History of Art, Architecture, and Archaeology Commons^™

Tradition And Representation In The Work Of Contemporary Native American Art, Florence Romero

Summer Research Showcase

This presentation investigates the origins of contemporary Native American art in the mid-to late twentieth century to gain a deeper understanding of the broader contours of the field of contemporary art by Native Americans, to understand some of the key issues that these artists are interested in, and research the work of select contemporary Indigenous artists. Using comparative analysis of six case studies of contemporary Indigenous artists, this presentation will examine how these artists deal with themes of tradition and modernity and respond to how Native Americans have been misrepresented in the past and how these representations have impacted them …

The Everyday Monument: Architectural And Spatial Transformations Of Rome's Nasoni, 1874–Present, Sandra L. Santos

McNair Summer Research Program

Rome's nasoni are small public drinking fountains that have provided free water throughout the city since 1874. There are approximately 2,500–2,800 nasoni in Rome, actively supplying people with free drinking water. Although they are usually understood as ordinary and mundane hydraulic infrastructure, their persistence across different political periods makes them useful objects for examining the relationship between architecture, public service, and political meaning. This research asks how the forms, materials, and spatial contexts of late-nineteenth-century nasoni differed from fountains constructed or modified during the Fascist era.

Over my three weeks of fieldwork in Rome, I documented seventy-five public drinking fountains …

Between Their Hands And Mine, Ellie Barnes

Art and Art History Honors Projects

We better understand the people who came before us through objects, images, and stories. Between Their Hands and Mine is a studio art honors project that connects wheel-thrown ceramics to the stories and experiences of the women in my life, known and unknown. Adorning the home with love and care through objects like cups with butterflies was common in my upbringing. My family’s Norwegian background inspired the florals and stripes that decorate the surface. This series of plates, bowls, mugs, and other dinnerware set amongst a dining room and ancestral objects is reminiscent of the homemaking women in my life.

Familiar Corners, Lilia Gonzalez-Baldwin

Art and Art History Honors Projects

The mundane is defined as lacking interest; dull, unimportant. My honors project aims to find the beauty in the mundane moments that linger in the domestic spaces that hold meaning to me. My desire to amplify the figures, spaces, and belongings that formed my childhood home and current apartment inspired me to create numerous highly detailed, overlapping works that act as portals into rooms in these spaces. In Shaving Cream, 2008, my 6-year-old self is shaving my older sister’s legs in the bathtub. In Down in their Nest, posters, trinkets, and stuffed animals act as easter eggs for my childhood.

Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus

Master's Theses

Egyptian Suite is an original composition for concert wind ensemble that takes example and inspiration from what others believe was Ancient Egyptian music, with some of today’s examples of Egyptian music. This work is divided into four movements: The Nile, The Pharaoh’s Festival, The Pyramids, The Grand Coronation, with each movement representing personal interpretation of each idea with the instrumentation, and the changes in texture, color and rhythm. With each movement of the Egyptian suite, I evaluated instruments being used as additional colors and textures, used more non-conventional key signatures modulations and time signature changes, and utilized a diverse and …

Perbandingan Kesenjangan Perilaku Manusia Purba Di Wilayah Sulawesi Dan Flores, Kaylica Putri Kurniawan, Siti Oktavia Caroline, Nazwa Fariha Ramadhani

Multikultura

Wallacea, particularly the islands of Sulawesi and Flores, holds important archaeological evidence of the behavioral transition between Homo sapiens and earlier archaic hominins. This article aims to compare the behavioral gaps that occurred at two sites, namely Leang Bulu Bettue, Sulawesi, and Liang Bua, Flores. The results of the study indicate that Sulawesi and Flores have significantly different gap patterns, where at Leang Bulu Bettue there was a drastic change in substance, while at Liang Bua the opposite behavior occurred, where there was technological continuity from Homo floresiensis to early Homo sapiens with gradual behavioral changes. The results of this …

Pemaknaan Ikon Makhluk Hidup Dengan Kaligrafi Arab Pada Srabad Dari Kesultanan Cirebon, Fitria Anisya, R. Cecep Permana

Multikultura

Islamic art in the Nusantara (Indonesian Archipelago) represents a fusion of Islamic tradition and local cultural wisdom that flourished through coastal trade routes. One of the most distinctive manifestations of this fusion is the art of srabad Cirebon. Etymologically, the term srabad derives from the Javanese expression "mingser saking abad", meaning the transition from the Hindu era to the Islamic era. This art form presents anthropomorphic elements uncommon in conventional Islamic artistic tradition, in which icons of living creatures are specifically constructed from the structure of Qur'anic verses. Studies that examine the relationship between the depiction of living creature icons …

Tinjauan Arkeologis Dan Interaksi Manusia Toalean Di Leang Panninge, Kabupaten Maros, Sulawesi Selatan, Naila Maulidiya Ajitoko, Mayfa Rahmah Padmarani, Syakira Athiyah As'ad

Multikultura

The karst landscape of South Sulawesi served as the habitat of Toalean culture bearers, a Middle Holocene hunter-gatherer group active from 8,000 to 1,500 years ago, recognized through distinctive artefacts including Maros points, backed microliths, and osseous tools. This paper conducts an archaeological review of Toalean remains at Leang Panninge, Maros Regency, covering material culture, site stratigraphy and chronology, and population interactions within the Wallacean migration context, using a descriptive-analytical literature review approach. Findings reveal well-preserved Toalean cultural deposits spanning 9,400 to 1,500 years ago. The most significant discovery is the skeletal remains of a female individual aged 17–18 years, …

Kajian Paleoantropologi Homo Floresiensis Di Liang Bua Dan Mata Menge Tahun 2016-2026, Candra Agustin, Sahla Nabillah, Siti Zahra Indah Permata

Multikultura

The discovery of Homo floresiensis at Liang Bua Cave, Flores Island, in 2003 stands as one of the most revolutionary breakthroughs in twenty-first-century paleoanthropology. This small-bodied hominin species sparked global scientific debate regarding both its species validity and the possibility of pathological conditions in the discovered individual. This study aims to analyze the development of paleoanthropological interpretations of Homo floresiensis at the Liang Bua and Mata Menge sites during the period 2016–2026. A qualitative method with a descriptive-analytical literature review approach was applied to relevant international scientific publications. The results show that redating of the Liang Bua site revised the …

Batujaya Sebagai Destinasi Wisata Edukasi Sejarah, Retno Raswaty

Multikultura

The Batujaya site in Karawang Regency is a National-level Cultural Heritage Area that houses the oldest Buddhist temple complex on Java Island. However, its potential as an educational tourism destination has not yet been optimally developed. This article examines the educational value of Batujaya through experiential learning, historical thinking, and episodic memory approaches. It demonstrates that direct learning at historical sites delivers a stronger cognitive and affective impact compared to textual learning in the classroom. Based on archaeological findings, Batujaya is identified as having a dual function as both a center of worship and a center of learning in the …

Morphological And Woodworking Technology Analysis Of Wooden Piles From The Molenvliet Canal, Mrt Jakarta Phase 2 Cp-202 Project, Central Jakarta, Aisyah F. Sugoro, R. Cecep Permana

International Review of Humanities Studies

The aim of this study is to determine the correlation between the wooden embankment structure (wooden beams, wooden piles, and wooden planks) in the embankment installation system and the geographical conditions of Batavia along Jalan Hayam Wuruk and Jalan Gajah Mada, where the embankment structure has shifted due to ground movement. The research stages consist of observation, description, and explanation or interpretation of the processed data. Based on the analysis of wooden piles from the Molenvliet Canal embankment structure, it can be concluded that 17^th century Batavian society applied a multi-stage pile production process, ranging from raw material selection, …

A Settlement From The Middle Ages And The Byzantine Period At Khirbat Ibreika (Hebrew, Pp. 37*–47*; English Summary, Pp. 199–200), Eli Yannai

'Atiqot

Six excavation squares were opened, revealing three strata: Stratum I, from the days of the British Mandate; Stratum II, from the Middle Ages; and Stratum III, from the Byzantine period. Most of the finds indicate intensive plundering of masonry from Stratum II. Stratum III yielded part of a press bed of an oil press with a mosaic pavement. The pottery finds attest that the Byzantine settlement was established in the sixth century CE, and continued until the end of the Mamluk period, and probably up to modern times. A hand axe, typical of the Upper Acheulian period, was found in …

The Excavation At Khirbat El-Batiya (Triangulation Spot 819) (Hebrew, Pp. 21*–28*; English Summary, Pp. 197–198), Hanaa Abu ‘Uqsa

'Atiqot

The western part of a large building was exposed, dating to the end of the Byzantine period. Two main strata were observed (I, II). Stratum Ia included the remains of a dry-built building, constructed from finely dressed limestone blocks arranged in headers and stretchers. The floors were paved with stone slabs, and the walls were probably coated with plaster. The finds from this phase date to the fifth–sixth centuries CE. Stratum Ib represents slight modifications that were carried out in the building. In Stratum II the building continued to be used, mainly in the southern part. A jug and a …

The Glass Finds From Khirbat El-Batiya (Triangulation Spot 819) (Hebrew, Pp. 29*–36*; English Summary, Pp. 198–199), Yael Gorin-Rosen

'Atiqot

Fragments of gold-glass tiles were retrieved from the excavation, together with well-known vessel types from the late Byzantine–Early Islamic periods. It is the first time that gold-glass tiles were found in situ. The glass vessels include a beaker/bowl, wineglasses and a bottle, as well as an exceptional mold-blown cosmetic flask from medieval times. The gold-glass tiles were probably part of the decoration of the Stratum I building, which was connected with a monastery or a church.

Kisra (Hebrew, Pp. 9*–19*; English Summary, Pp. 196–197), Hanaa Abu ‘Uqsa

'Atiqot

Two areas were excavated. In Area A, three strata were uncovered, from the Hellenistic, Byzantine and Crusader/Mamluk periods, alongside pottery from the Roman period. The Byzantine-period building housed an oil press installation, which was put out of use by a conflagration. In Area B, two strata were observed, from the Byzantine and Crusader/Mamluk periods.

Coins From Messillot (P. 93), Donald Ariel

'Atiqot

Fourteen coins were found in the excavation; all but one, which is gold, are copper. The coins appear to reflect occupation at the site in the fourth century CE and in the Umayyad period.

A Late Byzantine–Early Islamic-Period Farmhouse At Mesillot In The Bet She’An Valley (Pp. 181–192), Pinhas Porat

'Atiqot

Three strata (III–I) were identified during the excavation. The date of Stratum III is unknown. Stratum II, the main building phase at the site, probably dates to the late Byzantine period. A large, roughly square building was unearthed, comprising a large central courtyard surrounded by at least 16 rooms. It probably served as a farmhouse. Stratum I represents repairs and additions to the Stratum II building, possibly during the Early Islamic period. The finds from Strata II and I include pottery vessels, mostly domestic, iron objects, stone objects, a clay tile and coins. The latest coin dates from 739/740 CE …

Excavations At Khirbat Marmita (Pp. 139–178), Lilly Gershuny

'Atiqot

Three building complexes were uncovered at the site, as well as various installations that were quarried into bedrock. The buildings date from the first half of the first century BCE (Building 20/23), from the Hellenistic–Early Roman period (Building 84) and from the Herodian period (c. 30 to at least 67 CE; Building 104). Among the installations were five simple winepresses, typical of the Roman and Byzantine periods; a lever-and-weights oil press; cisterns with square or circular shafts; 33 cupmarks; caves; quarries; and a miqweh. The finds include pottery vessels, stone and basalt vases, glass vessels and metal artifacts. It seems …

The Coins From Khirbat Marmita (P. 179), Helena Sokolov

'Atiqot

Five coins were found at Khirbat Marmita, all of bronze. Three of the coins date to the reigns of Antiochus VII, Alexander Jannaeus and Nero; one is from the second year of the Jewish Revolt; and one is from the fifth century CE.

An Iron Age Pottery Assemblage From Underground Chambers At Jatt (Tel Gat) (Hebrew, Pp. 1*–7*; English Summary, P. 195), Michael Cohen

'Atiqot

Pottery vessels dating to Iron Age II were recovered from four underground units. They belong to a single ceramic assemblage, comprising bowls, kraters, cooking pots, jars, a jug and a lamp, indicating that they originated in dwellings. The vessels are characteristic of the northern coastal plain, dating primarily to the second half of the tenth–beginning of the ninth centuries BCE. This small-scale excavation sheds light on this early phase of occupation at Tell Jatt. The purpose of the underground units was not determined.