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Articles 2521 - 2550 of 2727
Full-Text Articles in Musicology
Volume 19, Number 02 (February 1901), Winton J. Baltzell
Volume 19, Number 02 (February 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Death of Verdi
Right Methods of Study
Keeping Close to the Art of Music
What Makes a Successful Student!
First Lessons in Music Biography
Selling Strength
Sir J. Frederick Bridge
Musical Sermon on a Modern Text
Musical Method the Means of Genuine Time-Saving in the Pianist's Art
How Art Pays
How to Overcome Common Faults in Piano Playing
Theoretic Side of a Musical Education
What Modern Education Means
Collateral Education Necessary to Modern Musicianship, Part 2
Small Things
Comparative Piano-Methods, Part 2
Some Curious Definitions, Not Authentic
Plain Talks on Matters Musical, Part 2
What Makes the Artist
Outlook into …
Volume 19, Number 01 (January 1901), Winton J. Baltzell
Volume 19, Number 01 (January 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music in the Twentieth Century
Melody Writing, Part 2
How I Teach Piano
Musical Diagnosis
On Teaching Counterpoint
For Would-Be Critics
Professional Standard in Piano-Teaching
Four Attributes of a Good Teacher
Silent Sight-Reading
Experiences and Observations from the Class-Room, Part 7
Music and Money
Plain Talks on Matters Musical, Part 1
Revolt of the Pianoforte
Comparative Piano-Methods
Before the Concert: A Story of Artist Life
Collateral Education Necessary to Modern Musicianship
Manuscripts of the Music-Masters
Some Points of Success, Part 2
Volume 18, Number 11 (November 1900), Winton J. Baltzell
Volume 18, Number 11 (November 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Slow Practice
Difference in Fractions
Teaching: Its Purpose and Its Influence upon Music at Large
Ideas for Teaching Children
True Basis of Teaching
Playing or Non-Playing Teachers
Mental Attitude of Teacher and Pupil
Letter to a Young Composer
Primary Teaching, Part 2
How to Begin the Study of Bach
Teacher's Fertility
Home-Circle Critics
Some Points of Success
Talking Lessons Not All
Rapid Memorization of Key Signatures
Art of Holding Pupils
Look up to Bach
Volume 18, Number 10 (October 1900), Winton J. Baltzell
Volume 18, Number 10 (October 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Common-Sense in Music
What is a Lesson Worth?
Restlessness and Repose
Personal Maganetism
Mission of the Studio
Mental and Muscular Activity
Old Beethoven Program
Music in American Colleges
University of Michigan
Princeton University
Smith College
Amherst College
Oberlin University
Adelph College
Reproduction of Orchestral Effects on the Pianoforte
Serious Purpose in Music Study
Push Forward
Rebinding Music Books
Absolute Pitch
Individuality in Teaching
Primary Teaching
What and the Why of the Choice of Music
Soft Pedal
Obscure Teaching Terms
Harmony—Yesterday and To-day
Volume 18, Number 09 (September 1900), Winton J. Baltzell
Volume 18, Number 09 (September 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music in American Colleges
Harvard University
Yale University
Wellesley College
Tufts Collge
Northwestern University
University of Pennsylvania
Columbia University
Library of Congress: Music Department
Country Music Teacher
Value of the Concrete in Teaching
On the Value of the Study of Instrumentation to the Pianist
Thinking Art
Beginner's Difficulties
Seven Ages of a Musician
Golden Thoughts from Ruskin
Pianist's Library
Some Pedagogical Aspects of Music Teaching
Volume 18, Number 08 (August 1900), Winton J. Baltzell
Volume 18, Number 08 (August 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Piano-Hands
Systematic Study
Vacation and Recreation Thoughts
Profitable Vacation
Pianoforte Playing as a Study
Renewing the Store of Teaching Materials
Bird's-Eye View
Some Reflections on Rhythm and Its Study
Relation of Master and Pupil in Musical History
Length of the Lesson Hour
Process of Learning a Piece
Social Demands Upon Musicians
Analysis of Grieg's Peer Gynt Suite
Anton Rubinstein
True Test of a Teacher
Experiences and Observations from the Class-Room
Forget Your Music While on Your Vacation
Great Composers and their Love for Nature
Value of Public-School Music
Volume 18, Number 07 (July 1900), Winton J. Baltzell
Volume 18, Number 07 (July 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Artist and the Machine
Dr. William Mason's Memoires
Tale of a Would-Be Musician
Whims and Fancies of Celebrated Musicians
Sir George Grove and Schubert
How of It
Early Composers and Copyrights of this Country
Collateral Summer Reading for Musicians
Educational Value of Program Music
Some Selected Quotes for Singers from Musical Mosaics
Patti's Advice to Singers
Adventures of a Musician
Hints to Play Triplets and Chords
Curious Discovery of a Genius
Advice to the Student of Harmony: Original Work
Saint-Saens and the Phonograph
Fashions in Pianos
Volume 18, Number 06 (June 1900), Winton J. Baltzell
Volume 18, Number 06 (June 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music Teaching as a Business
Obstacles Melt Before Determination
Some Traits of Character Resulting from the Study of Music
How to Prevent a Piece Becoming Tiresome Before Learned
Does Music Pay?
Basis of Success in Music Teaching
Ages of Some Prominent Pianists
Two Characteristics of the Best Methods of Teaching Music
Schubert's Sayings
Child-Study: The Teacher's Privilege and Duty
Educational Value of Concerts
Procession of the Phantoms
Dialogue Concerning Freaks
Teacher's Equipment
Mlle. Chaminade on Piano-Playing
Musical Busybodies
Advantages of House-to-House Teaching
Music Teachers Are Born, Not Made
Music as She is Spelt
First Age of a Musician
Developing Expression …
Volume 18, Number 05 (May 1900), Winton J. Baltzell
Volume 18, Number 05 (May 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Studio Experience: Professional Courtesy
Greatest Difficulty for the Piano
Pertinent Points for Earnest Students
Remoteness of Things
Scharwenka Anecdote
How to Handle Stubborn Pupils
Too High Aims
Franz Peter Schubert
Chronological Summary of Schubert's Works
Schubert's Rank as a Composer and His Influence on the Romantic School
Sadness of Schubert's Life
Schubert and the German Lied
Schubertiana
Man Schubert
Schubert's Orchestral Compositions
On Schubert in Relation to Harmony, Melody, and Rhythm
Few Aphorisms on Schubert by Robert Schumann
Franz Schubert and His Pianoforte Compositions
Discipline via Affection
Characteristics of Schubert's Genius
Listen and Learn
Nervous System and Its Influence Upon …
Volume 18, Number 04 (April 1900), Winton J. Baltzell
Volume 18, Number 04 (April 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Careful Teaching Results in Careful Practice
Enterprising Farmer
Leschetizsky and His Method
Don't Rush into Print
Mind-Property
Why? A Prince Among Questions
First Studies in Music Biography: Johann Sebastian Bach
Helping Musicians by Hopnotic Science
Recent Reminiscences of Liszt
Experiences and Observations from the Class-Room
Frauds
Wanted: Results!
From the Little Child's Stand-Point
Chopin Funeral March
How to Accompaniy at Sight
Letters to Pupils
Selections from L. Köhler's Literary Works
Conceited Pupil
Surrounded by Music
Secret of Success
Advice to the Student of Harmony
Volume 18, Number 03 (March 1900), Winton J. Baltzell
Volume 18, Number 03 (March 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Fourth-Finger Question
Musical Nuggets
Success in Music
Music Sketches
In My Music Room
Sixty-Minute Lesson
Apt Illustration
St. Cecilia
What St. Cecilia Represents in Music
St. Cecilia in Art and Poetry
Apotheosis of St. Cecilia
To the Would-Be Musician
Chord-Playing
Real Value of Recommendations
What Method Do You Teach?
Something About the Popular Music of To-day
Nature's Course with the Child
Individual Who is a Problem
Pupil's Personal Responsibility
Honor to Whom Honor is Due
Aesthetic Versus Structural Analysis
Schumann's Sayings
Turning Music Pages
Why We Are Not More Musical
Advice to the Student of Harmony
Volume 18, Number 02 (February 1900), Winton J. Baltzell
Volume 18, Number 02 (February 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Foolish Ambition
National Disease
Home Piano
Organ Contest at Kipley's Corners
A. Schmoll
Wise and Otherwise
Faults of the American Girl
Why Do I Study Music?
Things the Music Student Should Remember
How to Get Up Concerts in Small Towns
Alphorisms
Beware of Conceit
Why Teachers Lose Pupils
Duel Between Liszt and Chopin
Chat with Amateurs
Wasted Opportunities
Great Teacher and His Method
Jealousy Among Musicians
As a Man Thinketh, So He Is
Vitality of Interpretation
Don't Ignore Discipline
Musical Culture Within the Profession
Volume 18, Number 12 (December 1900), Winton J. Baltzell
Volume 18, Number 12 (December 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Is Wagner Wearisome?
Richard Wagner
Has Europe Discovered A Great Pedagogue?
Romantic Story of Wagner's Life
Suggestions for Wagner Study
Wagner and Operatic Reform
Present State of the Wagner Question
Wagneriana
Memory Among the Blind
Literature of Wagner
Wagner's Influence on Piano Composition
Outline Sketch of Richard Wagner's Life
Wagner Craze
Wagner's Harmonic Methods
How to Meet the New In Art
Outline Sketch of Wagner's Operas
Popularization of Wagner's Music
Esthetic Value of Wagner's Works
True Spirit of Advanced Study
Volume 18, Number 01 (January 1900), Winton J. Baltzell
Volume 18, Number 01 (January 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
What is Classical Music?
Parable
Parental Indulgence
Schumann's Early Loves
Originality in Teaching
Schumann: A Vanishing Star
Tone
Teaching Tonality
True Story: A Tale of a Music Student
Last Work
Studio Comfort
What is the Scale of this Passage?: Practical Hints for a Prompt Reply to this Common and Often Perplexing Questions
Musical Impurity
Methods
Relation of the Music Department to the College
Musical Heredity
Indiscriminate Advice and Its Evils
Anitra's Dance
Teacher of Music: His Character and His Training (A Symposium)
Russian School of Music
Illustration in Teaching: Some Practice Examples
Pieces, Exercises or Etudes—Which?
Dignity of our Profession …
Volume 17, Number 11 (November 1899), Winton J. Baltzell
Volume 17, Number 11 (November 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Biographical Study
Do-Nothing
Many Methods: A Plea for Liberalism
Musical Items
Evil of Forcing Development
On Studying Sonatas
Unmusical People
Art of Interesting Pupils
Sophie Menter and Cécile Chaminade
Pitch Battle
Ideals for Piano Teachers
Scales Again: The Importance of Metronome and Accent
Too Much Thud!
How to Interest Children
Growth
Talk to Students
Choosing Music as a Profession
Blasts from The Ram's Horn
How to Become a Composer
Suggestions to Students Going Abroad
Who are Faddists?
Personality of the Opera Chorus
Suggestion to Pupils: Obedience
Best Way to Form a Good Teaching Connection
Voice Machine
Necessary Part of a …
Volume 17, Number 10 (October 1899), Winton J. Baltzell
Volume 17, Number 10 (October 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Ages of One Hundred Famous
Singers
On Program Printing
Unprofessional Advertising
Dumb Pianos
About Tuning
How Leschetizky Teaches Memorizing
Little Knowledge
First Step in the Instruction of Young Children
To a Piano (poem)
Mechanical Music
Honesty in Advertising
Actual Effect of Music Upon an Imagination
Types of Teachers, or Mayburn's Madness
Music or Notes?
Development of the Artistic Sense
Lost Ideals
Value of the Musical Magazine
How to Memorize
What Makes Music Successful?
Studio Experiences: Experiences with the Pedal
Uninterested Pupil
Conservatory and Private Teaching: Another Phase of the Subject
Musical Don'ts
What are Musical Clubs For?
Volume 17, Number 09 (September 1899), Winton J. Baltzell
Volume 17, Number 09 (September 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Outlook
Musical Comments by Emil Liebling
Strenuous Life
Care for Personal Appearance
On Harmony Teaching
Pearls from the Proverbs of a Pianist
Our Musical Atmosphere
Acoustics as Part of a Musical Education
Method Versus Judgment
Science or Art?
Thought and Effect
Musician's Marriage: A Study of Matrimony and Music, Part 2
Regeneration of American Music
Protest of the Individual
On American Music
Importance of Combining Business with Art
Hint from the Kodak
Program for a Weekly Children's Class
Does Typewriting Interfere with Facility in Piano-Playing
Organ and Choir
Few Suggestions on Registration
Improvising
Volume 17, Number 08 (August 1899), Winton J. Baltzell
Volume 17, Number 08 (August 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
The Road to Parnassus
Songs for the Piano
Man Who Played the Cymbals: A Musical Story
Way to a Just Criticism
Strauss Waltz and the Critics
Courage, Young Teachers!
Creating Musical Atmosphere
Train Musicians Early
Song-Writing as a Profession
Musician's Marriage: A Study of Matrimony and Music
Revival of the Harpsichord
Artistic Playing in Simple Pieces
Should a Beginner be Taught Variety of Touch?
Choosing Music as a Profession
Rag-Time, II
Notes on Schumann's Soaring
Interpretation
Some Hints on the Use of the Pedals
Understand Music Before Playing It
Musical Atmosphere
Musician's Reading
Aphorisms on Music Education
Specialist in Music …
Volume 17, Number 07 (July 1899), Winton J. Baltzell
Volume 17, Number 07 (July 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
J.S. Bach, 1685-1750
The Difference Between Polyphonic and Monophonic or Harmonic Music
Technic for Playing Bach: Its Bearing Upon Modern Piano Study
Study of Bach's Preludes and Fugues
Bach's Works in Relation to Modern Piano Study
On Interesting Students in the Works of Bach
Bach's Influence on the Musical World
Anecdotes of Bach
How to Enjoy Music
Musician's Reward
Mission of the Dull Pupil
Narrowness of Mind
On Harmony Teaching
Rhythm, and its Relation to Music
Music and National Characteristics
Art of Interesting Pupils
Getting Experience
Training of a Sensitive Ear
Rosenthal on Musical Training
Charity: A Discourse for Teachers …
Volume 17, Number 06 (June 1899), Winton J. Baltzell
Volume 17, Number 06 (June 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Musical Bigotry
The Pianist's Back
How to Lead Young Piano Pupils to the Study of Theory
Composer's Hard Work
Studio Experiences: Musical Environment
Prevalent Faults of American Teachers
Need of a Wider Musical Culture
Relation Between the Music Teacher and the Pupil
Voice and Vanity
Cecile Chaminade
Rag-Time Music
How Drudgery Can be Lightened
Personality and Piano Teaching
Comment on the Program of the Next MTNA Meeting
Rhythm, and its Relation to Music
Characteristic American Institution
American Students Abroad
Progress
Comments by Emil Liebling: Musical Salamagundi
How Many Million Years Would it Take
Ideal Summer School
Pupils Who Annoy
Origin …
Volume 17, Number 05 (May 1899), Winton J. Baltzell
Volume 17, Number 05 (May 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music and the American Public
American Virtuoso
American Composers
American as Musical Theorist
American Students
Foundations of Musical America
American Impatience
Americans in Musical Literature
Development of the Military Band in the United States
American Musical Instruments
Music Trades of America
Progress of the Middle West in Musical Art
Will American Composition Ever Possess a Distinctive Accent?
American Girl's Temperament in Relation to Music Study
Music Teaching in America and Abroad
Relation Between Pupil and Teacher
Musical Convention of New England: With a Backward Glance by the More Primitive Efforts for the Cause of Music
Musical Outlook for Women
American …
Volume 17, Number 04 (April 1899), Winton J. Baltzell
Volume 17, Number 04 (April 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Tool or the Worker?
Synopsis of the Programs of the Twenty-First Annual Convention of the MTNA
Humoreske
Blundering of Piano-Pupils
Great Players and Practice
Opportunities for Musicians
Descriptive Music: A Parody
Wasting Tons of Energy
Some Common Drawbacks to Successful Teaching
Trying New Music
Some Salient Points in Leschetizky's Teaching
Bach's Thoroughness as a Teacher
Current of Musical Life
Random Thoughts
Comments by Emil Liebling: Musical Salamagundi
Musical Fakes and Fakers
Some Thoughts on Practical Harmony
Practice and Character Development
Education and Its Demands Upon the Modern Teacher
Record Book of Compositions and Works in Musical Literature
Beginning Aright
Thought …
Volume 17, Number 03 (March 1899), Winton J. Baltzell
Volume 17, Number 03 (March 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Loving-Cup to Dr. Mason
What a Composition Means
Education and Its Demands Upon the Modern Teacher
People to Cultivate
Training of the Ear
Popularity of Vocal Over Instrumental Music
Common-Sense Chat
Good Teacher Versus Good Player
Transformation of a Genius from a Musician's Diary
Opposition to the Violin for Girls
How to Get People to Attend Pupils' Recitals
Teaching as a Specialty
Status of Music-Study in America
Rubinstein's Theory of Practice
Curved Thumb
How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)
Matter of Temperament
On Special Editings and Annotations
Some Salient Points in Leschetitzky's Teaching
Concerts …
Volume 17, Number 02 (February 1899), Winton J. Baltzell
Volume 17, Number 02 (February 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Should the Last Note under a Slurred Group be Played Staccato
One Step Toward Success
Playing for Parents
Self-Playing Pianos
Story of Paderewski's Minuet
Beethoven's American Biographer
American in Music
Covering Ground
On the Revival of Mozart's Works
Musical Millennium
Interesting Incident
On the Expediency of Playing Without Looking at the Keyboard
Nervous Pupils
Comments by Emil Liebling
Some Common Faults
Teachers and Pupils
Word of Encouragement to Young Pianists
How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)
Foundation Teaching
Street-Organ as a Musical Educator
Am I a Good Teacher? How Can I Improve?
The Invasion …
Volume 17, Number 12 (December 1899), Winton J. Baltzell
Volume 17, Number 12 (December 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Too Much Talent
Social Element in Success
Penalty of Genius
Narrow and Broad Pianoforte Instruction
Odds and Ends; or, Ideas on Many Subjects
Fallacious Notions
Teacher-Student
Musician's Life-Work
Study the Life of Schumann
Robert Schumann as a Composer for the Piano
Robert Schumann, Biographical
Piano Works of Robert Schumann
Point of Utility
Autobiographic Character of Schumann's Music
Side Lights on Schumann
Some Side Lights on the Making of a Musician
Songs of Schumann
Technical Demands of Schumann's Music
Schumann—The Man
Christmas Story
Successful Teacher
To the Girls Who Read The Etude
Education of Musicians
Do You Expect a Testimonial?
Clara …
Volume 17, Number 01 (January 1899), Winton J. Baltzell
Volume 17, Number 01 (January 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Forms of Musical Memory
Training of Musical Listeners
Comments by Emil Liebling
Piano for Everybody
Playing Duets with Other Instruments
Problems
Struggle for a Public Career
Let Your Moderation be Known
Speed of Thought
Plea for Simplicity
Charity That is Kind
Some Thoughts by Busoni on Piano Playing
What One Man Did
Word to Aspiring Composers
Should the Last Note under a Slurred Group be Played Staccato
Uncharitableness Among Musicians
Common Sense in Piano Teaching
Blasts from the Ram's Horn, for Musicians
Frederic Francois Chopin
Critical Estimate of Chopin's Pianoforte Compositions
Harping on One String
Count Zichy and the Cultivation …
Volume 16, Number 11 (November 1898), Winton J. Baltzell
Volume 16, Number 11 (November 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music and Fashion
Never-Say-No Clubs
Critical Comment
Duet Playing
Some of the Best Thoughts on Music
Self-Study
How to Use the Mason System
Learning a New Piece
Tact: One of the Factors of Success in Music
Studio Experiences
Influence of Beethoven's Deafness on His Music
Appeal to the Musicians of the Country for the Music Teachers' National Association
Epigrams
Pupils On Show
Experiment in Lecture Recitals
Sincerity of Purpose
Helps to the Home Student
Symposium—Is the Teaching Season Growing Shorter
Nervous Prostration
More Power to His Arm
Sousa's March Form
Modern Music Teacher
Perplexing Problem
How Many Pupils Have You …
Volume 16, Number 10 (October 1898), Winton J. Baltzell
Volume 16, Number 10 (October 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Curious Musical Incidents
Overcoming Nervousness
Musical Library
Studio Experiences
How to Keep the Beginning Interested
Outposts of Music
Phase of Music Study in Paris
Kindly Feeling Among Musicians
Musician and the Man
Successful Teacher
Genius Among Students
How to Teach Time
Choosing a Musical Career
Pecularlities of the Piano
Ensemble Playing
How to Overcome So-Called Drudgery
Simple Repertoire
Utility of Music
Tone and Touch
Fragile Possession
Birth of Chopin's Funeral March
Training of the Ear
Fictitious Values
Paderewski on the Physical Side of Piano-Playing
On the Legato in Pianoforte-Playing
What the Mason System Has Done for Me
Raw Material
Technic …
Volume 16, Number 09 (September 1898), Winton J. Baltzell
Volume 16, Number 09 (September 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
John Comfort Fillmore (obit)
Frivolous Pupils
Scherzoso
Capacity for Teaching
Musical Taste
Why?
Minor Scales
Conservatory the Public School of Music
Twelve Business Maxims
New Teaching Season
How to Buy a Piano
Reading at Sight vs. Artistic Playihg
Mechanical Aids to Piano Study
Another Teaching Ability
Modernizing Classics
How to Understand Music
Parental Interference
Value and Practice of Advertising Among Professional Musicians
Pedalmania
Time Brings Changes
Teaching the First Piece
Anton Rubinstein
Rubinstein as I Knew Him
On Selecting a Teacher
Introspect
Principles of Musical Pedagogy
Self-Criticism
True Music Teachers vs. Pin-Money-Makers
Charlatanism in Music
Aimlessness Among Musicians
Inspiration
Song …
Volume 16, Number 08 (August 1898), Winton J. Baltzell
Volume 16, Number 08 (August 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Cultivate the Love of Nature
The Subjective Player
Music and Progressiveness
Rusting and Rusticity
Culture: A Suggestion for Summer
The Teacher Not Everything
Pioneer American Pianist: Gottschalk—His Work, Artistic Standing, and Financial Circumstances; A Statement as to His Poverty Corrected
Letter from Sousa
Value and Practice of Advertising Among Professional Musicians
Professional Courtesy
Environment as an Educational Factor
Encores
Individuality in Art
Teaching a Necessity
Present and Abiding Duty for the Music Teachers
Rhythm the Basis of Melody
Gladstone's Interest in Music
Prize Medal System
Two Schools of Organ Playing
How to Make Music Studios Attractive
Studio Experiences
Advantages for …