Television Commons^™

To The Max: Embodying Intersections In Dark Angel, Lorna Jowett

Reconstruction: Studies in Contemporary Culture

Dark Angel is often classed with other television shows featuring female action heroes (such as Buffy the Vampire Slayer and Alias) but I argue that it exhibits a more than usual emphasis on the body of its female protagonist and that this is integral to its use of science fiction and other genres to mediate a politicised postfeminist representation of gender. The science fiction genre, it is often argued, arises directly out of Gothic fictions such as Frankenstein, and in Dark Angel the protagonist, Max, is a post-modern Frankenstein's monster, blurring boundaries between human and monster, subject and …

The Trouble With Trills: Gender And Consciousness In Star Trek, Susan J. Wolfe

Reconstruction: Studies in Contemporary Culture

The Star Trek series, which have been both praised for radical inclusiveness and criticized for their neo-conservative agendas, de-essentialize identity, gender, and sexual orientation through their depictions of the Trill, an alien race in which humanoids join with symbionts, slug-like creatures each of which lives in the abdominal cavity of its host, with whom it then shares a single fused consciousness. Hosts are selected independently of their sex, so that a symbiont dwells alternatively inside males and females; each new host, as well as the symbiont, is heir to the memories of all previous hosts.

The notions of unified selves …

From Butler To Buffy: Notes Towards A Strategy For Identity Analysis In Contemporary Television Narrative, Rob Cover

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Given the increasing significance of questions of identity, subjectivity and selfhood in contemporary postmodern western cultures, it is important to begin acknowledging how these questions are reflected in contemporary media and television and to develop new strategies by which to analyse television characters in terms of identity and subjectivity. The scope for analysing television series' characterizations through recent postmodern and poststructuralist theories of non-essentialist, non-foundationalist subject/identity performativity has not yet been considerably explored. It is my contention here, however, that such a method both reflects the representation of self and identity transformation in new television series as well …

You Still My Girl?: Adolescent Femininity As Resistance In Buffy The Vampire Slayer, Sophie Levy

Reconstruction: Studies in Contemporary Culture

[First paragraph]

History is where the dead things are. Buffy, as her Watcher Rupert Giles tells her mother Joyce, resists the historical. She lives very much in the now, and history of course, is very much about the then he stammers, aware perhaps of the history echoing in his British accent (Angel I:7). The show's appeal, however, resides in its battle with history, not its denial. History is the repressed but resurrected, whether personal -- Giles' dark age of demon-worship comes back to (almost) kill him (The Dark Age II:8) -- or cultural, such as the Master's bad Old World …