Musicology Commons^™

Review Of Beethoven's French Piano: A Tale Of Ambition And Frustration By Tom Beghin, Dorian Bandy

Ira F. Brilliant Center for Beethoven Studies Publications

No abstract provided.

Review Of Beethoven’S Ninth Symphony: Rehearsing And Performing Its 1824 Premiere By Theodore Albrecht, Marten Noorduin

Ira F. Brilliant Center for Beethoven Studies Publications

No abstract provided.

The Movement Plans For The Quartet Op. 127 And The "Backstage" Of Beethoven's Late Style, Francesco Fontanelli

Ira F. Brilliant Center for Beethoven Studies Publications

Among the different sketch typologies in Beethoven’s hand, the so-called “telescoped drafts” are the most eloquent in conveying the composer’s vision and intentions. In these synoptic diagrams made up of musical ideas and notes in writing, Beethoven outlined the structure of the work he had in mind, fixing the decisive points (themes, keys, tempo markings, number and configuration of movements). Four movement plans are extant for the String Quartet Op. 127 in E-flat major, sketched between February 1823 and the summer of 1824; in each, the composer explores alternative ways of managing musical form and content.

This article discusses and …

“The Tremendous Products Of A Son Of The Gods.” Missa Solemnis (Op. 123), Overture (Op. 124), And Ninth Symphony (Op. 125), Birgit Lodes

Ira F. Brilliant Center for Beethoven Studies Publications

The premiere of Beethoven’s Ninth Symphony at the Kärntnertortheater in Vienna on May 7, 1824, is generally considered a milestone in music history. This article argues against the common characterization that Beethoven, in this, his (last) academy, programmed a monumental symphony and, perhaps with some embarrassment, a few filler pieces, but instead very consciously chose to highlight his three most recently composed orchestral works: the overture to the festival play Die Weihe des Hauses op. 124; Kyrie, Credo and Agnus Dei of the Missa solemnis op. 123; and the Ninth Symphony op. 125. Listening to these three works together opens …

Beethoven's Ukraine Connection: New Light On The Creation Of His Flute Variations Opp. 105 And 107, Barry Cooper

Ira F. Brilliant Center for Beethoven Studies Publications

Two previously unidentified groups of sketches are revealed to be preliminary work for Beethoven’s last set of Flute Variations, Op. 107 No. 3. The theme is of Ukrainian origin, and the new discoveries are placed in the context of other manuscript material relating to the creation of the sixteen sets of flute variations, Opp. 105 and 107, which were commissioned by George Thomson. The extent of this preliminary work for Op. 107 No. 3 suggests that Beethoven spent much effort preparing the sixteen sets as a whole, and that the dearth of other sketches for them is probably due to …

Genius, Instrumental Music, And “Great Mistakes”: Amadeus Wendt And Beethoven’S Ninth Symphony, Sarah Clemmens Waltz

Ira F. Brilliant Center for Beethoven Studies Publications

The author attributes the anonymous 1826 Berliner allegemeine musikalische Zeitung (BamZ) review of the Leipzig performances of Beethoven’s Ninth, which suggests removal of the choral finale and inspires A.B. Marx to a passionate defense, to the critic Amadeus Wendt. The career of Wendt as a philosophy professor is firmly established, as is his criticism for the BamZ, Allgemeine musikalische Zeitung (AmZ), Cäcilia, Allgemeine musikalische Zeitung mit besonderer Rucksicht auf den österreichischen Kaiserstaat (WamZ), and other journals. Wendt’s Hoffmannesque opinions of instrumental music are contextualized via his extensive criticism of opera and vocal music, highlighting themes such as inappropriate virtuosity, (im)proper …

Joyful, Joyful! The Musical Significance Of Beethoven's Ninth, Allison N. Zieg

Musical Offerings

Almost everyone is familiar with Beethoven’s Fifth Symphony and the famous four note motif that represents fate knocking at the door. His Third Symphony, or “The Heroic Symphony” that was originally written for Napoleon Bonaparte, enjoyed great success and helped shape the future of classical music. However, Beethoven’s Ninth Symphony which contains the well-known tune “Ode to Joy” most drastically impacted classical music’s future. Beethoven was a master at taking simple ideas and combining them with past musical traditions to create something extravagant and new. This is most evident in his Ninth Symphony. In this work, Beethoven did something that …

Influence And Innovation: Beethoven's Impact On The Sonatas For Piano And Cello By Mendelssohn And Chopin, Patrick T. Bellah

Dissertations, 2020-current

The bulk of the scholarship in this paper centers around Beethoven’s five sonatas written for piano and cello and how he established a new normal within the genre. This is evidenced by what are arguably the two most noteworthy sonatas for the same instrumental medium, written by Mendelssohn and Chopin, following Beethoven’s death. I posit that the five sonatas written by Beethoven establish a series of models upon which the latter two works by his successors are based.

Chapters two and three of this document are separated into subsections that detail the plausibility of Beethoven’s influence through circumstantial evidence, musical …

“From The Heart, May It Go To The Heart”: Liturgy And Embodiment In Beethoven’S Missa Solemnis, Brigid J. Coleridge

Dissertations, Theses, and Capstone Projects

Since its 1824 premiere in St. Petersburg, Beethoven’s Missa solemnis, Op. 123 has only ever been performed in secular concert settings. This performance history is reflected in critical trends in Missa solemnis scholarship. Following Adorno’s 1959 essay that characterized the Missa as “alienated,” critical perspectives on Beethoven’s last Mass have largely responded to the work as "absolute" music, indifferent to or disregarding the Mass text. Despite its exclusively secular performance history, however, the Missa solemnis was written for use in the Mass liturgy (at the installation of the Archduke Rudolf as Archbishop of Olmütz). Moreover, the Missa was composed …

The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario

Graduate Theses, Dissertations, and Problem Reports

Orchestrated masses from the 18th century and early years of the 19th century provide a valuable source of repertoire for contemporary choral conductors. This project will explore composers and works from circa 1750 to 1820 to provide choral conductors with a list of works suitable for programming based on the practical size of vocal and instrumental forces.

Western choral music was born in a church setting. Among all choral genres, the mass is the only genre composed throughout all eras, from medieval until the 20th century. The mass remained a prominent genre during the 18th century despite the secularizing influence …

Emanuel Bach: A Composer Ahead Of His Time, Tyler Dellaperute

Musical Offerings

Up until recently, many musicologists perceived music history through the lens of what is known as the “linear view.” This is the idea that one “musical period” seamlessly gave way to another, with brief transitionary periods to bridge the gaps. As a result, composers were expected to fall neatly into categories depending on their chronological placement. For this reason, Carl Philipp Emanuel Bach, the eldest son of J. S. Bach, was (and still is) regarded as merely the bridge between the late Baroque style and that of the Viennese Classicists. In the past half-century, however, scholars have begun to study …

The French Enlightenment And Two Men: Napoleon Bonaparte And Beethoven, Kate Pisarczyk, Zach Hall, Nelle Conley

2017 Festschrift: Beethoven's <em>Symphony No. 3, Op. 55</em>

Many of the philosophies developed during the French Enlightenment circulated around nature and human emotions. These philosophies were written by men, such as Diderot, in the Encyclopedia. Both Napoleon Bonaparte and Ludwig van Beethoven were able to exemplify the French Enlightenment through their representations of self-determination and expertise at their crafts; however, both men experienced pitfalls that greatly affected their careers. Napoleon’s was so detrimental to his career that he was exiled to a small island; whereas, Beethoven took the negativity surrounding the Heiligenstadt Testament and used these feelings to write the Eroica. This symphony was able to exemplify …

The Psychology Of Beethoven And The Eroica Symphony, Sean P. Harty, Rebekah K. Gohl, Dana J. Burhorn, Joshua S. Morano

2017 Festschrift: Beethoven's <em>Symphony No. 3, Op. 55</em>

As a concert pianist and chapel organist, Beethoven rose to a fame in Vienna which allowed him patrons and friends who would support his compositions. One such patron was Count Waldstein, who claimed that Beethoven would inherit the spirit of Mozart in his famous prediction of Beethoven’s success. To study composition Beethoven turned to two prominent Viennese composers: Haydn and Salieri. As his fame grew, his health decreased until he was diagnosed with deafness and moved to Heiligenstadt. Here Beethoven wrote a letter to his brothers called the Heiligenstadt Testament, which was never sent but expressed his troubled mental …

Beethoven's Eroica Sketchbooks: From Scribbles To Symphony, Victoria R. Kleeman, Katelyn Thurlby, Caitlin A. Thom, Monica Gil

2017 Festschrift: Beethoven's <em>Symphony No. 3, Op. 55</em>

This paper will help readers to gain new insights on Beethoven’s Symphony No. 3 in E-flat Op. 55, also known as Eroica, by exploring the sketches related to this symphony. The background of the piece is discussed, and the sketches have been compared to the completed symphony. Beethoven’s sketching process was dramatically different from other composers of his time, and his sketches included even more musical material than was eventually included in the symphony.

Benefactors, Bonds, And Beholders: The Beliefs And Reality Behind Beethoven’S Behavior, Olivia M. Weismann, Abigail L. Smith, Moira R. Dunn, Kathryn E. Krajewski

2017 Festschrift: Beethoven's <em>Symphony No. 3, Op. 55</em>

This paper will explore the relationships which Beethoven had during the years he composed and premiered his Eroica Symphony. Some of the individuals who will be discussed in this paper include Prince Lobkowitz, Ferdinand Ries, and Franz Wegeler. After learning about the nature of these relationships, the reader should begin to realize that Beethoven’s notoriously irrational or ill-tempered behavior was only one facet of his life.

From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Imagine an intimate room filled with people playing cards and casually chatting, while one of Chopin’s piano sonatas plays elegantly in the background. This scenario is characteristic of the atmosphere surrounding Classical and Romantic European salons. Salons served as havens of musical discourse from the Baroque era to the early twentieth century. However, with the advancement of technology from the mid-twentieth century to the present, there has been a decline, or, arguably, even a cessation of salon life.

The aim of this project was to recreate the salon environment through the generation of the online discussion forum, "Music Soirée." To …

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

Articles and Chapters in Academic Book Collections

An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.

Commonality And Diversity In Recordings Of Beethoven’S Middle-Period String Quartets, Nancy November

Performance Practice Review

A widespread opinion in recent research about the performance of Beethoven’s works is that artists need to restore a connection to "tradition," and that recordings from the early twentieth century can help with this. However, these early recordings tell us most about the aesthetics and performance ideals of their day, and hence how Beethoven and his string quartets were received by early twentieth-century audiences. Case studies of early recordings of Beethoven middle-period quartets reveal ways in which these these performances differed, sometimes radically, from the kinds of performances Beethoven would have expected to hear, especially with regard to the use …

Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter

Lawrence University Honors Projects

Die Werke von E.T.A. Hoffmann konzentrieren sich auf ein bestimmtes romantisches Konzept: auf die Sehnsucht nach dem Unendlichen und auf das Erlebnis dieses sublimen romantischen Reiches. Um Hoffmanns romantische Ästhetik besser zu begreifen, lohnt es sich seine Werke (Novellen, musikalische Schriften, Aufsätze und Kompositionen) heranzuziehen, um festzustellen, wie seine Figuren vor allem durch die Musik das romantische Reich erleben und wie und aus welcher Perspektive der Zuschauer auf dieses Reich reagieren kann. Diese Arbeit wird untersuchen, wie sich Hoffmanns romantische Ästhetik in den Erzählungen, den theoretischen Schriften und in der Oper Undine offenbart, wie seine Charaktere durch die Musik danach …

Unusual Beethoven Items From The Krasner Collection, Donald Seibert

The Courier

This article details the musical scores donated as gifts to the Syracuse University Libraries on behalf of violinist and Syracuse Professor Louis Krasner. Some of the scores include first editions of Beethoven scores, but the main collection includes rare chamber music and string adaptations of music popular in the eighteenth and nineteenth century. Beethoven himself often protested about these works, claiming pianos are too far away from stringed instruments to be directly adapted.

Volume 75, Number 05 (May-June 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Josef Hofmann, 1876-1957

Igor Stravinsky, Approaching his 75th Birthday, is Truly a Colossus of Modern Music

Music in the High School Gym

Good Vocal Habits (interview with Renata Tebaldi)

What Power Professional Criticism

Thalberg's Erard: A Discovery

An Intriguing Account of the Various Operational Details Requiring Careful Attention . . . Behind the Opera Curtain

Books on American Music: A Selected Bibliography

Music in the Schools

Choral Potential From the Baroque Era

Music to Link Mankind: The Story of the Formation of an Important Body Having to Do with International Relations

Volume 57, Number 01 (January 1939), James Francis Cooke

The Etude Magazine: 1883-1957

American Epic of Attainment

Amazing Musical World of To-day (interview with Walter Gieseking)

Going Through the Book

Moonlight Sonata: Fact, Fiction and Fancy

How to Abolish Fear Before Audiences: The Meaning of Mike-Fright

Men of the Orchestra: A Visit with the Individuals Who Produce the Music (interview with Mishel Piastro)

Spelling of Musical Notation: Musical Orthography Made Clear

Earning a Living Through Singing

Astonishing Invention of Musical Interest

New European Sound Reproducing Invention

Etude in C-sharp Minor by Chopin

Etude's Courses in Culture

Quest for Harmony in Decoration

Forward March of Music

Aids to Sight Reading

Another Use for Reward …

Volume 56, Number 12 (December 1938), James Francis Cooke

The Etude Magazine: 1883-1957

Christmas Love (poem)

Her Christmas Piano

What Music Has Done for Me (interview with William Allen White)

Lessons with Ossip Gabrilowitsch, Piano Virtuoso and Conductor: An Apostle of Beauty in Piano Playing

Four Octave Practice Helps

Christmas in Many Lands: A Television Christmas Recital

Lady of the Court of Henry XV (portrait)

Threshold of Music: Natural Laws That Guide the Flow of Chords

What Now for Music Teachers? A Nationwide Symposium: Eminent Members of the Music Teachers' National Association, to be in Convention in Washington During the Present Month, Discuss an Important Subject in Advance

Overcoming a Musical Crisis

Let's …

Volume 54, Number 07 (July 1936), James Francis Cooke

The Etude Magazine: 1883-1957

Romance of In the Gloaming

Road to Correct Fingering

Why Every Child Should Have a Musical Training

Short Cuts to Easy Practice

First Love of Franz Liszt

At What Age Shall My Child Begin to Learn the Piano?

Different Bach

Developing Interest in Practicing

Stamps for Success

Sources of Beethoven's Inspiration

Secrets of the Conductor (interview with Fritz Reiner)

Musical Make-Believe

How the Tuner Can Help You

Indefinable Liszt (interview with Frederick Lamond)

How About Figured Bass?

Safe Rule for Clear Pedaling

Musicians and Their Food

Pitfalls in Teaching Piano Tone Production

Pupil's Piano

Progressive Music Chart

Darkness Before Dawn …

Volume 54, Number 01 (January 1936), James Francis Cooke

The Etude Magazine: 1883-1957

Singer's Art (interview with Feodor Chaliapin)

What Makes a Successful Pianoforte Piece

Music of the Buddhist Devil Dancers

Consort of Musick at Dame Percy's: An Outline for a Recital in Honor of Washingotn's Birthday

New Glimpses into the Life of Chopin

Why Every Child Should Have a Musical Training

Harmonica Band: What Does it Offer

Music in Modern Home Life

Beethoven's Love of Nature

Volume 53, Number 07 (July 1935), James Francis Cooke

The Etude Magazine: 1883-1957

Musical Prosperity Leads the Way

Distinctly American Vocal Problems (interview with Queena Mario)

Star Spangled Banner: Our National Anthem, Enshrined in the Hearts of all Patriotic Americans

Violinist's Summer (interview with Mischa Elman)

Geography of the Piano: Where the Piano Comes From

Failures that Triumphed

Romances of Great Musicians: Romance in the Life of Mozart

Why Every Child Should Have a Musical Training

Increasing the Resources of the Piano (interview with Walter Gieseking)

Music of the Congo: An Interesting Romance of the Music of Darkest Africa

Music Study Extension Course

Volume 52, Number 09 (September 1934), James Francis Cooke

The Etude Magazine: 1883-1957

Music Study for Adults (interview with Frederick B. Robinson)

What Geography Has to Do with Rhythm

Game of Musicians

Making a Fist

Teaching Accents

Maurice Ravel: The Man, The Musician, The Critic (interview with Maurice Ravel)

Beethoven, the Humorist

Kreisler and the Prodigy

Music Recreation and the Radio

What Makes a Good Touch

New Music for Ancient Plays

Practicing Difficult Passages

Story of Dixie and its Picturesque Composer

Parent Help in Music Study

Make Your Practice Period Worth While!

Bridge Strength for Pianists

Alabama's Share in Dixie

Cumulative Rewards

Technic Fun

Value of Similes

Volume 48, Number 08 (August 1930), James Francis Cooke

The Etude Magazine: 1883-1957

Gentle Art of Taking Time to Live!

Little More Beethoven, Please: The Pianoforte Sonata in A Flat, Op. 26

Scale Charts

Seeing Music as a Whole: Where Many Fail

Left Hand Difficulties

What's the Matter with our Music? (interview with Geraldine Farrar)

Most Useful of All Fingering Rules

Middle C

Precise Contact

Piano Teacher's Dictionary of Touch

Brothers and Sisters

Music of the Waltz and Its Creators

Workable Report Slip

Small Threads in the Musical Tapestry

Preparedness of Attack as an Aid to Sight Reading

Camouflage Scales

New Theory of Pianoforte Tone Production

Arranging Music for Toy Orchestras

Musical Sport …

Volume 48, Number 03 (March 1930), James Francis Cooke

The Etude Magazine: 1883-1957

Why Every Boy Should Study Music (interview with Herbert J. Tily)

Rare Portrait of Edward MacDowell

Ten Ideas from Edward MacDowell

Notable Musical Women

Developing the Student's Interpretative Ability

Playing Grace-Notes Without Distorting the Rhythm

Beethoven's Love Letters

Music of the Passion Play of Oberammergau: A Graphic Description Based on Presentations as Witnessed by the Writer in 1889, 1910, 1920

Arpeggios

Practicing and Playing

Teaching a Correct Position of the Hand

You Cannot Get Along without Scales

Marriage of Figaro: Adapted for Presentation as a Reading at Musical Clubs

Curing the Hustler

Points in Good Piano Playing

Volume 48, Number 02 (February 1930), James Francis Cooke

The Etude Magazine: 1883-1957

Master Teacher

Tragedy of Moussorgsky: The Dramatic Story of the Most Curious Figure in Music History

Tavern Music

Struggle of the Negro Musician

Chord Reading

Grandaddies of Our Pianos

Notable Musical Women

Master Discs

Development of the Left Hand

Light and Shade in Piano Playing

How Music Came to be Written: Musical Pioneers Who First Divised the Notation System

Handel and Beethoven: The Pillars of Our Modern Musical Structure

Don't Don't!: Why Some Teachers Are to Blame for the Failure of their Students

Portamento Touch