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Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green 2017 The Graduate Center, City University of New York

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success ...


Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction, Isabel C. Henao 2017 Seton Hall University

Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction, Isabel C. Henao

Seton Hall University Dissertations and Theses (ETDs)

Gabriel García Márquez establishes the importance of identity, names, and narrative in order to highlight the importance of recognizing the past for a country that has allowed history to be rewritten and, as a result, forgotten. Márquez writes about what happens to a character with no history, for whom it then becomes imperative that the other characters orchestrate a narrative, thereby allowing Márquez to critique the neocolonialism and imperialism that occurred in Colombia. This strategy can be seen in several of his most well-known works—the short stories “A Very Old Man With Enormous Wings” and “The Handsomest Drowned Man ...


Jerry-Rigged Salvation, John Sivils 2017 Ouachita Baptist University

Jerry-Rigged Salvation, John Sivils

English Class Publications

This paper examines the anagogical meaning of certain objects in three of Flannery O'Connor's stories, and then proposes how those meanings nuance narrative themes.


Flannery's "Daunting Grace": O'Connor's Nuanced Portrayals Of Disability, Joanna Horton 2017 Ouachita Baptist University

Flannery's "Daunting Grace": O'Connor's Nuanced Portrayals Of Disability, Joanna Horton

English Class Publications

Throughout O'Connor's fiction, we see characters who are marked by suffering or disability. It is tempting to analyze those disabled characters purely as symbols. However, if we understand O'Connors conception of suffering as an experience which prepares us for grace, we may discern which characters receive grace through suffering and which refuse to recognize their need.


"Unsex Me Here": A Queer Reading Of Faith In O'Connor, Shelby Spears 2017 Ouachita Baptist University

"Unsex Me Here": A Queer Reading Of Faith In O'Connor, Shelby Spears

English Class Publications

In this essay, the author examines the O'Connor stories "The Life You Save may be Your Own," "The Comports of Home," and "A Temple of the Holy Ghost" from a queer perspective using psycho-biographical evidence.


Truer Than Fiction: Flannery O'Connor's Fictional Fathers, Addison Crow 2017 Ouachita Baptist University

Truer Than Fiction: Flannery O'Connor's Fictional Fathers, Addison Crow

English Class Publications

Flannery O’Connor grew up with a loving and supportive father, so it is perplexing that she fills her stories with fathers who portray the opposite. O’Connor’s fictional fathers, when they are included in the story, are controlling, harsh, and malicious—the complete opposite of her father, Edward O’Connor. Why would O’Connor create fathers whose image so intensely contrast that of her own supportive, gentle, and loving father? My purpose in this paper is to examine O’Connor’s fictional fathers in her short stories, “The Artificial N” and “The Comforts of Home,” and her novel ...


Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall 2017 Cleveland State University

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely ...


Locating Place And Landscape In Early Insular Literature, A. Joseph McMullen, Kristen Carella 2017 Harvard University/Centenary University

Locating Place And Landscape In Early Insular Literature, A. Joseph Mcmullen, Kristen Carella

Journal of Literary Onomastics

No abstract.


The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams, Chelsea Nicole Gilbert 2017 East Tennessee State University

The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams, Chelsea Nicole Gilbert

Electronic Theses and Dissertations

This thesis aims to explore the theme of isolation in the dramatic works of Tennessee Williams using his essay “The Catastrophe of Success” as the base theory text. The essay attacks the American idea of success though an in-depth examination of the “Cinderella myth” that Williams claims is so prevalent in both Hollywood and American Democracy. Williams’ deconstruction of this myth reveals that America’s love for stories like it results the isolation of three groups: homosexuals, women and the physically disabled and terminally ill. Williams passes no judgment on his characters, instead showing their lives as they truly are ...


A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer 2017 University of Nebraska-Lincoln

A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer

Dissertations, Theses, and Student Research: Department of English

This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These female journalist ...


Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert 2017 University of Nebraska-Lincoln

Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert

Dissertations, Theses, and Student Research: Department of English

Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world ...


The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man, Dillon Rockrohr 2017 University of Nebraska-Lincoln

The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man, Dillon Rockrohr

Dissertations, Theses, and Student Research: Department of English

Falling Man by Don DeLillo casts the event of 9/11 and its aftermath in such a way that the novel itself enacts an aesthetic terror aimed at explicating the ubiquitous social-atmospheric elements of community- and identity-formation out of which terror precipitates. As DeLillo figures terrorism in the novel as apocalyptic in that it is a violence that reveals the violence constitutive of political community, including the political community of liberal democracy, which ostensibly relegates violence to domains not considered legitimately political. DeLillo’s novel, as an act of aesthetic terrorism, not only thematizes the instantiation of terror that precipitates ...


Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley 2017 University of Louisville

Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley

College of Arts & Sciences Senior Honors Theses

This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary ...


Vonnegut's Composite Work : The Importance Of Illustration In Breakfast Of Champions., Blake Schreiner 2017 University of Louisville

Vonnegut's Composite Work : The Importance Of Illustration In Breakfast Of Champions., Blake Schreiner

College of Arts & Sciences Senior Honors Theses

This paper examines Kurt Vonnegut's 1973 novel, Breakfast of Champions, in the context of word-image theory and multimedia publication. Drawing from the critical discourse surrounding the illuminated manuscripts of William Blake, the paper discusses Vonnegut's experimentation with a "composite" work and re-evaluates the significance of the novel in light of this innovation.


Queer Affect In T.S. Eliot's Early Poetry, Michael Houle 2017 University of Tennessee, Knoxville

Queer Affect In T.S. Eliot's Early Poetry, Michael Houle

University of Tennessee Honors Thesis Projects

No abstract provided.


The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong 2017 Ouachita Baptist University

The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong

English Class Publications

While some authors start writing their novels with a full outline in mind, Flannery O’Connor’s first novel, Wise Blood, began with a short story written for the Writers’ Workshop at Iowa State in December 1946. This short story, titled “The Train,” was inspired when O’Connor was on a train going home for Christmas. She recalls, “‘There was a Tennessee boy on it in uniform who was much taken up worrying the porter about how the berths were made up” (qtd in Gooch 134). Then, O’Connor wrote Wise Blood’s larger story as a part of her ...


Money Buys Happiness: A Psychoanalytic Reading Of O'Connor, Hannah Wright 2017 Ouachita Baptist University

Money Buys Happiness: A Psychoanalytic Reading Of O'Connor, Hannah Wright

English Class Publications

In the year 1946 when Flannery O’Connor was about twenty-one years old, she and her mother Regina signed a document emancipating Flannery from her mother’s care so that she could attend the creative writing program at the University of Iowa (Release of Guardianship). In this determined show of independence, Flannery chose to move away from her mother and take responsibility for herself. However, this responsibility became too much for O’Connor to handle when she was diagnosed with lupus shortly after her twenty-sixth birthday. She was forced to move back in with her mother in Milledgeville and relinquish ...


All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner 2017 Ouachita Baptist University

All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner

English Class Publications

From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African ...


Nothing But The Blood Of Jesus?: O'Connor's Critique Of Protestantism In Wise Blood, Jessica Saunders 2017 Ouachita Baptist University

Nothing But The Blood Of Jesus?: O'Connor's Critique Of Protestantism In Wise Blood, Jessica Saunders

English Class Publications

Published in 1949, Flannery O’Connor’s first novel, Wise Blood, satirizes not Christianity itself, but rather man’s twisted practice of the faith that O’Connor held so dear. O’Connor, a devout Roman Catholic living in the Bible Belt, writes to critique the heresy, hypocrisy, and apathy that pervaded the lives of Protestants in the South—a region that O’Connor describes as “hardly Christ-centered” but “most certainly Christ-haunted” (Mystery and Manners 44). O’Connor portrays the characters in Wise Blood as Protestants, non-Christians, or the nihilistic protagonist and hero himself, Hazel Motes, who in his rejection of ...


Get Woke: The Themes And Receptions Of The Works Of Kate Chopin, Haydn Jeffers 2017 Ouachita Baptist University

Get Woke: The Themes And Receptions Of The Works Of Kate Chopin, Haydn Jeffers

English Class Publications

Kate Chopin was a prolific writer in the late nineteenth century, popular for her copious number of short stories focusing on the circumstances and lives of married women, that is, the relationship between women and the institution of marriage itself. She published these short stories primarily in magazines such as Vogue, Atlantic Monthly, and Century (Clark), and they were well received by the public, especially women, during that time. Her most popular stories were compiled into two collections: Bayou Folk, published in 1894, and A Night in Acadie, published in 1897. Both collections were highly praised by critics and served ...


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