Television Commons^™

Through A Glass Too Brightly: A Long History Of Media, Social Expectations And Loneliness, Edward Brennan

Conference Papers

This paper looks at how media, social expectations, and chronic loneliness are intertwined. It uses a historical and cultural approach. Loneliness—a painful gap between the social connections that people have and those they expect to have—has always existed. However, modern life and new media technologies have changed how loneliness feels. Using examples from the telephone, radio, television, and social media, the paper shows that society regularly has greeted new technologies through a polarised hopes and fears discourse. A more long-term history, however, reveals that while media may have positive and negative effects on social connection, the relationship between media and …

Designed For The Camera: Irish Interior Makeover Television 1996–2014, Neville Knott

Dissertations

This thesis examines how television makeover programmes, broadcast in Ireland between 1996 and 2014, mediate the professional practice of interior design. It argues that the programme-makers, in seeking to engage viewers, used a series of strategies—notably the suppression of professional and educational knowledge about interior design—to convey an image of staged coherence that was arrived at unproblematically. In that process, it will be argued, interior design knowledge got lost, and entertainment triumphed. Focusing on these strategies, the thesis considers how the production process used interior design, nonetheless, to attract an audience and generate ratings, focusing on the relationship between amateurs …

The Apprentice Africa Tv Format: Local Culture, Global Model, And Informalized Production Practices In The Nigerian Media Industry, Kosidichimma Anyanwu

Doctoral

In 2008, the hugely popular American global television format programme, The Apprentice, debuted its Africa wide version, The Apprentice Africa, in the African market. This became the first entrepreneurship format programme to be produced in Nigeria and Africa. First, the show was broadcast on three Nigerian channels, then moved to broadcasters in Ghana, Kenya, Uganda, and Tanzania. The Apprentice Africa reality TV show is a strategic research site for investigating the conditions of television format production in Nigeria, considering the programme’s interaction with multiple economic sectors of the country.

This study is set against the backdrop of the …

Recollection And Social Status, Edward Brennan

Books/Book chapters

Television sets appeared in homes across the world during the 1950s and 1960s. Early audiences were researched in terms of ratings and so on, but the perceptions and experiences of early television viewers went unrecorded. There are no ready-made, bottom–up companion pieces to top–down institutional histories. In the absence of such work, life- story research offers one of our best means of attempting to capture the experiences of early viewers. This chapter offers an argument about the nature of memory. It argues that personal recollection, in memory interviews and other contexts, is practical; that people announce their pasts in a …

Memories Of Television In Ireland: Separating Media History From Nation State, Edward Brennan

Articles

This article emerges from a broader project that explores the history of television in Ireland using audience life story interviews. It argues that a dominant narrative persists in the history of television in the Republic of Ireland. Based in institutional sources this narrative is ideologically narrow although it tells a story of cultural liberation. A key example of its ideological limitation lies in the way that Irish people’s experience of British television transmissions has been forgotten. The reason for this lies in historical methods rather than conscious bias. Nevertheless, historical methods themselves can promote limited visons of reality that promote …

Television In Ireland: A History From The Mediated Centre, Edward Brennan

Conference Papers

This paper identifies and critiques a dominant narrative in the history of Irish television, which is too often passed off for, or accepted as, the history of television in Ireland. The his- tory of television in Ireland has been written within an institutional framework and depends on the cultural binary of tradition and modernity, ‘old Ireland’ and ‘new Ireland’. This dom- inant narrative fails to interrogate television as a medium. It provides an account of the Irish broadcaster RTÉ rather than an account of the arrival of a new medium. Ironically this nar- rative which hinges on the role of …

Tv Still Failing To Reflect Our Multicultural Society, Ian Kilroy

Articles

Irish television and media in 2015 still lacks diversity and does not reflect our multicultural society. An Op-Ed (opinion piece) in the Irish Times by a Dublin-based academic and lecturer in Technological University Dublin.

Defining The Audience: Redefining Public Service, Ann-Marie Murray

Books/Book chapters

No abstract provided.

Brood, Ian Kilroy

Other

A long poem looking at the generation that grew up in Ireland after the historic 1979 visit of Pope John Paul II. Brood was filmed for Irish television with the support of the Arts Council, the Irish Film Board and RTÉ.