A Living Faith: Christianity’S Pre-Constantine Survival,
2020
Xavier University, Cincinnati, OH
A Living Faith: Christianity’S Pre-Constantine Survival, Derek Allen Seifert
Honors Bachelor of Arts
Précis
In my thesis, I argue that the beliefs and practices of Christianity helped it to not only coexist with but survive beyond the cults that were prevalent and more established. To demonstrate this, I compare Christianity with said cults. In my first chapter, I examine three mystery cults, looking at the factors that gave them their popularity. In the second chapter, I discuss Christianity. Citing authors such as Tacitus and Pliny, I reveal the ill reception given to Christianity. I then use sources, such as Saint Justin Martyr, Saint Cyprian, and Saint Dionysius, to explain what exactly Christians believed ...
The Impact Of Ancient Doctor-Patient Relationship Standards On Modern Bedside Manner,
2020
Xavier University, Cincinnati, OH
The Impact Of Ancient Doctor-Patient Relationship Standards On Modern Bedside Manner, James P. Stebbins
Honors Bachelor of Arts
Precis
An examination of the oaths surrounding the doctor-patient relationships in the healthcare systems of antiquity, as well as those of the early Medieval period and modernity, reveals that the modern concept of bedside manner is one with roots throughout history, and has changed according to the predominant religion of the time. This is done by comparing the oaths taken by physicians across these periods, and examining how they outline the tenets of the relationship between a patient and their healthcare provider. I also provide examples of religious beliefs and how they interact with medical practice to show how bedside ...
On A Defense Of Democracy: How Roman Delatores And Emperors Dismantled Libertas And Established The Principate In The Early Roman Empire,
2020
Xavier University, Cincinnati, OH
On A Defense Of Democracy: How Roman Delatores And Emperors Dismantled Libertas And Established The Principate In The Early Roman Empire, Justin R. Scott
Honors Bachelor of Arts
Precis
My thesis argues that the delatores’ legal and political actions restricted political freedom and cemented a shift in authority from the Roman Senate to the Roman Emperor. This thesis utilizes primary works from Cicero, Dio, Pliny the Younger, Quintilian, Suetonius, and works from Tacitus, that had lived under the times when the delatores held the most power and influence over Rome. I also include secondary scholarship about how historians have understood the impact of the delatores on the Roman political and legal systems, all of which explain who the delatores were and how they impacted Roman society after the ...
The Feminine Renaissance: Examining The Implications Of Disegno,
2020
Lindenwood University
The Feminine Renaissance: Examining The Implications Of Disegno, Kim Pokorny
Theses
This paper analyzes the concept of disegno in its effect on the success of the female artist in the early modern era. Achieving disegno effectively meant that an artist had reached a renowned level of intelligence and artistic mastery. Formulating this principle in one's art was taught in studios and academies by use of gradual monitored practice and the study of the human figure. Disegno elevated the social status of the artist, as wealthy patrons understood the talent behind the work of an artist that could display it in their paintings. As women were not admitted into most academies ...
Building Her Own Brand: Angelica Kauffman And Angelic Entrepreneurship,
2020
Lindenwood University
Building Her Own Brand: Angelica Kauffman And Angelic Entrepreneurship, Katelyn Beach
Theses
This thesis focuses on Angelica Kauffman’s efforts to create an artistic brand during her time in Great Britain. While a creative entrepreneur is a contemporary idea, Kauffman made conscious decisions regarding her art and its use on various mediums. Her feminine figures and stylization became a popular aesthetic in Georgian England on paintings, prints, and other decorative schemes. Her decisions to implement the latest technologies as well as develop relationships with British engravers allowed her to take advantage of a growing art market and culture in Britain and create her own brand.
Gender And Fluid: A Reconsideration Of The Stain In The Painting Of Helen Frankenthaler,
2020
Lindenwood University
Gender And Fluid: A Reconsideration Of The Stain In The Painting Of Helen Frankenthaler, Michael F. Hogan
Theses
This paper explores the stain technique of Helen Frankenthaler through a reconsideration of its novelty and innovation. Recent scholarship has assessed the technique and its critical acceptance through a primarily feminist lens, focused on either assessment of the gendered language utilized by critics or application of a uniquely feminist approach in determining its meaning. The singular focus applied in recent criticism is consistent with past approaches that have typically isolated a particular methodology – formalistic, technical, comparative, or historical – to the exclusion of broader consideration of other methodologies. Moreover, prior critical efforts frequently limited analytical consideration to her groundbreaking work Mountains ...
Virtual Reality Of Underwater Nessebar,
2020
DePauw University
Virtual Reality Of Underwater Nessebar, Caleb O'Brien
Honor Scholar Theses
No abstract provided.
Gems Of Gods And Mortals: The Changing Symbolism Of Pearls Throughout The Roman Empire,
2020
Savannah College of Art and Design
Gems Of Gods And Mortals: The Changing Symbolism Of Pearls Throughout The Roman Empire, Emily Hallman
Armstrong Undergraduate Journal of History
Born in the wombs of shells and polished by mother nature herself, pearls were regarded as gifts from the gods. For millennia, the creation of pearls was credited to the tears of heavenly creatures or the formation of sun-touched dewdrops. Countless civilizations, both Western and Non-Western, have their own myths and legends surrounding the pearl, a mark of their mysterious allure. The artform of jewelry, favored by the Roman aristocracy, took advantage of naturally perfected pearls to create stunning pieces with staggering prices. The pearl’s meaning evolved throughout the Roman Empire and into Early Christian Rome, setting up a ...
Anni Albers: From Bauhaus To Black Mountain,
2020
University of South Carolina
Anni Albers: From Bauhaus To Black Mountain, Kellen Rosslie Ledford
Theses and Dissertations
The topic of this thesis is the relationship between the artistic career of Anni Albers and her time spent at Black Mountain College. To give an accurate display of the impact that the school had on both her personal and professional life, the first chapter of this paper is dedicated to Albers’ biography prior to Black Mountain College. It discusses her upbringing and the years she spent at the Bauhaus, where her weaving career began. The weavings produced during this period will also be analyzed to provide the reader with an understanding of how Anni Albers’ time at Black Mountain ...
What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt,
2020
Universität zu Köln
What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt, Barbara Köstner
Egyptian textiles and their production: ‘word’ and ‘object’
Silk samites from Late Roman and Early Medieval Egypt are well-known objects in museum collections all over the world. One group of fragments, the so-called Akhmim silks, show a mechanically repeated floral pattern. More than 100 examples with this design are known; the fragments bear striking similarities in design and technique. Were they woven in the same workshop? If all or at least a large number of pieces could be traced back to several batches of production, this would lead to further insights concerning the economics of early silk weaving. A detailed analysis of two exemplary pieces reveals features that ...
How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης,
2020
Kassel University
How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης, Kerstin Droß-Krüpe
Egyptian textiles and their production: ‘word’ and ‘object’
For almost the last 100 years, various ancient historians have suggested that organisations comparable to the “putting- out” system existed in the Roman Imperial period. They are most commonly believed to have occurred in textile production. As early as 1913, Theodor Reil assumed that the production of textiles in Roman Egypt was organised through the putting-out system. This idea can subsequently be traced through more than a century to recent publications. However, as this assumption is rarely based on genuine source material, it seems appropriate to get to the bottom of this hypothesis. In this context, special attention will also ...
Conclusion: Egyptian Textiles And Their Production,
2020
Centre National de la Recherche Scientifique
Conclusion: Egyptian Textiles And Their Production, Dominique Cardon
Egyptian textiles and their production: ‘word’ and ‘object’
This book, “Egyptian textiles and their production: ‘word’ and ‘object’ (Hellenistic, Roman and Byzantine periods)” is both very useful and… frustrating. Indeed, all volumes of transactions of a scientific symposium are bound to be so, since research is a never-ending story. However, this is particularly true of textile research, which involves so many different approaches. Most of the relevant scientific domains are represented in this volume. There is a good combination of several reports on new research – recently studied archaeological textiles and iconographic documents on weaving – with attempts at syntheses of available evidence, both archaeological and textual, alongside useful critical ...
Reconstruction Of A Deconstructed Tunic,
2020
University of Copenhagen, Saxo Institute
Reconstruction Of A Deconstructed Tunic, Anne Kwaspen
Egyptian textiles and their production: ‘word’ and ‘object’
Tunics of the 1st millennium AD can be classified into two main groups according to the direction of the warp in the finished tunic. The first group of tunics has horizontal warp threads in the finished tunic. This means that the cloth as it is worn is rotated 90° from the weave direction on the loom. In the second group of tunics the warp runs vertically in the finished tunic. Each group of tunics has their typical technological features and finishing methods, with additional distinctions between wool and linen tunics. This article focuses on the study of a tunic belonging ...
Textile Production In The Papyri: The Case Of Private Request Letters,
2020
University of Athens
Textile Production In The Papyri: The Case Of Private Request Letters, Aikaterini Koroli
Egyptian textiles and their production: ‘word’ and ‘object’
Throughout the “papyrological millennium”, that is from the 3rd century BC to the 8th century AD, both administrative and private life in Egypt were largely based on letters. Apart from oral communication, letter writing, mostly on papyri and ostraca, was the only available form of communication for the inhabitants of the land of Nile when they needed to get in touch and exchange information with people who did not live in their immediate surroundings. Papyrus letters, written by and sent to private, ordinary people and not to the authorities, composed in the Greek vernacular and intended to fulfill a wide ...
Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad,
2020
Manchester Metropolitan University
Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad, Jennifer Cromwell
Egyptian textiles and their production: ‘word’ and ‘object’
Ancient Kellis, modern Ismant el-Kharab is located in Dakhleh Oasis in Egypt’s Western Desert. The main occupation of the village was from the early to late Roman period (late 1st century to the beginning of the 5th century AD). Excavated as part of the Dakhleh Oasis Project, the site has revealed textual and archaeological evidence from which a detailed picture of life can be painted. To date, the main publications of the village’s finds have focussed on the textual remains, of literary and documentary texts in Coptic, Greek, and Syriac.1 A comparable publication of the archaeological evidence ...
Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods),
2020
University of Copenhagen
Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert
Egyptian textiles and their production: ‘word’ and ‘object’
Covers
Dedication
Contents
Introduction by Maria Mossakowska-Gaubert
Contributors
A New Kind Of Loom In Early Roman Egypt? How Iconography Could Explain (Or Not) Papyrological Evidence,
2020
University of Copenhagen
A New Kind Of Loom In Early Roman Egypt? How Iconography Could Explain (Or Not) Papyrological Evidence, Maria Mossakowska-Gaubert
Egyptian textiles and their production: ‘word’ and ‘object’
The question of the different kinds of loom used in ancient Egypt is one of the most crucial issues to understanding the evolution of textile production and its technological development in the Nile Valley. However, sources concerning looms (archaeological, iconographic and written) from the Pharaonic era until the Arab medieval period are meagre, and many research questions remain open. This article is an attempt at a new interpretation of some evidence, particularly iconographic and papyrological, which could add new data to the study of weaving looms used in Egypt of the early Roman period (1st–2nd century AD).
Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence,
2020
German Archaeological Institute (DAI), Cairo
Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence, Johanna Sigl
Egyptian textiles and their production: ‘word’ and ‘object’
In discussions on the development of weaving technology, specifically treadle looms in the Mediterranean area, Egypt is often referred to as one of the earliest countries in which people used foot-powered looms for producing cloth. It is thought to have been in regular use in the production of cloth as early as the second half of the 1st millennium AD. This belief is built on results from excavations undertaken during the early 20th century by the Egypt Exploration Fund at the hill of Sheikh Abd el-Qurna in Luxor, as well as on textile studies. Unfortunately, none of the postulated looms ...
Tackling The Technical History Of The Textiles Of El-Deir, Kharga Oasis, The Western Desert Of Egypt,
2020
Limoges University
Tackling The Technical History Of The Textiles Of El-Deir, Kharga Oasis, The Western Desert Of Egypt, Fleur Letellier-Willemin
Egyptian textiles and their production: ‘word’ and ‘object’
The site of El-Deir is situated north of Kharga in the “Great Oasis” of the Egyptian Western Desert (fig. 1). The site was occupied between the 6th century BC and the 6th century AD. A complex history emerged with the influence of many cultures: Persian, Greek, Roman and early Christian. Archaeological finds in both El-Deir and the oasis itself (the site of Dush and the temple of Darius in Hibis, a city north of Kharga) confirm that the Great Oasis was a wealthy region. This is also substantiated by texts from Ain Manawir and Dakhleh. The presence of an artesian ...
Ancient Greek Dyeing: A Terminological Approach,
2020
Lund University, Sweden
Ancient Greek Dyeing: A Terminological Approach, Peder Flemestad
Egyptian textiles and their production: ‘word’ and ‘object’
The Oxford English Dictionary defines dyeing as: “to impregnate (any tissue or the like) with a colour, to fix a colour in the substance of, or to change the hue of by a colouring matter”. In ancient Greek this operation is in general expressed by the verb βάπτειν, but the process of dyeing could be designated by a multitude of other terms. The following contribution provides an overview of the extensive ancient Greek terminology for the action of dyeing. The focus therefore lies primarily on the verbs designating the dyeing process itself, while wider dye terminology is only occasionally touched ...
