Writing Southern Race Relations: Stories Ellen Douglas Was Brave Enough To Tell,
2010
University of Richmond
Writing Southern Race Relations: Stories Ellen Douglas Was Brave Enough To Tell, Suzanne W. Jones
English Faculty Publications
When Ellen Douglas started writing, she drew inspiration from the way William Faulkner and other southern writers whom she admired, like Eudora Welty, depicted southern places. Douglas planted all of her fiction firmly in the region of Mississippi that she knew best; her Homochitto is modeled of Natchez, where she was born, and her Philippi on Greenville, where she lived with her husband and their children. But Douglas reacted against the gothic and mythic elements in Faulkner's work and used as her first literary models the great nineteenth-century realists: Dostoevsky, Flaubert, James, and Tolstoy. She admired Eudora Welty, but found …
The Heart Is A Strange Muscle,
2010
University of Richmond
The Heart Is A Strange Muscle, Laura Browder
English Faculty Publications
Rachel’s beeper went off just as her back began growing numb, jammed against the pieces of broken and discarded furniture in the storage room. A second later, Bobby’s went off too. She unwrapped her legs from around his sweaty back, pulled herself up to a sitting position, and groped through the jumble of clothing.
Contents,
2010
University of South Carolina Aiken
Contents, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010,
2010
University of South Carolina
The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Front Matter,
2010
University of South Carolina Aiken
Front Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Cultural Reclamations In Helena Viramontes’ “The Moths”,
2010
Kansas State University Manhattan, Kansas In
Cultural Reclamations In Helena Viramontes’ “The Moths”, Ashley Denney
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Timeless Feminist Resistance Defying Dominant Discourses In Sor Juana’S“Hombres Necios” And Margaret Atwood’S “A Women’S Issue”,
2010
Emerson Kansas State University Manhattan, Kansas
Timeless Feminist Resistance Defying Dominant Discourses In Sor Juana’S“Hombres Necios” And Margaret Atwood’S “A Women’S Issue”, Erin Elizabeth
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Back Matter,
2010
University of South Carolina Aiken
Back Matter, Tom Mack, Ph.D.
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Calvinism And Military Justice In American Literature,
2010
University of Texas at El Paso
Calvinism And Military Justice In American Literature, Nadia Hamilton Morales
Open Access Theses & Dissertations
This paper explores judicial process in the military as revealed in Herman Melville's Billy Budd, Sailor, Herman Wouk's The Caine Mutiny and Aaron Sorkin's A Few Good Men. The purpose of my project was to conduct an in depth study of Essentialism in military justice that is indicative of a culturally specific form of information management, as revealed in these texts. Essentialism is a form of information management that relies upon classification qualified through intuitive knowledge and superficial signification. This signification is used to certify the existence of self-contained states that function as a metaphorical metonymy for multiple unknowns. Moreover, …
Beyond "Infinite Jest": Post-Postmodern Solidarity In 9/11 Narratives,
2010
University of Texas at El Paso
Beyond "Infinite Jest": Post-Postmodern Solidarity In 9/11 Narratives, Najwa Heather Al-Tabaa
Open Access Theses & Dissertations
My thesis interrogates the postmodern view of popular culture as being banal and questions Theodore Adorno's view of postmodern consumer culture as ultimately anti- human(istic). My re-reading of postmodern popular culture finds that there is potential for meaningful human interaction through popular culture. My re-reading asserts that popular culture is capable of being a vehicle for solidarity. In my analysis I locate a postmodern paradigm shift in which human solidarity becomes a necessary consideration and focus of postmodern narratives and art forms. I term this shift "post-postmodernism" which is marked by a focus on solidarity.1 While the shift to the …
Bedtime Stories : How To Hope And Cope With The American Dream,
2010
Marshall University
Bedtime Stories : How To Hope And Cope With The American Dream, Sabrina Jones
Theses, Dissertations and Capstones
A multi-genre work combining New Journalism and literary analysis. The narrator (played by ―Girl in the bedtime stories) presents a critical essay exploring destabilized truths and dangers in an American dream that turns modern man into a machine. The goal is to show how the dream has evolved from the original Puritan dream set out by early American settlers/writers to the Postmodern vision of success (or failure) we read about today and what kind of effect this dream has on the average scholar. The thesis is broken up by reflections on her learning imbedded in dialogue with her always opinionated …
Forget Burial: Illness, Narrative, And The Reclamation Of Disease,
2010
CUNY Graduate Center
Forget Burial: Illness, Narrative, And The Reclamation Of Disease, Marty Melissa Fink
Dissertations, Theses, and Capstone Projects
Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that the AIDS crisis is not an isolated incident that is now "over," but a striking culmination of a long history of understanding illness through narratives of queer sexual decline and national outsiderhood. Literary representations of HIV/AIDS can be read as a means of resistance to the stigmatization of people of color, women, immigrants, and queers, debunking the narratives that vilify these subjects as threats to national security and health. In drawing connections between illness, history, and the African diaspora, my work adopts a queer theoretical approach to …
