to speak for themselves. The audience must judge and interpret the authenticity and accuracy of the language throughout the text and if the veracity of the dialogue rings true, the narrative story has succeeded on some level.
Public Relations: Diaspora, Media, And The State(S) Of American Literature,
2015
Loyola University Chicago
Public Relations: Diaspora, Media, And The State(S) Of American Literature, Nathan Allen Jung
Dissertations
Like any good public relations campaign, this dissertation aims to offer a persuasive interpretation of certain key facts. The facts, as I see them, are as follows: first, a great number of contemporary novels and poems explore the personal and social consequences of diasporic migration. Second, these texts, along with their print and electronic paratexts, share a pervasive interest in media. And third, these works are rarely read in conversation with one another, despite their mutual concern for migration and media. Owing to this last point in particular, scholarship has failed to fully address the broader media theories developed in …
Edna The Oblivious Oppressor: An Intersectional Analysis Of Privilege And Its Lack Thereof In The Awakening,
2015
University of New Hampshire, Durham
Edna The Oblivious Oppressor: An Intersectional Analysis Of Privilege And Its Lack Thereof In The Awakening, Jessica L. Rosenthal
Honors Theses and Capstones
No abstract provided.
Wrestling With Angels: Postsecular Contemporary American Poetry,
2015
University of South Florida
Wrestling With Angels: Postsecular Contemporary American Poetry, Paul T. Corrigan
USF Tampa Graduate Theses and Dissertations
In the current “secular age,” more and more people find beliefs and behaviors associated with traditional religion intellectually and ethically untenable. At the same time, many “postsecular” writers, both believers and nonbelievers, continue to write with religious or religiously-inflected forms, themes, and purposes. In the United States, postsecular poets “wrestle with angels” by engaging constructively and deconstructively with matters traditionally considered the domain of religion and spirituality. While the recent work of Jürgen Habermas, Charles Taylor, John McClure and others puts the concept of the postsecular at the cutting edge of various fields of study, including religion, sociology, and literature, …
Falling Men In 9/11 American Fiction,
2015
Wilfrid Laurier University
Falling Men In 9/11 American Fiction, Justin D. Shaw
Theses and Dissertations (Comprehensive)
“Falling Men in 9/11 American Fiction"
Gender critics such as Judith Butler and Michael Kimmel argue that post-9/11 American culture has embraced a traditional gender binary that positions men as the dominant protectors of women, children, and the nation as a whole, exemplified by the widespread veneration of heroic firefighters, soldiers, and the civilians of flight 93 in the media (Kimmel 249). This regression reinforces hegemonic masculinity in American culture, which R.W. Connell defines as “the pattern of practice (i.e., things done, not just a set of role expectations or an identity) that allow[s] men’s dominance over women to continue” …
From This Dark Place To The Other: Violence And Connection In The Poetry Of Brian Turner,
2015
Georgia Southern University
From This Dark Place To The Other: Violence And Connection In The Poetry Of Brian Turner, Alan R. Swirsky
College of Graduate Studies: Theses & Dissertations
Brian Turner is a poet and American soldier who served in Iraq at the start of the 21st century. His poetry is about his experiences as a soldier interacting with the Iraqi people, his time in America following the war, PTSD, and the endless violence in the war zone. As a comparatively recent entry into the genre of War Poetry, his work pays homage to the writers who preceded him, like Wilfred Owen and Bruce Weigl, while also referencing Middle Eastern poets typically outside the scope of American literature. Through Turner’s recurring themes and motifs, connections are established between …
The Global Dystopian: Twenty-First Century Globalization, Terrorism, And Urban Destruction,
2015
Loyola University Chicago
The Global Dystopian: Twenty-First Century Globalization, Terrorism, And Urban Destruction, Ryan Frank Peters
Dissertations
The new millennium has witnessed a staggering outpouring of literature, film and art which depict dystopian and post-apocalyptic societies. These stories have come in the form of massively popular films like the Matrix and Hunger Games trilogies; Emmy-winning television adaptations such as The Walking Dead; and Pulitzer Prize-winning novels like Cormac McCarthy’s The Road, or Kazuo Ishiguro’s Booker Prize-nominated Never Let Me Go. In the last five years, a wave of critically-lauded video games – The Last of Us, Bioshock Infinite, and Dishonored come immediately to mind—have depicted dystopian worlds while reaching mass audiences. Combined, The Last of Us and …
"Horses And Oil In His Blood": Mythopoetics And Western Petromelancholia In Alexandra Fuller's The Legend Of Colton H. Bryant,
2015
University of Montana
"Horses And Oil In His Blood": Mythopoetics And Western Petromelancholia In Alexandra Fuller's The Legend Of Colton H. Bryant, Lindsay Stephens
Graduate Student Theses, Dissertations, & Professional Papers
Alexandra Fuller’s book The Legend of Colton H. Bryant, often read as merely a sad biography of a young man who meets his demise in the Wyoming energy patch, performs urgent cultural work. Fuller captures Wyoming’s shift from conventional (Easy Oil) extraction to the extreme (Tough Oil) extraction method known as hydraulic fracturing, or fracking, at the dawn of the twenty-first century. This shift to Tough Oil involves far more than engineering concerns, as Stephanie LeMenager points out in her cultural critique Living Oil. LeMenager terms our national failure to acknowledge the crises that accompany Tough Oil practices …
Race, Slavery, And The Re-Evaluation Of The T'Ang Canon,
2014
University of Nebraska Lincoln
Race, Slavery, And The Re-Evaluation Of The T'Ang Canon, Gregory E. Rutledge
CLCWeb: Comparative Literature and Culture
In his article "Race, Slavery, and the Revaluation of the T'ang Canon" Gregory E. Rutledge re-evaluates—from the purview of African Diaspora literary studies—historiography that considers the place of East African slave lore in T'ang Dynasty fiction. Julie Wilensky's "The Magical Kunlun and 'Devil Slaves': Chinese Perceptions of Dark-skinned People and Africa before 1500" (2002), a revision of Chang Hsing-lang's "The Importation of Negro Slaves to China Under the T'ang Dynasty (A.D. 618-907)" (1930), is pivotal since it occupies the nexus between European-American, East-Asian, and African-Diasporic canons and policies. Rutledge situates Wilensky's and Chang's works in the context of Edward W. …
Electronic Poetry And The Importance Of Digital Repository,
2014
University of La Laguna
Electronic Poetry And The Importance Of Digital Repository, Manuel Brito
CLCWeb: Comparative Literature and Culture
In his article "Electronic Poetry and the Importance of Digital Repository" Manuel Brito analyzes selected early digital repositories of electronic poetry. In addition to issues concerning efficiency and discursive practice, Brito's discusses the objectives, contents, and the funding of digital repositories. Brito argues that digital repositories promote poetry, enable networking and quick publishing of innovative poetry, they intensify the reading experience, and make a readership possible that is larger than that of print poetry. Networking, interaction, and web-based communication intensify the writing and reading experience while new modes of discourse are emerging continually. Not just passive consumerism promoted by an …
Streams In The Wilderness,
2014
Liberty University
Streams In The Wilderness, Miranda Beale
The Kabod
Miranda Beale analyzes two award-winning novels by Marilynne Robinson, Gilead (2004) and Home (2008), identifying their major themes as the necessity of balancing parental responsibility and God's loving guidance and redemptive power in raising children.
Transferential Poetics, From Poe To Warhol,
2014
University of British Columbia
Transferential Poetics, From Poe To Warhol, Adam Frank
Literature
Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. …
Table Of Contents,
2014
East Texas A&M University
Table Of Contents
The Dark Man: The Journal of Robert E. Howard & Pulp Studies
Prefatory Remarks, by Mark E. Hall
In Memoriam: Larry Richter (1949-2014), remembrance by Rusty Burke
The Least of Bob Howard, by Larry Richter
Theosophy and the Thurian Age: Addendum, by Jeffrey Shanks
The Chromlechers: The Story of the First Scholarly Robert E. Howard Journal, by Lee A. Breakiron
Less an Archive, More an Agenda, review by Mark Finn
Trashed: The Myth Of The Southern Poor White,
2014
University of Arkansas, Fayetteville
Trashed: The Myth Of The Southern Poor White, April Elizabeth Thompson
Graduate Theses and Dissertations
The fact of class has been a powerful tool in the process of identity formation, particularly in the American South, which has been viewed as a region apart from the national imaginary. To counter this exclusion, Southerners have often relied on stereotypes. One of the most prevalent and tragic of these is the stereotype of poor white trash, a construction that has been utilized to insist upon elite white Southerners' exceptionalism and innocence and to assert their rightful place in American historiography. While it is difficult to calculate their level of success, as perceptions of the region have varied through …
Monsters In Common: Identity And Community In Postapocalyptic Science Fiction After 9/11,
2014
University of Arkansas, Fayetteville
Monsters In Common: Identity And Community In Postapocalyptic Science Fiction After 9/11, Jeremy J. Burns
Graduate Theses and Dissertations
In the aftermath 11 September, 2001, postapocalyptic science fiction has offered a way to make sense of the events of that day, as well as the years of social, cultural and political upheaval that have followed. In many ways, 9/11 began immediately to take on apocalyptic significance in the American national narrative, seemingly marking the end of one period and the beginning of another, entirely different one. To think of 9/11 as a kind of apocalyptic break with the past, however, does not tell the whole story. Moreover, such thinking denies key historical linkages between the American response to 9/11 …
Rulers, Rhetoric, And Ray-Guns: A Post Colonial Look At 90'S Alien Invasion Media,
2014
Western Kentucky University
Rulers, Rhetoric, And Ray-Guns: A Post Colonial Look At 90'S Alien Invasion Media, Logan Matthew Hudspeth
Masters Theses & Specialist Projects
This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the "other" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).
“Their Song Filled The Whole Night”: Not Without Laughter, Hinterlands Jazz, And Rural Modernity,
2014
Embry-Riddle Aeronautical University
“Their Song Filled The Whole Night”: Not Without Laughter, Hinterlands Jazz, And Rural Modernity, Andy Oler
Publications
This essay reads the rural Midwest as a modern space in which the sounds and material apparatus of early-twentieth-century jazz music compose the cultural field of Langston Hughes’s 1930 novel Not Without Laughter. It argues that Not Without Laughter does not attempt to supplant the more conventional urban modernities of Harlem and Chicago. Rather, the novel constructs a rural alternative that forms ambivalence through accumulation, both filling and exceeding the novel’s spaces and the experiences of its characters. Approaching Hughes’s novel through the sonic ambivalences of modern rurality evidences how some authors transgressed the supposed boundaries of the Harlem …
Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents,
2014
CUNY Graduate Center
Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode
Dissertations, Theses, and Capstone Projects
Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …
Jean Sénac, Poet Of The Algerian Revolution,
2014
CUNY Graduate Center
Jean Sénac, Poet Of The Algerian Revolution, Kai G. Krienke
Dissertations, Theses, and Capstone Projects
The work presented here is an exploration of the poetry and life of Jean Sénac, and through Sénac, of the larger role of poetry in the political and social movements of the 50s, 60s, and early 70s, mainly in Algeria and America. While Sénac was part of the European community in Algeria, his position regarding French rule changed dramatically over the course of the Algerian War, (between 1954 and 1962) and upon independence, he became one the rare French to return to his adopted homeland. I will argue, sometimes polemically, that Sénac was and should be considered a properly Algerian …
We Are Cowboys In The Boat Of Ra: Sonny Rollins And Ishmael Reed's Black Cowboy,
2014
James Madison University
We Are Cowboys In The Boat Of Ra: Sonny Rollins And Ishmael Reed's Black Cowboy, Brian Flota
Libraries
No abstract provided.
