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Articles 1 - 30 of 143
Full-Text Articles in Musicology
Neumann Lecture On Music: Listening To Pain, Department Of Music, University Of Richmond
Neumann Lecture On Music: Listening To Pain, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Some Biographical Notes On Mauro Corticelli And A Previously Unpublished Letter To Him From Verdi, Martin Chusid
Some Biographical Notes On Mauro Corticelli And A Previously Unpublished Letter To Him From Verdi, Martin Chusid
Verdi Forum
No abstract provided.
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
Cammarano's Libretto For 'La Battaglia Di Legnano': A New Translation, Douglas L. Ipson
Cammarano's Libretto For 'La Battaglia Di Legnano': A New Translation, Douglas L. Ipson
Verdi Forum
No abstract provided.
A Note On 'Roderick Hudson' And 'La Traviata': Who Has Gone Astray?, Rodney Stenning Edgecombe
A Note On 'Roderick Hudson' And 'La Traviata': Who Has Gone Astray?, Rodney Stenning Edgecombe
Verdi Forum
No abstract provided.
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
Verdi Forum
No abstract provided.
Verdi's Shakespearean Operas: Macbeth, Otello, Falstaff, David Lawton, Linda B. Fairtile, Emanuele Senici
Verdi's Shakespearean Operas: Macbeth, Otello, Falstaff, David Lawton, Linda B. Fairtile, Emanuele Senici
Verdi Forum
No abstract provided.
Review Of Susan Rutherford's 'Verdi, Opera, Women', Hilary Poriss
Review Of Susan Rutherford's 'Verdi, Opera, Women', Hilary Poriss
Verdi Forum
No abstract provided.
Review Of Abramo Basevi's 'The Operas Of Giuseppe Verdi' (Edited By Stefano Castelvecchi), Scott L. Balthazar
Review Of Abramo Basevi's 'The Operas Of Giuseppe Verdi' (Edited By Stefano Castelvecchi), Scott L. Balthazar
Verdi Forum
No abstract provided.
Louis Armstrong, Gene H. Anderson
Louis Armstrong, Gene H. Anderson
Music Faculty Publications
Despite his lifelong claim of 4 July 1900 as his birthday, Armstrong was actually born on 4 August 1901 as recorded on a baptismal certificate discovered after his death. Although calling himself “Louis Daniel Armstrong” in his 1954 autobiography, he denied knowledge of his middle name or its origin. Nevertheless, evidence of “Daniel” being a family name is strong: Armstrong's paternal great-great-grandfather, a third generation slave brought from Tidewater Virginia for sale in New Orleans in 1818, was named Daniel Walker, as was his son, Armstrong's great-grandfather. The latter's wife, Catherine Walker, sponsored her great-grandson's baptism at the family's home …
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The 100th anniversary of Verdi’s death, observed in 2001, inspired nearly a dozen academic conferences. At the dawn of his 2013 bicentennial, a celebratory year shared with Richard Wagner, hundreds of recent studies assess Verdi’s life, his works, and his impact. The present article surveys a selection of books and articles published between these two commemorations. A popular topic is Verdi’s role as a national icon, the calculated product of Italy’s search for a postunification identity. His engagement with foreign cultures has also received attention, for his German literary sources, his forays into French grand opera, and his use of …
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
Verdi, The Theater, And Risorgimento Nationalism, John A. Davis
Verdi, The Theater, And Risorgimento Nationalism, John A. Davis
Verdi Forum
No abstract provided.
Verdi Biography Via Film, Charlotte Greenspan
Review: "Verdi's 'Il Trovatore': The Quintessential Italian Melodramma" By Martin Chusid, David Lawton
Review: "Verdi's 'Il Trovatore': The Quintessential Italian Melodramma" By Martin Chusid, David Lawton
Verdi Forum
No abstract provided.
Cornell University Verdi Study Day 2013: Overview, David B. Rosen, Francesco Izzo, Alessandra Campana, Mary Ann Smart
Cornell University Verdi Study Day 2013: Overview, David B. Rosen, Francesco Izzo, Alessandra Campana, Mary Ann Smart
Verdi Forum
Includes abstracts by Francesco Izzo ("'Quel vecchio': Some Thoughts on Old Age and Aging in Verdi"), Alessandra Campana ("Otello, Falstaff, and the Scene of Spectatorship"), David B. Rosen ("How Verdi's Minor-Mode Set Pieces End -- i, I, or X? -- and Why"), and Mary Ann Smart ("Art and Revolution Italian Style: Ambivalence and Absolutism in Verdi's Early Operas")
Review: "The Life And Operas Of Verdi" By Robert Greenberg, David B. Rosen
Review: "The Life And Operas Of Verdi" By Robert Greenberg, David B. Rosen
Verdi Forum
No abstract provided.
A Footnote To Harold Powers' 'La Dama Velata' (On Un Ballo In Maschera, Act Ii), William Rothstein
A Footnote To Harold Powers' 'La Dama Velata' (On Un Ballo In Maschera, Act Ii), William Rothstein
Verdi Forum
No abstract provided.
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
Remembering Martin Chusid (1925-2013)
In Memoriam Mary Jane Phillips-Matz (1926-2013), Linda B. Fairtile
In Memoriam Mary Jane Phillips-Matz (1926-2013), Linda B. Fairtile
Verdi Forum
No abstract provided.
The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable
The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable
Music Faculty Publications
The cantata as cultivated by Alessandro Scarlatti and his contemporaries Alessandro Stradella and Giovanni Bononcini was the model for the early development of the English cantata, "which remained a solo vocal genre in England throughout the eighteenth century, namely 1710-1800. By focusing on specific musical elements, such as cantata format (recitative-aria-recitative-aria or aria-recitative-aria), song forms, motivic use, textual content, instrumental requirements and performance venues, the evolution of the English cantata can be observed during the first half of the eighteenth century, developing from a simple imitation of the Italian form to a genre in its own right.1
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
166 Years Of Verdi Biography, Gregory W. Harwood
In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici
In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici
Verdi Forum
No abstract provided.
Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein
Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein
Verdi Forum
No abstract provided.
The Collection Of John Mazzarella, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
'Si Ridesti [Il Leon Di Castiglia] La Fiamma Sopita': Ricordi's Censored Libretto Of Ernani And Some Vicissitudes Of The Conspiracy Scene, David B. Rosen
'Si Ridesti [Il Leon Di Castiglia] La Fiamma Sopita': Ricordi's Censored Libretto Of Ernani And Some Vicissitudes Of The Conspiracy Scene, David B. Rosen
Verdi Forum
No abstract provided.
The "Introduction" To The Great Operas (1899): A Verdian Manifesto?, Roberta Montemorra Marvin
The "Introduction" To The Great Operas (1899): A Verdian Manifesto?, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.