Musicology Commons^™

Program Notes. A Little Bizarre...A Little Extravagant. Camerata Milwaukee, Shorewood, Wi. February 23, 2019., Marianne Kordas

Faculty Publications

No abstract provided.

John Adams Composing Through Others: Modeling, Innovation, And Recomposition, Michael Edward Palmese

LSU Doctoral Dissertations

John Adams has frequently embedded allusions to the music of others in his work while also drawing on more general stylistic conventions and sensibilities of others to inform his creative output. Although this dynamic has been widely acknowledged in Adams’s body of work by scholars and critics generally, it has received little sustained attention or explanation. I argue that much of his work involves “composing through others,” a process in which he adopts, in various ways, the aesthetic conventions, styles, and sensibilities of other composers. By unearthing traces of this creative approach through a focus on short, but significant, periods …

Serving The Needs Of International Students: A Qualitative Study, Mandi Goodsett, Michael Baumgartner

Michael Schwartz Library Publications

This study attempts to discover the barriers that international music students encounter when using the library and conducting research at North American academic institutions. To these ends we implemented multiple semi-structured interviews. Most studies that have been conducted about international students and information literacy employ a survey, but other qualitative means of study reveal important insights into the needs of this population. In-depth qualitative research that explores the experiences of international music students has the potential to cultivate better understanding of this phenomenon so that music librarians and faculty can more effectively serve this distinct population.

Studies Of Musical Borrowing: Borrowing As Compositional Tool In Béla Bartók's Second Piano Concerto And The Influence Of Luciano Berio On The Grateful Dead's Approach To Live Improvisation, Michael J. Crowley

Theses and Dissertations

J. Peter Burkholder’s typology of musical borrowing provides new ways of thinking about and understanding how composers and musicians incorporated influential ideas into their own compositions. This paper explores two cases of musical borrowing in order to gain a deeper understanding of the compositional styles of the chosen subjects. In the first study, I explore Béla Bartók’s use of Paraphrase, Modeling and Stylistic Allusion in his Second Piano Concerto, demonstrating how Bartók used borrowing as a compositional tool to develop his own innovative ideas. In the second study, I investigate how Luciano Berio’s compositional style influenced the Grateful Dead’s approach …

Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper

Theses and Dissertations

This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.

Sighs Of The German People: An Emotional History Of Musical Sigh-Compositions During The Thirty Years War (1618–1648), Thomas Marks

Dissertations, Theses, and Capstone Projects

This dissertation is the first of its kind to offer a comprehensive account of a genre of German Lutheran sacred works titled Seufftzer or suspiria (sighs) that were published with increasing frequency during the Thirty Years War (1618–1648). Drawing from recent work in the history of emotion, I approach emotion-terms from the mentalities of those who deployed them. In chapter two, I offer a historically nuanced definition of the word Seufftzer, which takes into account the emotional gesture’s largely sacred meanings. For German Lutherans in the early modern era, the sigh was not just an expression of some internal feeling …

Diy In Early Live Electroacoustic Music: John Cage, Gordon Mumma, David Tudor, And The Migration Of Live Electronics From The Studio To Performance, Lindsey Elizabeth Hartman

LSU Doctoral Dissertations

This research examines early live electronic works by Gordon Mumma, David Tudor, and John Cage—three influential American experimental music composers who designed, built, and recontextualized electronics for live performance—and the Do-It-Yourself (DIY) aesthetic embodied by their instruments and the compositions written for them. This dissertation serves as a presentation of original research into the earliest composers of live electronic works and the necessary DIY approach used in building independent systems. Previous research on the DIY perspectives in music often touch on the grass-roots nature of contemporary electroacoustic systems but there is not yet research specific to the DIY approach taken …

The Gonzagas: Artistic Patronage In The Mantua Region During The Italian Renaissance, Ariane Omerza, Curtis Marek, Zachary Myatt

2019 Festscrift: Claudio Monteverdi's Orfeo

The Mantua region of Italy is one that was controlled by the Gonzaga family for centuries. They dominated political and cultural aspects of life. This paper displays evidence that illustrates the power and structure behind Italian patronage during the Renaissance era. It showcases the Gonzaga family’s power in the Mantua region as well as their reaching influences on the greater Italian society. Specific examples of the family patronage are explored in depth, along with the ways that their patronage affected others. Overall, this paper serves as an array of information that ties in with the overarching themes of patronage both …

Andraé Edward Crouch's Musical And Theological Pursuits: An Analysis Of Three Pieces From The Just Andraé Album, Stephen Michael Newby

Seattle Pacific Seminary Theses

Each generation of musical artists challenges its audience according to the needs and the tenor of the times. Composer and musical prodigy Andraé Edward Crouch is known as the father of Modern/Contemporary African American Gospel music. Crouch infused traditional gospel, black hymnody, elements of art song, concert music, jazz and R & B forms into his canon. This thesis explores Crouch’s work through the intersection of ideas on theology, imagination, race, poverty systems, liberty and social justice, as well as his convictions for reaching “the lost”, and challenging the church to evolve spiritually towards a greater advancement of God’s Kingdom. …

“Blaspheming Beethoven?”: The Altered Bach Motive In Vaughan Williams’S Fourth Symphony, Ryan M. Ross

CoE Publications

Vaughan Williams’s Fourth Symphony (1934) has elicited much discussion regarding its aesthetic nature and sources of inspiration. Early critics associated the work’s dissonances with a concession to continental European musical modernism, or with a depiction of the political tensions of 1930s Europe. More recent commentaries have noted its references to Beethoven, one of which the composer admitted to in print. These commentators have argued either that these references constitute a continuation of the Beethovenian tradition in the twentieth century, or that they present a critique of the German composer. This essay adds a new argument in favor of the latter …

Mills Brothers (1924-1981), John A. Drobnicki

Publications and Research

The Mills Brothers were the first African American group musical group to enjoy popularity with white audiences, and had a career that lasted over fifty years.

Defining The Late Style Of Johannes Brahms: A Study Of The Late Songs, Natilan Casey-Ann Crutcher

Graduate Theses, Dissertations, and Problem Reports (ETD)

Johannes Brahms has long been viewed as a central figure in the Classical tradition during a period when the standards of this tradition were being altered and abandoned. His resistance to innovation creates some difficulty when trying to pinpoint his "late style", and how he fits into the late style concept. While existing scholarship on Brahms's late style tends to focus on his chamber works, this document focuses on his late Lieder. This document proves a study of Brahms's literary considerations, a comparison of his early and late songs, and a comparison between Brahms and some of his contemporaries. In …

Prizes, Winning, And Identity: Narrative Vocal Music Of The Pulitzer Prize, 2008–2018, Julia K. Kuhlman

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis considers the ways in which the Pulitzer Prize for Music shapes and is shaped by music of the moment. Since 1943, the Pulitzer Prize has marked 83 pieces as “distinguished” examples of American music. The financial rewarding of winning composers and the initiation of a reciprocal transfer of prestige and political capital, the Pulitzer’s expert juries and governing body has contributed to the preservation of a perpetually-shifting status quo. By chronicling the year-to-year shifts of administrative power dynamics in prize selections, the Pulitzer Prize has mirrored the changing American musical landscape.

Drawing on methods of reception history, archival …

A Musical-Historical Study Of Italian Influences In Three Regina Caeli Of The French Baroque Period, Marie-France Duclos

Theses and Dissertations--Music

The French baroque petit motet was the most prolific genre of seventeenth-century France. In this study, three petits motets, specifically Regina caeli settings of French composers Marc-Antoine Charpentier, Nicolas Bernier and François Couperin are examined with an emphasis on the motets’ historical context in relation to the French monarchy and the Italian concepts that the composers incorporated into each work. All three Regina caeli settings display some Italian compositional techniques of the stile moderno in various degrees and were written in different contextual ecclesiastic milieux.

The intersections of, as well as distinctions between, musical ideas of traditional French style …

Teresa Carreño’S Early Years In Caracas: Cultural Intersections Of Piano Virtuosity, Gender, And Nation-Building In The Nineteenth Century, Laura Pita

Theses and Dissertations--Music

This dissertation studies the musical activities of the Venezuelan pianist and composer Teresa Carreño (1853-1917) during her formative years in Caracas. It examines the sources that pertain to her musical environment, early piano training, and first compositions in the context of the growth in Caracas of the practices of recreational sociability, the increasing influence of virtuosic music, and the tradition of private concert-making sponsored by devoted music amateurs. This study argues that Teresa Carreño’s musical upbringing occurred in a social and cultural context in which Enlightenment-framed ideologies of civilization and social progress, shaped in fundamental ways the perceptions of the …

Remaking The Iconic Lulu: Transformations Of Character, Context, And Music, Jennifer Tullmann

Theses and Dissertations--Music

Using Alban Berg’s opera Lulu as a case study, this dissertation explores the fluid nature of cultural artifacts as they are reborn within new socio-cultural contexts. By examining several Lulu productions, this inquiry seeks to understand the changes of meaning that have occurred through the transformation of canonic works in the twentieth- and twenty-first centuries. Central to this project is the shifting nature of the character of Lulu, not only in Berg’s opera, but also in various artistic genres that preceded and affected his own conceptions, as well as her appearances in selected productions.

This study contrasts modern Lulu productions …

When The Inhuman Becomes Human: An Examination Of The Musical Portrayal Of The Robot In Twenty-First Century Science-Fiction Cinema Through An Analysis Of The Film Scores Of Automata, Ex Machina, And The Machine, Rebecca Ann O'Brien

Theses and Dissertations--Music

Science fiction film has been telling stories about artificial anthropomorphic robots and androids for almost a hundred years, spawning films, such as Metropolis (1927), Ghost in the Shell (1951), and Blade Runner (1982). Each of these science-fiction films was complemented by a musical score that helped to create an onscreen world dominated by a dystopian view of the future. Influenced by the generations of prior science-fiction films, Automata (2014), The Machine (2013), and Ex Machina (2015) are all concerned with the same narrative in which humanity is in decline while artificial robots are rising up and experiencing life in a …

Exposing Corruption In Progressive Rock: A Semiotic Analysis Of Gentle Giant’S The Power And The Glory, Robert Jacob Sivy

Theses and Dissertations--Music

English progressive rock band Gentle Giant is catalogued under the progressive (or “prog”) rock genre for a variety reasons, including unique instrumentation, virtuosity, and interesting/unconventional musical attributes. The complexity of their music is often warranted by the sophisticated concepts behind their albums and the deep messages of their songs. The Power and the Glory (TPatG), Gentle Giant’s sixth studio album, is a concept album that emphasizes the rise and corruption of power. What makes their music, especially TPatG, worthy of scholarly attention beyond the simple examination of the compositional techniques employed is the way in which the …

Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger

Theses and Dissertations--Music

This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …

Soundboard Scholar No. 5 (Complete)

Soundboard Scholar

No abstract provided.

A Survey Of The History Of The Concertmaster Through The Baroque, Classical, And Romantic Eras, Leah E. Bonas

Theses and Dissertations

During the evolution of the orchestra from 1600-1900, the concertmaster remained a key leadership figure who held great influence over the ensemble. This paper examines the concertmaster’s changing role in the orchestra throughout the Baroque, Classical, and Romantic eras and studies the examples of exceptional concertmasters from each era, giving further historical insight into the lives and duties in of these orchestral leaders and musicians. During the Baroque era, when ensembles lacked conductors, the concertmaster shared control of the orchestra with the keyboard-player or time-beater. During the Classical Era, the concertmaster gained a larger role in the orchestra and often …

A Selected Comparison Of Music Librarians' And Musicologists' Self-Archiving Practices, Rachel E. Scott

Faculty and Staff Publications – Milner Library

The importance of open access (OA) advocacy is well-documented in the literature of academic librarianship, but previous research shows that librarians' OA behaviors are less conclusive. This article compares the self-archiving practices of music librarians and musicologists to see how librarians rank in OA adoption. Availability of articles published from 2013 to 2017 in six green OA journals in music librarianship and musicology indicates a need for continued advocacy and enhanced understanding of OA policies and opportunities.

A Compendium Of Opera In Spain And Latin America, Michelle S. Smith

Graduate Theses, Dissertations, and Problem Reports (ETD)

Spain and Latin America have a rich operatic tradition, however this opulent body of operatic work is mostly overlooked or ignored in mainstream histories of opera. This document focuses on opera in Spain and the Spanish-speaking countries of Latin America. Opera was both composed and performed in Spain and Latin America, and both regions demonstrate the development of national opera traditions. Spanish drama was closely linked to the beginnings of national opera, and Italian influence is evident in opera compositions from both regions. The output of national operas varies by country, with Spain, Mexico, and Argentina claiming the majority of …

Cover

Soundboard Scholar

The scene of angel musicians on our cover is a detail shot of the topmost portion of the famous “Paradiso” fresco in the Cathedral of Orvieto, Italy. It was painted by Luca Signorelli in 1499, at the very time of Columbus’s third voyage, when (as Richard Pinnell explains in this issue) Spanish guitarras and vihuelas were first being introduced to the New World. The Signorelli fresco’s music-historical interest for us lies in the guitar-like instrument depicted in the hands of the highest angel in the heavenly ensemble—a position of no small honor for her or her instrument. It is approximately …

Editor's Letter, Thomas Heck

Soundboard Scholar

An introduction to the contents of this issue.

The Early Guitar In The New World: Its Route From Seville To Santo Domingo, Puerto Rico, And Cubagua (1497–1550), Richard T. Pinnell

Soundboard Scholar

Pinnell discusses the history of guitar in the New World. The third voyage of Christopher Columbus was not only the first of the Columbian voyages to reach South America along the Venezuelan coastline; it was also the first that explicitly included musical instruments and trained musicians. "Their Catholic Majesties" (Los Reyes Católicos), so designated by Pope Alexander VI upon their defeat of the Moors, had already been quite disappointed with the lack of stability and growth in the grim encampments established by Columbus, so this time they proposed a unique list of professions and skills among the passengers to ensure …

Mauro Giuliani And Austrian Folk Music, Stefan Hackl

Soundboard Scholar

Mauro Giuliani, one of the most important figures in the growth and development of the guitar in the earlier nineteenth century, spent his most productive years in Vienna from 1806 to 1819. He was well connected with the cultural and social life of the imperial city, at the time a melting pot which welcomed talented artists with diverse backgrounds from throughout the provinces and neighboring states. Here, Hackl discusses Giuliani's folk songs.

Featured Facsimile: Mauro Giuliani’S ZwöLf Neue Wald-LäNdler (Twelve New Forest-LäNdler), Op. 23, Mauro Giuliani

Soundboard Scholar

Giuliani's Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23, in score. It was first published by the prestigious firm of Artaria & Co., with plate no. 2710, advertised for sale on 27 January 1810. Characteristic of these waltzes were the chordal (triadic) melodies, inspired stylistically by yodelers and yodeling. The intervallic tuning of the guitar favors the performance of such melodies as these, which evoke a style of folk music that runs deep in Austrian musical consciousness. Usually performed in sets of twelve, all in the same key, a Ländler-reihe (set, or row) usually began slowly, accelerated gradually toward the …

Los Romeros: Royal Family Of The Spanish Guitar By Walter Aaron Clark, Richard Long

Soundboard Scholar

A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark.

Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, By Ian Gammie, Richard Long

Soundboard Scholar

A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie.