American Literature Commons^™

Remaking The Red Death: An Interactive Fiction Post-Mortem, Kenton T. Howard

ELO (un)supervised 2026

This individual talk provides a post-mortem discussion of an interactive fiction game the author created, ReMasque of the Red Death, for the Electronic Literature Collection Volume 5. The game is a web-based interactive fiction recreation of Edgar Allan Poe’s classic short story “The Masque of the Red Death” built using ink and Inky, an interactive fiction scripting engine, with 2D art assets created in Sketchpad, a mobile-based digital drawing app. The game was produced entirely without the usage of AI tools. This talk will cover the initial ideation for the game, creating a basic prototype of the game’s core systems, …

On Culpability: When Ai Goes Wrong, Who Is At Fault?, David J. Mulder

Faculty Work Comprehensive List

"I found the book so engrossing precisely because it forced me to sit in the discomfort of distributed blame, especially as someone who uses AI regularly."

Posting about ­­­­­­­­the novel Culpability from In All Things, an online hub that offers insight into maintaining and faithful and orthodox  Reformed Christian worldview while fearlessly engaging in  every aspect of contemporary life – until all is made new.

On Culpability

The Proletarian Moment In World Literature, Anna Björk Einarsdóttir

CLCWeb: Comparative Literature and Culture

During the interwar period (1918–1939), an international literary movement emerged in relation to internationalist and socialist politics and political struggles. Writers around the world saw themselves as contributors to a new proletarian moment within the historical unfolding of world literature. This movement was international, and writers situated on the peripheries of both the capitalist core and the emerging socialist world looked toward revolutionary Russia and other centers of the socialist world. This paper focuses on three such authors, the American Richard Wright, the Argentinian Roberto Arlt, and the Icelander Halldór Laxness. During the interwar period, all three were involved in …

Marble Bodies: Sculpture, Gender, Race, And Nineteenth-Century U.S. Literature, Madeline Olley

Dissertations - ALL

Marble Bodies reads across both literary texts and sculptures to ask how sculptural logic operates across forms to reveal what sculptors and sculpture offer the field of nineteenth-century U.S. literary studies—formally, theoretically, and methodologically. It argues that sculpture functions not merely as subject matter within nineteenth-century American literature but as an interpretive framework that reveals how bodies are objectified, valued, and assigned cultural meaning. With attention to the formal and material properties of sculpture—stillness, smoothness, and duration—and to the questions of ideality, valuation, and preservation that sculpture generates, this dissertation shows how nineteenth-century writers and artists found in those properties …

A Poet Bears Witness: An Interview With M. L. Williams On The Function Of Literary Studies In Troubled Times, Leah Toth, M. L. Williams

Critical Humanities

Dr. M. L. (Marty) Williams is a poet and professor of literature at Valdosta State University, a comprehensive university in south-central Georgia. He is the author of Game (What Books Press 2021), Other Medicines (Redbone Chapbooks 2008) and co-editor of How Much Earth: The Fresno Poets (Roundhouse Press 2001). The focus of the interview that follows is the future of literary studies in the modern neo-liberal university, a daunting topic in 2026, in the face of what many administrators refer to as the "right-sizing" of literature programs nationwide in both the U.S. and the U.K. Anybody paying attention to the …

Performance Of Illustrations And Images As Language In Sarnath Banerjee’S All Quiet In Vikaspuri, Akanksha Barthwal Ms

SANE journal: Sequential Art Narrative in Education

Sarnath Banerjee’s All Quiet in Vikaspuri, fictionalizes but at the same time addresses water wars and political ideologies in the city of Delhi. By the means of eco-critical approach in the name of Vi-kas (development) Banerjee discuss the acts of slow violence subverted on nature in the name of progress (vikas). Through text/ images the author depicts chaos and challenges for the readers in more direct and obscene ways. The current paper attempts to look at Banerjee’s illustrations and images as new form of language emerged in modern Indian literature with the possibly that illustrations have more effect on …

Emotion In Absence: Omission, World War I, And Masculine Vulnerability In Ernest Hemingway's In Our Time, Anna Murph

ETDs from 2020-2029

This thesis analyzes Ernest Hemingway’s depictions of male-male and male-female relationships in his collection of short stories, In Our Time. By comparing heterosexual and homosocial relationships, I explore how Hemingway’s depictions of male bonds are not only unique due to his famed terseness but also rooted in shared understanding, prompting a reconsideration of how male bonds are interpreted textually. I consider Hemingway’s use of omission and focus on how his minimalistic style lends to a reading of male-male relationships as more emotionally intimate than heterosexual relationships. When analyzing omission and relational dynamics through concepts such as gesture, touch, identity, and …

True Biz: A Fusion Of Written English And Printed Asl, Elysha O'Brien

UNLV Theses, Dissertations, Professional Papers, and Capstones

This paper analyzes the book True Biz by Sara Novic with particular attention given to the socio-cultural and historical aspects of the story as well as the postmodern construction of the novel. The narrative of a young girl transferring to a Deaf school and learning American Sign Language features numerous translanguaging characteristics. This essay pays close attention to story elements and how those elements highlight significant aspects of Deaf culture and Deaf history as well as how the postmodern construction of the novel enables a book to feature two differing language systems, namely written English and printed American Sign Language.

Hope, Incorporated: Welborn Hope As B.A. Botkin's "Promising" Oklahoma Poet, Cullen Whisenhunt

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

In 1927, a letter by then-professor at the University of Oklahoma, Roy Temple House, was published in the Ada Evening News complimenting Ada, OK, poet Welborn Hope and suggesting Hope get in touch with folklorist and literary scholar BA Botkin, also an OU faculty member. That same year, Botkin published “Oklahoma Poets, Inc.,” in which he detailed what he believed to be the three stages of a state’s literary development: the pioneer stage, the popular rhymesters stage, and finally, the union of art and life (30-31). In 1935, Botkin presented a lecture in Tulsa in which he cited Hope among …

Art In An Apocalypse: Aids, Activism, And Abolition In Work Of Essex Hemphill And Alternative Video Production, Sydney E. Guntharp

Honors Theses

This thesis is an exploration of Black, POC, feminist, and queer art in the late twentieth century, examining both the AIDS crisis and the increasing privatization of the prison industrial complex as key factors in the development of Essex Hemphill’s poetic, expressive works and the filmmaking activism of various videotape collectives. Through employing the lens of critical prison studies, this work seeks to understand how Black and POC art emerged as a site of political resistance to a carceral state as well as the broader social punishment doctrine that influenced the public health response to AIDS in the United States. …

“The Right Of Black Folk To Love And Enjoy”: Black Romanticism, Pleasure, And Poetics, 1900-1920, John D. Hadlock

Electronic Theses and Dissertations

This dissertation explores poetry written at the turn of the twentieth century in order to closely examine what I call the “Black Romantic” impulse of the Harlem and New Negro Renaissances. I argue that Black American poets turned to a Romantic notion of the poet as cultural representative and of poetry as a radical celebration of beauty that disavowed and disputed social ills, namely racist ideologies in America, while simultaneously demanding the right of Black pleasure-taking. However, I also contend that Black American poets of various backgrounds and identities used different poetic, rhetorical, and artistic strategies to elevate the status …

Narrating Injustice: Race, Law, And American Literature, Taylor A. Levine

Honors Scholar Theses

This project examines the relationship between race and law as it is portrayed by works of American literature. It argues that the gap between the legal system’s claims of neutrality and the lived experiences of Black individuals exposes systemic injustice that may be concealed in traditional legal discourse. Texts examined include Twelve Years a Slave by Solomon Northup, To Kill A Mockingbird by Harper Lee, and The Hate U Give by Angie Thomas. Additionally, Prison Noir, an anthology of narratives written by incarcerated individuals edited by Joyce Carol Oates, is examined to emphasize how modern mass incarceration works to …

Uncanniness In Toni Morrison's The Bluest Eye, Seth L. Callor

All Graduate Reports and Creative Projects, Fall 2023 to Present

This thesis explores how Toni Morrison’s 1970 novel The Bluest Eye has a feature called the uncanny. Uncanniness, as originally explained by Sigmund Freud, is when something that was familiar becomes unsettlingly unfamiliar in a way that was likely once repressed. Other thinkers have since talked about how the uncanny is used in stories to question how their demographics are oppressed. Following their example, this thesis explains how The Bluest Eye is an example of using the uncanny to question harmful ways of seeing. Through demonstrating how The Bluest Eye uses obviously uncanny things like dolls and moves to more …

The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan

Architecture Undergraduate Honors Theses

This capstone examines the evolution of the log cabin from 1840 to 1980. At its core, the project questions the legacy of the log cabin from its origins as simply being a traditional dwelling typology to its establishment as a cultural icon or rather, an enduring vessel that established the American Dream and ideals of self-reliance, freedom, and individualism deep within the heart of American culture.

Chapter One situates the log cabin historically and architecturally, defining the popular frontier dwelling as being a single-pen horizontal log constructed cabin. It then explores the cabin’s emergence as a cultural image through political …

Performing The American Dream: Passing And Identity In The Great Gatsby (1925) And Passing (1929), Olivia O'Sullivan

Master's Theses

In this thesis, I explore how Jay Gatsby, protagonist in F. Scott Fitzgerald’s The Great Gatsby, and Clare Kendry, protagonist in Nella Larsen’s Passing, pass in order to achieve their American Dream. Both characters rely on carefully crafted identities to gain social mobility and access to worlds that would otherwise be out of their reach through the people they surround themselves with, their clothing, their mannerism, and even their intimate relationships. Throughout my close reading and analysis, I determine that Jay Gatsby and Clare Kendry’s attempts to pass to achieve the American Dream are futile, which demonstrates the idea that …

William Hope Hodgson And The Rise Of The Weird: Possibilities Of The Dark By Timothy S. Murphy, Timothy R. Granger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

‘“We Was Girls Together”’: Black Girlhood And Homoeroticism In Toni Morrison’S Sula, Summer A. Still

Caroliniana Undergraduate Research Journal

This paper examines Toni Morrison’s Sula through the intertwined frameworks of Black girlhood and homoeroticism, with a focus on the friendship between Sula Peace and Nel Wright. By analyzing moments of intimacy, dreams, and kinship terminology, I argue that Morrison portrays their bond as both a survival mechanism against oppressive social structures and as a site where homoerotic desire emerges. Concepts such as “fictive kin,” “chosen kin,” and “quare” are used to show how Morrison complicates traditional categories of friendship and queerness in American literature. Ultimately, the novel positions Sula and Nel’s relationship as one of enduring love that exceeds …

Harriet Hosmer: Femininity And Stone, Savannah V. Parrish

Undergraduate Theses

Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …

Crowdsourcing Literary Recovery Using Iterative Search Techniques, Jean Lee Cole

Feminist Pedagogy

The Literary Recovery assignment teaches students how to develop keyword search search techniques to locate literary works and authors in online databases and text repositories. Using the assignment in a collaborative course project provides the benefit of crowdsourcing recovery efforts for prolific authors or groups of authors.

"Black History Is Black Horror": Hauntology And Cultural Trauma In 20th And 21st Century Black Women's Gothic Horror, Destini S. Beckwith

Theses

Octavia Butler’s Afrofuturistic, gothic horror, neo-slave narrative Kindred (1979) vividly illustrates the story of a woman, Dana, involuntarily time-traveling from her home in 1976 Los Angeles, California, to a plantation in 19th-century Maryland. The interactions that she has with her ancestors, such as Alice, a free Black woman, and Rufus, a white man who enslaves Alice, leave Dana mentally and physically scarred. The 20th-century novel is meant to graphically reflect on the horrors of enslavement and the mental and physical effects that Black people endured/still endure because of it (i.e., grief, racial violence, and post-traumatic stress disorder). Furthermore, the novel’s …

"Under The Fig-Tree": Anti-Federalist Conceptions Of American National Identity, Clara Kernodle

Tenor of Our Times

The constitutional convention of 1787 gave America some of her most energetic and exciting few months in American history. The Federalists proposed the Constitution as a replacement for existing government, opposed by Anti-Federalists on principled grounds. Thus ensued a mountain of political writing and propaganda that historians still study today. The Anti-Federalists lost the debate, and then were lost to history. Few Americans have even heard of the Anti-Federalists and even fewer scholars study their writings. But reading and evaluating Anti-Federalist writing is an important part of studying the Founding era and Constitutional debates. The Anti-Federalists, as much as their …

Profound And Absurd Poems By E. Stewart Saunders, E. Stewart Saunders

Libraries Faculty and Staff Creative Materials

A collection of poems written between 2020 and 2026

Temporalities Of Translation In Ursula K. Le Guin's The Dispossessed, Rumi Coller-Takahashi

Living in Languages

Ursula K. Le Guin’s 1974 novel, The Dispossessed: An Ambiguous Utopia features two fictional worlds, Urras and Anarres, with distinct political structures and languages. Anarres is created by the revolutionaries who departed capitalistic Urras to create a new anarchist community, and its language was invented so as to have no word for “property” or “class.” However, the artificial distinction in the languages do not hold up the binary of possession and non-possession in these worlds, as the word “possession” permeates interpersonal relationships even on Anarres. To replace the binary approach of the revolution, the novel proposes an alternative mode of …

Where Did Her Torch Glow Go?, Josephine Smith

FUSION

This project is a short video presentation with accompanying written reflection connecting the poem "The New Colossus" by Emma Lazarus, a poem about immigration to the United States, to modern events regarding immigration in the country.

Review Of Digital Literary Redlining: African American Anthologies, Digital Humanities, And The Canon, Tracy A. Fernandez Rysavy

Feminist Pedagogy

No abstract provided.

How Questions Of Editing Shape Our Learning: Introducing Students To Digital Manuscripts, Marlowe Daly-Galeano

Feminist Pedagogy

This article presents a pedagogical approach for introducing literature students to digital manuscripts and editorial processes through hands-on engagement with archival materials. The teaching activity centers on May Alcott Nieriker's essay "London Bridges," using four different versions of the text—two handwritten manuscripts, one nineteenth-century periodical publication, and one contemporary republication—to illuminate how editorial decisions shape literary canons and student learning. The four-part assignment integrates literary analysis, manuscript transcription, variant identification, and editorial decision-making to help students understand the material conditions that determine which texts survive and become part of academic curricula. Through this assignment, students gain critical insights into the …

(Introduction To The Special Issue) Restoring Women’S Literary Past: Exploring Digital Recovery Pedagogy Through An Intersectional Feminist Lens, Alice Martin, Tracy A. Fernandez Rysavy

Feminist Pedagogy

In Roopika Risam (New Digital Worlds, 2018) and Lauren Klein and Catherine D’Ignazio’s (Data Feminisms, 2020) recent work, they call for more attention to the intersecting relationships between feminist practice, content, and technical specifications through an awareness of the ways the design and implementation of technology can exclude and objectify people. In response to this, we introduce a special issue on teaching digital recovery in the classroom, with a focus on recovering women writers of America through digital projects.

Teaching Phillis Wheatley (Peters) As A Working Artist, Lenora Warren

ABO: Interactive Journal for Women in the Arts, 1640–1830

In recent years, the challenge of teaching the poetry of Phillis Wheatley (Peters) has been managing my students’ expectations of what constitutes “representative” African American literature and coming to a more comprehensive idea of constitutes both “political” and black art. In managing some initial confusion around Wheatley’s muted response to her enslavement I have landed on presenting Wheatley’s insistence of her work as a poet as “labour” to be the most interesting tact to take with students. For Wheatley it is the imperative of becoming a poet that allows her access to what might be seen as a more vital …

On Being Brought From Gambia Or Ghana To Colonial Boston: Teaching Phillis Wheatley And Place, D. Quentin Miller

ABO: Interactive Journal for Women in the Arts, 1640–1830

In this pedagogical article, I describe my classroom practice in which the context of place becomes supremely important when introducing Wheatley’s work to students. With the help of experiential learning in the form of a walking tour of Wheatley's Boston and some maps, I call attention to spatiality as a crucial context for framing the poet’s most persistent concerns. The article contains images that can be useful to instructors who do not have the benefit of teaching Wheatley in Boston.

Introduction: Concise Collection On Teaching The Works Of Phillis Wheatley Peters, Part Ii, Mona Narain, Sarah Ruffing Robbins

ABO: Interactive Journal for Women in the Arts, 1640–1830

This short essay introduces part two of a two-part Concise Collections special issue on teaching Phillis Wheatley Peters. It discusses how the life and works of the poet can be taught in various educational settings.