University of Alberta
Iowa State University
Liberty University
University of Iowa
University of Rhode Island
Winthrop University Rock Hill, South Carolina
The Transformation Of Gender And Sexuality In 1920s America: A Literary Interpretation,
2017
Western Kentucky University
The Transformation Of Gender And Sexuality In 1920s America: A Literary Interpretation, Taylor Gilkison
Honors College Capstone Experience/Thesis Projects
The 1920s in America marked a new decade of freedom and exploration for youths. With the conclusion of the First World War in 1918 and the addition of the nineteenth amendment to the United States Constitution in 1919, women gained more prominent roles in both politics and society. The early twentieth century ushered in a new age of sexual expression and attempted gender balance. Secular thinking became more widespread than ever, which was reflected in the arts throughout the first half of the twentieth century. Artists and writers alike were not only expressing themselves through their works, but documenting the ...
Canadians In The Manichean Universe Of War: The Novels Of Ralph Connor,
2017
Nicolaus Copernicus University
Canadians In The Manichean Universe Of War: The Novels Of Ralph Connor, Anna Branach-Kallas
Studies in 20th & 21st Century Literature
The purpose of my article is an analysis of two war novels by Canadian best-selling author Charles W. Gordon, known to his readers under the pseudonym of Ralph Connor (1830-1937): The Major (1917) and The Sky Pilot in No Man’s Land (1919). At the age of fifty-four, Connor was sent to the front as a preacher; only a fourth of his battalion survived, which made his determined to support the cause of the Empire in North America. His sentimental romances were written to support the war effort (The Major) or consolidate the myth of Canada’s valorous sacrifice in ...
Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist,
2017
The Graduate Center, City University of New York
Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green
All Graduate Works by Year: Dissertations, Theses, and Capstone Projects
Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success ...
Fashioning A Feeble Mind: Cognitive Disability In American Fiction, 1830-1940,
2017
Lawrence University
Fashioning A Feeble Mind: Cognitive Disability In American Fiction, 1830-1940, Lucy Wallitsch
Lawrence University Honors Projects
Between 1830 and 1940, American fiction is populated by an increasing number of cognitively disabled characters. I explore the relationships between these cognitively disabled characters and the rapidly changing scientific and political environments in which they were created. Drawing on a variety of regionally specific primary sources, I analyze the influences of medical and social conceptions of cognitive disability on works of American fiction containing characters which fit historical labels for cognitive disability such as The Deerslayer, “Life in the Iron Mills,” the short stories of Mary E. Wilkins Freeman, The Sound and the Fury, and Of Mice and Men ...
Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction,
2017
Seton Hall University
Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction, Isabel C. Henao
Seton Hall University Dissertations and Theses (ETDs)
Gabriel García Márquez establishes the importance of identity, names, and narrative in order to highlight the importance of recognizing the past for a country that has allowed history to be rewritten and, as a result, forgotten. Márquez writes about what happens to a character with no history, for whom it then becomes imperative that the other characters orchestrate a narrative, thereby allowing Márquez to critique the neocolonialism and imperialism that occurred in Colombia. This strategy can be seen in several of his most well-known works—the short stories “A Very Old Man With Enormous Wings” and “The Handsomest Drowned Man ...
Jerry-Rigged Salvation,
2017
Ouachita Baptist University
Jerry-Rigged Salvation, John Sivils
English Class Publications
This paper examines the anagogical meaning of certain objects in three of Flannery O'Connor's stories, and then proposes how those meanings nuance narrative themes.
Flannery's "Daunting Grace": O'Connor's Nuanced Portrayals Of Disability,
2017
Ouachita Baptist University
Flannery's "Daunting Grace": O'Connor's Nuanced Portrayals Of Disability, Joanna Horton
English Class Publications
Throughout O'Connor's fiction, we see characters who are marked by suffering or disability. It is tempting to analyze those disabled characters purely as symbols. However, if we understand O'Connors conception of suffering as an experience which prepares us for grace, we may discern which characters receive grace through suffering and which refuse to recognize their need.
"Unsex Me Here": A Queer Reading Of Faith In O'Connor,
2017
Ouachita Baptist University
"Unsex Me Here": A Queer Reading Of Faith In O'Connor, Shelby Spears
English Class Publications
In this essay, the author examines the O'Connor stories "The Life You Save may be Your Own," "The Comports of Home," and "A Temple of the Holy Ghost" from a queer perspective using psycho-biographical evidence.
Truer Than Fiction: Flannery O'Connor's Fictional Fathers,
2017
Ouachita Baptist University
Truer Than Fiction: Flannery O'Connor's Fictional Fathers, Addison Crow
English Class Publications
Flannery O’Connor grew up with a loving and supportive father, so it is perplexing that she fills her stories with fathers who portray the opposite. O’Connor’s fictional fathers, when they are included in the story, are controlling, harsh, and malicious—the complete opposite of her father, Edward O’Connor. Why would O’Connor create fathers whose image so intensely contrast that of her own supportive, gentle, and loving father? My purpose in this paper is to examine O’Connor’s fictional fathers in her short stories, “The Artificial N” and “The Comforts of Home,” and her novel ...
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen,
2017
Cleveland State University
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
The Downtown Review
While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely ...
“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom,
2017
CUNY Hunter College
“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno
School of Arts & Sciences Theses
Running a Thousand Miles for Freedom unapologetically challenges traditional nineteenth-century notions of race and gender by way of its treatment of spectacle, anecdotal use, and assertion of authorial choices that contradict the expectations of a white abolitionist audience. Its most challenging feature is what I will call Ellen’s “curated identity.”
Locating Place And Landscape In Early Insular Literature,
2017
Harvard University/Centenary University
Locating Place And Landscape In Early Insular Literature, A. Joseph Mcmullen, Kristen Carella
Journal of Literary Onomastics
No abstract.
The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams,
2017
East Tennessee State University
The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams, Chelsea Nicole Gilbert
Electronic Theses and Dissertations
This thesis aims to explore the theme of isolation in the dramatic works of Tennessee Williams using his essay “The Catastrophe of Success” as the base theory text. The essay attacks the American idea of success though an in-depth examination of the “Cinderella myth” that Williams claims is so prevalent in both Hollywood and American Democracy. Williams’ deconstruction of this myth reveals that America’s love for stories like it results the isolation of three groups: homosexuals, women and the physically disabled and terminally ill. Williams passes no judgment on his characters, instead showing their lives as they truly are ...
A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist,
2017
University of Nebraska-Lincoln
A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer
Dissertations, Theses, and Student Research: Department of English
This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These female journalist ...
Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop,
2017
University of Nebraska-Lincoln
Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert
Dissertations, Theses, and Student Research: Department of English
Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world ...
The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man,
2017
University of Nebraska-Lincoln
The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man, Dillon Rockrohr
Dissertations, Theses, and Student Research: Department of English
Falling Man by Don DeLillo casts the event of 9/11 and its aftermath in such a way that the novel itself enacts an aesthetic terror aimed at explicating the ubiquitous social-atmospheric elements of community- and identity-formation out of which terror precipitates. As DeLillo figures terrorism in the novel as apocalyptic in that it is a violence that reveals the violence constitutive of political community, including the political community of liberal democracy, which ostensibly relegates violence to domains not considered legitimately political. DeLillo’s novel, as an act of aesthetic terrorism, not only thematizes the instantiation of terror that precipitates ...
Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl.,
2017
University of Louisville
Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley
College of Arts & Sciences Senior Honors Theses
This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary ...
Vonnegut's Composite Work : The Importance Of Illustration In Breakfast Of Champions.,
2017
University of Louisville
Vonnegut's Composite Work : The Importance Of Illustration In Breakfast Of Champions., Blake Schreiner
College of Arts & Sciences Senior Honors Theses
This paper examines Kurt Vonnegut's 1973 novel, Breakfast of Champions, in the context of word-image theory and multimedia publication. Drawing from the critical discourse surrounding the illuminated manuscripts of William Blake, the paper discusses Vonnegut's experimentation with a "composite" work and re-evaluates the significance of the novel in light of this innovation.
Queer Affect In T.S. Eliot's Early Poetry,
2017
University of Tennessee, Knoxville
Queer Affect In T.S. Eliot's Early Poetry, Michael Houle
University of Tennessee Honors Thesis Projects
No abstract provided.
The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood",
2017
Ouachita Baptist University
The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong
English Class Publications
While some authors start writing their novels with a full outline in mind, Flannery O’Connor’s first novel, Wise Blood, began with a short story written for the Writers’ Workshop at Iowa State in December 1946. This short story, titled “The Train,” was inspired when O’Connor was on a train going home for Christmas. She recalls, “‘There was a Tennessee boy on it in uniform who was much taken up worrying the porter about how the berths were made up” (qtd in Gooch 134). Then, O’Connor wrote Wise Blood’s larger story as a part of her ...
