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The Early History Of "Why Should We Idly Waste Our Prime", 2018 Selected Works

The Early History Of "Why Should We Idly Waste Our Prime"

Patrick Scott

Discusses varying editorial opinions on the origin and authorship of the radical song, "Why Should We Idly Waste Our Prime," first included in a Burns edition in the 1830s, and undertakes textual comparison between a number of versions of the song printed in the mid-1790s and later, in London, Belfast, and Newcastle, to suggest the ways in which such songs might be adapted and modified to fit changing political circumstances. Current version an unedited prepublication text, not in final form or with pagination.


Where The Weather Comes From, Morgan Vanek 2018 University of Calgary

Where The Weather Comes From, Morgan Vanek

The Goose

When Andreas Malm observed that “not even the weather belongs fully to the moment,” he was looking forward from 2016, considering the cumulative impact of present emissions on “generations not yet born.” The reverse is also true: present storms have their origins in past consumption. Up to this point, though, analysis of how human activity will intensify future weather has focused on change in a limited set of quantifiable conditions, like precipitation and temperature – and in this respect, too, the weather of the present is the weather of the past. Both this set of variables and its status as the ...


Covetousness In Book 5 Of Confessio Amantis: A Medieval Precursor To Neoliberalism, Jeffery G. Stoyanoff 2018 Spring Hill College

Covetousness In Book 5 Of Confessio Amantis: A Medieval Precursor To Neoliberalism, Jeffery G. Stoyanoff

Accessus

In Book 5 of John Gower’s Confessio Amantis, Genius’s extended discussion of Covetousness demonstrates how this subtype of Avarice leads to the ruin of the networks of collectives that make up society. Interestingly, the process by which Covetousness damages the collectives that make up these networks looks a lot like the neoliberalism that has come to dominate a number of governments in the twentieth and twenty-first centuries. Gower’s tales trace the spread of this sin from the top of society to the bottom; from the highly public to the intimately personal. In all scenarios, Covetousness is a ...


Agnotologies Of Modernism: Knowing The Unknown In Lewis, Woolf, Pound, And Joyce, Jeremy Colangelo 2018 The University of Western Ontario

Agnotologies Of Modernism: Knowing The Unknown In Lewis, Woolf, Pound, And Joyce, Jeremy Colangelo

Electronic Thesis and Dissertation Repository

Agnotologies of Modernism examines the productive role of ignorance in the work of several key modernist authors. Borrowing concepts from speculative realist philosophers like Quentin Meillassoux, Graham Harman, and Jane Bennett, as well as such thinkers as Gilles Deleuze, and Jacques Derrida, the dissertation endeavors to read modernism epistemologically, and treats ignorance as an active and creative force that often plays a key structuring role in the imaginative world of the text. Drawing from Bruno Latour’s notion of a “black box,” the study shows how ignorance can be transposed into an ontological entity which can then be attributed positive ...


“Dyrne Langað”: Secret Longing And Homo-Amory In Beowulf And J.R.R. Tolkien’S The Lord Of The Rings, Christopher Vaccaro 2018 University of Vermont

“Dyrne Langað”: Secret Longing And Homo-Amory In Beowulf And J.R.R. Tolkien’S The Lord Of The Rings, Christopher Vaccaro

Journal of Tolkien Research

“‘Dyrne Langað’: Secret Longing and Homo-amory in Beowulf and J.R.R. Tolkien’s The Lord of the Rings” investigates the close “homoamorous” relationship between Frodo and Samwise, employing a close reading of select passages from the eighth-century English poem, Beowulf. The argument begins with a clarification of terms. Afterwards, it focuses upon the cruces related to a key scene involving Beowulf’s departure and compares the intensity of the unspoken love Hroðgar has for Beowulf to the love Sam has for Frodo at the Grey Havens. Ultimately, the essay argues for a new way of reading both departure scenes.


Thinking Continental: Writing The Planet One Place At A Time By Tom Lynch, Susan Naramore Maher, Drucilla Wall, And O. Alan Weltzien, Cory Willard 2018 University of Nebraska-Lincoln

Thinking Continental: Writing The Planet One Place At A Time By Tom Lynch, Susan Naramore Maher, Drucilla Wall, And O. Alan Weltzien, Cory Willard

The Goose

Review of Thinking Continental: Writing the Planet One Place at a Time by Tom Lynch, Susan Naramore Maher, Drucilla Wall, and O. Alan Weltzien, eds.


Perma/Culture: Imagining Alternatives In An Age Of Crisis By Molly Wallace And David Carruthers, Bryant Scott 2018 University of Miami

Perma/Culture: Imagining Alternatives In An Age Of Crisis By Molly Wallace And David Carruthers, Bryant Scott

The Goose

Review of Molly Wallace and David Carruthers' Perma/Culture: Imagining Alternatives in an Age of Crisis.


On The Fringes: The Monsters, The Voiceless, The Abominations, And The Exiled, Virginia Davis Wyeth 2018 Bowling Green State University

On The Fringes: The Monsters, The Voiceless, The Abominations, And The Exiled, Virginia Davis Wyeth

Master of Arts in English Plan II Graduate Projects

Peripheral characters/characteristics frequently serve to highlight the problematic societal situation of marginalized groups, even though these characters on the fringes of the text or main characters with unusual attributes are seemingly irrelevant to the primary plot. This portfolio examines, through a teaching unit, the monster archetype and its representation as a means to suppress Other or other within ourselves. The literary analysis pieces also examine the repression of historically marginalized groups, such as women, homosexuals, and children. And the last piece even takes a look at what happens when powerful groups are usurped by socio-economic and cultural shifts.


Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr. 2018 Texas A&M University-Commerce

Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.

Journal of Tolkien Research

This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so ...


Book Review: Of Deeper Magic: The Theology Behind The Writings Of C.S. Lewis. By Donald T. Williams., Phillip Fitzsimmons Mr. 2018 Southwestern Oklahoma State University

Book Review: Of Deeper Magic: The Theology Behind The Writings Of C.S. Lewis. By Donald T. Williams., Phillip Fitzsimmons Mr.

Faculty Articles & Research

Deeper Magic: The Theology Behind the Writings of C.S. Lewis is both exciting and engaging in its exploration of Christian thought in general and Christian themes in particular, found in the fictional and nonfictional works of C.S. Lewis. This book would sit comfortably on the shelf with other first-rate Evangelical Christian interpretations of the works of individual Inklings, such as Ralph Wood’s The Gospel According to Tolkien: Visions of the Kingdom in Middle-Earth or the works of Matthew Dickerson including his Narnia and the Fields of Arbol: The Environmental Vision of C.S. Lewis. Like the authors ...


British Literature Ii: Romantic Era To The Twentieth Century And Beyond, Bonnie J. Robinson 2018 University of North Georgia

British Literature Ii: Romantic Era To The Twentieth Century And Beyond, Bonnie J. Robinson

English Open Textbooks

The University of North Georgia Press and Affordable Learning Georgia bring you British Literature II: Romantic Era to the Twentieth Century and Beyond.

Featuring 37 authors and full texts of their works, the selections in this open anthology represent the literature developed within and developing through their respective eras. This completely-open anthology will connect students to the conversation of literature that has captivated readers in the past and still holds us now.

Features:

  • Contextualizing introductions to the Romantic era; the Victorian era; and the Twentieth Century and beyond
  • Over 90 historical images
  • In-depth biographies of each author
  • Instructional Design features ...


Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin DiIorio 2018 Pace University

Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin Diiorio

Honors College Theses

This research is a close look at the methods of grief as depicted by the children who lose their fathers in William Shakespeare's classic Hamlet.. The goal is to track each child's reaction to the sudden bereavement in a variety of physical and emotional manifestations. This has been done by first examining current literature on the text, followed by a review of historical context of the period in which the play was written, and finally analyzing each character's behavior. In doing so, this research seeks to highlight the importance of the presence of fathers within Hamlet and ...


Who Is Tom Bombadil?: Interpreting The Light In Frodo Baggins And Tom Bombadil's Role In The Healing Of Traumatic Memory In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal PhD 2018 University of La Verne

Who Is Tom Bombadil?: Interpreting The Light In Frodo Baggins And Tom Bombadil's Role In The Healing Of Traumatic Memory In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In Rivendell, after Frodo has been attacked by Ringwraiths and is healing from the removal of the splinter from a Morgul-blade that had been making its way toward his heart, Gandalf regards Frodo and contemplates a “clear light” that is visible through Frodo to “eyes to see that can.” Samwise Gamgee later sees this light in Frodo when Frodo is resting in Ithilien. The first half of this essay considers questions about this light: how does Frodo become transparent, and why, and what is the nature of the light that fills him? As recourse to Tolkien’s letters shows, the ...


New Wine In Old Kings: British Wine Bottle Names And The Old Testament, Steven W. Holloway 2018 James Madison University

New Wine In Old Kings: British Wine Bottle Names And The Old Testament, Steven W. Holloway

Steven W Holloway

No abstract provided.


Biblical Assyria And Other Anxieties In The British Empire, Steven W. Holloway 2018 James Madison University

Biblical Assyria And Other Anxieties In The British Empire, Steven W. Holloway

Steven W Holloway

The successful “invasion” of ancient Mesopotamia by explorers in the pay of the British Museum Trustees resulted in best-selling publications, a treasure-trove of Assyrian antiquities for display purposes and scholarly excavation, and a remarkable boost to the quest for confirmation of the literal truth of the Bible. The public registered its delight with the findings through the turnstyle- twirling appeal of the British Museum exhibits, and a series of appropriations of Assyrian art motifs and narratives in popular culture - jewelry, bookends, clocks, fine arts, theater productions, and a walk-through Assyrian palace among other period mansions at the Sydenham Crystal Palace ...


Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway 2018 James Madison University

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection ...


Double/Cross: Erasure In Theory And Poetry, John Nyman 2018 The University of Western Ontario

Double/Cross: Erasure In Theory And Poetry, John Nyman

Electronic Thesis and Dissertation Repository

This dissertation investigates the implications of overt textual erasure on literary and philosophical meaning, especially with reference to the poststructuralist phenomenological tradition culminating in the work of Jacques Derrida. Responding both to the emergence of “erasure poetry” as a recognizable genre of experimental literature and to the relative paucity of serious scholarship on Derrida’s “writing under erasure,” I focus on twentieth- and twenty-first-century literary and philosophical works in which visible evidence of erasure is an intended component of the finished (i.e., printed and disseminated) document. Erasure, I argue, performs a complex doubling or double/crossing of meaning according ...


Iago The Moor Killer: The Geo-Political Context Behind Shakespeare's Othello, Elisha A. Hamlin 2018 Seattle Pacific University

Iago The Moor Killer: The Geo-Political Context Behind Shakespeare's Othello, Elisha A. Hamlin

Honors Projects

Shakespeare’s Othello is often viewed as an example of seventeenth century Renaissance binaries. Critics make distinctions when reading the play between hero and villain, Moors and Europeans, and between civilization and barbarity. These definitions are all complicated by Iago’s presence in the play. Iago, whose name implies he is actually a Spaniard, frames the play in a geo-political context. Because of Iago’s presence, Othello provides a picture of England’s position in the seventeenth century geo-political climate. Shakespeare is giving his English audience a particular political message.


"Our Shouts Echoed In The Silent Street": Paralysis, Symbol, And Implication In James Joyce's "Araby", Luke R. Farquhar 2018 Seattle Pacific University

"Our Shouts Echoed In The Silent Street": Paralysis, Symbol, And Implication In James Joyce's "Araby", Luke R. Farquhar

Honors Projects

Critics, scholars, and readers commonly use paralysis as a means of interpreting James Joyce’s Dubliners. However, paralysis is ambiguously defined and can have a vague connection to the actual stories. This paper puts forward an interpretation of paralysis, that paralysis is a failed attempt at filling spiritual absence with presence. In order to examine our definition more fully, we then explore occurrences of absence and presence in James Joyce’s “Araby.” “Araby” depicts absence as a decaying, draining, and oppressive home existence, and it finds presence in romantic or mythic symbol. The illusory, nonexistent, and insufficient nature of these ...


Desire In The Bildungsroman: Construction And Pursuit Of An Ideal Self Through The Ideal Other, Ethan Watson 2018 Union College

Desire In The Bildungsroman: Construction And Pursuit Of An Ideal Self Through The Ideal Other, Ethan Watson

Honors Theses

The Bildungsroman, or “novel of education,” has remained popular since Johann Wolfgang von Goethe’s Wilhelm Meister’s Apprenticeship. I examine this novel, as well as Charles Dickens’s Great Expectations, and Walter Moers’s Rumo & His Miraculous Adventures, focusing specifically on the relationships between the three male protagonists and the women that they encounter throughout their lives. Using the theories of psychoanalyst Jacques Lacan, literary critic René Girard, and feminist philosopher Judith Butler, I draw parallels between and contribute to the scholarly conversation of all three works (or in the case of Moers's recent fantasy, Rumo, begin the critical conversation). All three protagonists mirror the women that they encounter, creating visions of ideal selves that they strive to become. The characters’ progress and relationships, though different, all exemplify Lacan’s Mirror Stage theory, as well as the theories of desire in Girard and Butler; the latter two theories take Lacan’s ideas further and contribute to my comparison of characteristics in these three coming of age novels. I argue that, no matter the length of their journey or the final results of their relationships, successfully completing the Mirror Stage leads the protagonists to become their ideal selves


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