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The Maze Of Shanghai Memory In Kazuo Ishiguro's When We Were Orphans, Biwu Shang

CLCWeb: Comparative Literature and Culture

In his article "The Maze of Shanghai Memory in Kazuo Ishiguro's When We Were Orphans" Biwu Shang analyzes the memory writing of the novel by combining current memory studies with narratology. The paper pursues three major goals. First, it delves into the maze of Shanghai memory embedded in this novel, which is typically formulated by two contrasting aspects: Christopher Banks's naïve and beautiful childhood memory of Shanghai, and his unhappy adulthood memory of it. Second, it explores how memory plays a dual function of deception and decoration. That is to say, Christopher deliberately uses his memory to create positive …

A Comparative Minoritarian Study Of Language Poetry Of Iran And The United States, Sama Khosravi Ooryad

CLCWeb: Comparative Literature and Culture

In her article "A Comparative Minoritarian Study of Language Poetry of Iran and the United States" Sama Khosravi Ooryad analyses Language poetry of the United States (1970s) and Language poetry of Iran (1990s) through Gilles Deleuze and Felix Guattari's concepts of minor literature and rhizomic text. The argument of the article is that the two movements, in both their poems and theoretical passages, carry potentialities to be related to Deleuzian concepts. The practice of minor literature, rhizomic text and book as machine is more evident in the works of U.S. language poets. Moreover, Iranian language poetry, while being analyzed alongside …

Curricular Requirements, Critical Traditions, And Adaptation In The Paratext Of Chinese And American School Editions Of Robinson Crusoe, Haifeng Hui

CLCWeb: Comparative Literature and Culture

In his article "Curricular Requirements, Critical Traditions, and Adaptation in the Paratext of Chinese and American School Editions of Robinson Crusoe" Haifeng Hui analyses a Chinese new curricular edition and an American common core edition of Defoe's Robinson Crusoe to reveal how the paratext can be utilized to reveal different ways of understanding in different educational cultures. He argues that the paratext powerfully exerts the publisher's authority over the text and the reader, thus shaping readers' interpretation of the story in the service of fulfilling specific national curricular needs. The Chinese edition aims more at how Crusoe's story should …

Felicita - An Animated Feature Film Script With Art Concept Book And Pitch Deck, Charlotte Balogh

Renée Crown University Honors Thesis Projects - All

Felicita is a complete 90-page screenplay written for an animated feature film that is based equally on the lives of my Nanu Judith Balogh, and my great-great-great-great grandmother, Countess Felicita Anna Murari. Because I envision Felicita as an animat

Girl Crush: Liminal Identities And Lesbian Love In Children's Cartoons, Madison Bradley

Media and Communication Studies Summer Fellows

A textual analysis of the cartoon Steven Universe, this project takes a semiotic approach to explore anti-essentialist messages of gender identity. I argue that within the mainstream media, the cartoon expresses prosocial messages about gender by representing nonbinary characters and gender fluid themes. Using children’s media studies, queer studies, and reception studies, I investigate how the show portrays liminal identities. In particular, I focus on how lesbian existence and gender fluidity are simultaneously normalized and othered through the text’s visuals and dialogue. Critically analyzing the ways in which the media represents queerness as ‘too adult,’ this study reveals that children’s …

Sounds Of Fear And Wonder: Music In Cult Tv, Paul Kauppila

Faculty and Staff Publications

A review of Sounds of Fear and Wonder: Music in Cult TV. Janet K. Halfyard, 2016, New York: I.B. Tauris pp. xi + 215, illus., figures and tables, acknowledgements, notes, works cited, TV and filmography, index (no price given)

Pop Goes La Cultura: American Pop Culture’S Perpetuation Of Latino Paradigms And Stereotypes, Adrian E. Quinones Rivas, Berlinda Saenz

Ursidae: The Undergraduate Research Journal at the University of Northern Colorado

This article examines the perpetuation of Latino stereotypes and paradigms within American Pop Culture. Pop culture venues such as film, television, and the web platform YouTube were used as a basis for analysis. In addition, a few television primetime shows and movies are referenced, including The George Lopez Show, Jane the Virgin, Gilmore Girls, Scarface, and Mi Vida Loca (my crazy life), and critically analyzed as evidence of Latino subordination. Latino Americans face many challenges including being stereotyped as uneducated, poverty-stricken, lazy, aloof, and obtaining low end jobs such as janitors, housemaids, and gardeners. These negative depictions have created an …

Things We Dare Not See: Media Revisions Of Incestuous Relationships, Mattheus M. Oliveira

Dissertations, Theses, and Capstone Projects

Nowadays we can see a steadily growing acceptance of queer relationships in our films and novels, whether they are romance films or violent war movies. What we don’t get to see are examples of incestuous relationships that are consensual and harmless. For example, when Luke and Leia accidentally share some romantic feelings in Star Wars, that bond is suppressed. We don’t get an acknowledgment of a brother and sister’s emotional support in the movie adaptation of V.C Andrews’ Flowers in the Attic. This erasure stems from a long history of cultural and legal censorship of incest that only discusses …

A Comparative History Of Resurrection Plants, John Charles Ryan

CLCWeb: Comparative Literature and Culture

In his article "A Comparative Literary History of Resurrection Plants" John Charles Ryan assembles a comparative history of resurrection plants through textual analysis of early botanical commentaries, herbal references, prose, poetry, and other sources. Resurrection plants include a diverse range of botanical species, typically of arid regions, that appear to come back to life after complete desiccation. Historical and contemporary observers—from sixteenth-century herbalist John Gerard to contemporary Australian poet John Kinsella—have expressed an abiding fascination for resurrection plants' capacity to survive harsh environmental conditions. The plants court their own deaths by paring down—then restoring—physiological processes in relation to shifting ecological …

The Representation Of Instinctive Homosexuality And Immoral Narcissism In Gide’S The Immoralist (1902) And Mann’S Death In Venice (1912), Louise Willis

CLCWeb: Comparative Literature and Culture

In her article "The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The Immoralist (1902) and Mann’s Death in Venice (1912)" Louise Willis examines two early literary representations of homosexuality in André Gide's The Immoralist (1902) and Thomas Mann's Death in Venice (1912). She reads them with fin-de-siècle sexological theory, mainly Freud's Three Essays on the Theory of Sexuality (1905). Willis argues that the texts reflect the reconception of homosexuality as a latent instinct with pathological expression, rather than a sinful act of free will. The article explains that visual imagery conveys homoerotic desire, by incorporating Nietzsche's concept of …

The Indian Empire And Its Colonial Practices In South Asia, Yubraj Aryal

CLCWeb: Comparative Literature and Culture

In his article "The India, Empire and its Colonial Practices in South Asia" Yubraj Aryal claims that Bharatiya discourse supports colonization in South Asia. This discourse justifies oppression of institutions, practices, of the non-Bharatiya colonized. The article examines Indian Empire's colonialism toward the weaker, smaller nations along its border and the Bharatiya ideology at the heart of the repressive empire, which is taken to represent the South Asian subcontinent. The article looks at the way in which Bharatiya is perhaps a more oppressive ideology than Orientalism and gives a glimpse into how society, culture, history, and textuality work around power …

Adoption, Cynical Detachment, And New Age Beliefs In Juno And Kung Fu Panda, Fu-Jen Chen

CLCWeb: Comparative Literature and Culture

In his article "Adoption, Cynical Detachment, and New Age Beliefs in Juno and Kung Fu Panda" Fu-Jen Chen situates his study within today's prevailing climate of global consumption to argue that the 2007 film Juno—featuring an unconventional portrayal of the adoption triad and a cynical detachment from public values—not only trivializes and depoliticizes the practice of adoption but also serves as an ideological supplement to today's global capitalism. Furthermore, Kung Fu Panda 1 & 2 (2008; 2011) provide two ideological messages of contemporary New Age spirituality—"the belief in nothing" in part I, and "the attitude of inner peace" …

Memory And Identity-Focused Narratives In Tănase's 'Lived Book', Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In her article "Memory and identity-focused narratives in Tănase's 'lived book'" Nicoleta Ifrim analyses România mea (My Romania), Virgil Tănase's first book published after the fall of Ceausescu's regime, a collection of interviews in which personal history is fictionalized according to the narrative rules of a "spoken book." The text is representative for the Eastern intellectual travelling to the West, carrying out his own personal post-totalitarian traumas now mirrored in a self-oriented narrative.

The Golden Girls: Addressing Issues Of Gender, Stigma, And Illness On Network Television, Miles Martin

Senior Honors Projects

Over thirty years after its 1985 premiere, The Golden Girls remains an alluring and nostalgic presence in the cultural consciousness of America. In this work, I investigate exactly what it is about this magical show that has caused it to endure across generations, and in so doing, illuminate how television in general can transcend incidental popularity and have a lasting impact on those who view it. I frame this examination within the topic of disenfranchised illness, a subject that, given events such as the rise of HIV/AIDS, the emergence of crack-cocaine addiction, and the discovery of chronic fatigue syndrome in …

From Script To Screen: Capturing The Creativity Of Children, Sara Zadrima

Renée Crown University Honors Thesis Projects - All

For this project, I hosted a script and story writing contest for children ages 5-12 to submit original materials they had written for a chance to be transformed into a short film I would then produce myself. I selected a winning story, rewrote it as a script, and filmed it. I then edited it and incorporated creative motion graphics, sound effects and scoring in order to translate the childlike whimsy and imagination of the original story. I hope to make at least one more film out of the project, and also inspire other creators to collectively work on transforming more …

Trade Up, Saumya Vasuthevan

Renée Crown University Honors Thesis Projects - All

There is a gap in the market, both on campus and in the industry, for a digital video series analyzing the latest media trends, beyond their headlines. Through accessible and highly snackable YouTube clips, Trade Up offers an in-depth analysis on how and why new media trends will affect young, media professionals, soon entering the industry. It is a peer-to-peer discussion, designed for Newhouse students, by Newhouse students. From AMC Theatres’ experimental virtual reality venture to Amazon Spark, our topics transverse the symbiotic worlds of advertising, technology, and television. Taking a multidisciplinary approach to tackling the media ecosystem, Trade Up …

The Gender Wage Gap In The Film Industry: A Review Of Literature, Christine Pires

Senior Theses

The gender wage gap is defined as the difference between the amounts of money paid to women and men, often for doing the same work (Cambridge, 2017). The gender wage gap is a reoccurring financial issue in all aspects of the business world. Most all career paths have had a wage gap between men and women. Having equal pay for equal work should be a thing of the past. However, women today are still fighting to close the wage gap and work equally in all fields. The film industry is one of the largest entertainment industries in America and still, …

How Trump Won: Media And The Silent Majority In The 2016 Us Presidential Election, Joshua K. Miller

Senior Honors Theses

Donald Trump’s 2016 presidential campaign ended in victory because of two powerful forces: enormous media advantage gained through sensationalism and a strong coalition made up of evangelicals, pragmatic conservatives, and the silent majority. The work of Neil Postman sheds light on the underlying cultural foundation of Trump’s media advantage. Parallels from the video game industry explain how intentional sensationalism played into Trump’s success in the primary process. Evangelicals and pragmatic conservatives joined Trump’s coalition in spite of his scandals, and Eric Hoffer’s work helps explain his appeal to the silent majority. Ultimately, the patterns of Trump’s victory yield significant learning …

The Newsroom, Anthony W. Smyth

SCOM Undergraduate Research Conference

An ideological criticism of the speech, "Why America isn't the greatest country in the world anymore" from HBO's The Newsroom. With a comparison to the roles of the other main characters from Aaron Sorkin's (the producer) work.

Narratives Of Miami In Dexter And Burn Notice, Myles Mcnutt

Communication & Theatre Arts Faculty Publications

In popular discourse around television, a series’ relationship with place is often marked through the suggestion its setting is “like a character in the show”, but this article argues against adopting this as a framework for analyzing television’s relationship with space and place. It articulates the relationship between this discourse of “spatial capital” and hierarchies of cultural capital within the television industry, limiting the types of series that are deemed to warrant closer investigation regarding issues of space and place and lacking nuanced engagement with place’s relationship with television narrative in particular. After breaking down the logic under which these …

'Why Don’T You Just Go Back Where You Came From?' Or 'Slight Yams': 'Pangs' Of Regret And Unresolved Ambivalence In Joss Whedon’S California, Tereza M. Szeghi, Wesley Dempster

English Faculty Publications

Joss Whedon’s two longest-running television series, Buffy the Vampire Slayer (BtVS) (1997-2003) and Angel (1999-2004), which together constitute the “Buffyverse,” often focus on questions about the degree to which past actions bear on one’s present moral character. Particularly in the case of reformed demons and vampires, regret for past sins weighs heavily on the present and motivates current benevolent and heroic deeds.

For the ensouled vampire Angel most especially, the need to make amends for centuries of sadistic cruelty and bloodshed stamps him with his ever brooding-personality and his nearly ceaseless attempts to balance the scales—while knowing that the scales …

Anime And War, Carol Sun

Honors Papers and Posters

This poster examines the growth and development of anime in Japan in post-World War II Japan, particularly its ability to make audiences question the trajectory of humanity and society and to "critique the society that relies on technology...as a means to prevent or discourage war and conflict".

Life After Nbc’S “The Biggest Loser”: The Experiences And Perspectives Of Former Reality Tv Contestants, Darren D. Moore, Clinton Cooper, Toiya Williams, Kai Zwierstra

The Qualitative Report

Utilizing Qualitative Description influenced by aspects of phenomenology, we conducted fifteen open-ended, semi-structured interviews with former contestants of NBC’s “The Biggest Loser.” The purpose of the study was to explore experiences of significant weight loss. We focused on challenges, emotional well-being, and relational dynamics of contestants transitioning through their weight loss journeys, which included what happened after the show was completed. Further, we analyzed perspectives regarding the utility of Marriage and Family Therapists (MFTs) in working with this population. In the study, three themes emerged which included: (1) Living at the ranch: It’s reality TV, not reality; (2) After the …

Identity And Scene: Alterity And Authenticity In Taxicab Confessions, Steven W. Schoen

Faculty Publications

This essay examines the visual rhetoric of HBOs reality TV program Taxicab Confessions, New York, New York (2005). Drawing on Burke’s rhetorical understanding of scene and Straw’s approach to scene as a category for the analysis of urban culture, I argue that the taxicab interior and nighttime street images of New York City structure a scene of indeterminacy, intimacy, and “reality,” thus framing the passengers’ self-presentations within a context of “authenticity.” The program’s visual structure locates passengers simultaneously outside of and within social norms and reinforces hegemonic notions of race, gender, and sexuality. Passengers are situated within a scene that …

The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş

CLCWeb: Comparative Literature and Culture

In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic past' in a period …

Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon

CLCWeb: Comparative Literature and Culture

In her article "Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl (1929-2016)" Claire Solomon analyzes the Manic Pixie Dream Girl trope as an apparatus of capture (Deleuze and Guattari, A Thousand). More precisely, her article models how such tropes imply modes of reading anachronistically and metafictionally that decontextualize gestures of resistance and conflate female writers, performers, and characters across time and place. Solomon offers a situated formalist reading of Argentine playwright Salvadora Medina Onrubia's 1929 drama, Las descentradas, revealing an avant-garde counterpoint of melodrama and metafiction as an ambiguous alternative to capture.

Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Fat Female Bodies Of Saturday Night Live: Uncovering The Normative Cultural Power Of A Countercultural Comedy Institution, Katharine Cacace

Dissertations, Theses, and Capstone Projects

Despite its reputation as one of the most countercultural and anti-establishment voices in mainstream television comedy, Saturday Night Live helps produce and reproduces cultural norms. Using weight and gender as a lens, this paper investigates Saturday Night Live’s methods of creating, imitating, and evoking the fat female body in order to limit female agency and police unruly female power. It contends that even the inclusion of nonnormative female bodies—fat bodies, queer bodies, and bodies of color—is merely a reiteration of the techniques of neoliberal multiculturalism for the television audience.

Explicar El Fracaso: Casa De Mi Padre (Piedmont, 2012), Liam Baldwin

Spanish: Student Scholarship & Creative Works

No abstract provided.