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Articles 1 - 13 of 13
Full-Text Articles in Musicology
Exploring Jam Sessions In New York, Ricardo Pinheiro
Exploring Jam Sessions In New York, Ricardo Pinheiro
The IASJ Journal of Applied Jazz Research
This paper addresses the relationship between jazz jam sessions in Manhattan, and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for the following:
i) learning performative styles of jazz,
ii) developing the creative process,
iii) constructing professional networks,
iv) establishing of the status of musicians.
Studying and analysing the jam sessions at five jazz performance venues in New York, I demonstrate the vital importance of participating in jam sessions by examining their relationship with this performative occasion (Pinheiro …
Restructuring Hierarchy Within And Between Jazz And Classical Orchestras, Emiliano Sampaio
Restructuring Hierarchy Within And Between Jazz And Classical Orchestras, Emiliano Sampaio
The IASJ Journal of Applied Jazz Research
From 2017 to 2021, Emiliano Sampaio dedicated his time and energy to the development of a jazz symphonic orchestra artistic research project. To put this complex and intricate journey in words, he wrote this article, which guides the reader through the development of the four-year work. It describes, discusses and reflects on some paths I experienced through the research, and how they contributed and transformed my views on the subject and on his music. The backbone of this article will be the discussion of the practical process conducted with different large ensembles, where hypotheses and ideas were put into practice.
The Research Cataloque, Casper Schipper
The Research Cataloque, Casper Schipper
The IASJ Journal of Applied Jazz Research
The Research Catalogue is an online, open-access research platform, developed for documenting artistic research outcomes. Provided by the Society for Artistic Research, it offers more than just the traditional formats such as PDFs. The RC offers researchers in the arts to expose artistic practice as research, by creating online presentations that can include video, audio and other media and building an “exposition” out of these elements. A growing number of academies, conservatories, and universities in Europe require their master students to publish their artistic research in the Research Catalogue.
Five Tips For (Re)Entering The Professional World After The Pandemic, Wojtek Justyna
Five Tips For (Re)Entering The Professional World After The Pandemic, Wojtek Justyna
The IASJ Journal of Applied Jazz Research
Building and sustaining a career, as a performing jazz artist, has always been a path filled with challenges and roadblocks of many sorts. The current climate has definitely made the hill we have to climb steeper. Nevertheless, understanding the oppositions at hand, adequately preparing for them, combined with careful planning and structured execution will lead to the ability to comfortably navigate this new reality.
Applied Groove Research, Toni Bechtold, Rafael Jerjen, Olivier Senn
Applied Groove Research, Toni Bechtold, Rafael Jerjen, Olivier Senn
The IASJ Journal of Applied Jazz Research
This paper is the first step to bridge this gap by asking whether groove research can help us teach groove to students, and, if so, how it can best be taught. Simultaneously, the paper serves as an introduction to groove research for those unfamiliar with this academic discourse.
Teaching Jazz History Out Of Order, Josiah Boornazian
Teaching Jazz History Out Of Order, Josiah Boornazian
The IASJ Journal of Applied Jazz Research
Abstract: Jazz history unfolded chronologically, but chronology does not necessarily imply teleology or causality. In other words, the fact that certain jazz styles came after others does not unquestionably mean that jazz history followed a fixed course dictated by the perceived inevitability of artistic “progress.” Although it is important for jazz history students to have a foundational understanding of jazz history in a chronological fashion, presenting history on a straightforward, simplistic timeline defined by distinct style periods is not the only way to teach the music of the past. There may be significant merit in reorganizing the way jazz history …
Master And Apprentice: Lessons From Six Jazz Masters, Richie Beirach
Master And Apprentice: Lessons From Six Jazz Masters, Richie Beirach
The IASJ Journal of Applied Jazz Research
Jazz pianist and composer Richie Beirach, now a jazz master himself, learned important lessons from the masters he worked with. The lessons learned are of great value for anyone who wants to play jazz professionally.
Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath
Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath
The IASJ Journal of Applied Jazz Research
Ed Sarath on improvisation, consciousness and cosmos, as well on integral theory.
Introduction To The Iasj Journal Of Applied Jazz Research, Wouter Turkenburg, Kurt Ellenberger
Introduction To The Iasj Journal Of Applied Jazz Research, Wouter Turkenburg, Kurt Ellenberger
The IASJ Journal of Applied Jazz Research
Jazz research started as a duplicate of classical music research. As became clear during the Ongoing Dialogues during the annual IASJ Jazz Meetings that started in 1990, jazz research needs a dimension and a dynamic of its own. This has become 'applied jazz research', the kind of research that is directly linked to jazz performance and jazz education. The IASJ Journal of Applied Jazz research offers the platform.
Athenian Choral Institutions And Plato's Ideal Polis, Emma Beachy
Athenian Choral Institutions And Plato's Ideal Polis, Emma Beachy
Grand Valley Journal of History
This paper discusses the role of choral institutions in Plato’s ideal polis. In the fourth century BC, choral competitions were a key site of political discourse in Athens, exposing the conflicts inherent to the use of aristocratic patronage in a democratic system. As the demos embraced new musical practices, aristocrats critiqued these changes as a proxy for their opposition to democracy itself. Plato, operating firmly within the aristocratic tradition, placed choral education at the center of his ideal polis as a means to restore and cultivate aristocratic power. However, he also sought to use choral music as a means to …
A Mad Magical Poet: Essays On The Life And Art Of Warren Zevon, Zachary E. Tenney
A Mad Magical Poet: Essays On The Life And Art Of Warren Zevon, Zachary E. Tenney
Honors Projects
"A Mad Magical Poet: Essays on the Life and Art of Warren Zevon" is a series of three essays on the titular subject. Warren Zevon was an American songwriter whose career spanned from the late 1960s to the early 2000s. Though known for his hit single "Werewolves of London," Zevon is a far more interesting figure than the "one hit wonder" label can possibly capture. Here, I explore his appeal as a literary and philosophical figure, examine his prophetic song of environmental crisis, "Run Straight Down," and consider the theme of violence as it appears throughout his music. The text …
Music Preferences Among College Students Through The Decades, Janelle Potter
Music Preferences Among College Students Through The Decades, Janelle Potter
Honors Projects
Music plays a part in every person's life, whether they realize it or not. From the radio to background music to ringtones, music influences most aspects of our lives. Radio took music from local clubs and concert halls to places that were thousands of miles away. Radio evolved to vinyl discs and then into cassettes and compact discs. These went further in MP3 recordings and on into streaming services that control the music of today’s industry. The 1960s brought soul, R&B, Motown, and rock to the world. The 1970s brought hard rock and pop and pushed the industry into less …
The Development Of The Concept Album, Savannah Klein
The Development Of The Concept Album, Savannah Klein
Honors Projects
As the world of music has continually evolved and expanded, so has artists’ desire for inventive expression. An important tool that has long satisfied this growing need is the concept album. Although its appearance has been anything but novel in the contemporary music scene, the concept album was not introduced until the 1950s. With influences of Classical and Folk Music, the concept album quickly grew to become a steadfast element of musical culture that has allowed artists to elevate their musical expertise, express their views on societal conditions, and enhance the listening experience of their fans.