The Unwelcome Guest: Envy And Shame Materialized In A Roman Villa, 2021 Binghamton University--SUNY
The Unwelcome Guest: Envy And Shame Materialized In A Roman Villa, Andrew Scholtz
Middle Eastern and Ancient Mediterranean Studies (MEAMS) Faculty Scholarship
A third-century C.E. inscribed mosaic from Skala, on the Greek island of Kefallonia, has greatly expanded our knowledge of envy’s evil eye in the Roman Mediterranean. Yet its inscription has not drawn the attention it deserves. Paying heed to the literary, affective, and material dimensions of this and other mosaic texts, I explore how the Skala poem, in tandem with the imagery it accompanies, mediates encounters between guest, host, and house. In so doing, it forms part of a decorative program materializing envy as actor in a drama celebrating a householder’s fortune while exposing the envious to ...
1. Northeast Insulae Project: Context And Analysis, 2021 Concordia University, St. Paul
1. Northeast Insulae Project: Context And Analysis, Mark Schuler
The Final Report
This book places the excavation of the northeast insulae at Hippos of the Decapolis, into its historical context, summarizes the archaeological findings, and posits that the site was an urban monastery centered around a healing cult that grew from the veneration of a revered woman and became a monastic infirmary also employing herbals to relieve the suffering in the larger community.
Empire, Autochthony, And Identity In Fifth-Century Athens, 2021 Kennesaw State University
Empire, Autochthony, And Identity In Fifth-Century Athens
Symposium of Student Scholars
The fifth-century BCE is a period of Athenian history that is bookended by conflict. It began with the Persian Wars, which established Athens as a major power and gave them claim to their empire. The period ended with the Peloponnesian War, which resulted in the defeat of Athens and the end of their imperial reign. The fifth-century was a period of unprecedented cultural, political, and ideological development, and is one of the most important periods in all of Greek history. Despite the various developments that occurred in the fifth-century, most of the scholarship on fifth-century Athens is concerned with the ...
Excavations At North Field Poster, 2021 Western University
Excavations At North Field Poster, Sydney G. Durham
Undergraduate Student Research Internships Conference
Ongoing excavations of the North Field,Vindolanda site reveal fascinating results about the military occupation of early Roman-Britain. Features of the industrial complex (kiln and dryers), ash and smoke pits, ditch cuts, and artifacts of tools, ceramics and everyday objects help archaeologists contextualize military life and production here at the North Field. The excavation of three early shallow cut ditches between 2010-2014 reinforce that the site hadprolonged occupation and use of the fort pre-dated the main site’s earliest date of 85 AD, possibly for construction and/or defensive purposes. The excavation of the later small and large kiln/dryer ...
The Changing Role Of The French Court As Seen In Medieval Millefleurs Tapestry, 2021 Lindenwood University
The Changing Role Of The French Court As Seen In Medieval Millefleurs Tapestry, Kelsey Cook
Amongst the chaos of war, plague, and death of the Middle Ages in France, there remained a seemingly untouched class of people: the nobility. These courtesans, although living in the lap of luxury, were not exempt from the anxieties of the time. The Hundred Years’ War left France in a constant state of unrest between the 1300s and 1400s, causing the elite to fall in and out of favor continuously. The price of luxury, it seemed, changed with each political shift. When studying the art made by and for these aristocrats, it becomes apparent that there are veiled indications of ...
Byzantine And Islamic Influences On The Art And Architecture Of The Basilica Di San Marco In Venice, 2021 Lindenwood University
Byzantine And Islamic Influences On The Art And Architecture Of The Basilica Di San Marco In Venice, Suzie Hanny
More than any other building in Venice, the Basilica di San Marco (figure 1) incorporates many Byzantine and Islamic architectural, artistic, and design elements. These stylistic elements were not only intended to glorify God but to promote the Venetian Republic’s political and religious ideologies. The Venetian Republic held the belief that it was divinely ordained to be the rulers of the Adriatic. It was no coincidence that the founding of Venice is said to have occurred on March 25th, the feast day of the Annunciation of the Virgin Mary. While there are no surviving records of this, Venice ...
Towers Of Mystery: The Iron Age Broch Towers Of Atlantic Scotland, 2021 Dickinson College
Towers Of Mystery: The Iron Age Broch Towers Of Atlantic Scotland, James Bruce Norton
Student Honors Theses By Year
Iron Age broch towers in Atlantic Scotland have been the focus of archaeological studies for centuries. Much of the evidence gathered about brochs comes from excavations from before the creation of modern archaeological standards, leading many scholars to rely on entrenched perceptions and the limited amount of recently generated evidence. Most studies focus primarily on architectural evidence, often leaving out the material culture documented in early reports. This paper reviews twelve reports on brochs in four regions from a range of time periods, reevaluating their artifactual finds and their relation to the occupants’ use of the brochs. When compared to ...
Satyr Imagery On Greek Wine Vessels: Simple Depiction Of Religious Narrative Or Symbolic Message Of Moderation?, Natalie Grace Ginez
Student Honors Theses By Year
In this thesis, I research the prevalence of satyr images on two types of ancient Greek vessels: kraters (used to dilute wine) and wine cups (kylikes). Building upon the historical significance of the satyr figure in ancient Greek culture, I develop an argument about the evolution of the satyr symbol in light of the theories of Clifford Geertz, Victor Turner and Edward Alsworth Ross. The artifact data I collect from the Beazley Archive Pottery Database, which I then graph and analyze, reveals an increase in the percentage of satyr images appearing on kraters and cups at the beginning of the ...
Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, 2021 University of Mississippi
Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, Rowan Murry
In this thesis, I explore the impact of Greco-Roman pagan motifs as well as women leaders and officials on the development of Early Christian art by analyzing catacomb paintings, sarcophagi, and minor arts such as finger rings and carved gemstones. I also discuss surviving primary sources written by Tertullian, Eusebius, St. Jerome, and Clement of Alexandria, to gain a better understanding of anti-art views in the first few centuries of the Church’s rise to power. These anti-art sentiments were often rooted in attempts to disassociate themselves from pagan practices while Early Christian art was emerging amongst the lower classes ...
Fine Roman Dining At Affordable Pompeian Prices: A New Evaluation Of The Non-Domestic Gardens Of Pompeii, 2021 University of Arkansas, Fayetteville
Fine Roman Dining At Affordable Pompeian Prices: A New Evaluation Of The Non-Domestic Gardens Of Pompeii, Claire Campbell
World Languages, Literatures and Cultures Undergraduate Honors Theses
Previous scholarship has designated Roman gardens into otium or negotium designations; however, this research on Roman gardens suggests that these concepts often exist in the spaces simultaneously. To address this issue, I compiled catalogs of garden spaces identified at Regio I and Regio VI of Pompeii. This methodology cuts across traditional public and private or productive and aesthetic designations, which will allow me to draw connections between the gardens found in different types of settings. This new catalog methodology of Roman gardens presented in this thesis allows for an integrative analysis of garden spaces, which reveals that these commercial gardens ...
Women In Livy And Tacitus, 2021 Xavier University, Cincinnati, OH
Women In Livy And Tacitus, Stephen Alexander Prevoznik
Honors Bachelor of Arts
Although often neglected in Roman literature, women play important roles where they do appear. This is especially true in Livy's history called the Ab Urbe Condita or "From the Founding of the City" and Tacitus' work the Annals. For reasons I will clarify more in my presentation, Livy uses women as examples. Some are examples that the readers should follow. Lavinia, Lucretia, and the Sabine women all exemplify something good. Lavinia is noble in her aim, Lucretia is a model for chastity, and the Sabine women show the value of harmony. Livy also presents women who are bad examples ...
The Life And Times Of The Berlin Secession Podcast, 2021 Lindenwood University
The Life And Times Of The Berlin Secession Podcast, Chris Kitamura
This project is a podcast series with five of episodes titled “The Life and Times of the Berlin Secession”. By research and design, the podcast can be used as supplemental material to modern art discussions in art history classes, as well as be entertaining to the public audience. This series presents information and education on how the Berlin Secession helped bridge between earlier genres of German art to the modern art of the Expressionists. It discusses the value of specific artists – Max Liebermann, Käthe Kollwitz, and Max Beckmann – within the Berlin Secession and to the greater history of German modern ...
Female Pharaohs And Divine Advocacy, 2021 Lindenwood University
Female Pharaohs And Divine Advocacy, Stephanie Jost
This analysis is addressing a form of divine advocacy by looking at the role of the goddess Hathor in the political/religious context of Egypt. Traditionally, pharaohs have used Hathor in Egyptian canonical imagery to convey messages of power- reiterating their own role as the incarnation of the God Horus. Here, we will focus on the role of traditional role of Hathor juxtaposing Royal Women in power during the Middle Kingdom and New Kingdom. The two female pharaohs, Sobekneferu and Hatshepsut, used their traditional roles as incarnations of Hathor to establish a power base before becoming a “female Horus”. An ...
Monstrosity In Religious Art: An Analysis Of Hieronymus Bosch’S Temptation Of Saint Anthony, 2021 Lindenwood University
Monstrosity In Religious Art: An Analysis Of Hieronymus Bosch’S Temptation Of Saint Anthony, Jennifer Beaudoin
This paper analyzes the artist Hieronymus Bosch and his triptych The Temptation of St Anthony in an attempt to elucidate the creative adoption of medieval tropes to invent new forms of monstrosity in his art and exciting imagery. Throughout this paper, I will review how historians have viewed Bosch’s art and an understanding of the ideas surrounding why Bosch chooses to take on the task of telling the stories of creation and St Anthony’s torment. The Middle Ages saw a spike of creative freedoms and visual interpretations of exotic, otherworldly beasts, from dragon-like beings to inhabitants of far-off ...
Saga Beyond The Gate: Chapter One, The Coming Of The Gate Ghost, 2021 Missouri State University
Saga Beyond The Gate: Chapter One, The Coming Of The Gate Ghost, Tristan B. Miller
MSU Graduate Theses
“Saga Beyond the Gate: Chapter One, the Coming of the Gate Ghost” explores performance sculpture used as religious ritual. My work emphasizes ritual, creation myths, relics, physical manifestations of lived religion, and the power of narrative belief. One often turns to religion, science, or spirituality, to seek answers to questions about being a conscious entity, and one’s journey to the end. This saga uses scripts from all three of these schools of thought, placing the world of the Gate Ghost into tangible reality, as a play on a stage. Artefacts represent objects of power and mystery. Characters embody morality ...
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, 2021 University of Nebraska-Lincoln
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, Margaret Sather
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
This paper explores the use of the synthesized pigment Egyptian blue in the encaustic and tempera funerary portraits of Graeco-Roman ruled Egypt in the 1st-3rd centuries CE. Recent developments in non-destructive imaging analysis technology have aided research institutions and museums in detecting the presence of this pigment. New questions have arisen based on these findings of Egyptian blue in the depiction of flesh and hair of these subjects, particularly because blue is so rarely used as a standalone pigment in works of this category. These analyses have challenged assumptions that Egyptian blue was a rare and valuable pigment during the ...
Isabella D’Este's Evolution Of Art Patronage: A Study Of A Renaissance Woman Through Iconographic And Feminist Perspectives, Katie Reinkemeyer
This thesis is based on how Isabella d'Este (1474-1539) cultivated her extensive collection of rare antiques and art, given the parallel evolution of her art commissions and political concerns as it pertains to iconography and feminism. Instead of discussing what previous scholars have researched concerning Isabella d’Este, this thesis will incorporate the iconography as it pertains to her commissions in a historiographical sense, as well as argue why this iconography would eventually become a beacon for feminist discussion. This will primarily examine Isabella’s commissions from 1494 to 1507, including her earliest portraits and the first four paintings ...
Social Stratification & Mummification In Ancient Egypt: The Inevitability Of Variability In The Post-New Kingdom Mummification Program, 2021 The University of Western Ontario
Social Stratification & Mummification In Ancient Egypt: The Inevitability Of Variability In The Post-New Kingdom Mummification Program, Andrew Arsenault
Electronic Thesis and Dissertation Repository
This study examined the connection between social status and mummification in post-New Kingdom Egypt using a sample of sixty-one (n=61) adult non-royal Egyptian human mummies archived in the IMPACT radiological database. The purpose of this research was two-fold. First, as they have been uncritically accepted by both the academic community and popular literature, the validity of Classical mummification accounts offered by Herodotus and Diodorus Siculus was assessed. Second, four features of mummification with status connotations (arm position, amulets, cranial resin, estimated stature) were tested using exploratory data analysis in search of any potential connections with each other or specific ...
Captives & Spoils In Chicago: Examining The Columbian Exposition’S Triumphal Procession Of 1893, 2021 Claremont Colleges
Captives & Spoils In Chicago: Examining The Columbian Exposition’S Triumphal Procession Of 1893, Kazandra Zelaya
CMC Senior Theses
Daniel Burnham’s vision of a classical revival in the World’s Columbian Exposition of 1893 brought ancient Roman triumph with its captives and spoils to Chicago, Illinois. Burnham’s restorative urban utopia used Beaux-Arts architecture in the exposition’s White City that evoked the image of Roman triumphal processions. Beaux-Arts architecture did not extend into the Midway Plaisance, however, the model of Roman triumph extended into the ethnographic exhibits. By examining the ethnographic exhibits of the Midway as a version of a Roman triumphal procession, the exhibits highlighted novel types of captivity through sponsorships, wages, and erasure. Illustrations of ...
Catch Me If You Can: Henri Matisse’S Chase For Symbolic Capital In The New York Art Market Of The Early Twentieth Century, Monica M. Mitchell-Werp
This paper analyzes how the development and consequence of symbolic capital influences an art market. This comprehensive, qualitative analysis examines the early twentieth century New York modern art market activated by French artist Henri Matisse (1869-1954) and the 1913 Armory Show. This examination derived from the French sociologist, philosopher, and anthropologist Pierre Bourdieu’s (1930-2002) theories provides evidence of the use of symbolic capital by Matisse. The evidence points to the twofold function that symbolic capital holds within the emerging modern art market. The first function of symbolic capital manifests through the nonmonetary value Matisse received from the intangible qualities ...