Television Commons^™

Japanese Poetry And Nature In Borson's Short Journey Upriver Toward Ōishida, Shoshannah Ganz

CLCWeb: Comparative Literature and Culture

In her article "Japanese Poetry and Nature in Borson's Short Journey Upriver Toward Ōishida" Shoshannah Ganz shows how the limited focus of research on Roo Borson oversimplifies the poetry and ignores the tradition that Borson is aligning her work with both in form and content: classical Chinese and Japanese poetry and their perspectives on nature. Further, Ganz explores the ways in which Borson's poetry overcomes intuitively the binaries of East/West, human/non-human, and the further binaries within the human/non-human created through representational language. Ganz contextualizes Borson's work within the master/disciple lineage of Chinese and Japanese tradition and explores how Borson …

The Systemic Approach, Biosemiotic Theory, And Ecocide In Australia, Iris Ralph

CLCWeb: Comparative Literature and Culture

In her article "The Systemic Approach, Biosemiotic Theory, and Ecocide in Australia" Iris Ralph summarizes an argument in defense of disciplinarity ("openness from closure") that Cary Wolfe makes in What is Posthumanism? She also comments on an implicit argument that Wendy Wheeler makes in The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture. As Ralph argues, Wheeler's implicit claim is that biosemiotic language, which humans share with other biological beings, connects human animals and nonhuman animals on moral and affective grounds. Ralph summarizes Wolfe's defense of disciplinarity that literary and cultural studies scholars who engage with the "question …

It's Not Unusual: Glee And The Mainstream Acceptance Of Spontaneous Public Performance, Elizabeth M. Downey

UL Publications

When Glee debuted in 2009, the genre of the television musical series had a shaky history. Traditional episodic programs had previously aired musical episodes but these were seen as rare absurdities; the genre was an oddity to exploit on occasion, not something that could sustain an entire series (a belief proven when previous attempts had failed). The flash mob culture that emerged in the mid-2000s alongside the groundswell of social media changed this environment. The absurdity of people “bursting into song” in a public place was no longer a completely unrealistic scenario, and this reopened the door for the musical …

Faith, Doubt, And Chiasmus In Krzysztof Kieslowski's Decalogue I, William Bartley

Journal of Religion & Film

This article proposes a reinterpretation of Krzysztof Kieslowski’s exploration of the first commandment in Decalogue I. It argues that the narrative structure of the story is chiastic—i.e., inversely parallel—which follows from recognizing for the first time the crucial role that Irena, the devoutly Catholic sister of Krzysztof, a professor and religious skeptic, plays in the story. The pattern of inverse parallelism (chiasmus) emerges as Krzysztof and Irena respond separately to the tragic death of Krzysztof’s son, Pawel: as Krzysztof’s skepticism gives way to a new faith in God, inversely and unexpectedly Irena’s faith retreats into doubt. This outcome, in …

Cowboys, Angels, And Demons: American Exceptionalism And The Frontier Myth In The Cw's 'Supernatural', Joesph M. Valenzano

Communication Faculty Publications

The CW network series Supernatural (2005–) draws its text from the horror and fantasy genres as well as religious mythology. Concurrently, it transmits a core “American” mythos. As its protagonists keep watch along a supernatural frontier and eradicate threats to the American way of life, this program both reinforces and alters aspects of the frontier myth and the myth of American exceptionalism by depicting its main characters as representations of America writ large whose mission has grown from an appointment by God to being equals to God.

In this manner, Supernatural forwards a new American exceptionalism through the notion that …

Professor Mcgrath Offers A Scholarly Take On Religion And Doctor Who, Marc Allen, James F. Mcgrath

Scholarship and Professional Work - LAS

Take TV viewers on trips through time and space for 50 years and you’re going to pick up some admirers—including some scholarly ones. That’s what’s happened with Doctor Who, the British series that is celebrating 50 years this month.Two of the show’s fans—Butler University Professor of Religion James McGrath and Andrew Crome, a lecturer in the history of modern Christianity at the University of Manchester (England)—have compiled a new book, Time and Relative Dimensions in Faith: Religion and Doctor Who, in which 19 scholars who also are Doctor Who fans weigh in on how the longest-running science fiction …

Who's Your Daddy: Father Trumps Fate In Supernatural, Lugene Rosen

Library Books and Book Chapters

"This chapter will examine the characters [of Supernatural] using several indicators of present/absent fathers: the father hunger scale designed by Paul. B. Perrin et al and the schemas developed by several father-focused theorists. These indicators will help explain the motivations that drive Dean, Sam, and to a lesser extent, Bobby. Based upon this exposure to fatherhood and father roles, Dean and Sam seem to be fulfilling a destiny that was decided, not by fate, but by the effects of their relationships with their father."

Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus, Gertjan Willems

CLCWeb: Comparative Literature and Culture

In his article "Conscience's De Leeuw van Vlaanderen (The Lion of Flanders) and Its Adaptation to Film by Claus" Gertjan Willems discusses Hugo Claus's 1984 filmic adaptation of Hendrik Conscience's 1838 historical novel, a landmark in the history of the Flemish Movement. Willems's analysis is executed by means of a textual film analysis and archival research. Willems pays special attention to the Flemish-Dutch coproduction's complex relations with the national question. Despite various difficulties concerning Flemish nationalist sensitivities of the project, the producers wanted the film to be as faithful as possible to Conscience's novel. This resulted in an …

Translation As Relation And Glissant's Work, Sandra Bermann

CLCWeb: Comparative Literature and Culture

In her article "Translation as Relation and Glissant's Work" Sandra Bermann proposes that in today's complex world of migration, war, and globalization, translation among languages and cultures is everywhere evident. Indeed, as citizens of the twenty-first century, we inevitably think in and through translation. Yet we have only begun to explore its contemporary modes of operation, its challenges, and its promise for study. Bermann suggests ways to think about translation — its difficulties, as well as its promise. Looking first to some traditional views of translation, Bermann then turns to particular ways in which it might be recast in terms …

New Work About Reading Poetry: A Book Review Article On Stafford's And Bohn's Work, Martyna Markowska

CLCWeb: Comparative Literature and Culture

No abstract provided.

Love And Marriage In The Work Of Abdul-Baki, Abu-Jaber, And Al-Razzaz, Qusai A.R. Al-Debyan, Shadi S. Neimneh

CLCWeb: Comparative Literature and Culture

In their article "Love and Marriage in the Work of Abdul-Baki, Abu-Jaber, and al-Razzaz" Qusai A.R. Al-Debyan and Shadi S. Neimneh posit that love, marriage, and sexuality represent important aspects in Mu'nis al-Razzaz's 1997 novel Alive in the Dead Sea, Kathryn K. Abdul-Baki's 2000 novel Ghost Songs: A Palestinian Love Story, and Diana Abu-Jaber's 2003 short story "Madagascar." Issues of love, marriage, and sexuality in these texts suggest a rebellious attitude on the part of women protagonists against taboos of religion, politics, and sexuality and Abdul-Baki, Abu-Jaber, and al-Razzaz employ descriptions of sexual intimacy to reflect the social …

Trust-Based Learning And Its Importance In Intercultural Education, Clemens Seyfried

CLCWeb: Comparative Literature and Culture

In his article "Trust-Based Learning and Its Importance in Intercultural Education" Clemens Seyfried introduces the concept of "trust-based learning," an approach he developed for learning in an intercultural world and applied in primary and secondary education. The objective of the concept is the raising of opportunities students with (im)migrant background in education. Seyfried presents an overview of the educational situation of (im)migrants and ethnic minorities in the European Union with special focus on Austria, followed by a description of the said concept of trust-based learning including the results of a statistical survey conducted in Austria. The focus of the concept …

Postcolonial Studies In The Twenty-First Century: A Book Review Article About New Work By Ashcroft, Mendis, Mcgonegal, Mukerjee And Carrera Suárez, Durán Almarza, Menéndez Tarrazo, Alejandra Moreno

CLCWeb: Comparative Literature and Culture

No abstract provided.

Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets

CLCWeb: Comparative Literature and Culture

In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project to …

Review Article About U.S. Comparative Literature Journals Published In 2013, Miaomiao Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Queering Masturbation In Lorde's Life And Writing, Eric Sipyinyu Njeng

CLCWeb: Comparative Literature and Culture

In his article "Queering Masturbation in Lorde's Life and Writing" Eric Sipyinyu Njeng discusses masturbation in Audre Lorde's life and works to signal an important aspect of her oeuvre often neglected in scholarship. Lorde stands out among prominent queer queens by demonstrating theory corporeally thereby going beyond mere theory and positing her body as a space of complex sexual passions. When Judith Butler speaks of gender as performative rather than embodied, Lorde theorizes and foregrounds this in her works and self and celebrates a sexual matrix that ranges from heterosexuality to homosexuality to auto-sexuality. Lorde places masturbation between the binary …

Motherhood And Sexuality In Flaubert's Madame Bovary, Amanda Kane Rooks

CLCWeb: Comparative Literature and Culture

In her article "Motherhood and Sexuality in Flaubert's Madame Bovary" Amanda Kane Rooks examines the narration of relationships in Gustave Flaubert's Madame Bovary between Emma's role as mother and her sexuality. Rooks argues that this narrative relationship provides a space where the association between the oppressions of motherhood and women's sexuality can be better understood. Further, Rooks posits that Flaubert's narrative condemns the nineteenth-century Western predilection for constructing a relationship of mutual exclusivity between motherhood and sexuality, while it exposes socially sanctioned performances of motherhood and sexuality as allied, perverse manifestations of the same repressive ideological system.

Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship, Biwu Shang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Narrative Space And Serialized Forms: Story-Spaces For The Mass Market In Victorian Print And Contemporary Television, Laura Daniel Buchholz

English Theses & Dissertations

Despite Bakhtin's notion of the chronotope and recent advancements in spatial theory by David Herman, Marie-Laure Ryan and Susan Friedman, narrative space is arguably still one of the most under-researched elements in narrative theory, taking a back seat to its corollary of narrative time and plot. This oversight can be largely attributed to the structuralist separation of text types exemplified by Genette's assertions that description and narrative were distinctly different forms. Recent approaches such as David Herman's rejection of such a separation in Story Logic, however, argue that "spatial reference plays a crucial, not optional or derivative role in …

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Hbo And The Story Of Hiv/Aids, Shayne Pepper

Communication, Media and Theatre Faculty Publications

Just last month, HBO presented an adaptation of Larry Kramer’s award-winning play about the AIDS crisis, The Normal Heart. You might be surprised to learn that HBO’s long-standing commitment to creating HIV/AIDS programming has provided audiences with more than 25 films in the past three decades. The history of these films is largely unwritten, but when viewed together they tell us a great deal about how we’ve come to understand and combat HIV/AIDS. Beyond just writing a history of these programs, my article demonstrates that these films echo our cultural response to the AIDS epidemic in the United States in …

Defining The Audience: Redefining Public Service, Ann-Marie Murray

Books/Book chapters

No abstract provided.

La Langue Seconde Au Service De La Créationcinématographique. Les Séries Télévisées En Afrique Subsaharienne Francophone, Dragoss Ouédraogo

Présence Francophone: Revue internationale de langue et de littérature

The African sitcoms in the wake of South American telenovelas build steps to win spaces on TV screens. The case of Burkina Faso shows the vitality of filmmaking in second language, with breakable structure of production context.

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …

Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak

CLCWeb: Comparative Literature and Culture

In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …

Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart

CLCWeb: Comparative Literature and Culture

In his article "Jewish History, US-American Fictions, and 'Soul-Battering' in Roth's 'Conversion of the Jews'" Sandor Goodhart discusses Philip Roth's story in which an innocent question raised in a Hebrew school discussion in the early 1950s gets wildly out of control. It leads the student into a screaming fight with his Rabbi, which propels the child into a confrontation with his mother, which in turn leads to a second violent confrontation with the Rabbi (who ends up slapping the child), and the episode culminates in a rooftop exchange over the synagogue where the boy’s thought of escape is suddenly converted …

European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.

Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio

CLCWeb: Comparative Literature and Culture

In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …

Roth’S Humorous Art Of Ghost Writing, Paule Levy

CLCWeb: Comparative Literature and Culture

In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …