Open Access. Powered by Scholars. Published by Universities.®

Race, Ethnicity and Post-Colonial Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

Discipline
Institution
Keyword
Publication Year
Publication
Publication Type
File Type

Articles 14521 - 14550 of 27363

Full-Text Articles in Race, Ethnicity and Post-Colonial Studies

Silvers, Cleo Interview 2, Bronx African American History Project Mar 2007

Silvers, Cleo Interview 2, Bronx African American History Project

Oral Histories

In her second interview with the BAAHP, Cleo Silvers shifts her focus from her young life in Philadelphia to the beginnings of her activist life in New York City. Silvers’ first foray into the political life came with her involvement with the Lincoln Hospital takeovers in the South Bronx in the late 1960s. At just 19 or 20 years old, Silvers took a leading role in the occupation of the hospital, helping to form policy in the mental health field that would help transform one of the city’s worst hospitals. Treating only the poorest of South Bronx residents, Lincoln Hospital, …

Go to article

Ua12/2/1 College Heights Herald, Vol. 82, No. 39, Wku Student Affairs Mar 2007

Ua12/2/1 College Heights Herald, Vol. 82, No. 39, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

Go to article

Ua12/2/1 College Heights Herald, Vol. 82, No. 38, Wku Student Affairs Mar 2007

Ua12/2/1 College Heights Herald, Vol. 82, No. 38, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

Go to article

Ua12/2/1 College Heights Herald, Vol. 82, No. 37, Wku Student Affairs Mar 2007

Ua12/2/1 College Heights Herald, Vol. 82, No. 37, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

Go to article

Introduction: Special Issue–Women Writing Oceania: Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Ke ̄Haulani Kauanui Mar 2007

Introduction: Special Issue–Women Writing Oceania: Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Ke ̄Haulani Kauanui

Pacific Studies

This introduction to the special issue Women Writing Oceania: Weaving the Sails of Vaka presents a dynamic and wide-ranging collection of creative and scholarly work by indigenous Pacific Islander women. Framing women’s cultural production through the powerful symbolism of the vaka (ocean-going canoe), the coeditors invoke ancestral legacies of female mobility, artistry, and leadership. The issue explores themes of gender, identity, sexuality, colonial legacy, and the politics of representation across diverse forms—essays, poetry, art, and academic analysis. While contributions on sexuality remain limited, the volume challenges silences shaped by cultural protocols and colonial exotification. The editors highlight the limitations of …

Go to article

Sleep, Jewel Castro Mar 2007

Sleep, Jewel Castro

Pacific Studies

Image of a sleeping woman.

Go to article

The Costs Of Inadequate Education For New York State, Clive R. Belfield Mar 2007

The Costs Of Inadequate Education For New York State, Clive R. Belfield

Policy Documents

This paper calculates the economic consequences for the state of New York from failing to ensure that all students graduate from high school. The analyses in this report indicate that there are substantial economic benefits from raising the rate of high school graduation for New York state. These benefits can therefore be interpreted as the maximum amount that could be spent by federal and state/local governments on educational programs to improve the graduation rate.

Go to article

Ka Lawai‘A, Ku‘Ualoha Ho‘Omanawanui Mar 2007

Ka Lawai‘A, Ku‘Ualoha Ho‘Omanawanui

Pacific Studies

This poem uses the extended metaphor of traditional Hawaiian fishing to portray emotional manipulation and betrayal. The speaker likens their relationship to being hunted—baited with false promises and pierced by deception. Imagery of kukui nuts, sharp spears, and the soft body of the he‘e (octopus) evokes both cultural specificity and visceral vulnerability. Ultimately, the poem critiques how some cling to age-old tactics of control and harm, choosing cunning and tradition over transparency or change.

Go to article

Speaking Reflections: Whaikoorero (Speech Making) And Karanga (Welcoming Cry) In Recent Theatre By Maaori Women, Mei-Lin Te-Puea Hansen Mar 2007

Speaking Reflections: Whaikoorero (Speech Making) And Karanga (Welcoming Cry) In Recent Theatre By Maaori Women, Mei-Lin Te-Puea Hansen

Pacific Studies

This essay suggests that contemporary Maaori/bicultural theatre is becoming a potent site for the articulation of Maaori women’s aspirations and concerns. Drawing on Maaori women’s biographical koorero from four plays performed between 1986 and 1997, the essay presents a kind of “vocal kaleidoscope.” This vocal kaleidoscope reflects the complexities of balancing a contemporary existence with a traditional past. Rena Owen’s Te Awa I Tahuti, Riwia Brown’s Roimata, Renee’s Jeannie Once, and Briar Grace-Smith’s Ngaa Pou Waahine render audible gender and cultural identity issues pertinent to Maaori women. Pieced together, the reflective voices of these waahine koorero help locate points of …

Go to article

Tumuge' Påpa' (Writing It Down): Chamorro Midwives And The Delivery Of Native History, Christine Taitano Delisle Mar 2007

Tumuge' Påpa' (Writing It Down): Chamorro Midwives And The Delivery Of Native History, Christine Taitano Delisle

Pacific Studies

This essay explores the evolving significance of the Chamorro phrase tuge' påpa'—"write it down"—as both a command and a cultural imperative in the life of a Chamorro woman and scholar. Anchored in personal history and critical scholarship, the essay examines how writing becomes a medium for engaging with, preserving, and reshaping Chamorro identity, history, and resistance in the face of colonial narratives. Drawing from research on i pattera siha—prewar Chamorro nurse-midwives trained under U.S. Naval Administration—this work blends ethnography, historiography, and family memory to challenge dominant American colonial discourse. Using the motif of “working hands,” it underscores the …

Go to article

Silauni‘I, Jacinta Galea‘I Mar 2007

Silauni‘I, Jacinta Galea‘I

Pacific Studies

This poignant story follows the narrator’s friendship with Silauni‘i, the daughter of a village minister in Samoa. Silauni‘i is quiet, unconventional, and full of subtle resilience—her zig-zag pigtails, uncombed hair, and luminous smile defy rigid expectations placed on minister’s children. Together, the girls navigate school, village gossip, and the burdens of being “examples” in their community. As they study Samoan grammar at A‘oga Samoa, the story builds to a heartbreaking moment when Silauni‘i is publicly beaten after failing a quiz, a punishment that reflects the weight of expectations and the cruelty of discipline cloaked in righteousness. Through intimate details and …

Go to article

Blood And Reproduction Of (The) Race In The Name Of Ho‘Oulu Lāhui—A Hawaiian Feminist Critique, J. Kehaulani Kauanui Mar 2007

Blood And Reproduction Of (The) Race In The Name Of Ho‘Oulu Lāhui—A Hawaiian Feminist Critique, J. Kehaulani Kauanui

Pacific Studies

This essay interrogates the colonial legacy and contemporary consequences of blood quantum laws in defining Native Hawaiian identity, focusing on the exclusionary impact of the 1921 Hawaiian Homes Commission Act’s 50% rule. Through personal reflection and political critique, it examines how these policies fragment genealogical connection, displace indigenous knowledge systems, and fuel internalized anxieties about authenticity and extinction. Drawing on statements by sovereignty leaders Mililani Trask and Lynette Cruz, the essay explores how nationalist calls to ho‘oulu lāhui (reproduce the nation) place disproportionate reproductive burdens on Hawaiian women, often framed within heteronormative, racialized, and even eugenicist logics. While Trask emphasizes …

Go to article

Shadows Dance In My Head, Cresantia F. Koya Vaka'uta Mar 2007

Shadows Dance In My Head, Cresantia F. Koya Vaka'uta

Pacific Studies

This emotionally charged poem captures the fragmentation of memory, longing, and betrayal through rich sensory imagery and stream-of-consciousness form. The speaker grapples with a haunting relationship marked by absence, desire, and spiritual dissonance. Religious symbols like rosaries and puja sit beside visceral images of movement, scent, and violence, evoking a clash between sacred ritual and raw human emotion. A mysterious woman—sensual, spectral, unattainable—symbolizes the speaker’s loss and powerlessness. The poem loops, returning to “shadows” and “silence,” suggesting the persistent echo of emotional trauma and unresolved yearning.

Go to article

Pele, Hi‘Iaka, And Haumea: Women And Power In Two Hawaiian Mo‘Olelo, Noenoe Silva Mar 2007

Pele, Hi‘Iaka, And Haumea: Women And Power In Two Hawaiian Mo‘Olelo, Noenoe Silva

Pacific Studies

This paper examines two Hawaiian mo‘olelo published in Hawaiian in 1861 and 1905 for representations of powerful female characters. These characters are seen to be human, divine, and parts of the landscape all at once. The paper argues that the elaborated stories as literature have been lost in the processes of colonialism that eroded and nearly eradicated the Hawaiian language; the stories have been replaced with caricatures, distorted translations, and other simulacra that work to reinforce stereotypes about Hawaiians. A successful revitalization of the Hawaiian language that allowed most people to be able to read this literature would work as …

Go to article

Fijian Women As Orators: Exceptions To “Tradition”?: Theresa Koroivulaono Interviewed By Caroline Sinavaiana And J. Kēhaulani Kauanui, Caroline Sinavaiana, J. Kehaulani Kauanui Mar 2007

Fijian Women As Orators: Exceptions To “Tradition”?: Theresa Koroivulaono Interviewed By Caroline Sinavaiana And J. Kēhaulani Kauanui, Caroline Sinavaiana, J. Kehaulani Kauanui

Pacific Studies

This interview examines the position of Fijian women through the structures of formulaic, ceremonial, oral narratives that provide the framework within which Fijian rituals and customs are enacted. A specific ceremony, the Kau Ni Matani Gone, which marks a person’s first visit to her/his mother’s or father’s village, informs the discussion on changing gender constructs. Research included fieldwork in Fiji and involved both the examination of written history and conducting interviews to collect information on Fijian oral traditions and history. Examining the position of Fijian women in modern society with recourse to traditional elements that have defined their identity provides …

Go to article

Vol. 30, No. 1/2 (2007): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI Mar 2007

Vol. 30, No. 1/2 (2007): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Front Matter for the Vol. 30, No 1/2-March/June 2007 edition of the Pacific Studies Journal. Special Issue: Women Writing Oceania: Weaving the Sails of Vaka

Go to article

Mauri, Alice Te Punga Somerville Mar 2007

Mauri, Alice Te Punga Somerville

Pacific Studies

This evocative poem is a quiet meditation on memory, mourning, and the enduring presence of a loved one. The white wreath becomes a sacred object—part keepsake, part spirit vessel—tied to a deeply personal moment of loss. As the speaker reflects on the wreath’s gentle movement, what might be dismissed as mere wind becomes, for them, a sign of something more: a whisper from beyond, a connection that lingers even in silence.

Go to article

Sarong/‘Ie Lavalava, Caroline Sinavaiana Mar 2007

Sarong/‘Ie Lavalava, Caroline Sinavaiana

Pacific Studies

These paired poems—one traditional and one contemporary—celebrate love, desire, and cultural identity through the evocative imagery of clothing and voyage. The first, a traditional Samoan poem, uses the lavalava (sarong), siapo (tapa cloth), and the metaphor of anchoring a canoe to express admiration, intimacy, and the quiet finality of choosing a beloved. The second, more modern, mirrors this sentiment with lyrical imagery: a sarong as a flowing connection between nature, memory, and union. Together, they link personal affection with cultural heritage, honoring both bodily adornment and emotional anchorage.

Go to article

Illegal Alien? The Immigration Case Of Mohawk Ironworker Paul K. Diabo, Gerald F. Reid Mar 2007

Illegal Alien? The Immigration Case Of Mohawk Ironworker Paul K. Diabo, Gerald F. Reid

Sociology Faculty Publications

In March of 1927 Paul K. Diabo, a thirty-six-year-old Mohawk ironworker from Kahnawake (Mohawk Nation Territory), Quebec, appeared before Judge Oliver B. Dickinson in federal court in Philadelphia to contest his deportation to Canada. According to the Department of Immigration, which had arrested him a year earlier, Diabo had violated the Immigration Act of 1924 and should be considered an illegal alien. As a member of the Rotinonhsionni (Iroquois) Confederacy, Diabo contended that he had a right to cross the international border without interference and restriction—a right, he argued, that had been recognized by the Jay Treaty of 1794. Diabo’s …

Go to article

Village Princess, Tusiata Avia Mar 2007

Village Princess, Tusiata Avia

Pacific Studies

This poem reflects on the tension between traditional cultural roles and personal freedom, using the figure of a taupou—an honored ceremonial title in Samoan culture—as a lens. The speaker contrasts their sister’s symbolic beauty and status with her eventual rejection of expectations, choosing instead a life of independence and reinvention in America. The shift from reverence to silence around titles suggests a broader commentary on changing values and the cost of self-determination.

Go to article

Living Small, Kim Meredith Mar 2007

Living Small, Kim Meredith

Pacific Studies

This story traces Luisa’s quiet reflections during a bus ride through the city and into the suburbs, blending present experiences with vivid memories of a full, familial past. As she recalls life with her husband in her grandparents’ home and her grandmother’s moving speech at her university graduation, we see Luisa grappling with the contrast between her youthful dreams and her current life. Her grandmother once called her “a dreamer” and supported her late-night intellectual curiosity, forging a bond that shaped Luisa’s path. When a coworker sits beside her on the bus, Luisa is drawn back into the present, revealing …

Go to article

Manōwai, Victoria Nālani Kneubuhl Mar 2007

Manōwai, Victoria Nālani Kneubuhl

Pacific Studies

This story follows Kanoe, a woman who retreats to rural Kona to recover from an emotionally abusive relationship with Frank, a manipulative academic. Through journal-like reflections and quiet moments in the heat-soaked coastal town, Kanoe processes her heartbreak and rediscovers herself. Her interactions with locals—particularly the wise and warm-hearted Luisa—reveal a rhythm of life grounded in history, resilience, and a subtle but profound sense of healing. As Kanoe begins writing again and exploring her surroundings, her journey shifts from escape to restoration, where stories, memory, and new connections light the path forward.

Go to article

It Began With A Question, Konai Helu Thaman Mar 2007

It Began With A Question, Konai Helu Thaman

Pacific Studies

This poem reflects a quiet, profound moment of surrender and trust. Rooted in timelessness and uncertainty, the speaker is called into action not by clarity, but by faith. Despite feeling disconnected from place and time, they answer a rare question with a brave "yes," grounding themselves in something enduring—a rock that "noticed" them. It’s a meditation on belonging, voice, and hope whispered into a weary world.

Go to article

Walking With My Grandmothers #1, Jewel Castro Mar 2007

Walking With My Grandmothers #1, Jewel Castro

Pacific Studies

Image of three women, two are grandmothers

Go to article

The Night Woman, Sia Figiel Mar 2007

The Night Woman, Sia Figiel

Pacific Studies

This evocative poem honors the resilience, knowledge, and sacred power of the “Night Woman”—a symbolic figure who endures judgment and violence from the dominant “Day People.” Though wounded, she hides her pain behind silence and laughter, carrying ancient wisdom of the natural and cosmic world. In a transformative act at the ocean’s edge, she sheds societal expectations (“Day Skin”) to embrace her true self, birthing new generations whose identities are written in the stars. It’s a lyrical celebration of hidden strength, ancestral legacy, and feminine sovereignty.

Go to article

Diagnosis, Caroline Sinavaiana Mar 2007

Diagnosis, Caroline Sinavaiana

Pacific Studies

This poem captures a moment of tense uncertainty, likely surrounding a medical diagnosis revealed by ultrasound. The natural imagery—sea of shadows, swaying grass, warring rain and wind—mirrors the speaker’s emotional turbulence. Faced with a 50/50 prognosis, they turn inward, preparing for struggle or protection by invoking ancestral strength, symbolized by “ancient arrows” and a tightened bowstring. It’s a poetic meditation on fear, resilience, and readiness in the face of potential loss.

Go to article

Butterfly Thighs Flutter By The Bye, Rosanna Raymond Mar 2007

Butterfly Thighs Flutter By The Bye, Rosanna Raymond

Pacific Studies

An artwork displaying a woman in sepia tones in front of a background of text.

Go to article

Waimanalo Litany, Caroline Sinavaiana Mar 2007

Waimanalo Litany, Caroline Sinavaiana

Pacific Studies

This elegiac poem, “Waimanalo Litany,” written in memory of Mahealani Dudoit, is a lyrical meditation on loss, healing, and the sacred presence of place. With vivid imagery of ocean, land, and ancestral spirits, the poet weaves a prayerful plea for mercy and peace across beloved Pacific landscapes. The repeated invocations to the spirits of moana, Koʻolau, Makapuʻu, and Waimānalo evoke a sense of cultural rootedness and spiritual continuity, even amid physical pain and environmental disruption. It is both a personal tribute and a collective chant of remembrance.

Go to article

My Pigeon, From The Samoan, Caroline Sinavaiana Mar 2007

My Pigeon, From The Samoan, Caroline Sinavaiana

Pacific Studies

This poem is a lyrical elegy expressing love, longing, and loss through the metaphor of a pigeon in flight. Rooted in Samoan tradition, it evokes a deep emotional landscape where nature mirrors the ache of separation. The forest becomes both a literal and symbolic space of mystery and mourning, as the speaker watches and waits in vain for a beloved who has disappeared. Through its gentle cadence and sensory imagery, the poem captures the enduring ache of absence and the hope—however faint—that love might return on silent wings.

Go to article

Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua Mar 2007

Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua

Pacific Studies

Hilihewa ka mana‘o ke‘ole ke kūkākūkā. As thoughts can become miswoven when there is no discussion, so it is with our identities as Wahine Maoli, Native Hawaiian women, and the ensuing choices we make about how to live in this world. Other recent collaborative articles by Kānaka Maoli have used kūkākūkā to refer to face-to-face “talk-story” sessions. This kūkākūkā is different, as one of us is living in Hawai‘i and the other in California. We used e-mail and telephone conversations to enable kūkākūkā spanning distances of time and space. As we communicate across generations and across our ocean home, we …

Go to article

First Prev Next Last