Literature in English, British Isles Commons^™

Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri

Dissertations, Theses, and Capstone Projects

Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …

Knowing Others, Or Not: Performing, Caring, Foreboding, And Acknowledging In Nineteenth-Century British Fiction, Meechal Hoffman

Dissertations, Theses, and Capstone Projects

Knowing Others, Or Not makes two overarching claims about the nineteenth-century novel’s depictions of relations. First, they are overwhelmingly concerned with epistemological questions about knowing others, and second, more often than not, the problem of other minds is portrayed as productive of both pleasure and valuable negative affects. While much scholarship on the relational nineteenth century focuses on either sympathy or social responsibility within the framework of liberal individualism, I show instead that the authors in this study—Jane Austen, Charlotte Brontë, Wilkie Collins, and George Eliot—repeatedly register doubt about the usefulness or possibility of authenticity, and posit the pleasure that …

Mechanized Identity: The Blood-Mill Of Richard Coer De Lyon, Andrew S. Thomas

The Hilltop Review

The seven-thousand-line Middle English romance, Richard Coer de Lyon, is not often read as a text fascinated with machinery. The semi-historical, superlative, titular character and his various marvelous and deeply disturbing deeds usually claim most attention, and not without reason. There is much to examine in the heroically cannibalistic Richard, who presents a complex and often troubling vision of the ways both Englishness and the Saracen Other can be constructed within romance. Alongside these well-studied qualities, however, is a strange attention within the text to sieges and siege engines. Richard’s army is accompanied by a large, named siege tower …

Glorious And Execrable: The Dead And Their Bodies In World War I Poetry, Rebecca E. Straple

The Hilltop Review

While many scholars of World War I poetry have identified aspects of soldier poets’ work that embody the change from enthusiastic support of the war to disillusioned criticism of it, in this paper I argue for an additional, and highly meaningful marker of this significant change: the use of the dead and their bodies in this poetry. The commonly held critical view of World War I poetry is that there is a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916, where poetry moves from odes …

Review Of Conrad And Language, Richard Ruppel

English Faculty Articles and Research

A review of Conrad and Language, edited by Katherine Isobel Baxter and Robert Hampson.

Shifting Focus: The Role Of Visual Literacy In The Twenty-First Century English Classroom, Bryanna Tester

Masters Theses

Ultimately, the English language arts classroom seeks to help make students “literate” members of society. Due to the dominance of images in twenty-first century communication, the term “literate” has also slowly shifted to include an individual’s ability to effectively and accurately communicate with verbal text as well as with visual images and symbols. Although students are native image-viewers, they are not able to be image-readers without instruction and training on how to critically “read” images. Therefore, an English teacher’s literary curriculum is not strictly bound to the written and spoken word. Instruction in reading and writing written texts are vital …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

Invisible Injuries: The Salvific And Sacramental Roles Of Christina Mirabilis, Sarah Macmillan

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly unique in medieval devotional literature in that they leave no outward evidence on her body. This essay examines the self-healing nature of Christina's wounds and the importance of their invisibility in a culture which typically emphasises the visibility of the broken body. It considers the ways in Christina’s resurrected body (in both the Latin (c. 1232) and English (c. 1420) versions of her Life) contributes to thirteenth and fifteenth-century purgatorial and Eucharistic theologies, and suggests a correlation between the bodies of Christina and Christ which …

Building Imaginary Worlds (2012) By Mark J.P. Wolf And Revisiting Imaginary World (2016) Edited By Mark J.P. Wolf, Andrew Higgins

Journal of Tolkien Research

Book review of Building Imaginary Worlds (2012) by Mark J.P. Wolf and Revisiting Imaginary Worlds (2016), edited by Mark J.P. Wolf, reviewed by Andrew Higgins

The Second Pen, Nicholas D. Brennan

Theses and Dissertations

"The Second Pen" evaluates the historical relevancy of prevalent monikers for William Shakespeare-- namely, "The Bard," "Swan of Avon," and "Upstart Crow." While Brennan finds the general concept of the moniker to encapsulate Shakespeare's current historical legacy, he equally finds the aforementioned monikers to misrepresent this. Brennan offers "The Second Pen" as a moniker for Shakespeare that redresses the distortions of the others. He concentrates his defense of its relevancy around a defense of William Shakespeare as the "second pen" which Ben Jonson's 1605 Sejanus quarto names as a collaborator in the writing of a preceding stage version of the …

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …

Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

No abstract provided.

Perceptive Power: Shelley, The Cenci, And The Question Of Reality, Adele Baugues

University of New Orleans Theses and Dissertations

On the heels of an older generation of Romantic poets concerned with the individual’s role in creating reality, Percy Shelley defines perception as a mandatory building block for countering an external physical world that is hostile to the individual. Consequently, the question of perception, both how it is defined and how it can be influenced, plays an important role in Shelley’s works that focus on political and social change. The question of perception, as it relates to the individual and as it relates to social change, is brought to the forefront in Prometheus Unbound and his drama, The Cenci.

Rebels With A Cause: How Christopher Marlowe And William Shakespeare Subversively Challenge The Monarchy's Source Of Power And Other Societal Norms Of Early Modern England, Maggie E. Roussell

University of New Orleans Theses and Dissertations

This thesis examines the ways that Christopher Marlowe and William Shakespeare use their history plays to subvert the ideals of early modern England. Writing plays about historical events gave the playwrights freedom to depict certain things on stage that would have otherwise been unacceptable, and because they had history as their source, they could show events that were parallel to the current happenings in England and make commentary on those events.

Review Of Mansfield Park: An Annotated Edition, Lynda A. Hall

English Faculty Articles and Research

A review of Mansfield Park: An Annotated Edition, edited by Deidre Shauna Lynch.

Becoming Pamela: The Fight For Maternal Authority In Pamela Ii, Danielle Pollaro

Seton Hall University Dissertations and Theses (ETDs)

In Pamela, Volume II, Pamela and her husband, Mr. B, clash over breastfeeding their child. The conflict over breastfeeding represents a contest for control over the maternal body and with it control over woman’s authority. The eighteenth-century created the concept of motherhood in order to maintain and perpetuate the patriarchy’s social, economic and sexual hierarchies. Pamela, Volume II propagates eighteenth-century domestic discourse by instructing and constructing the idea of the good wife and mother. Pamela’s failure to resist domesticity reveals patriarchy’s role in establishing gender identity. The novel functions to reinforce, strengthen and sustain eighteenth-century domestic discourse to stabilize …

Organic Morality: A Poetic Garden Rhetoric Originating In The 18th Century, Heather Robinson

Seton Hall University Dissertations and Theses (ETDs)

Many literary critics have researched and conjectured on the 18 th century poets’ connections to the developing landscape gardens of the time. For example, Francesca Orestano, in “Bust Story: Pope at Stowe, or the Politics and Myths of Landscape Gardening,” discusses at length the presence and creation of Pope’s development of aesthetics at the Stowe landscape gardens. However, most critics have focused solely on the idea of the aesthetic that gardens create and their relationship to the human experience of nature. Markus Poetzsch, in “From Eco­Politics to Apocalypse: The Contentious Rhetoric of Eighteenth­Century Landscape Gardening,” describes the heated political world …

Encountering The Phantasmagoria: Pre-Raphaelite Aesthetics As The Antidote For Victorian Decadence In Robert Browning’S “My Last Duchess”, Matthew K. Werneburg

Channels: Where Disciplines Meet

Robert Browning’s “My Last Duchess” engages with ‘the problem of Raphael,’ a Victorian aesthetic debate into which Browning enters in order to address Victorian society’s spiritual impotence, which he connects to the societal emphasis on external appearances of virtue and nobility. This emphasis on appearances is reflected in Raphaelite aesthetics, for Victorians understood Raphael’s paintings as representational pictures intended to cause viewers to contemplate spiritual states. The Raphaelite school of aesthetics saw Raphael’s works as the pinnacle of the Christian visual art tradition, while the pre-Raphaelites sought to dissolve the distinction between sacred and secular, painting human bodies as they …

William Hazlitt: On The Silencing Effect Of Public Opinion In Nineteenth-Century England, J M Tessa Freeman

Theses and Dissertations

“William Hazlitt: On the Silencing Effect of Public Opinion in Nineteenth-Century England” investigates the social interactions that fostered the circulation of misinformation. Hazlitt depicts how silencing portions of the population benefited those in power and how many within society were unknowingly compliant and in fact facilitating this manipulation of information.

Poetry Of Body And Soul: Personhood In John Donne, Madison Forbes

Honors Program Theses and Projects

No abstract provided.