Television Commons^™

The Teleserye Story: Three Periods Of The Evolution Of The Filipino Tv Soap Opera, Louie Jon A. Sanchez

English Faculty Publications

The essay chronicles the history of the teleserye or the Filipino TV soap opera, one of today’s transnational televisual products making waves in different parts of the globe. It covers three periods—the period of transition from radio to TV (1962 to 1986), the period of competition (1986-2000), and the period of transformation (2000-present). Traversing through 60 years of the form’s enduring presence in Philippine television, it traces the format’s beginnings as it was introduced to the medium in a highly volatile social environment, and assesses its continued flourishing in democratized, contemporary times and consequent entry into the highly competitive global …

Teleserye At Kontemporanidad, Louie Jon A. Sánchez

English Faculty Publications

Sa sanaysay na ito, tinutuklas ang isa kong hakà hinggil sa kalikasan ng mga teleserye o telebiswal na soap opera sa Pilipinas. Tinatawag kong “kontemporanidad,” tumutukoy ito sa katangiang mapagtukoy ng mga serye sa kontemporanyong búhay o pangyayaring panlipunan. Gámit pa rin ang pananaw na panitikan nga ang teleserye, at dahil nga rito ay nagsusulong ng tinatawag na “simbolikong aksiyon,” ipinagpapalagay na mabisang kasangkapan ang teleserye sa pagpapamalay hinggil sa lagay-panlipunan. Itatanghal ko ang ganitong mga pagpapalagay sa tinaguriang “pagbásang paloob” sa isang tampok na teleserye, ang Wildflower. Itinuturing ang pamamaraang ito ng may-akda na lalong politisasyon ng pagbása sa …

'Why Don’T You Just Go Back Where You Came From?' Or 'Slight Yams': 'Pangs' Of Regret And Unresolved Ambivalence In Joss Whedon’S California, Tereza M. Szeghi, Wesley Dempster

English Faculty Publications

Joss Whedon’s two longest-running television series, Buffy the Vampire Slayer (BtVS) (1997-2003) and Angel (1999-2004), which together constitute the “Buffyverse,” often focus on questions about the degree to which past actions bear on one’s present moral character. Particularly in the case of reformed demons and vampires, regret for past sins weighs heavily on the present and motivates current benevolent and heroic deeds.

For the ensouled vampire Angel most especially, the need to make amends for centuries of sadistic cruelty and bloodshed stamps him with his ever brooding-personality and his nearly ceaseless attempts to balance the scales—while knowing that the scales …

"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette

English Faculty Publications

This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …

Better Living Through Reality Tv: Television And Post-Welfare Citizenship [Book Review], Marc A. Ouellette

English Faculty Publications

The very first thing I can say about Better Living Through Reality TV: Television and Post-Welfare Citizenship is that I cannot wait for the authors to consider adding a Canadian version – more on that later – since they include British reality shows. Admittedly, many of these last shows have been successful enough to lead to Americanized versions. In considering reality television, the Laurie Ouellette (no known relation) and James Hay seem to sacrifice one of the oldest, and currently largely underexamined as such, varieties of the reality television, the game show. This is not to say that "new" game …

Film And Television After 9/11 [Book Review], Marc Ouellette

English Faculty Publications

One of the necessary compromises a book such as Film and TV After 9/11 must make is the amount and variety of examples it can provide. In order to be the first book to cover the subject, the book sacrifices the types of materials covered and the variety of themes they depict. Although the editor, Wheeler Winston Dixon, does not do so, the book’s twelve essays slot into four basic categories: analogies, productions altered to suit the "post-9/11" mindset, post-9/11 productions with metaphorical rather than literal linkages to the event and pre-9/11 productions whose viewing must now take that day …

"It'll Pass": Nypd: Blue's Sipowicz And Mundane Masculinity, Marc Ouellette

English Faculty Publications

(First paragraph) The development of the character of Det. Andy Sipowicz, on the ABC drama, NYPD: Blue, effectively demonstrates that the obstinance of traditional forms of masculinity may ultimately be a key factor in their undoing. Rather than effecting a superficial change based on consumer choice, as concurrent characters do, Sipowicz undergoes a transformation of his social behavior. Sipowicz regularly behaves in a manner consistent with Robert Connell’s definition of “hegemonic masculinity”: he resorts to violence, he resists change and he resents women and minorities (131). His alcoholism and quick temper tend to hinder his ability to adapt. However, change …