Musicology Commons^™

Vibes At The Village Vanguard: Hauntings, History, And The Construction Of Jazz Place, Mark Mccorkle

Electronic Thesis and Dissertation Repository

There are ghosts that haunt the Village Vanguard. Or at least that’s what people say.

This dissertation examines the role of the contemporary jazz club as a site of heritage and meaning making in jazz cultures. I take New York’s revered jazz club, the Village Vanguard, as a case study, as it is the subject of many fanciful tales. These stories describe the club’s history as alive; the spirits of the legendary musicians from a bygone era of jazz who once performed at the Vanguard are said to haunt the present club’s soundwaves. Often described by writers as the club’s …

History Of Jazz, Charles "Trey" Wright

KSU Distinguished Course Repository

This course is an in-depth study of jazz styles, historical periods, and innovative artists in the jazz idiom.

Exploring Jam Sessions In New York, Ricardo Pinheiro

The IASJ Journal of Applied Jazz Research

This paper addresses the relationship between jazz jam sessions in Manhattan, and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for the following:

i) learning performative styles of jazz,

ii) developing the creative process,

iii) constructing professional networks,

iv) establishing of the status of musicians.

Studying and analysing the jam sessions at five jazz performance venues in New York, I demonstrate the vital importance of participating in jam sessions by examining their relationship with this performative occasion (Pinheiro …

Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath

The IASJ Journal of Applied Jazz Research

Ed Sarath on improvisation, consciousness and cosmos, as well on integral theory.

From Words To Grammar And Grammar To Speech: A Practical Analysis Of Charlie Parker, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Today, there exists a respectable body of work analyzing the music and life of Charlie Parker. Parker left behind around 900 recordings, a prolific body of work. There remains a great deal of solos to be transcribed and studied although there is much research examining hundreds of Parker solo transcriptions and proffering pedagogy to be used by the student of jazz improvisation in order to learn how to improvise within the musical language of Charlie Parker. Scholars have not paid a great deal of attention to how to synthesize the various research and pedagogies into a methodical guide for the …

Més Enllà Dels Tòpics D’Espanya. Tete Montoliu En Context, Antoni Pizà

Publications and Research

Benjamin Fraser, professor de la Universitat d’Arizona, publica Beyond Sketches of Spain, una biografia del jazzman Tete Montoliu, la identitat del qual s’explora a través d’una sèrie de prismes culturals com la ciutat, la catalanitat i la discapacitat.

Intro To Jazz, Jon De Lucia

Open Educational Resources

OER Based Syllabus for MUS 145 Intro to Jazz course at City College. Covers the history and development of jazz along with basic music fundamental vocabulary.

Taking Jazz Singers Seriously: Gender, Race, And Vocal Improvisation, Lauren Anne Ceres

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Monitored Freedom: Swing Rhythm In The Jazz Arrangements Of Roland Dyens, Milton Mermikides

Soundboard Scholar

This paper provides an analysis of jazz swing in the work of classical guitarist and composer Roland Dyens. Drawing on Dyens’s published and recorded arrangements of jazz standards, I study both his notation and his performance of swing, starting with a preliminary study of his collection Night and Day and proceeding to a detailed analysis of Nuages—his notated arrangement and four recorded performances. To provide context for Dyens’s stylistic referents, I analyze Django Reinhardt’s 1940 ensemble performance of Nuages. Throughout the discussion, I utilize digital audio analysis and models of microtiming to reveal Dyens’s sophisticated understanding and execution …

I Got Rhythm: How Rhythm Changes Became Among The Most Used Progressions In Jazz, And Opens The Door For Limitless Creativity: Annotated Bibliography, Jacob Brooks

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Assignment #4 Annotated Bibliography: Canonization Of Jazz: A Look At Its Purpose, Intent, And The People That Shape It, Sebastian Alvarez

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

The Myers-Briggs Of Quoting: A Typology Of Musical Borrowing In Jazz Improvisation, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Matisse's Jazz Is Really Talking About Jazz Music Or Not: Focusing On The Hidden Meaning Of The Images In Matisse's Jazz Art Book And The Relationship Between Jazz Music And Abstract Art: An Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Jazz Publishing In The 21st Century: Applications For A Centralized Marketplace: An Annotated Bibliography, Justin Rogers

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Coltrane Plays The Blues: Multi-Level Coherence And Stylistic Tendencies, Lukas Gabric

Dissertations, Theses, and Capstone Projects

As a principal musical figure of the twentieth century, John Coltrane created a legacy that still resonates with listeners. Similarly, the blues may be regarded as one of the most iconic genres of the twentieth century. This dissertation examines Coltrane’s shifting stylistic tendencies to the blues and explores structural relationships with reductive voice leading analysis. As a variation form, the blues poses issues of continuity since every chorus may be regarded as self-sufficient and internally closed. Voice leading analysis provides a powerful explanation for the fact that Coltrane’s blues solos may be perceived as structurally unified. I also develop a …

Genre And Stylistic Features Of The Structure And Dynamics Of The Development Of Modern Uzbek Pop Music, Nodira Amanova

Eurasian music science journal

The study is devoted to genre-style structure and dynamics of development of modern Uzbek pop music. The process of identifying the structure was carried out by mathematical analysis of 1893 rotated music compositions according to the "playlists" of FM radio stations and "Internet charts" for the period from 1991 to 2018. There are three stages of modern pop music of Uzbekistan, which reflect the dynamics of genres and styles of Uzbek pop music and allow to predict their future development. The first (adaptation, 1991-1998) period was studied by the material of playlists, rotated 362 compositions for 1997-1998. It is key …

Industry Profile: Denny Stilwell, Mack Avenue Music Group President, Axel Tanner

Backstage Pass

No abstract provided.

Brazilian Rhythms On The Drum Set: Stylizations Of Baiao, Frevo And Maracatu By Drummers Airto Moreira, Nene And Marcio Bahia., Lucas Gomes Maia Tome Pimentel

Electronic Theses and Dissertations

The objective of this research is to gather and analyze stylizations of Brazilian folk rhythms baião, frevo and maracatu in contemporary Brazilian jazz. For this end, I examined transcriptions from well-known contemporary drummers Airto Moreira, Nenê and Márcio Bahia. Firstly, I reviewed the path of the drum set in Brazil by examining the important contributions made by drummers Luciano Perrone and Edison Machado. After that, I presented musical characteristics of baião, maracatu and frevo in their original environment, followed by analysis of each rhythm’s stylizations to the drum set made by drummers Airto Moreira, Nenê and Márcio Bahia. I concluded …

Leaving A Little Heaven Behind With Coltrane, Or: The Performance Is The Archive, Ismael Santos

FIU Electronic Theses and Dissertations

This thesis examines what an Audience-Centered Archive could look like, and the advantages of opening up the spaces of archival scholarship in connection with studies focused on Jazz. This thesis will explore how inherently self-limiting are traditional structures of the Archive, with the contradictory nature of Jazz Archives brought to the forefront: to archive a music like Jazz necessarily entails losing what makes it so special, losing the improvisational facet of Jazz. This thesis draws from sound studies and performance studies, along with a focus on the recording technologies that entail differences in interpretation and American history. This focus of …

Electronics And The Music Of Miles Davis, Darren E. Shekailo

Theses and Dissertations

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.

Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman

Lawrence University Honors Projects

The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …

Mood And Mode: The Impressionistic Commonalities Of Claude Debussy And John Coltrane, Simon B. Needle, Edward Eanes

The Kennesaw Journal of Undergraduate Research

There are marked parallels in scale use, the use of modality and harmonic construction and movement in the music of John Coltrane as compared to impressionist composers like Claude Debussy. The modal harmonic exploration employed in the works of Coltrane is often attributed to the Indian raga and other music, but it can also be likened to Impressionist works by Debussy. A fascination with exoticism and a search for new veins in music to draw from propelled both of these artists forward musically. While Debussy learned medieval modality from the Russians, Coltrane looked further East to the Arab world and …

Swing It Sister: The Influence Of Female Jazz Musicians On Music And Society, Kirsten Saur

The Research and Scholarship Symposium (2013-2019)

Female jazz vocalists, both as soloists and in groups, and instrumentalists, both as solo artists and in ensembles, of the jazz era influenced music and society in their own times and in later times. They added new musical concepts, added new vocal styles, worked to change the society they lived in, and worked hard to find their place in music no matter what got in their way, making them inspirations for future generations of women striving to succeed in the world. This paper looks at how these women of jazz influenced music, society, and future generations of women through their …

A Song Through Time: Tiger Rag And The Twentieth Century, Thomas Grady Hartsock

Music

Tiger Rag is one of the first recorded jazz works.This project investigates the initial creation of the work and follows it through five different artists in the twentieth century to explain how this piece of music has grown in it's hundred years of life.

A Curriculum Guide To Teaching And Discussing: Stomping The Blues (1976) By Albert Murray, Vincent L. Stephens

Vincent L Stephens

The Curriculum Guide is a comprehensive resource for educators seeking to use Albert Murray’s classic reflection on blues and jazz, Stomping the Blues in a classroom setting. The Guide includes summaries of each individual chapter and a listing of critical themes embedded in the chapter, a list of discussion questions, and a supplemental bibliography featuring reviews and essays on Stomping the Blues, and a resource for Murray’s additional writing on the blues genre. The Guide was funded by a grant awarded to scholar Vincent Stephens by Bucknell University's Center for the Study of Race, Ethnicity, and Gender (CSREG) in the …

Was That A Song?, Donald J. Herzog

Articles

Jazz constantly spins off new possibilities, seizing on fusion with rock, new rhythms from Brazil and then "world music," astringent harmonies and atonal combinations from "new" music or twentieth-century "classical," and more. [...]jazz musicians have been relaxing constraints since the beginning. Piano players might keep "comping" or accompanying the soloists with well-chosen chords, but they might roam free or just stop playing.\n Again you can wonder how much of this was deliberately plotted out before the trio hit the stage, how much developed on the spot.

Louis Armstrong, Gene H. Anderson

Music Faculty Publications

Despite his lifelong claim of 4 July 1900 as his birthday, Armstrong was actually born on 4 August 1901 as recorded on a baptismal certificate discovered after his death. Although calling himself “Louis Daniel Armstrong” in his 1954 autobiography, he denied knowledge of his middle name or its origin. Nevertheless, evidence of “Daniel” being a family name is strong: Armstrong's paternal great-great-grandfather, a third generation slave brought from Tidewater Virginia for sale in New Orleans in 1818, was named Daniel Walker, as was his son, Armstrong's great-grandfather. The latter's wife, Catherine Walker, sponsored her great-grandson's baptism at the family's home …

The Wdr Big Band: A Brief History, Gabriela A. Richmond

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

The years following World War II brought new broadcasting stations to a divided Germany, government regulated radio stations in the East and state regulated stations in the West. Radio broadcasts were a significant cultural source for the Germans in times of reconstruction. Broadcasting stations played much of the familiar Tanz- und Unterhaltungsmusik, reminiscent of earlier times of happiness and prosperity. However, with changes in a new generation’s musical tastes the demand for swing bands declined. Radio stations began to rework their in-house “dance bands” into “jazz bands.” The West Deutscher Rundfunk (WDR), and other broadcast stations, employed jazz musicians …

An Analysis Of The Career And Solo Style Of Jazz Trombonist Carl Fontana, John Wesley Parker

Dissertations

Carl Fontana’s ability and creativity as a jazz trombonist is held in high regard by his contemporaries, as well as by those who followed him. The significant aspects of his career were highlighted in a brief biography with historical and anecdotal information provided by jazz trombonists who new him and were influenced by him. Fontana’s solo style was analyzed and compared through transcriptions of three improvisations performed during contrasting points in his career: “Intermission Riff” from 1956, “Just Friends” from 1978, and “It Might As Well Be Spring” from 1985. His influence on the jazz trombone community was discussed through …

Making The "Birthplace Of Jazz": Tourism And Musical Heritage Marketing In New Orleans, J. Souther

History Faculty Publications

No abstract provided.