Race, Ethnicity and Post-Colonial Studies Commons^™

Oppression, Resistance, And Empowerment: The Power Dynamics Of Naming And Un-Naming In African American Literature, 1794 To 2019, Melissa "Maggie" Romigh

USF Tampa Graduate Theses and Dissertations

Oppression, Resistance, and Empowerment: The Power Dynamics of Naming and Un-naming in African American Literature, 1794 to 2019 researches and discusses the way African American authors both discuss naming and un-naming in their works and the way they use naming in their works to illustrate the dynamics of power in relationships—racial, familial, gender-related, work-related, etc. Chapter 1 focuses on the earliest forms of African American literature, memoirs in particular, also known as “slave narratives.” In their memoirs, many of those men and women who were formerly enslaved wrote about having their names taken from them and replaced with names chosen …

There’S A Whole Lotta Rhythm Goin’ Round: How Funk Shaped U.S. Copyright, Katherine Leo

Content Presented at the First and Second Dayton Funk Symposia

Rooted in stylized grooves and lineages of musical borrowing, funk can often seem to exist at the periphery of copyright protection. Its influence on Hip-Hop and R&B, particularly through collage techniques involving digital samples, contributed to a rise in the early twenty-first century of infringement disputes. How have these cases shaped copyright protection of music? After a gloss of federal copyright law, this presentation surveys landmark lawsuits involving funk songs and their impact on later cases. Through its interdisciplinary investigation, this presentation reveals how funk cases proved that musical style offers critical context to legal evaluations of musical similarity and …

Funk Pedagogy: An Ethnographic, Historical, And Practical Study Of Funk Music In Dayton, Ohio, Caleb Vanden Eynden

Content Presented at the First and Second Dayton Funk Symposia

This presentation will discuss an honors thesis research project completed as an undergraduate music student at the University of Dayton. Titled “Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio,” the thesis explores traditional funk style, Dayton’s musical history, and how funk music can be incorporated into music programs and curricula across Dayton area schools. During his student teaching semester, Vanden Eynden had an opportunity to teach a unit on Dayton funk to students at Springboro High School. This presentation will explore some of the findings from this project and share ideas for its future …

Pour Some Water On Me: Prince And The Ohio Players, De Angela Duff

Content Presented at the First and Second Dayton Funk Symposia

In Prince’s incomplete and posthumous memoir, The Beautiful Ones, The Ohio Players is referenced four times. However, Prince’s love of The Ohio Players was evident, decades before the release of this book. Prince has covered Ohio Players’ classics, such as “Skin Tight,” “I Want To Be Free,” “Love Rollercoaster,” and “Heaven Must Be Like This,” in numerous rehearsals, shows, and after shows over the years. However, The Ohio Players are rarely discussed by music critics as one of Prince’s influences. This presentation will attempt to deconstruct why, while also exploring Prince’s funk roots and influences.

Save Our Children, Preston Love Jr.

Black Studies Faculty Publications

It has been a topic of my mental anguish for several years: the plight, and the state of affairs, of our young, our children and our youth.

Land Of Funk Art, Morris Howard

Content Presented at the First and Second Dayton Funk Symposia

The Funk Mural on Land of Funk Way in Dayton was completed in 2018. There are, however, a few other artistic tributes to some of our Dayton Funk heroes, including the metal statue tribute to Roger Troutman and a mural to the Dayton Funk bands located on Germantown Street. Although these are just a few examples here in Dayton, there are also many images of "funk art" all over the world.

Mija, Iris Brito-Stevens

The Tuxedo Archives

No abstract provided.

Funk And The Defunct Music Curriculum, Ed Sarath

Content Presented at the First and Second Dayton Funk Symposia

What, if any, is the place of funk in a 21st century music curriculum in America? This talk responds to this question by situating funk with the context of what Jeff Pressing, in a seminal essay, calls “Black Atlantic Rhythm” (BAR). Pressing’s heading refers to the multitudinous and massively prominent body of rhythmic languages and practices that originated in Africa and took hold, and further evolved, through its various musical diasporas. I view Funk and Black Atlantic Rhythm as part of what I call “21st century” common practice rhythmic literacy, which I argue to exceed in importance Eurocanonic common practice …

Keynote Address — Funk And Afro Futurism: The Past, Present, And Future Of The Funk, Frederick Vincent

Content Presented at the First and Second Dayton Funk Symposia

Dr. Frederick “Rickey” Vincent is author of the award-winning Funk: The Music, the People and the Rhythm of The One (1996), the first definitive treatment of funk music and culture. His address addresses:

• Liberation in the Moment: Other Worlds and Black Liberation (from Soul Train to “Wakanda Forever”)
• The Rhythm Revolution: Liberation, Motion, and Black Identity (JB and The One)
• Transcendence: The Higher Plane of the Funk Groove (Sly and the body/mind/spirit unification)
• The Collective: Tribalism in a Post-Industrial World (Funk blends genres, blends cultures as long as it’s “On the One”)
• The Epic: P-Funk Earth Tour and Beyond (The …

"My Name Is Prince, And I Am Funky!" Prince’S Funk And How He Helped Bring It To A New (Power) Generation, Andrea Foy

Content Presented at the First and Second Dayton Funk Symposia

Throughout his career, Prince Rogers Nelson crossed many genres, pop, rock, punk, R&B, jazz, soul, and funk. He created funky jams from Erotic City to Housequake to Musicology. This presentation addresses an understudied and essential fact that Prince Rogers Nelson is funky. This presentation will outline his contribution to the funk genre through a study of his collaboration with funk legends, including The Time, George Clinton, Sly & The Family Stone, Larry Graham and Maceo Parker, Chaka Khan, Mavis Staples, and Rick James.

Program: 2021 Dayton Funk Symposium And Line Dance Party, University Of Dayton

Content Presented at the First and Second Dayton Funk Symposia

Program includes a welcome from Sharon Davis Gratto, Graul Chair in Arts and Languages; a schedule of presentations; and biographies of presenters, performers, and panelists.

Addressing The Lack Of Availability In Diverse Skin Tone Options For Performance Fabric, Jessica Batey

Honors College Theses

The following research addresses the lack of availability in diverse skin tone options for performance fabric. The project will discuss the struggles people of color face when finding fabrics that accurately match their skin tone and the difficulties in sourcing the materials needed to successfully design a garment. The research gathered will be used to produce a collection of 4 looks using nude mesh fabrics that are readily available to the average consumer. The garments within the collection will be designed to match the skin color of 4 models. The collection’s theme will be based around the 4 cardinal witches …

“This Was 1976 Reinvented”: The Role Of Framing In The Development Of A South African Youth Movement, Ben Kirshner, Tafadzwa Tivaringe, Jesica S. Fernández

Ethnic Studies

The literature on contemporary youth organizing has documented psychological benefits associated with participation and some evidence of local political impact. But how do local organizing campaigns transform into regional or national movements? This is a practical question facing youth organizers and one that calls for attention from researchers. In this article, we draw on 3 years of ethnographic fieldwork with South Africa's Equal Education (EE) to analyze collective action frames that enabled EE youth to assert legitimacy and construct shared aims across locales. Our findings focus on how youth constructed historical continuity frames that lent them legitimacy as upholders of …

The New Beginnings Newsletter, November/December 2021, Wokini Initiative

Wokini Initiative: The New Beginnings Newsletter

SDSU Alumna Joins AISC as Director
Wokini Challenge Grant Spotlight
Save the Date! Wokini Challenge Grant Lecture Series February 6-8, 2022
Wizipan Student Excels With National Park Service
Book of the Month
Dakota Word of the Month
Lakota Word of the Month
Upcoming Events @ AISC
AISC Program Coordinator Named to 30 Under 30

Roots Of Justice: Historical Truth And Reconciliation In Lincoln And Nebraska, Veronica Nohemi Duran, Crystal Dunning, Kathleen A. Johnson, Paul Olson

Truth and Reconciliation History Project

A bibliography of resources about the history in Nebraska of Native Americans, African Americans, Latinos, Asian Americans and Recent Refugees

We hope that these five bibliographies will prove fruitful in helping us to understand what our history has been, where we have gone astray, and what we can do to help bring about reconciliation in our community and in our state.

The discovery of what has happened in Nebraska in the last hundred and seventy years is not an easy task, but it is our goal in putting together this bibliography to begin that task. By putting together a picture …

Exhibit Me / Prohibit Me, Alok Vaid-Menon

Wagadu: A Journal of Transnational Women's & Gender Studies

No abstract provided.

Racialization.Spectacle.Liberation, Sm Rodriguez, Chriss Sneed

Wagadu: A Journal of Transnational Women's & Gender Studies

This special issue navigates the complexity of racialization, experiences related to identity, social structure, and inequality, and that which emerges when one/many embark on journeys towards liberation. “racialization.spectacle.liberation” is an intentional provocation; in both punctuating each word and leaving them affixed, wegesture towards the curious amalgamations that are produced at the intersections of where each project begins and ends. Such processes are not benign.

The Fantasy Of Spotting Human Trafficking: Training Spectacles In Racist Surveillance, Elena Shih

Wagadu: A Journal of Transnational Women's & Gender Studies

In January 2019, in honor of National Slavery and Human Trafficking Prevention Month in the US, the Marriott International hotel group announced that it had successfully trained 600,000 hotel workers to spot the signs of human trafficking in its hotel properties around the world. This training, planned and executed in partnership with anti-trafficking organizations and law enforcement, reflects the recent proliferation of training schemes to identify victims of trafficking. This paper explores how such trainings script racist optics into the surveillance and policing of potential victims. Using proxy markers of poverty, sexuality, race, and nation, victim identification trainings expand policing--by …

Bibliography For "Native American Art: A Display In Celebration Of Native American Heritage", Margaret Puentes

Library Displays and Bibliographies

A bibliography created to accompany a display about Native American art from November 1-30, 2021, at the Leatherby Libraries at Chapman University.

The Mammy, The Strong, Or The Broken: Politics Of Hair Afrocentricities In Scripted Television, Hayley Blackburn

Wagadu: A Journal of Transnational Women's & Gender Studies

The general literature on the experiences of Black women in America consistently discusses the way that more Afrocentric appearances— whether through skin tone, hairstyles and textures, clothing, language, or a combination of all the above— have been negatively framed throughout cultural and media histories ...

The Ruse Of Reading: The Postcolonial Literary Marketplace And The Novels Of Gina Apostol, Maria Gabriela Martin

English Faculty Publications

This paper explores the politics of reading in the novelistic production of Gina Apostol in relation to Sarah Brouillette’s analysis of the postcolonial literary marketplace, Timothy Brennan’s critique of cosmopolitanism, and Gayatri Chakravorty Spivak’s tracking of the native informant in postcolonial discourse. In Brouillette’s work, postcolonial writers, unlike the Romantic author who disavows commercial popularity, are aware of the commodification of their work and interact with it, either through resistance or complicity. Cosmopolitanism for Brennan denotes an unequal flow of intellectual commodities between center and periphery instantiated in the consciousness of the migrant writer valorized in “international book markets because …

Presumed Nonhuman: Black Women Intellectuals And The Struggle For Humanity In The Academy, Andrea N. Baldwin

Wagadu: A Journal of Transnational Women's & Gender Studies

In this article I engage with the work of Sylvia Wynter, Christina Sharpe, and Kevin Quashie, weaving in my own personal narrative of being presumed nonhuman to detail the everyday struggles Black women academics face. Herein I also illustrate how these struggles become sites of resistance, building, and hope.

Dreaming With A Future: Queer Memory Beyond National Trauma, Cynthia Melendez

Wagadu: A Journal of Transnational Women's & Gender Studies

This article examines queer memory in Peru through the works of artists Christian Benday.n, Barboza-Gubo and Mroczek, and the collective No Tengo Miedo. I suggest that they construct alternative memories to the hegemonic one, as they denounce the violence against the LGBTIQ population during the years of political violence (1980-2000).

Black Queer Times At Riis: Making Place In A Queer Afrofuturist Tense, Jah Elyse Sayers

Wagadu: A Journal of Transnational Women's & Gender Studies

This paper posits a queer Afrofuturist mode of spatiotemporal production in queer and trans Black, indigenous and people of color’s navigation to and making of a queer beach to honor Black queer and trans histories and build Black queer and trans futures in opposition to multiple forms of displacement.

The Fantasy Of “Home”: Locating Dislocation, Loss, And Silence, Roksana Badruddoja

Wagadu: A Journal of Transnational Women's & Gender Studies

The meaning(s) of “home” are once again a robust conversation in the American national landscape as we continue to struggle over postcolonial empire-inspired borders. As a queer Person of Color, Woman of Color, and Mother of Color in the U.S.; an American offspring of Bangladeshi Muslim immigrant parents; and a professor of social inequalities, I am particularly concerned about thinking through neoliberal anti-liberatory U.S. racialization projects and the notion of “home” or what I call the “neoliberal home.” I concern myself with diverse languages, images, myths, and rituals through which “home” is represented and constituted, and from the dispatches of …

Artist Statement: Tutorial On Radiance, Kearra Amaya Gopee

Wagadu: A Journal of Transnational Women's & Gender Studies

Tutorials on Radiance explores a queerness beyond the physical body and extends to the lived environments of queer people. I am particularly focused on Anglophone Caribbean cultures of queerness. I will be looking specifically at the boundaries of the 2D image in relation to queerness, portraiture and visibility.

A Vacation Is Not Activism Part Iii —On Tourism And Ecosocial Disasters, Bani Amor

Wagadu: A Journal of Transnational Women's & Gender Studies

No abstract provided.

Review Of Melancholia Africana By Nathalie Etoke, Lanham: Rowman & Littlefield, 2019, Kristen Kirksey

Wagadu: A Journal of Transnational Women's & Gender Studies

Melancholia Africana: The Indispensable Overcoming of the Black Condition by Nathalie Etoke, is equal parts ruminative meditation and urgent call to action for Black Africans and those in the diaspora. The titular concept, melancholia africana, is “an extensible concept that examines how sub-Saharans and people of African descent cope with loss, mourning, and survival in a practice of everyday life contaminated by the past.”

Review Of Progressive Dystopia: Abolition, Anti-Blackness, And Schooling In San Francisco, By Savannah Shange, Durham: Duke University Press, 2019, Siobhan Brooks

Wagadu: A Journal of Transnational Women's & Gender Studies

Alexis de Tocqueville, the French sociologist, in 1831 visited the United States to observe U.S. democracy, and in 1835 he wrote Democracy in America. One of the observations Tocqueville made was that slavery coexisted with ideals of freedom. This observation from almost 200 years ago informs Savannah Shange’s groundbreaking book, Progressive Dystopia: Abolition, Anti-Blackness, and Schooling in San Francisco.

Latino Veterans In Massachusetts, Phillip Granberry, Vishakha Agarwal

Gastón Institute Publications

Among the many types of services that promote the country’s general welfare, military service is among the most noble. People in the military are keenly aware that their service can place their lives at risk so that others keep their economic, political, and social wellbeing. In addition, those with families are aware that hazardous duty pay for deployment in a war zone in no way compensates for the stress placed on their families. This report estimates that 10,674 Latino veterans live in Massachusetts and provides a descriptive comparison to both non-Latino veterans and non-veteran Latinos. These veterans are 1.2% of …