American Literature Commons^™

Table Of Contents

The Dark Man: The Journal of Robert E. Howard & Pulp Studies

Prefatory Remarks, by Mark E. Hall

In Memoriam: Larry Richter (1949-2014), remembrance by Rusty Burke

The Least of Bob Howard, by Larry Richter

Theosophy and the Thurian Age: Addendum, by Jeffrey Shanks

The Chromlechers: The Story of the First Scholarly Robert E. Howard Journal, by Lee A. Breakiron

Less an Archive, More an Agenda, review by Mark Finn

Monsters In Common: Identity And Community In Postapocalyptic Science Fiction After 9/11, Jeremy J. Burns

Graduate Theses and Dissertations

In the aftermath 11 September, 2001, postapocalyptic science fiction has offered a way to make sense of the events of that day, as well as the years of social, cultural and political upheaval that have followed. In many ways, 9/11 began immediately to take on apocalyptic significance in the American national narrative, seemingly marking the end of one period and the beginning of another, entirely different one. To think of 9/11 as a kind of apocalyptic break with the past, however, does not tell the whole story. Moreover, such thinking denies key historical linkages between the American response to 9/11 …

Trashed: The Myth Of The Southern Poor White, April Elizabeth Thompson

Graduate Theses and Dissertations

The fact of class has been a powerful tool in the process of identity formation, particularly in the American South, which has been viewed as a region apart from the national imaginary. To counter this exclusion, Southerners have often relied on stereotypes. One of the most prevalent and tragic of these is the stereotype of poor white trash, a construction that has been utilized to insist upon elite white Southerners' exceptionalism and innocence and to assert their rightful place in American historiography. While it is difficult to calculate their level of success, as perceptions of the region have varied through …

Rulers, Rhetoric, And Ray-Guns: A Post Colonial Look At 90'S Alien Invasion Media, Logan Matthew Hudspeth

Masters Theses & Specialist Projects

This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the "other" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).

Jean Sénac, Poet Of The Algerian Revolution, Kai G. Krienke

Dissertations, Theses, and Capstone Projects

The work presented here is an exploration of the poetry and life of Jean Sénac, and through Sénac, of the larger role of poetry in the political and social movements of the 50s, 60s, and early 70s, mainly in Algeria and America. While Sénac was part of the European community in Algeria, his position regarding French rule changed dramatically over the course of the Algerian War, (between 1954 and 1962) and upon independence, he became one the rare French to return to his adopted homeland. I will argue, sometimes polemically, that Sénac was and should be considered a properly Algerian …

Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode

Dissertations, Theses, and Capstone Projects

Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …

“Their Song Filled The Whole Night”: Not Without Laughter, Hinterlands Jazz, And Rural Modernity, Andy Oler

Publications

This essay reads the rural Midwest as a modern space in which the sounds and material apparatus of early-twentieth-century jazz music compose the cultural field of Langston Hughes’s 1930 novel Not Without Laughter. It argues that Not Without Laughter does not attempt to supplant the more conventional urban modernities of Harlem and Chicago. Rather, the novel constructs a rural alternative that forms ambivalence through accumulation, both filling and exceeding the novel’s spaces and the experiences of its characters. Approaching Hughes’s novel through the sonic ambivalences of modern rurality evidences how some authors transgressed the supposed boundaries of the Harlem …

We Are Cowboys In The Boat Of Ra: Sonny Rollins And Ishmael Reed's Black Cowboy, Brian Flota

Libraries

No abstract provided.

Fridy, Wilford Eugene, B. 1934 (Mss 384), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 384. Correspondence, class materials, published and unpublished papers, and research material collected by Dr. Wilford E. Fridy in his study of Robert Penn Warren and his writings. Includes an untitled and unpublished novel by Robert Penn Warren, correspondence between Fridy and Warren, and photos of Warren and Guthrie, Kentucky, Warren’s hometown.

“Capturing The Spirit”: Teaching Karen Tei Yamashita’S I Hotel, Lai Ying Yu

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Graphic Self-Consciousness, Travel Narratives, And The Asian American Studies Classroom: Delisle’S Burma Chronicles And Guibert, Lefèvre, And Lemercier’S The Photographer, Monica Chiu

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction: On Contemporary Asian American Literature And Popular Visual Culture, Pamela Thoma

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Disorienting The Vietnam War: Gb Tran’S Vietnamerica As Transnational And Transhistorical Graphic Memoir, Caroline Kyungah Hong

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Teaching With Collaborative Writing Projects: Creating An Online Reader’S Guide To Karen Tei Yamashita’S I Hotel, Grace Talusan

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Remapping Chinatown On The Diagonal: Frances Chung’S Crazy Melon, Anastasia Wright Turner

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Agenda: Celebrating The Great Law: The Wilderness Act At 50, University Of Colorado Boulder. Getches-Wilkinson Center For Natural Resources, Energy, And The Environment, The Wilderness Society

Celebrating the Great Law: The Wilderness Act at 50 (September 4-5)

"A conference sponsored by the Getches-Wilkinson Center for Natural Resources, Energy, and the Environment and The Wilderness Society."

On September 3, 2014, the National Wilderness Preservation System—established and protected by the Wilderness Act of 1964—celebrates its 50th anniversary. We are gathering on September 4th and 5th to celebrate Wilderness—“ornery old wilderness, scratchy, sweaty, and distant, but sacred every step of the way”—and to commemorate the great law so central to its protection.

This is not an ordinary conference, full of dry presentations or heated policy debates. Instead, this will be a full-throated love song to wild country. We have brought …

Lessons In Liminal Space: Borders As Pedagogical Tools In No Country For Old Men, Steven Norton

Journal of Undergraduate Research at Minnesota State University, Mankato

As scholars continue to explore the territories created by burgeoning interdisciplinarity and ever-growing global networks, the concept of borders become a topic of increased theoretical and pedagogical discussion. Cormac McCarthy’s novel No Country for Old Men, set at the Texas-Mexico border, provides an opportunity to explore the liminal nature of borders and their role in identity formation. The novel allows us to embrace the fluidity of borders and see, as Gayatri Spivak argues, that “we are made by the forces moving about the world” (3), rather than divided by them. Throughout No Country for Old Men, McCarthy posits that borders …

Framing Identity: Repudiating The Ideal In Chicana Literature, Michael A. Flores

All NMU Master's Theses

In the 1960s Rodolfo “Corky” Gonzalez penned his now canonical, epic poem “I Am Joaquin.” The poem chronicles the historic oppression of a transnational, Mexican people as well as revolutionary acts of their forefathers in resisting tyranny. Coinciding with a series of renewed, sociopolitical campaigns, collectively known as the Chicano Movement, Gonzales’ poem uses vivid imagery to present an idealized representation of Chicanos and encouraged his reader to engage in revolutionary action. Though the poem encourages strong leadership, upward mobility, and political engagement the representations of women in his text are misogynistic and limiting.

His presentation of the “black-shawled …

Going Anywhere: Stories, David Armstrong

UNLV Theses, Dissertations, Professional Papers, and Capstones

Growing up in a rural, Appalachian town, I recognized that tight-lipped doggedness was a mark of strength. As a writer, I became intrigued by how I might portray people whose defining attributes were silence, how essentially to give voice to voicelessness. The answer for me was to begin exploring place as an origin of inner expression. The stories in Going Anywhere track people moving through the landscape, their journeys, often destinationless, traversing the space between life's dark realities and the fantastic leaps of faith we all make to survive. A father seeks out a way to deal with the unexpected …

Hotel Bukovyna, Rebecca Ann Bosshart

UNLV Theses, Dissertations, Professional Papers, and Capstones

This collection of short stories and first chapter of a novella take place in the historical area of Bukovyna, the beech tree land, partly located in Chernivetska region, western Ukraine. On the edge of it, or under it, or traveling to and from it, in contemporary time. I've been occupied with "the outsider," represented here, and where the seven stories reside, by the giant grande dame tourist hotel on Main Street, across from Shevchenko Park, in Chernivtsi, the region's city center. The occupants: the outsider looking in and around. Outsiders looking at other outsiders. An outsider being welcomed in. Most …